The Phenomenon of Digital Art as a Means of Preservation of Cultural Heritage Works
Copyright policy )The Phenomenon of Digital Art as a Means of Preservation of Cultural Heritage Works
The constant development of multimedia technologies and, as a result, their rapid spread among countries around the world has been a general trend in digital art in the late twentieth and early twenty-first century. This phenomenon, as practice shows, comes out top among other creative activities. With the help of multimedia technologies it is possible to optimize multimedia systems in figurative and meaningful value relations. An important role here is given to the development of a unigue multimedia “language”, which harmoniously combines technical, creative and value-oriented components.This article presents an analysis of the use of the submersive method in solving scenario-design problems for the preservation of elements of cultural heritage through the use of 3D mapping and video projection in exhibition space design and for projections onto the facades of architectural landmarks. The content of such video projections and specific characteristics of the artistic imag-es they draw upon depend on the functional purpose of the context in which the interactive work is presented. There remains a need for greater scientific understanding of the phenomenon of in-teractive art, in the interests of improving professional design practices in the preservation of cul-tural heritage works.
Microsoft Academic Graph classification: History Visual arts Cultural heritage Digital art Phenomenon
design, Museology, Museums. Collectors and collecting, Conservation, cultural heritage, exhibition space, AM1-501, submersive method, interactive art
design, Museology, Museums. Collectors and collecting, Conservation, cultural heritage, exhibition space, AM1-501, submersive method, interactive art
Microsoft Academic Graph classification: History Visual arts Cultural heritage Digital art Phenomenon
1612
BASU, Paul and MACDONALD, Sharon (2007). Introduction: Experiments in Exhibition, Ethnography, Art and Science. In: Paul Basu u. Sharon Macdonald (eds.), Exhibition Experiments. Oxford, Blackwell Publishing.
BENNETT, Tony (2001). Differing Diversities: Transversal study on the theme of cultural policy and cultural diversity. Strasbourg, Council of Europe Publishing.
DEAN, D. (2002). Museum exhibition: Theory and practice. London and New York: Routledge, 1994. Accessed online: https://www.academia.edu/38560181/Museum_Exhibition GERE, C. (2006). Digital Culture (second edition). London: Reaction books.
14 KRYVUTS, Svitlana and GONCHAR, Olena. (2019). Polyfunctionality of ЗD videomapping … KERLOW, Isaac V. (2009). The Art of 3D Computer Animation and Effects. Wiley. ISBN: 978-0- 470-08490-8.
KĘSIK, Jacek et al. (2017). An approach to computer-aided reconstruction of museum exhibits. In: Advances in Science and Technology Research Journal, 11(2), p. 87-94.
KESNER, Ladislav. (2000). Muzeum umění v digitální době: Vnímání obrazů a prožitek umění v soudobé společnosti. Praha: Argo a Národní galerie v Praze.
KRIVUTS, S.V. (2015). The role of media design in the formation of the exhibition space. In: Danilenko (ed.) Bulletin of the Kharkiv State Academy of Design and Arts: Collection of scientific works, V.Ya. Kh.:KSADA, p. 36-41.
KRYVUTS, Svitlana and GONCHAR, Olena. (2019). Polyfunctionality of ЗD videomepping as a new structural model of communicative influence in a design environment. In: Aktuelle Themen im Kontext der Entwicklung der modernen Wissenschaften: der Sammlung wissenschaftlicher Arbeiten «ΛΌГOΣ» zu den Materialien der internationalen wissenschaftlich-praktischen Konferenz, Dresden, 23 Januar, Dresden: NGO «Europäische Wissenschaftsplattform». Vol. 6, p. 17-19.
JAGOŠOVÁ, Lucie, KRÁLOVÁ, Jitka (2017). Aktuální kontury profese muzejního pedagoga. Reflexe kvalifikační profilace pracovníků v oblasti muzejní pedagogiky na příkladu Komise pro práci s veřejností a muzejní pedagogiku AMG ČR. In: Muzeológia a kultúrne dedičstvo, 5(2), p. 141-153. [OpenAIRE]
JAGOŠOVÁ, Lucie, Otakar KIRSCH et al. (2016). Muzejní profese a veřejnost 1. Nástin historie a současnosti vzájemných vztahů muzeí a jejich publika. Brno: Masarykova univerzita. Accessed April 13, 2020, https://archeo-muzeo.phil.muni.cz/media/3056324/muzejni_profese_a_verejnost.pdf
- 1
- 2
citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).1 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average citations This is an alternative to the "Influence" indicator, which also reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).1 popularity This indicator reflects the "current" impact/attention (the "hype") of an article in the research community at large, based on the underlying citation network.Average influence This indicator reflects the overall/total impact of an article in the research community at large, based on the underlying citation network (diachronically).Average impulse This indicator reflects the initial momentum of an article directly after its publication, based on the underlying citation network.Average
Citations provided by BIP!Popularity provided by BIP!