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INSAM Journal of Contemporary Music, Art and Technology 5 (II/2020)
The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing in the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world unburdened with what has preoccupied our minds and lives in 2020, the theme for this one is directly shaped by it. During the Spring, when we were taken aback by the governmental measures and the fear of the “invisible enemy” (the use of militant vocabulary is rather prominent in the discourse surrounding the virus), the uncertainty for the future grew strong. However, at that time, we could not predict the longevity, brevity and consequences of the pandemic – in December we are still not certain, but we are getting tired. This is why I would like to thank all the authors for working with us in these trying times, unpacking what can only be a beginning of ‘a global crisis’ during the Summer and Autumn of 2020. The main theme of the issue, Music, Art, and Technology in the Time of Global Crisis, strives to capture this period through the lens of workers in art, music, and academia around the world, focusing on the role and place of arts and technology in our/their relocated institutional realities.
Contemporary Music, Contemporary Art, Transdisciplinarity, Global Crisis, Covid-19, Technology
Contemporary Music, Contemporary Art, Transdisciplinarity, Global Crisis, Covid-19, Technology
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Anastasiadis, Mario. 2019. Social-Pop-Media. Zur Mediatisierung von Popmusik und digitaler Musikpraxis in sozialen Medien . Wiesbaden: Springer VS. [OpenAIRE]
Association Française des Orchestres. 2015. Orchestral Audiences. A Nation-wide Study. 2013/2014 Season. Accessed September 2, 2020. http://www. france-orchestres.com/colloque/wp-content/uploads/sites/3/2015/09/BRO - CHURE_colloque_2015_A5_ENG_BAT.pdf.
Eggert, Moritz. 2020. “Chancen in bedrückender Stille. Das Verstummen des Musiklebens und die Hofnung auf die Zeit danach.“ neue musikzeitung 69 (4). https://www.nmz.de/artikel/chancen-in-bedrueckender-stille.
Institut für künstlerische Forschung (!KF), Digital-Stage.org , Accessed September 1, 2020. https://digital-stage.org/?lang=en.
Kurtz, Holger. 2020. “Noch ruckelt die digitale Konzertbühne. Gemeinsames Pro - ben und Musizieren im Netz - Hürden und Lösungsansätze.“ neue musikzei - tung 69 (5). https://www.nmz.de/artikel/noch-ruckelt-die-digitale-konzert - buehne.
Kurtz, Holger, 2018. „Synchronizität in Zeiten des Streamings. Wie ein Quartett die Entfernung München-England überbrückt.“ neue musikzeitung 67 (2). https://www.nmz.de/artikel/synchronizitaet-in-zeiten-des-streamings.
„Kunstuniversität Graz. Ein virtueller Proberaum für Neue Musik“. 2020. Achtzig. Die Kulturzeitung . July 16, 2020. Accessed September 1, 2020. https:// www.achtzig.com/2020/07/kunstuniversitaet-graz-ein-virtueller-prober - aum-fuer-neue-musik/.
Kühr, Gerd. 2020a. Corona Meditation by Gerd Kühr. World premiere in Graz and worldwide, on April 30 th , 2020. Accessed September 2, 2020. https://styriarte. com/wp-content/uploads/2020/04/corona-meditation-description_eng_ ger-final.pdf.
Kühr, Gerd. 2020b. Corona-Meditation (for any number of pianos). Music score. Accessed September 2. 2020. https://styriarte.com/wp-content/up - loads/2020/04/corona-meditation-score_eng-de_final.pdf.
Kühr, Gerd, O. Chepovetsky, and M. Wagner. 2020 “Corona-Meditation - Presse - präsentation.” Interview by Mathis Huber, Aus dem Hause Styriarte . April 25, 2020. Video, 32:11. https://www.youtube.com/watch?v=7CLuO9nBPpU.
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The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing in the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world unburdened with what has preoccupied our minds and lives in 2020, the theme for this one is directly shaped by it. During the Spring, when we were taken aback by the governmental measures and the fear of the “invisible enemy” (the use of militant vocabulary is rather prominent in the discourse surrounding the virus), the uncertainty for the future grew strong. However, at that time, we could not predict the longevity, brevity and consequences of the pandemic – in December we are still not certain, but we are getting tired. This is why I would like to thank all the authors for working with us in these trying times, unpacking what can only be a beginning of ‘a global crisis’ during the Summer and Autumn of 2020. The main theme of the issue, Music, Art, and Technology in the Time of Global Crisis, strives to capture this period through the lens of workers in art, music, and academia around the world, focusing on the role and place of arts and technology in our/their relocated institutional realities.