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  • Digital Humanities and Cultural Heritage

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  • Authors: Zunshine, Lisa;

    This primer in “cognitive cultural studies” explores the cultural fantasy of perfect access to mind through body. It shows that different genres and media—movies, novels, classic Chinese operas, medieval ribald tales, musicals, paintings, documentaries, stand-up comedy, and photography—have different strategies for making us think that we have just glimpsed someone’s "true" emotions (sometimes at the precise moment when the person is trying to conceal them). Old, obvious strategies become subject to subversion and parody, and new ones emerge.

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  • Authors: Shihan Zeng; junhao mu; Mingyu Peng; Weiyi Li; +4 Authors
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Takeshita, Koki; Shioyama, Juntaro; Uchida, Seiichi;

    Our daily life is surrounded by textual information. Nowadays, the automatic collection of textual information becomes possible owing to the drastic improvement of scene text detectors and recognizer. The purpose of this paper is to conduct a large-scale survey of co-occurrence between visual objects (such as book and car) and scene texts with a large image dataset and a state-of-the-art scene text detector and recognizer. Especially, we focus on the function of "label" texts, which are attached to objects for detailing the objects. By analyzing co-occurrence between objects and scene texts, it is possible to observe the statistics about the label texts and understand how the scene texts will be useful for recognizing the objects and vice versa. Accepted at ICPR2020

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    http://arxiv.org/pdf/2007.1538...
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    https://doi.org/10.1109/icpr48...
    Conference object . 2021 . Peer-reviewed
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    https://doi.org/10.48550/arxiv...
    Article . 2020
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      http://arxiv.org/pdf/2007.1538...
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      https://doi.org/10.1109/icpr48...
      Conference object . 2021 . Peer-reviewed
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      https://doi.org/10.48550/arxiv...
      Article . 2020
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  • Authors: Robert M. Lightfoot;

    “As some day it may happen that a victim must be found, I've got a little list—I've got a little list Of society offenders who might well be under ground And who never would be missed—who never would be missed!”

    The Journal of Highe...arrow_drop_down
    The Journal of Higher Education
    Article . 1960 . Peer-reviewed
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    The Journal of Higher Education
    Article . 1960 . Peer-reviewed
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      The Journal of Higher Education
      Article . 1960 . Peer-reviewed
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      The Journal of Higher Education
      Article . 1960 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Steve Nicholson;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Theatre Research Int...arrow_drop_down
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    Theatre Research International
    Article . 1998 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Theatre Research Int...arrow_drop_down
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      Theatre Research International
      Article . 1998 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Wong Mun Summ; Richard Hassell; Alina Yeo;

    AbstractIn the last decade or so, the question of scale has been epitomised by the intense urbanisation of Southeast Asia with its burgeoning high‐rises. Wong Mun Summ, Richard Hassell and Alina Yeo of WOHA describe four projects that ameliorate high‐density living through design strategies that simultaneously harness innovative technological solutions and traditional knowledge to introduce comfort and green space into the living environment.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Architectural Design
    Article . 2012 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Architectural Designarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Architectural Design
      Article . 2012 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Holdich, Thos; Murray, John; Beaumont, Lewis; Buchanan, J. Y.; +4 Authors

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    ZENODO
    Article . 1904
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    Geographical Journal
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    Geographical Journal
    Article . 1904 . Peer-reviewed
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      Article . 1904
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      Geographical Journal
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      Geographical Journal
      Article . 1904 . Peer-reviewed
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  • Authors: T.J. Gorton;

    THE Diwan of Ibn Quzman has many attractions for the student of Arabic poetry, Western Middle Arabic, medieval Hispanic subjects, Spanish Islam, Bacchic-cum-panegyric poetry, poetry in general, and other things besides. The approaches to this attractive corpus of poems are fraught with difficulties, however, though probably not as many nor as serious as is sometimes alleged. In a previous study, I have attempted to delineate some of these problems and to dissipate others 1. My main point was that the metrical basis of the Hispanic zagal is demonstrably ( Classical)>, that is, made up of quantitative rhythms closely related, and in many cases identical, to the traditional metres of the Arabs. The most immediate consequence of this concerns the text. The textual difficulties in IQ's Dtwan have been frequently emphasized, and it is true that the major sources of his poems were either copied (MSD) or composed (AH) in the Arab East by Easterners having at best a demonstrably shaky command of the Hispanic dialect of Middle Arabic in which IQ's zagals are written. Four-fifths of the D?wdn, furthermore, survives in a defective unique MS. The quantitative scansion of each poem, easily obtainable in some cases from the Classical Arabic muwassahMt of which some of IQ's zagals are explicit metrical imitations (mu'dra.da), and in the rest by applying the techniques of scansion derived from an attentive study of such mu'dradas, is at least as useful a tool for establishing the text of these songs as Greek metre is for poems in that language. Using these techniques, as decribed in considerable detail in Metre, I have now completed a critical edition of the Diwdn compiled from all the relevant manuscript and published sources 2. The result is a

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    Arabica
    Article . 1977 . Peer-reviewed
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      Arabica
      Article . 1977 . Peer-reviewed
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  • Authors: Vernon Bogdanor;

    On the Continent, by contrast with Britain, constitutional arrangements are taken seriously. The six countries which originally formed the European Community — France, West Germany, Italy and the Benelux countries — had all suffered either the collapse of democratic institutions under the impact of Fascism or the indignity of military defeat and occupation. For them, constitutional arrangements were not a distraction from the real substance of politics, but a precondition for the return of a stable democratic order.

    https://doi.org/10.1...arrow_drop_down
    https://doi.org/10.1007/978-1-...
    Part of book or chapter of book . 1988 . Peer-reviewed
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      Part of book or chapter of book . 1988 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: C. H. Philips;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of the Royal...arrow_drop_down
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    Journal of the Royal Asiatic Society of Great Britain & Ireland
    Article . 1978 . Peer-reviewed
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      Journal of the Royal Asiatic Society of Great Britain & Ireland
      Article . 1978 . Peer-reviewed
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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
5,686,168 Research products
  • Authors: Zunshine, Lisa;

    This primer in “cognitive cultural studies” explores the cultural fantasy of perfect access to mind through body. It shows that different genres and media—movies, novels, classic Chinese operas, medieval ribald tales, musicals, paintings, documentaries, stand-up comedy, and photography—have different strategies for making us think that we have just glimpsed someone’s "true" emotions (sometimes at the precise moment when the person is trying to conceal them). Old, obvious strategies become subject to subversion and parody, and new ones emerge.

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  • Authors: Shihan Zeng; junhao mu; Mingyu Peng; Weiyi Li; +4 Authors
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Takeshita, Koki; Shioyama, Juntaro; Uchida, Seiichi;

    Our daily life is surrounded by textual information. Nowadays, the automatic collection of textual information becomes possible owing to the drastic improvement of scene text detectors and recognizer. The purpose of this paper is to conduct a large-scale survey of co-occurrence between visual objects (such as book and car) and scene texts with a large image dataset and a state-of-the-art scene text detector and recognizer. Especially, we focus on the function of "label" texts, which are attached to objects for detailing the objects. By analyzing co-occurrence between objects and scene texts, it is possible to observe the statistics about the label texts and understand how the scene texts will be useful for recognizing the objects and vice versa. Accepted at ICPR2020

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    http://arxiv.org/pdf/2007.1538...
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1109/icpr48...
    Conference object . 2021 . Peer-reviewed
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    https://doi.org/10.48550/arxiv...
    Article . 2020
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    “As some day it may happen that a victim must be found, I've got a little list—I've got a little list Of society offenders who might well be under ground And who never would be missed—who never would be missed!”

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