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  • Digital Humanities and Cultural Heritage
  • 0601 history and archaeology

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Hoi-eun Kim;

    In studying the patent medicine industry in colonial Korea (1910–1945), I pay attention to the inordinately large number of peddlers and small retailers—45,688 in 1935—who functioned as human intermediaries in the burgeoning medicinal market. By almost exclusively studying printed advertisements, previous scholars have depicted the patent medicine industry as the vanguard of modern marketing or as a willing partner in the commercial propagation of the hegemonic vision of the colonial biopower. Conscious of the severely limited reach of modern media in the colonial context, I argue instead that incentivized sales intermediaries were equally significant in the success of the patent medicine industry. But the significance and contributions of the peddlers to the patent medicine industry were double-edged—the peddlers helped the industry by facilitating physical dissemination of patent medicine to end consumers, but their constant use of deception and fraud tainted the reputation of the industry. The anticipated move toward stricter regulation, however, did not happen due to two interrelated factors—a nascent group of pharmacists trained in modern pharmacology had strong ties to the patent medicine industry and the lukewarm response from the colonial government put the brakes on any meaningful reform. Overall, by bringing to the fore the pivotal roles peddlers played, my article provides a more nuanced discussion of the marketing practices of the patent medicine industry, the nature of the emerging professional class of pharmacists, and the efficacy (or lack thereof) of the regulatory power of the colonial government.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Enterprise & Societyarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Enterprise & Societyarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • Authors: Matt Brazil;

    Since their 1949 victory, the Chinese Communist Party (CCP) has worked to consolidate control over the frontiers of “Greater China”. Reunification and control of these areas are considered vital to...

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jessica Buskirk;

    In his portrait of an unidentified man (Vienna, 1529), Barthel Beham portrays the sitter paused in the midst of a math problem. As has been discovered, the numbers and symbols belong to the vocabulary of numerical calculation. This finding first raises the question of why a patron would want to be shown doing computation with Arabic numerals in a portrait. In 1529, numerical calculation was a commercial tool, not a field with humanistic/social cachet such as geometry. Further, the depicted computation does not make sense: the symbols and numbers are arranged in the form of a problem without actually being one. Yet the patron either did not notice or care. This article argues that the incomplete computation is not only a reflection of the contemporary status of mathematics using Arabic numbers, but also provides a way of understanding how the painting functioned as a portrait in the social milieu of the sixteenth-century Munich court.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Renaissance Quarterl...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Renaissance Quarterl...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Darren Curnoe; Hong-Chun Li; Boyan Zhou; Chang Sun; +4 Authors

    Martinon-Torres et al. (1) present a flawed reinterpretation of our work which demands correction. FY-HT-1 and FY-HT-2 were collected from the section walls of the 2011–2013 excavations; details of provenience were provided (2). All of the lingual and much of the occlusal and mesial surfaces of FY-HT-2’s enamel is missing (Fig. 1 A ). Therefore, reconstructions of “deer-like” wear (1) simply bear no resemblance to the preservational reality of the tooth. Also disconcerting is their comparison of FY-HT-2 with images of various deer incisors (Fig. 1 A and ref. 1). Confirmation bias aside, a proper comparison would have indicated affinities to recent humans (Fig. 1 A ), as confirmed by DNA analyses (2). Regarding FY-HT-1, its preservation is visually indistinct from existing samples (see ref. 3). But within-sample variation is clear, and expected, given nonuniform taphonomic processes within the context of a dynamic sedimentary history, as we have demonstrated at Fuyan Cave (2). Fig. 1. ( A ) Fuyan Cave tooth FY-TH-2 ( i ), a recent human from the Foyemiaowan Han Tomb ( ii ), and deer of Martinon-Torres et al. (1) ( iii ). Right column adapted with permission from ref. 1. ( B ) Number of sequences overlapping each position in the FY-HT-2 mitochondrial genome (coverage, Left ) and percentage of sequences carrying an identical base ( Right ). ( C ) Frequencies of nucleotide substitutions at the start and end positions of sequences from the FY-HT-2 library. Martinon-Torres et al. (1) and Higham and Douka (4) challenge our AMS 14C dating. We describe our accelerator mass spectrometry (AMS) 14 … [↵][1]1To whom correspondence may be addressed. Email: darrencurnoe{at}icloud.com. [1]: #xref-corresp-1-1

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    Europe PubMed Central
    Other literature type . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Other literature type . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kali Argyriadis;

    Alors que la societe mexicaine est frappee par la recrudescence de la violence imputee au trafic de drogue, la devotion a la Santa Muerte, soupconnee de fomenter des crimes rituels et accusee de « narcosatanisme », subit une virulente campagne d’accusations dans les medias. Dans le meme temps, l’Eglise catholique brandit le spectre du retour aux sacrifices humains prehispaniques et autorise les exorcismes publics collectifs, tandis que de nombreux intellectuels erigent la Santa Muerte en symbole de resistance des classes populaires face a la corruption, a la crise, aux abus de pouvoir de l’Etat et a son impunite. A partir d’une enquete ethnographique menee dans le port de Veracruz, ou la Santa Muerte possede un double incarne inspire de l’oricha Yemaya, cet article tente d’analyser la dialectique de la violence et de la contre-violence symbolique qui se joue, a travers cette devotion, dans une surenchere banalisee d’exposition des corps (corps mutiles, corps possedes, corps tatoues, travestis, et squelettes qui prennent chair). Cet article interroge egalement le risque, pour le chercheur, d’etre pris dans, et d’etre donc partie prenante des debats ideologiques qui saturent ce terrain et contribuent aujourd’hui a la criminalisation des plus demunis.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Amélie Beaudet; José Braga; Frikkie de Beer; Burkhard Schillinger; +3 Authors

    The Plio-Pleistocene karstic sedimentary deposits of Sterkfontein Cave, South Africa, yielded numerous fossil primate specimens embedded in blocks of indurated breccia, including the partial cercopithecoid cranium labelled STS 1039. Because the surrounding matrix masks most of its morphology, the specimen remains taxonomically undetermined. While the use of X-ray microtomography did not allow extracting any structural information about the specimen, we experimented a new investigative technique based on neutron microtomography. Using this innovative approach, we successfully virtually extracted, reconstructed in 3D and quantitatively assessed the preserved dentognathic structural morphology of STS 1039, including details of its postcanine maxillary dentition. Following comparative analyses with a number of Plio-Pleistocene and extant cercopithecoid taxa, we tentatively propose a taxonomic attribution to the taxon Cercopithecoides williamsi. Our experience highlights the remarkable potential of this novel imaging method to extract diagnostic information and to identify the fossil remains embedded in hard breccia from the South African hominin-bearing cave sites.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ American Journal of ...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ American Journal of ...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Anna Lisa Taylor;
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao History Compassarrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Peter J. Mehringer; Andrei M. Sarna-Wojcicki; Lance K. Wollwage; Payson Sheets;

    Eruption of central El Salvador's Ilopango Volcano early in the first millennium A.D. caused death, cultural devastation, and exodus of southern Mesoamericans. It also left a time-stratigraphic marker in western El Salvador and adjacent Guatemala—the Ilopango Tierra Blanca Joven, or TBJ tephra. Mineral suites and major element abundances identify a silicic volcanic ash in cores from Lago de Yojoa, Honduras, as Ilopango TBJ. This extends its reported range more than 150 km to the northeast. Analyses of glass from the TBJ tephra from the Chalchuapa archaeological site, El Salvador, and from Lago de Yojoa, Honduras, establish the first major element reference fingerprint for the TBJ tephra. The Lago de Yojoa cores also hold two previously undated trachyandesitic tephra layers originating from the nearby Lake Yojoa Volcanic Field. One fell shortly before 11,00014C yr B.P. and the other about 860014C yr B.P.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Quaternary Researcharrow_drop_down
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  • Authors: Hanan Yoran;

    Machiavelli’s historical writings, notably the Discourses on Livy (1531) and the Florentine Histories (1532), continued the tradition of the humanist historical enterprise. They were informed by th...

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    Authors: Michel Agier;

    Cet article etudie la place de Georges Balandier dans la formation de l’approche situationnelle en anthropologie, a partir de la problematique politique introduite avec le concept de « situation coloniale » dans les annees 1950 et du point de vue epistemologique, pour l’enquete sur les contextes de « contacts culturels » urbains et politiques en Afrique. Ces deux questions ont rapproche les etudes africaines francaises et britanniques dans les annees 1950 et 1960.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Hoi-eun Kim;

    In studying the patent medicine industry in colonial Korea (1910–1945), I pay attention to the inordinately large number of peddlers and small retailers—45,688 in 1935—who functioned as human intermediaries in the burgeoning medicinal market. By almost exclusively studying printed advertisements, previous scholars have depicted the patent medicine industry as the vanguard of modern marketing or as a willing partner in the commercial propagation of the hegemonic vision of the colonial biopower. Conscious of the severely limited reach of modern media in the colonial context, I argue instead that incentivized sales intermediaries were equally significant in the success of the patent medicine industry. But the significance and contributions of the peddlers to the patent medicine industry were double-edged—the peddlers helped the industry by facilitating physical dissemination of patent medicine to end consumers, but their constant use of deception and fraud tainted the reputation of the industry. The anticipated move toward stricter regulation, however, did not happen due to two interrelated factors—a nascent group of pharmacists trained in modern pharmacology had strong ties to the patent medicine industry and the lukewarm response from the colonial government put the brakes on any meaningful reform. Overall, by bringing to the fore the pivotal roles peddlers played, my article provides a more nuanced discussion of the marketing practices of the patent medicine industry, the nature of the emerging professional class of pharmacists, and the efficacy (or lack thereof) of the regulatory power of the colonial government.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Enterprise & Societyarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Enterprise & Societyarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • Authors: Matt Brazil;

    Since their 1949 victory, the Chinese Communist Party (CCP) has worked to consolidate control over the frontiers of “Greater China”. Reunification and control of these areas are considered vital to...

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jessica Buskirk;

    In his portrait of an unidentified man (Vienna, 1529), Barthel Beham portrays the sitter paused in the midst of a math problem. As has been discovered, the numbers and symbols belong to the vocabulary of numerical calculation. This finding first raises the question of why a patron would want to be shown doing computation with Arabic numerals in a portrait. In 1529, numerical calculation was a commercial tool, not a field with humanistic/social cachet such as geometry. Further, the depicted computation does not make sense: the symbols and numbers are arranged in the form of a problem without actually being one. Yet the patron either did not notice or care. This article argues that the incomplete computation is not only a reflection of the contemporary status of mathematics using Arabic numbers, but also provides a way of understanding how the painting functioned as a portrait in the social milieu of the sixteenth-century Munich court.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Renaissance Quarterl...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Renaissance Quarterl...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Darren Curnoe; Hong-Chun Li; Boyan Zhou; Chang Sun; +4 Authors

    Martinon-Torres et al. (1) present a flawed reinterpretation of our work which demands correction. FY-HT-1 and FY-HT-2 were collected from the section walls of the 2011–2013 excavations; details of provenience were provided (2). All of the lingual and much of the occlusal and mesial surfaces of FY-HT-2’s enamel is missing (Fig. 1 A ). Therefore, reconstructions of “deer-like” wear (1) simply bear no resemblance to the preservational reality of the tooth. Also disconcerting is their comparison of FY-HT-2 with images of various deer incisors (Fig. 1 A and ref. 1). Confirmation bias aside, a proper comparison would have indicated affinities to recent humans (Fig. 1 A ), as confirmed by DNA analyses (2). Regarding FY-HT-1, its preservation is visually indistinct from existing samples (see ref. 3). But within-sample variation is clear, and expected, given nonuniform taphonomic processes within the context of a dynamic sedimentary history, as we have demonstrated at Fuyan Cave (2). Fig. 1. ( A ) Fuyan Cave tooth FY-TH-2 ( i ), a recent human from the Foyemiaowan Han Tomb ( ii ), and deer of Martinon-Torres et al. (1) ( iii ). Right column adapted with permission from ref. 1. ( B ) Number of sequences overlapping each position in the FY-HT-2 mitochondrial genome (coverage, Left ) and percentage of sequences carrying an identical base ( Right ). ( C ) Frequencies of nucleotide substitutions at the start and end positions of sequences from the FY-HT-2 library. Martinon-Torres et al. (1) and Higham and Douka (4) challenge our AMS 14C dating. We describe our accelerator mass spectrometry (AMS) 14 … [↵][1]1To whom correspondence may be addressed. Email: darrencurnoe{at}icloud.com. [1]: #xref-corresp-1-1

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    Europe PubMed Central
    Other literature type . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kali Argyriadis;

    Alors que la societe mexicaine est frappee par la recrudescence de la violence imputee au trafic de drogue, la devotion a la Santa Muerte, soupconnee de fomenter des crimes rituels et accusee de « narcosatanisme », subit une virulente campagne d’accusations dans les medias. Dans le meme temps, l’Eglise catholique brandit le spectre du retour aux sacrifices humains prehispaniques et autorise les exorcismes publics collectifs, tandis que de nombreux intellectuels erigent la Santa Muerte en symbole de resistance des classes populaires face a la corruption, a la crise, aux abus de pouvoir de l’Etat et a son impunite. A partir d’une enquete ethnographique menee dans le port de Veracruz, ou la Santa Muerte possede un double incarne inspire de l’oricha Yemaya, cet article tente d’analyser la dialectique de la violence et de la contre-violence symbolique qui se joue, a travers cette devotion, dans une surenchere banalisee d’exposition des corps (corps mutiles, corps possedes, corps tatoues, travestis, et squelettes qui prennent chair). Cet article interroge egalement le risque, pour le chercheur, d’etre pris dans, et d’etre donc partie prenante des debats ideologiques qui saturent ce terrain et contribuent aujourd’hui a la criminalisation des plus demunis.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Amélie Beaudet; José Braga; Frikkie de Beer; Burkhard Schillinger; +3 Authors

    The Plio-Pleistocene karstic sedimentary deposits of Sterkfontein Cave, South Africa, yielded numerous fossil primate specimens embedded in blocks of indurated breccia, including the partial cercopithecoid cranium labelled STS 1039. Because the surrounding matrix masks most of its morphology, the specimen remains taxonomically undetermined. While the use of X-ray microtomography did not allow extracting any structural information about the specimen, we experimented a new investigative technique based on neutron microtomography. Using this innovative approach, we successfully virtually extracted, reconstructed in 3D and quantitatively assessed the preserved dentognathic structural morphology of STS 1039, including details of its postcanine maxillary dentition. Following comparative analyses with a number of Plio-Pleistocene and extant cercopithecoid taxa, we tentatively propose a taxonomic attribution to the taxon Cercopithecoides williamsi. Our experience highlights the remarkable potential of this novel imaging method to extract diagnostic information and to identify the fossil remains embedded in hard breccia from the South African hominin-bearing cave sites.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ American Journal of ...arrow_drop_down
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