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In studying the patent medicine industry in colonial Korea (1910–1945), I pay attention to the inordinately large number of peddlers and small retailers—45,688 in 1935—who functioned as human intermediaries in the burgeoning medicinal market. By almost exclusively studying printed advertisements, previous scholars have depicted the patent medicine industry as the vanguard of modern marketing or as a willing partner in the commercial propagation of the hegemonic vision of the colonial biopower. Conscious of the severely limited reach of modern media in the colonial context, I argue instead that incentivized sales intermediaries were equally significant in the success of the patent medicine industry. But the significance and contributions of the peddlers to the patent medicine industry were double-edged—the peddlers helped the industry by facilitating physical dissemination of patent medicine to end consumers, but their constant use of deception and fraud tainted the reputation of the industry. The anticipated move toward stricter regulation, however, did not happen due to two interrelated factors—a nascent group of pharmacists trained in modern pharmacology had strong ties to the patent medicine industry and the lukewarm response from the colonial government put the brakes on any meaningful reform. Overall, by bringing to the fore the pivotal roles peddlers played, my article provides a more nuanced discussion of the marketing practices of the patent medicine industry, the nature of the emerging professional class of pharmacists, and the efficacy (or lack thereof) of the regulatory power of the colonial government.

Since their 1949 victory, the Chinese Communist Party (CCP) has worked to consolidate control over the frontiers of “Greater China”. Reunification and control of these areas are considered vital to...

In his portrait of an unidentified man (Vienna, 1529), Barthel Beham portrays the sitter paused in the midst of a math problem. As has been discovered, the numbers and symbols belong to the vocabulary of numerical calculation. This finding first raises the question of why a patron would want to be shown doing computation with Arabic numerals in a portrait. In 1529, numerical calculation was a commercial tool, not a field with humanistic/social cachet such as geometry. Further, the depicted computation does not make sense: the symbols and numbers are arranged in the form of a problem without actually being one. Yet the patron either did not notice or care. This article argues that the incomplete computation is not only a reflection of the contemporary status of mathematics using Arabic numbers, but also provides a way of understanding how the painting functioned as a portrait in the social milieu of the sixteenth-century Munich court.

The current study employed an eye-movement technique with an attempt to explore the reading patterns for the two types of Chinese relative clauses, subject-extracted relative clauses (SRCs) and object-extracted relative clauses (ORCs), by native speakers (L1), and Japanese learners (L2) of Chinese. The data were analyzed in terms of gaze duration, regression path duration, and regression rate on the two critical regions, head noun, and embedded verb. The results indicated that both the L1 and L2 participants spent less time on the head nouns in ORCs than in SRCs. Also, the L2 participants spent less time on the embedded verbs in ORCs than in SRCs and their regression rate for embedded verbs was generally lower in ORCs than in SRC. The findings showed that the participants experienced less processing difficulty in ORCs than SRCs. These results suggest an ORC preference in L1 and L2 speakers of Chinese, which provides evidence in support of linear distance hypothesis and implies that the syntactic nature of Chinese is at play in the RC processing.

Martinon-Torres et al. (1) present a flawed reinterpretation of our work which demands correction. FY-HT-1 and FY-HT-2 were collected from the section walls of the 2011–2013 excavations; details of provenience were provided (2). All of the lingual and much of the occlusal and mesial surfaces of FY-HT-2’s enamel is missing (Fig. 1 A ). Therefore, reconstructions of “deer-like” wear (1) simply bear no resemblance to the preservational reality of the tooth. Also disconcerting is their comparison of FY-HT-2 with images of various deer incisors (Fig. 1 A and ref. 1). Confirmation bias aside, a proper comparison would have indicated affinities to recent humans (Fig. 1 A ), as confirmed by DNA analyses (2). Regarding FY-HT-1, its preservation is visually indistinct from existing samples (see ref. 3). But within-sample variation is clear, and expected, given nonuniform taphonomic processes within the context of a dynamic sedimentary history, as we have demonstrated at Fuyan Cave (2). Fig. 1. ( A ) Fuyan Cave tooth FY-TH-2 ( i ), a recent human from the Foyemiaowan Han Tomb ( ii ), and deer of Martinon-Torres et al. (1) ( iii ). Right column adapted with permission from ref. 1. ( B ) Number of sequences overlapping each position in the FY-HT-2 mitochondrial genome (coverage, Left ) and percentage of sequences carrying an identical base ( Right ). ( C ) Frequencies of nucleotide substitutions at the start and end positions of sequences from the FY-HT-2 library. Martinon-Torres et al. (1) and Higham and Douka (4) challenge our AMS 14C dating. We describe our accelerator mass spectrometry (AMS) 14 … [↵][1]1To whom correspondence may be addressed. Email: darrencurnoe{at}icloud.com. [1]: #xref-corresp-1-1

AbstractRecording studios are shrouded in mystery. Some have become sites of pilgrimage; other studios have been converted into heritage museums. These practices are driven by city authorities, commercial heritage institutions or music fans. This interview study gives a voice to an understudied group: record producers and studio owners as the people in charge of popular music creation. Three German rock and metal producers expressed their opinion on the usefulness of studio museums and explained their own heritage practices. Their insights demystify the ‘magical aura’ associated with recording studios, picturing these spaces as places of pressure and anxiety. Hardly convinced of the technologically deterministic ‘magical contamination’ of technical equipment, the producers see little sense in studios as museums. For them, the released record is what counts. To stay in touch with the community and to keep the memory of their work alive, they prefer to use social media.

Alors que la societe mexicaine est frappee par la recrudescence de la violence imputee au trafic de drogue, la devotion a la Santa Muerte, soupconnee de fomenter des crimes rituels et accusee de « narcosatanisme », subit une virulente campagne d’accusations dans les medias. Dans le meme temps, l’Eglise catholique brandit le spectre du retour aux sacrifices humains prehispaniques et autorise les exorcismes publics collectifs, tandis que de nombreux intellectuels erigent la Santa Muerte en symbole de resistance des classes populaires face a la corruption, a la crise, aux abus de pouvoir de l’Etat et a son impunite. A partir d’une enquete ethnographique menee dans le port de Veracruz, ou la Santa Muerte possede un double incarne inspire de l’oricha Yemaya, cet article tente d’analyser la dialectique de la violence et de la contre-violence symbolique qui se joue, a travers cette devotion, dans une surenchere banalisee d’exposition des corps (corps mutiles, corps possedes, corps tatoues, travestis, et squelettes qui prennent chair). Cet article interroge egalement le risque, pour le chercheur, d’etre pris dans, et d’etre donc partie prenante des debats ideologiques qui saturent ce terrain et contribuent aujourd’hui a la criminalisation des plus demunis.

Spartan institutions were pictured as a model of political stability from the Classical period onwards. The so-called Spartan ‘mirage’ did not involve only its constitutional order but also social and economic institutions. Xenophon begins hisConstitution of the Lacedaemoniansby associating Spartan fame with thepoliteiaset up by Lycurgus, which made the Laconian city the most powerful (δυνατωτάτη) and famous (ὀνομαστοτάτη)polisin Greece (Xen.Lac.1.1). In Aristotle'sPolitics, in which the assessment of Sparta is more complex and nuanced, one finds a critique of contemporary Spartan institutions as well as praise for Lycurgus as a great lawgiver who established the laws of Sparta (Arist.Pol.2.1269a69, 2.1273b20). Most other ancient sources often remark upon the unchangeable features of some Spartan institutions as a key aspect of Spartan εὐνομία. Thucydides maintains that, after a long period of war andstasis, the Dorians established excellent laws and Sparta employed the same constitution for more than four hundred years (Thuc. 1.18.1: τετρακόσια καὶ ὀλίγῳ πλείω ἐς τὴν τελευτὴν τοῦδε τοῦ πολέμου ἀφ᾽ οὗ Λακεδαιμόνιοι τῇ αὐτῇ πολιτείᾳ χρῶνται).

The Plio-Pleistocene karstic sedimentary deposits of Sterkfontein Cave, South Africa, yielded numerous fossil primate specimens embedded in blocks of indurated breccia, including the partial cercopithecoid cranium labelled STS 1039. Because the surrounding matrix masks most of its morphology, the specimen remains taxonomically undetermined. While the use of X-ray microtomography did not allow extracting any structural information about the specimen, we experimented a new investigative technique based on neutron microtomography. Using this innovative approach, we successfully virtually extracted, reconstructed in 3D and quantitatively assessed the preserved dentognathic structural morphology of STS 1039, including details of its postcanine maxillary dentition. Following comparative analyses with a number of Plio-Pleistocene and extant cercopithecoid taxa, we tentatively propose a taxonomic attribution to the taxon Cercopithecoides williamsi. Our experience highlights the remarkable potential of this novel imaging method to extract diagnostic information and to identify the fossil remains embedded in hard breccia from the South African hominin-bearing cave sites.