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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pérez Martín, Inmaculada;

    Les nombreuses contributions de Michel Kaplan portant sur l’administration monastique du xie siècle et, en particulier, sur les responsables de la gestion économique des monastères constituent le point de départ des réflexions que nous allons exposer dans le présent travail. Ses études nous donneront l’occasion d’expliquer le changement culturel induit par les conditions socio-économiques, un exercice particulièrement intéressant du fait que le contexte de la production livresque à Byzance re...

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    Book . 2019
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      Book . 2019
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    Authors: Koopmanschap, H.J.L.C.; Oude Rengerink J.A.M.;
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    Other literature type . 2009
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      Other literature type . 2009
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    Authors: PEHLİVANLI, Hamit;

    Milletlerarası ilişkilerin bir dışarıya akseden açık tarafı, bîr de gözükmeyen sütre gerisi vardır. Sütre gerisini dışişleri yetkilileri, çok az sayıda bir kısım devlet görevlileri ve bir de gizli servis elemanları bilebilirler. Hatta hadiselerin olgunlaşmasını, yön değiştirmesini taraf ülkelerin kendi arzuları doğrultusunda gelişmelerini sağlamada en büyük pay sahiplerinin başında istihbarat teşkilâtları gelmektedir. Bu kuruluşlar olaylar hakkında en doğru bilgileri, ulaşılması güç bilgileri toplar ve yetkililere ulaştırır. Onlardan aldıkları talimatlar çerçevesinde olayları yönlendirir. Bunun için de propaganda yaparlar, her türlü yolu deneyerek hadiseleri kendi inisiyatiflerine almaya gayret ederler. Karşı ülkenin yanlış politikalar oluşturmasına, stratejiler tesbitine katkıda bulunacak yeni haberler, eksik bilgiler yaymak suretiyle kendi amaçlarına hizmet ederler. İkinci Dünya Harbi yıllarında klasik istihbarat anlayışında büyük Ölçüde değişimler göze çarpmaktadır. Top yekûn harp kavramına bağlı olarak top yekûn casusluk anlayışı da ortaya çıkmıştır. Bu anlayışa göre sadece askerî istihbarat ile yetinilmemeli, her alanda bilgi toplanılmahdır. Bu bakımdan Birinci Dünya Harbinde orta seviyede bulunan istihbarat servisinin yerini İkinci Dünya Harbİ'nde muazzam işler gören servisler aldı. Bu stratejiyi ilk defa ve başarı ile uygulayanlar ise Almanlar oldu. Naziler top yekûn casusluk prensiplerine göre çalıştılar ve büyük ölçüde de başarılı oldular. Bu yeni anlayışa göre bir memleketin başında bulunanlar muhasımların askerî ve diğer her türlü, kuvvetini öğrenebilineli ve onların mukavemet derecelerini hesaplayabilmelidirler. 1 Bu kadar karmaşık ve ciddi bir iş olan İstihbaratın önemini de Napolyan "Bir casus yerinde ve zamanında cephedeki binlerce askere denktir." diyerek veciz bir şekilde açıklamıştır

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Atatürk Araştırma Me...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Atatürk Araştırma Me...arrow_drop_down
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    Authors: Xue Qiao; Li Zhu; Rongbo Song; Chao Shang; +1 Authors

    Oral squamous cell carcinoma (OSCC) is the most prevalent malignant tumor in head and neck region. Platinum drug resistance limits the clinical application of chemotherapy regardless of medical development. The aim of our study is to identify cisplatin-resistant genes which can be used as new therapeutic targets and investigate the functional mechanism of OSCC chemoresistance.The OSCC Cal27 and HSC4 cisplatin-resistant cell lines were constructed to screen the differential genes/transcripts expression. GO, KEGG and GSEA were performed to reveal the relevant signaling pathways. Alternative splicing (AS) software rMATs was applied to explore AS events in chemoresistance. R package and TIMER tools were used to evaluate the linear correlation between CD44 and immune cell subpopulations. The co-culture model of dendritic cells (DCs) and OSCC cells was applied to explore the effect of CD44 on immune microenvironment and cisplatin resistance.Our results showed that CD44 was differentially expressed in cisplatin-resistant OSCC cells. Through bioinformatics prediction and experimental verification, we confirmed that CD44 occurring AS was involved in tumor progression and cisplatin resistance. Moreover, CD44 could further enhance the cisplatin resistance of OSCC by activating DCs, making CD44 to be a potential intervention target. We also identified DC as a new target for platinum drugs to stimulate the growth of OSCC.Our findings not only make it possible to explore new therapeutic methods, such as CD44 inhibitors or antisense oligonucleotides, but also provide insights into the new mechanisms of cisplatin resistance to chemotherapy.

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    Translational Oncology
    Article . 2023 . Peer-reviewed
    License: CC BY NC ND
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    SSRN Electronic Journal
    Article . 2022 . Peer-reviewed
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      Translational Oncology
      Article . 2023 . Peer-reviewed
      License: CC BY NC ND
      Data sources: Crossref
      SSRN Electronic Journal
      Article . 2022 . Peer-reviewed
      Data sources: Crossref
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      This Research product is the result of merged Research products in OpenAIRE.

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    Authors: Stevens, F.; F. Stevens;

    Lit.opg., bijl.

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      Report . 2009
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    Authors: Çöklü, Hatice;

    Toplumsal hareketler ve sanat akımları, ortak bir akıl ya da fikir tabanında oluşmuş insan topluluklarının ortaklaşa hareketleri olarak ifade edilebilir. Birbirinden ayrı hareket eden ortak akıl grupları ve sanat akımları da toplumsal hareketler içerisinde varlığını gösterir. 1789 Fransız Devriminin ardından Oluympede Gouges tarafından 1791 yılında `Les Droits La Femme` (Kadın ve Kadın Yurttaşların Hakları Bildirgesi) ile başlayan, 1960'larda Avrupa ve ABD'de, 1980'lerde ülkemizde, etkilerini gösteren ve hız kazanan feminist toplumsal hareketler sosyolojik, kültürel ve sanatsal boyutta cinsiyetçi bakış açısının tartışılıp yaygınlaşmasında yeni mücadele alanları geliştirmiştir. Postmodern sanat, popülist kültürün sunduğu tüketici anlayışla, alternatif teknik ve malzemelerin kullanılması sonucunda modern dönem sanat disiplinlerine; Kavramsal Sanat (Conceptual Art), Yoksul Sanat (Art Povera), Süreç Sanatı (Process Art), Beden Sanatı (Body Art), Gösteri Sanatı (Performans Art), Happinings, Eylemler (Actions), Fluxus, Yeryüzü Sanatı (Eart Art), Queer Art gibi yeni sanat disiplinlerinin tanımlanmasına neden olmuştur. Bunun sonucunda sanat nesnesinin statüsünü, izleyicinin rolünü yeniden biçimlendirmiştir.Türkiye feminist sanatçılarını incelediğimizde uzun yıllar yurt dışında yaşamış ya da yaşayan, doğuya batının alışık olduğu perspektiften; oryantalist bakış açısıyla bakan ve kadın konusunu yapıtlarında cesurca dile getiren: Nil Yalter (1938), Füsun Onur (d.1938), İpek Düben (d.1941), Gülsün Karamustafa (d.1946), Hale Tenger (d.1960), Şükran Moral (d.1963), Canan Şenol (d.1970) ve Nezahat Ekici (d.1970) yi görürüz.1980'li yıllarda oluşan `kimlik` ve `farklılık` politikası, `postmodern politika` çatısı altında birleştirilmiş kültür, mekân ve zaman parçalanmalarına, öznelliğe ve yeni sanat biçimlerine sebebiyet vererek, feminist sanat algısını değiştirmiş, postfeminist sanat algısını oluşturmuştur.Feminist sanatçıların (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar vb.) `başkaları için varlık` ya da `kendi başına varlık` olan kadına yönelik eleştirel yapıtları, postfeminist sanatçıların (Sarah Lucas, Cindy Sherman, Canan Şenol, Tracey Emin) `kendi için varlık` olduklarını yansıtan yapıtlara evrilmiştir.Hayata bakış ve kavrayışımı, postfeminist bir yaklaşımla ele aldığım bu tez çalışmasında, iktidar ve toplumsal cinsiyet rolleri üzerine göndermeler bulunmaktadır. Eril ve iktidar nitelikleri görünür kılan, toplum içinde yerleşmiş cinsiyet ve kültür kodlarına, eleştirel bir bakış açısıyla gerçekleştirilen çalışmalarımda, özgün bir plastik dilin oluşturulması amaçlanmıştır.Anahtar Sözcükler:Postmodernizm, feminizm, postfeminizm, sanat, kadın. Social activities and art movements may be stated as collective activities of human groups which formed on the ground of a common mind or idea. Collective opinion groups and art movements which move separately are also existed in social movements. Feminist social movements which started with `Les Droits La Femme` (Declaration of the Rights of Woman and the Female Citizen) by Oluympe de Gouges in 1791 after 1789 French Revolution, effected Europe and the USA in 1960's and Turkey in 1980's, opened new grounds on which sexist viewpoint in culture and art is discussed.Postmodern art, with the consumer mentality offered by populist culture, as a result of using alternative techniques and materials, caused defining new art disciplines like Conceptual Art, Art Povera, Process Art, Body Art, Performance Art, Happening, Actions, Fluxus, Earth Art, Queer Art in modern art. As a result, it reshaped the status of the art object and the role of the viewer.When we study Turkish feminist artist we see Nil Yalter (b. 1938), Füsun Onur (b. 1938), İpek Düben (b. 1941), Gülsün Karamustafa (b. 1946), Hale Tenger (b. 1960), Şükran Moral (b. 1963), Canan Şenol (b. 1970) and Nezahat Ekici (b. 1970) who lived or has been living abroad for many years, can look at the east through a perspective which the west is used to: the orientalist view; and express the subject of woman in their works bravely. `Identity` and `difference` policy, emerged in 1980's, causing subjectivity, new forms of art and fragmentations in culture, place and time, which unified in `postmodern policy`, has changed the feminist art perception and formed the post feminist art perception.Critical works of feminist artists (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar etc.) against woman `being for others` or `being in itself` have evolved to post feminist artists' (Sarah Lucas, CindySherman, Canan Şenol, Tracey Emin) works which reflect woman `being for itself`In this thesis study, in which I discuss how I view and comprehend life with a post feminist approach, there are some references to power and social gender roles. With my works, which are formed with a critical approach to the common gender and culture codes of society that make masculine and power characters visible, it is intended to form an original plastic language.Key Words:Postmodernism, feminism, post feminism, art, woman 88

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    Authors: Gonçalves, Deivide Millani;

    This master's thesis work in cultural heritage aims to share the production of a booklet of clown games, using the universal language of the clown, this language considered from my experiences and practices, to be used by different groups, such as: educators, artistic, systematizing a learning that was only gestural, oral and traditional. Based on intangible heritage culture, this research addresses the origin of man's comedy, making a chronological narrative, from its beginning, to the use of terminologies referenced to the figure that we know today as "Clown" or "Clown" and also dialogues with the concept heritage, memory and orality, which are the main bases of continuity and propagation of this artistic work. Finally, with this work, we seek to create opportunities for contact with artistic work and encourage heritage education, as well as the preservation and maintenance of the clown's artistic work. Este trabalho de dissertação de mestrado em patrimônio cultural tem como objetivo compartilhar a produção de um guia de jogos de palhaçaria, utilizando a linguagem universal do palhaço, essa linguagem considerada a partir de minhas vivências e práticas, para ser utilizada por diferentes grupos, como: educadores, artísticas, sistematizando um aprendizado que foi apenas gestual, oral e de tradição. Tendo como base a cultura patrimonial imaterial esta pesquisa aborda a origem da comicidade do homem, fazendo uma narrativa cronológica, desde seu princípio, ao emprego das terminologias referenciadas a figura que contemporaneamente conhecemos por “Palhaço” ou “Clown” e dialoga com o conceito de patrimônio, memória e oralidade, as quais são as principais bases de continuidade e propagação deste fazer artístico. Por fim, com este trabalho busca-se oportunizar o contato com o fazer artístico e estimular a educação patrimonial, bem como a preservação e a manutenção do fazer artístico do palhaço.

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  • Lit.opg., erkl. woordenlijst en bijl.

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    Authors: Pérez Martín, Inmaculada;

    Les nombreuses contributions de Michel Kaplan portant sur l’administration monastique du xie siècle et, en particulier, sur les responsables de la gestion économique des monastères constituent le point de départ des réflexions que nous allons exposer dans le présent travail. Ses études nous donneront l’occasion d’expliquer le changement culturel induit par les conditions socio-économiques, un exercice particulièrement intéressant du fait que le contexte de la production livresque à Byzance re...

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    Authors: Koopmanschap, H.J.L.C.; Oude Rengerink J.A.M.;
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    Authors: PEHLİVANLI, Hamit;

    Milletlerarası ilişkilerin bir dışarıya akseden açık tarafı, bîr de gözükmeyen sütre gerisi vardır. Sütre gerisini dışişleri yetkilileri, çok az sayıda bir kısım devlet görevlileri ve bir de gizli servis elemanları bilebilirler. Hatta hadiselerin olgunlaşmasını, yön değiştirmesini taraf ülkelerin kendi arzuları doğrultusunda gelişmelerini sağlamada en büyük pay sahiplerinin başında istihbarat teşkilâtları gelmektedir. Bu kuruluşlar olaylar hakkında en doğru bilgileri, ulaşılması güç bilgileri toplar ve yetkililere ulaştırır. Onlardan aldıkları talimatlar çerçevesinde olayları yönlendirir. Bunun için de propaganda yaparlar, her türlü yolu deneyerek hadiseleri kendi inisiyatiflerine almaya gayret ederler. Karşı ülkenin yanlış politikalar oluşturmasına, stratejiler tesbitine katkıda bulunacak yeni haberler, eksik bilgiler yaymak suretiyle kendi amaçlarına hizmet ederler. İkinci Dünya Harbi yıllarında klasik istihbarat anlayışında büyük Ölçüde değişimler göze çarpmaktadır. Top yekûn harp kavramına bağlı olarak top yekûn casusluk anlayışı da ortaya çıkmıştır. Bu anlayışa göre sadece askerî istihbarat ile yetinilmemeli, her alanda bilgi toplanılmahdır. Bu bakımdan Birinci Dünya Harbinde orta seviyede bulunan istihbarat servisinin yerini İkinci Dünya Harbİ'nde muazzam işler gören servisler aldı. Bu stratejiyi ilk defa ve başarı ile uygulayanlar ise Almanlar oldu. Naziler top yekûn casusluk prensiplerine göre çalıştılar ve büyük ölçüde de başarılı oldular. Bu yeni anlayışa göre bir memleketin başında bulunanlar muhasımların askerî ve diğer her türlü, kuvvetini öğrenebilineli ve onların mukavemet derecelerini hesaplayabilmelidirler. 1 Bu kadar karmaşık ve ciddi bir iş olan İstihbaratın önemini de Napolyan "Bir casus yerinde ve zamanında cephedeki binlerce askere denktir." diyerek veciz bir şekilde açıklamıştır

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    Authors: Xue Qiao; Li Zhu; Rongbo Song; Chao Shang; +1 Authors

    Oral squamous cell carcinoma (OSCC) is the most prevalent malignant tumor in head and neck region. Platinum drug resistance limits the clinical application of chemotherapy regardless of medical development. The aim of our study is to identify cisplatin-resistant genes which can be used as new therapeutic targets and investigate the functional mechanism of OSCC chemoresistance.The OSCC Cal27 and HSC4 cisplatin-resistant cell lines were constructed to screen the differential genes/transcripts expression. GO, KEGG and GSEA were performed to reveal the relevant signaling pathways. Alternative splicing (AS) software rMATs was applied to explore AS events in chemoresistance. R package and TIMER tools were used to evaluate the linear correlation between CD44 and immune cell subpopulations. The co-culture model of dendritic cells (DCs) and OSCC cells was applied to explore the effect of CD44 on immune microenvironment and cisplatin resistance.Our results showed that CD44 was differentially expressed in cisplatin-resistant OSCC cells. Through bioinformatics prediction and experimental verification, we confirmed that CD44 occurring AS was involved in tumor progression and cisplatin resistance. Moreover, CD44 could further enhance the cisplatin resistance of OSCC by activating DCs, making CD44 to be a potential intervention target. We also identified DC as a new target for platinum drugs to stimulate the growth of OSCC.Our findings not only make it possible to explore new therapeutic methods, such as CD44 inhibitors or antisense oligonucleotides, but also provide insights into the new mechanisms of cisplatin resistance to chemotherapy.

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    Translational Oncology
    Article . 2023 . Peer-reviewed
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    SSRN Electronic Journal
    Article . 2022 . Peer-reviewed
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      Translational Oncology
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    Authors: Stevens, F.; F. Stevens;

    Lit.opg., bijl.

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    Authors: Çöklü, Hatice;

    Toplumsal hareketler ve sanat akımları, ortak bir akıl ya da fikir tabanında oluşmuş insan topluluklarının ortaklaşa hareketleri olarak ifade edilebilir. Birbirinden ayrı hareket eden ortak akıl grupları ve sanat akımları da toplumsal hareketler içerisinde varlığını gösterir. 1789 Fransız Devriminin ardından Oluympede Gouges tarafından 1791 yılında `Les Droits La Femme` (Kadın ve Kadın Yurttaşların Hakları Bildirgesi) ile başlayan, 1960'larda Avrupa ve ABD'de, 1980'lerde ülkemizde, etkilerini gösteren ve hız kazanan feminist toplumsal hareketler sosyolojik, kültürel ve sanatsal boyutta cinsiyetçi bakış açısının tartışılıp yaygınlaşmasında yeni mücadele alanları geliştirmiştir. Postmodern sanat, popülist kültürün sunduğu tüketici anlayışla, alternatif teknik ve malzemelerin kullanılması sonucunda modern dönem sanat disiplinlerine; Kavramsal Sanat (Conceptual Art), Yoksul Sanat (Art Povera), Süreç Sanatı (Process Art), Beden Sanatı (Body Art), Gösteri Sanatı (Performans Art), Happinings, Eylemler (Actions), Fluxus, Yeryüzü Sanatı (Eart Art), Queer Art gibi yeni sanat disiplinlerinin tanımlanmasına neden olmuştur. Bunun sonucunda sanat nesnesinin statüsünü, izleyicinin rolünü yeniden biçimlendirmiştir.Türkiye feminist sanatçılarını incelediğimizde uzun yıllar yurt dışında yaşamış ya da yaşayan, doğuya batının alışık olduğu perspektiften; oryantalist bakış açısıyla bakan ve kadın konusunu yapıtlarında cesurca dile getiren: Nil Yalter (1938), Füsun Onur (d.1938), İpek Düben (d.1941), Gülsün Karamustafa (d.1946), Hale Tenger (d.1960), Şükran Moral (d.1963), Canan Şenol (d.1970) ve Nezahat Ekici (d.1970) yi görürüz.1980'li yıllarda oluşan `kimlik` ve `farklılık` politikası, `postmodern politika` çatısı altında birleştirilmiş kültür, mekân ve zaman parçalanmalarına, öznelliğe ve yeni sanat biçimlerine sebebiyet vererek, feminist sanat algısını değiştirmiş, postfeminist sanat algısını oluşturmuştur.Feminist sanatçıların (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar vb.) `başkaları için varlık` ya da `kendi başına varlık` olan kadına yönelik eleştirel yapıtları, postfeminist sanatçıların (Sarah Lucas, Cindy Sherman, Canan Şenol, Tracey Emin) `kendi için varlık` olduklarını yansıtan yapıtlara evrilmiştir.Hayata bakış ve kavrayışımı, postfeminist bir yaklaşımla ele aldığım bu tez çalışmasında, iktidar ve toplumsal cinsiyet rolleri üzerine göndermeler bulunmaktadır. Eril ve iktidar nitelikleri görünür kılan, toplum içinde yerleşmiş cinsiyet ve kültür kodlarına, eleştirel bir bakış açısıyla gerçekleştirilen çalışmalarımda, özgün bir plastik dilin oluşturulması amaçlanmıştır.Anahtar Sözcükler:Postmodernizm, feminizm, postfeminizm, sanat, kadın. Social activities and art movements may be stated as collective activities of human groups which formed on the ground of a common mind or idea. Collective opinion groups and art movements which move separately are also existed in social movements. Feminist social movements which started with `Les Droits La Femme` (Declaration of the Rights of Woman and the Female Citizen) by Oluympe de Gouges in 1791 after 1789 French Revolution, effected Europe and the USA in 1960's and Turkey in 1980's, opened new grounds on which sexist viewpoint in culture and art is discussed.Postmodern art, with the consumer mentality offered by populist culture, as a result of using alternative techniques and materials, caused defining new art disciplines like Conceptual Art, Art Povera, Process Art, Body Art, Performance Art, Happening, Actions, Fluxus, Earth Art, Queer Art in modern art. As a result, it reshaped the status of the art object and the role of the viewer.When we study Turkish feminist artist we see Nil Yalter (b. 1938), Füsun Onur (b. 1938), İpek Düben (b. 1941), Gülsün Karamustafa (b. 1946), Hale Tenger (b. 1960), Şükran Moral (b. 1963), Canan Şenol (b. 1970) and Nezahat Ekici (b. 1970) who lived or has been living abroad for many years, can look at the east through a perspective which the west is used to: the orientalist view; and express the subject of woman in their works bravely. `Identity` and `difference` policy, emerged in 1980's, causing subjectivity, new forms of art and fragmentations in culture, place and time, which unified in `postmodern policy`, has changed the feminist art perception and formed the post feminist art perception.Critical works of feminist artists (Nancy Spero, May Stevens, Judy Chicago, Martha Roslar etc.) against woman `being for others` or `being in itself` have evolved to post feminist artists' (Sarah Lucas, CindySherman, Canan Şenol, Tracey Emin) works which reflect woman `being for itself`In this thesis study, in which I discuss how I view and comprehend life with a post feminist approach, there are some references to power and social gender roles. With my works, which are formed with a critical approach to the common gender and culture codes of society that make masculine and power characters visible, it is intended to form an original plastic language.Key Words:Postmodernism, feminism, post feminism, art, woman 88

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    Authors: Gonçalves, Deivide Millani;

    This master's thesis work in cultural heritage aims to share the production of a booklet of clown games, using the universal language of the clown, this language considered from my experiences and practices, to be used by different groups, such as: educators, artistic, systematizing a learning that was only gestural, oral and traditional. Based on intangible heritage culture, this research addresses the origin of man's comedy, making a chronological narrative, from its beginning, to the use of terminologies referenced to the figure that we know today as "Clown" or "Clown" and also dialogues with the concept heritage, memory and orality, which are the main bases of continuity and propagation of this artistic work. Finally, with this work, we seek to create opportunities for contact with artistic work and encourage heritage education, as well as the preservation and maintenance of the clown's artistic work. Este trabalho de dissertação de mestrado em patrimônio cultural tem como objetivo compartilhar a produção de um guia de jogos de palhaçaria, utilizando a linguagem universal do palhaço, essa linguagem considerada a partir de minhas vivências e práticas, para ser utilizada por diferentes grupos, como: educadores, artísticas, sistematizando um aprendizado que foi apenas gestual, oral e de tradição. Tendo como base a cultura patrimonial imaterial esta pesquisa aborda a origem da comicidade do homem, fazendo uma narrativa cronológica, desde seu princípio, ao emprego das terminologias referenciadas a figura que contemporaneamente conhecemos por “Palhaço” ou “Clown” e dialoga com o conceito de patrimônio, memória e oralidade, as quais são as principais bases de continuidade e propagação deste fazer artístico. Por fim, com este trabalho busca-se oportunizar o contato com o fazer artístico e estimular a educação patrimonial, bem como a preservação e a manutenção do fazer artístico do palhaço.

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  • Lit.opg., erkl. woordenlijst en bijl.

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