• Digital Humanities and Cultural Heritage
• 2019-2023close
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Presentazione fatta da Roberto Barbera alla XIIth AIES Conference "Diagnosis, Conservation and Valorization of Cultural Heritage"

École thématique; The composition of corpus, analysis and preservation of Web archive is crucial for Social Sciences and Humanities. As the World Wide Web reaches its 30’s in 2019, it has become a prominent source for researchers. A new kind of archive arises with its very own issues and challenges. This Workshop aim at presenting what is the state of Web archives and how Digital Humanists could use it for research purposes. It will include the following modules:– Introduction to Web Archiving– The Wayback Machine: How to Explore It, How to Use It?– Available Tools for Web Archiving and the Different Formats– Building a Web Archive Corpus for Research with Archive-it

What happens when AI goes to theatre with human audiences? Generative AI's natural-language conversational interface has frequently been cast as an anthropomorphic interface. In performance, digital screen as interface has evolved from a vehicle for dramatic messages to a meaning-making agent with an anthropomorphic presence. While the tendency to anthropomorphize this technology is problematic, ChatGPT can be seen as a ghost of the publics, a synthetic version of the publics, or a shadow public. In her keynote lecture, "Screen as Anthropomorphic Interface: Remediated Performance and Generative Artificial Intelligence," Alexa Alice Joubin argued that screens are a site where cultural and performative meanings are generated and negotiated. She uses interface theories and performance studies methods to analyze the outputs of AI. :::: YouTube: https://youtu.be/Bi9a9TBtrow

1. Qu’est-ce que le XML ?1.1 Définitions1.2 Usages en SHS2. Lire le XML2.1 Qu’est-ce qu’une structure hiérarchique ?2.2 La syntaxe XML2.3 La conformité3. Bonnes pratiques3.1 Interopérabilité et standards3.2 Repenser son rapport aux textes4. Outils du XML 4.1 Langages dédiés4.2 Éditeurs de texte4.3 BaseX.; École thématique; This is a one-hour training at a beginner level, for a mixed public of researchers and students in Social Sciences. It is an initiation, accessible to anyone without a training in digital subjects.; Formation d'une heure, niveau débutant, donnée à un public mixte de chercheurs et étudiants en Sciences Humaines et Sociales. Il s'agit d'une initiation accessible aux personnes sans formation en informatique ou humanités numériques.

Although the idea of Europe dates back to ancient times and was crystallised in the Enlightenment, the plan for European unification emerged in the second half of the 20th century as a consequence of an economic process based on a single market and a single currency. European integration is therefore a recent chapter in the history of Europe, one which has been written before our very eyes, but it remains fragmented into disparate national histories. In the 21st century, those writing the history of Europe find themselves confronted with a threefold challenge: they must meet the demands of the digital age, adjust to the paradigm shift within the historical discipline and navigate the geopolitical upheavals that the continent has been experiencing since 1989 (the fall of communism; the enlargement of the European Union; the many crises the EU has faced, including Brexit; the divide between institutions and citizens; the socio-economic consequences of the global crisis, including the COVID-19 health crisis; the new nature of transatlantic relations, etc.).

Phoebe Apperson Hearst měla velmi úspěšného vlastního syna Williama, který byl ale více jako jeho otec: tvrdý obchodník. Našla však jemnou, uměleckou duši v malíři Orrinu Peckovi (1860–1921), který byl údajně gay a který ji, ještě za života své vlastní matky, začal oslovovat „má druhá mámo.“ Na základě podrobného výzkumu jejich vzájemné korespondence v Peckově pozůstalosti se můžeme ptát, jak moc si byla progresivní, bohatá žena 19. století, jakou byla Phoebe Hearst, vědoma Peckovy sexuality a pokud ano, jestli s tím neměla problém, nebo šlo o nevyřčené tajemství mezi nimi? Jejich příběh představí historik umění Ladislav Zikmund-Lender. Phoebe Apperson Hearst had a very successful son of William, but he was more like his father: a tough businessman. However, she found a delicate, artistic soul in the painter Orrin Peck (1860–1921), who was allegedly gay and who, while still his own mother's life, began to address her as “my second mother.” Based on a detailed study of their correspondence in Peck's estate, we may ask how much a progressive, rich 19th-century woman like Phoebe Hearst was aware of Peck's sexuality, and if so, if she had no problem with it, or was it an unspoken secret between them? Their story will be presented by art historian Ladislav Zikmund-Lender.