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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • 2018-2022
  • Open Access
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: van Oorschot, Frederike;

    Der Vortrag entfaltet hermeneutische und epistemologische Fragen, die durch die sich entwickelnde digitale Forschung in den Geisteswissenschaften (Digital Humanities, DH) ausgelöst werden. Im Vordergrund steht die Skizze einer auf die DH bezogenen Wissenschaftsphilosophie anhand der folgenden Leitfragen: Was bedeutet das Narrativ einer „neuen“ Wissenschaft? Wer ist Subjekt der DH? Wo finden sich neue epistemische Logiken? Was ist das forschungspolitische Setting der DH? Und wie verhält sich dies alles zum Selbstverständnis „klassischer“ Geisteswissenschaften? Dabei zielt der Vortrag auf eine „digitale Hermeneutik“ in den Geisteswissenschaften.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Heitz, Caroline; Stapfer, Regine;

    The variable system was created to compile the 'MET-Pottery–Dataset' within the SNSF project No 100011_156205 ‘Mobilities, Entanglements and Transformations in Neolithic Societies of the Swiss Plateau (3900-3500 BC)’, short ‘MET-project’, conducted at the Institute of Archaeological Sciences, University of Bern between 2014 and 2018 (https://data.snf.ch/grants/grant/156205; https://boris.unibe.ch/77649/). It represents the largest and temporally most highly resolved collection of morphological pottery data of the Central European Neolithic. It offers data of 1046 ceramic vessels of different styles that originate out of 44 archaeological features of wetland and dryland sites of the northern Alpine Space and adjacent regions. Most of the archaeological contexts – anthropogenic layers of settlements, pits, and ditches – are typology-independent dated using dendrochronology or C14-dates. The data set includes a spreadsheet of nominal and numeric morphological variables, the collection of the vessels’ semi-profile silhouettes and the typological drawings from which all data was collected. In the scope of the MET-project ‘the data was used to elaborate a new mixed method research (MMR) methodology to investigate social relations beyond problematic concepts of homogeneous ‘archaeological cultures’. It is highly relevant for further methodological morphology-based research on pottery.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This repository contains the datasets on which the article 'Made to be a woman. A case study on the categorization of gender using an individuation-based approach in the analysis of literary texts' is based on.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Depaermentier, Margaux Lucienne Céline;

    The burial sites scattered over the entire area of the canton Basel-Stadt represent the main archaeological source for the Early Middle Ages in Basel. Due to the great diversity in the grave goods and based on the interpretation of the antique written sources, the material has hitherto been interpreted ethnically, since the subdivision of the early medieval population into Romans, Alamans, Danubian-Suebi and Franks formed a basis for the interpretation. A new evaluation of the archaeological material based on the examination and reconstruction of networks using the distribution of brooch and belt types shall thus introduce new perspectives in the traditional narratives. This study showed that most of the interactions were locally or regionally determined and were focused on the High and Upper Rhine as well as in south-western Germany. Relations to the north – especially along the River Rhine – as well as with the Burgundian area also played an important role. Differences in the distribution (especially to the west or to the east) seem to be related not only to the chronology, but also specifically to the location of the burial sites on different transport and communication axes. Widespread influences appear to be decreasing over time, although these may be overlooked due to changes in burial practices. This upload corresponds to the online and free available supplements related to the article "Beziehungsgeflechte im frühen Mittelalter – Eine Fallstudie aus Basel" published by Margaux L. C. Depaermentier and Susanne Brather-Walter in ZAM - Zeitschrift für Archäologie des Mittelalters (edited by Sebastian Brather, Ulrich Müller, and Heiko Steuer). The csv file lists the sites (and their coordinates) where the analysed brooch and belt buckle types, which are represented in Basel in the early Middle Ages, are attested. For each site, the corresponding brooch or belt buckle type as well as the chronological frame has been specified. The lists of the individual burials corresponding to the sites are available in the ZAM article. Based on this csv file, the distribution of each brooch and belt buckle type has been mapped and modelled with a Kernel Density Estimation (KDE). Each TIFF file named after a brooch or belt buckle type show the corresponding map. Finally, this upload includes the high resolution figures published in the ZAM. These are the TIFF files names under Abb_1 to Abb_18.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Das Video zeigt die Orte wichtiger Lebensereignisse (Geburten/Taufen, Eheschließungen, Todesfälle) der in der Masterarbeit untersuchten Familie in der Stadt Mainz als Heatmap.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: ZENODO
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    Authors: Ehlers, Dajana; Kampf, Julia; Ihnen, Greta; Neuhaus, Lara Alyssa; +2 Authors

    Was ist Puls? Wann lebte Ramses II.? Und welche Länder bereisten die Wikinger? Alles Fragen die durch einen Besuch im Museum geklärt werden können. Doch was passiert, wenn nach einem langen Arbeitstag diese Fragen zwischen dir und deinem wohlverdienten Feierabend stehen? Komm zu uns ins Museum, lerne verschiedene Epochen in kurzen Alltagsmomenten kennen und entkomme aus dem Museum! Du bist in einem historischen Museum angestellt und nach einem viel zu langen Arbeitstag zwischen Objekten, Museumskonzepten und Recherche hast du die Zeit völlig aus den Augen verloren. Dein Chef und alle anderen haben dich vergessen und einfach eingeschlossen. Nun musst du versuchen einen Code für den Ausgang zu finden. Hierfür reist du mental zu den Römern, Ägyptern und Wikingern, meisterst Level in dem du das Alltagsleben der verschiedenen Kulturen nachempfindest. Gleichzeitig kannst du im Museum mehr über den Kontext der Geschichten und den Objekten, mit denen du interagierst, erfahren. Es öffnet dir den Blick, weg von den glitzernden „Sensationsfunden“, reißerischen Abenteuern und Zaubereien mit dem Pinsel, hin zu den Menschen wie du und ich. Die Erfahrungen reichen vom Handwerk, der Religion bis hin zum Essen. Vielleicht gehst du deinen nächsten Museumsbesuch etwas anders an und wirst nicht mehr nur von den Münzen und Waffen angezogen, sondern auch vom Mühlstein und den möglichen Personen, die dahinterstehen! Made with Unity More information on the accompanying university website.

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    ZENODO
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    ZENODO
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      ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Flüh, Marie;

    This dataset contains two types of resources: Firstly, one Named Entity Recognition model developed in the context of the project "Dehmel digital" for the automatic annotation of persons, places, artworks and organisations in german-speaking letters from the period around 1900. The training corpus for model 20 consists of circa 270,000 manually annotated tokens. Second, a table in which the results of the performance test are broken down in detail. The performance was calculated on the basis of eight different test texts, each consisting of 10,000 manually annotated tokens.

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    https://doi.org/10.25592/uhhfd...
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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    https://doi.org/10.25592/uhhfd...
    Dataset . 2022
    License: CC BY
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    ZFDM repository
    Dataset . 2022
    Data sources: B2FIND
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      https://doi.org/10.25592/uhhfd...
      Dataset . 2022
      License: CC BY
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      https://doi.org/10.25592/uhhfd...
      Dataset . 2022
      License: CC BY
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      ZFDM repository
      Dataset . 2022
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    Authors: Tschirschwitz, David; Klemstein, Franziska; Stein, Benno; Rodehorst, Volker;

    These are the weights and the model configs for the two models presented in the paper.

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    Authors: José, Calvo Tello;

    This is the code and data for following article: * Calvo Tello, José. 2023 (accepted). ‘Where Are Romance Studies Heading? A Bibliographic Data Science Analysis Using Regression’. Edited by Nanette Rißler-Pipika, Jan Rohden, and José Calvo Tello. Apropos [Perspektiven Auf Die Romania].

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    Enregistré en France

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    Sound . 2022
    License: PDM
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    Sound . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: van Oorschot, Frederike;

    Der Vortrag entfaltet hermeneutische und epistemologische Fragen, die durch die sich entwickelnde digitale Forschung in den Geisteswissenschaften (Digital Humanities, DH) ausgelöst werden. Im Vordergrund steht die Skizze einer auf die DH bezogenen Wissenschaftsphilosophie anhand der folgenden Leitfragen: Was bedeutet das Narrativ einer „neuen“ Wissenschaft? Wer ist Subjekt der DH? Wo finden sich neue epistemische Logiken? Was ist das forschungspolitische Setting der DH? Und wie verhält sich dies alles zum Selbstverständnis „klassischer“ Geisteswissenschaften? Dabei zielt der Vortrag auf eine „digitale Hermeneutik“ in den Geisteswissenschaften.

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    Audiovisual . 2022
    License: CC BY
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    Audiovisual . 2022
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      Audiovisual . 2022
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    Authors: Heitz, Caroline; Stapfer, Regine;

    The variable system was created to compile the 'MET-Pottery–Dataset' within the SNSF project No 100011_156205 ‘Mobilities, Entanglements and Transformations in Neolithic Societies of the Swiss Plateau (3900-3500 BC)’, short ‘MET-project’, conducted at the Institute of Archaeological Sciences, University of Bern between 2014 and 2018 (https://data.snf.ch/grants/grant/156205; https://boris.unibe.ch/77649/). It represents the largest and temporally most highly resolved collection of morphological pottery data of the Central European Neolithic. It offers data of 1046 ceramic vessels of different styles that originate out of 44 archaeological features of wetland and dryland sites of the northern Alpine Space and adjacent regions. Most of the archaeological contexts – anthropogenic layers of settlements, pits, and ditches – are typology-independent dated using dendrochronology or C14-dates. The data set includes a spreadsheet of nominal and numeric morphological variables, the collection of the vessels’ semi-profile silhouettes and the typological drawings from which all data was collected. In the scope of the MET-project ‘the data was used to elaborate a new mixed method research (MMR) methodology to investigate social relations beyond problematic concepts of homogeneous ‘archaeological cultures’. It is highly relevant for further methodological morphology-based research on pottery.

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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2022
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      Data sources: Datacite
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    This repository contains the datasets on which the article 'Made to be a woman. A case study on the categorization of gender using an individuation-based approach in the analysis of literary texts' is based on.

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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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    Authors: Depaermentier, Margaux Lucienne Céline;

    The burial sites scattered over the entire area of the canton Basel-Stadt represent the main archaeological source for the Early Middle Ages in Basel. Due to the great diversity in the grave goods and based on the interpretation of the antique written sources, the material has hitherto been interpreted ethnically, since the subdivision of the early medieval population into Romans, Alamans, Danubian-Suebi and Franks formed a basis for the interpretation. A new evaluation of the archaeological material based on the examination and reconstruction of networks using the distribution of brooch and belt types shall thus introduce new perspectives in the traditional narratives. This study showed that most of the interactions were locally or regionally determined and were focused on the High and Upper Rhine as well as in south-western Germany. Relations to the north – especially along the River Rhine – as well as with the Burgundian area also played an important role. Differences in the distribution (especially to the west or to the east) seem to be related not only to the chronology, but also specifically to the location of the burial sites on different transport and communication axes. Widespread influences appear to be decreasing over time, although these may be overlooked due to changes in burial practices. This upload corresponds to the online and free available supplements related to the article "Beziehungsgeflechte im frühen Mittelalter – Eine Fallstudie aus Basel" published by Margaux L. C. Depaermentier and Susanne Brather-Walter in ZAM - Zeitschrift für Archäologie des Mittelalters (edited by Sebastian Brather, Ulrich Müller, and Heiko Steuer). The csv file lists the sites (and their coordinates) where the analysed brooch and belt buckle types, which are represented in Basel in the early Middle Ages, are attested. For each site, the corresponding brooch or belt buckle type as well as the chronological frame has been specified. The lists of the individual burials corresponding to the sites are available in the ZAM article. Based on this csv file, the distribution of each brooch and belt buckle type has been mapped and modelled with a Kernel Density Estimation (KDE). Each TIFF file named after a brooch or belt buckle type show the corresponding map. Finally, this upload includes the high resolution figures published in the ZAM. These are the TIFF files names under Abb_1 to Abb_18.

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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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    Das Video zeigt die Orte wichtiger Lebensereignisse (Geburten/Taufen, Eheschließungen, Todesfälle) der in der Masterarbeit untersuchten Familie in der Stadt Mainz als Heatmap.

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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: Datacite
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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
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      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Audiovisual . 2022
      License: CC BY
      Data sources: Datacite
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      ZENODO
      Audiovisual . 2022
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      Data sources: ZENODO
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    Authors: Ehlers, Dajana; Kampf, Julia; Ihnen, Greta; Neuhaus, Lara Alyssa; +2 Authors

    Was ist Puls? Wann lebte Ramses II.? Und welche Länder bereisten die Wikinger? Alles Fragen die durch einen Besuch im Museum geklärt werden können. Doch was passiert, wenn nach einem langen Arbeitstag diese Fragen zwischen dir und deinem wohlverdienten Feierabend stehen? Komm zu uns ins Museum, lerne verschiedene Epochen in kurzen Alltagsmomenten kennen und entkomme aus dem Museum! Du bist in einem historischen Museum angestellt und nach einem viel zu langen Arbeitstag zwischen Objekten, Museumskonzepten und Recherche hast du die Zeit völlig aus den Augen verloren. Dein Chef und alle anderen haben dich vergessen und einfach eingeschlossen. Nun musst du versuchen einen Code für den Ausgang zu finden. Hierfür reist du mental zu den Römern, Ägyptern und Wikingern, meisterst Level in dem du das Alltagsleben der verschiedenen Kulturen nachempfindest. Gleichzeitig kannst du im Museum mehr über den Kontext der Geschichten und den Objekten, mit denen du interagierst, erfahren. Es öffnet dir den Blick, weg von den glitzernden „Sensationsfunden“, reißerischen Abenteuern und Zaubereien mit dem Pinsel, hin zu den Menschen wie du und ich. Die Erfahrungen reichen vom Handwerk, der Religion bis hin zum Essen. Vielleicht gehst du deinen nächsten Museumsbesuch etwas anders an und wirst nicht mehr nur von den Münzen und Waffen angezogen, sondern auch vom Mühlstein und den möglichen Personen, die dahinterstehen! Made with Unity More information on the accompanying university website.

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    ZENODO
    Software . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Software . 2022
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Software . 2022
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      Data sources: ZENODO
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      ZENODO
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    Authors: Flüh, Marie;

    This dataset contains two types of resources: Firstly, one Named Entity Recognition model developed in the context of the project "Dehmel digital" for the automatic annotation of persons, places, artworks and organisations in german-speaking letters from the period around 1900. The training corpus for model 20 consists of circa 270,000 manually annotated tokens. Second, a table in which the results of the performance test are broken down in detail. The performance was calculated on the basis of eight different test texts, each consisting of 10,000 manually annotated tokens.

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    https://doi.org/10.25592/uhhfd...
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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    https://doi.org/10.25592/uhhfd...
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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    ZFDM repository
    Dataset . 2022
    Data sources: B2FIND
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      ZFDM repository
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    Authors: Tschirschwitz, David; Klemstein, Franziska; Stein, Benno; Rodehorst, Volker;

    These are the weights and the model configs for the two models presented in the paper.

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    Authors: José, Calvo Tello;

    This is the code and data for following article: * Calvo Tello, José. 2023 (accepted). ‘Where Are Romance Studies Heading? A Bibliographic Data Science Analysis Using Regression’. Edited by Nanette Rißler-Pipika, Jan Rohden, and José Calvo Tello. Apropos [Perspektiven Auf Die Romania].

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    Enregistré en France

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