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  • Digital Humanities and Cultural Heritage
  • 2014-2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Yilang Shao;

    Abstract This report will briefly introduce the CEPC and its booster and collider, which are the main components of CEPC. To get a more accurate physical model of the universe, CEPC has been enhanced in many design aspects and will outperform the original LHC in many aspects. CEPC will also help scientists discover many unanswered questions, such as dark matter, and it will focus on electroweak physics. CEPC has a strong potential in high-energy physics and the scientific community as a whole.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of Physics : Conference Series
    Article . 2021 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of Physics : Conference Series
      Article . 2021 . Peer-reviewed
      License: CC BY
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Thomas Hauck;

    Abstract Our view of MP cultural variability is blurred by site-specific problems as well as inadequate research concepts. The former are inherent in current fieldwork methodology and in the archaeological record itself. Excavation of Palaeolithic sites generally catches only parts of the entire archaeological record and thus leaves us with the sample size problem. Moreover, resolution of the archaeological record is often limited by the palimpsest problem which is especially given in spatially restricted sites (e.g. caves) coupled with a low sedimentation rate. Many research concepts not only neglect the resolution problem but also lack the consideration of scale when it comes to archaeological interpretation. Our aim is not to reinterpret the Levantine Middle Palaeolithic in the light of these challenges as this is outside the scope of this paper. Archaeological resolution and scale are nevertheless taken as guidelines for the integration of the Hummal Mousterian in a broader context. In doing so, we give a short review of current knowledge and show how a scale-sensitive approach can inform us about various aspects of the Levantine Middle Palaeolithic.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao L Anthropologiearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    L Anthropologie
    Article . 2015 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao L Anthropologiearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      L Anthropologie
      Article . 2015 . Peer-reviewed
      License: Elsevier TDM
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Patrick V. Kirch;

    Polynesian societies have long been noted for encoding their histories in the form of oral narratives. While some narratives are clearly cosmogonic or mythological in nature, others purportedly recount the affairs of real persons, chronologically indexed to chiefly and family genealogies. Late 19th- and early 20th-century scholars such as Abraham Fornander and Te Rangi Hiroa relied upon such oral narratives to write the pre-European histories of various Polynesian societies. In the second half of the 20th century, however, archaeologists and cultural anthropologists alike have tended to dismiss the historical validity of oral narratives. Based on four case studies from Futuna, Tikopia, Niuatoputapu and Hawai'i, I reassess the linkages between oral narratives and the archaeological record, finding that in all cases there is strong evidence to support the view that the traditional narratives relate to real persons and events. Such traditional narratives typically do not extend farther back in time than three to four centuries, but for these later time periods they offer an invaluable resource - an indigenous perspective on island histories that complements and augments the empirical archaeological record.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of the Polyn...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of the Polynesian Society
    Article . 2018 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of the Polyn...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of the Polynesian Society
      Article . 2018 . Peer-reviewed
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  • Authors: Tonya Kim Dewey;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: yudha delonix;

    Television shows are currently dominated by programs such as reality shows, infotainment, etc. This situation inspiring Kompas TV to give different shows. Information and education are the main things that want to be presented to viewers. Through the “Explore Indonesia – Sasak Tribe” program, viewers are invited to know more closely and clearly about the cultures in various parts of Indonesia. “Explore Indonesia” is a documentary genre show. Documentary video is the most appropriate media to display a cultural reality and visual and audio. The Sasak tribe is one of the interesting cultures in Indonesia. Traditional houses, arts, and the daily lives of the unique Sasak people make this tribe a tourist attraction on the island of Lombok.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ AKSA JURNAL DESAIN K...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    AKSA JURNAL DESAIN KOMUNIKASI VISUAL
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    AKSA JURNAL DESAIN KOMUNIKASI VISUAL
    Article . 2020 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ AKSA JURNAL DESAIN K...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      AKSA JURNAL DESAIN KOMUNIKASI VISUAL
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      AKSA JURNAL DESAIN KOMUNIKASI VISUAL
      Article . 2020 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Shannon Morreira;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Africaarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Africa
    Article . 2021 . Peer-reviewed
    License: Cambridge Core User Agreement
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Africaarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Africa
      Article . 2021 . Peer-reviewed
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  • Authors: Mundin, A;

    A small cluster of potential archaeological features was recorded. Pottery of 13th-century date was recovered frmo two pits: the remaining features were undated and probably modern.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Adnan Mahmud Saleh; Fatima Waly Ridha; Abdulhussain A Khadayeir; Mohammed O. Dawood; +2 Authors

    AbstractUndoped Titanium dioxide (TiO2) and Cr-doped TiO2films were prepared by Spray Pyrolysis Technique (SPT). XRD styles showed that TiO2films were grown along dominant orientation of (111). Crystallite size increases from 8.95 nm to 9.70 nm as vanadium concentration increase, whereas the strain(%) parameter increased from 3.87 to 3.57. the AFM imaging shows that the Undoped TiO2and TiO2: Cr thin films was discontinuous surface with spherically grains decreased from (65.95-44.23 nm) with increase doping from 0% to 3%, and root-mean square (rms) roughness of surface is about (9.70-2.41) nm. Spectrometric analysis of deposited films showed high transmittance in spectral range from 300 to 900 nm, whereas the corresponding value of bandgaps was ranged from 3.48 to- 3.38 eV by Cr doping. Results show that doping of TiO2with Cr enhances the optical properties. the absorption coefficient (α), extinction coefficient (k) and refractive index (n) are increased when Cr additive is increasing.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of Physics : Conference Series
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of Physics : Conference Series
      Article . 2021 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dolores Martín Moruno;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The British Journal ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The British Journal for the History of Science
    Article . 2015 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The British Journal ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The British Journal for the History of Science
      Article . 2015 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lynn M. Tesser;

    AbstractScholars of nation-building and secession tend to prioritize elite or broader nationalist activism when explaining the proliferation of nation-states. Yet, recent historical research reveals a major finding: the influence of great powers tended to eclipse nationalist mobilization for new states in Latin America, the Balkans, Anatolia, and Central and Eastern Europe. Drawing on recent trends in historical research largely unknown in other fields, this article examines context, timing, and event sequencing to provide a new approach to multi-case research on nation-state proliferation. Major power recognition of new states in the Balkans also emerges as transformational for the post-World War I replacement of dynastic empires with nation-states in Europe. These findings suggest a shift of focus to the interplay of nationalist activism and great power policy for explaining the spread of nation-states.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Nationalities Papersarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Nationalities Papers
    Article . 2019 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Nationalities Papersarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Nationalities Papers
      Article . 2019 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Yilang Shao;

    Abstract This report will briefly introduce the CEPC and its booster and collider, which are the main components of CEPC. To get a more accurate physical model of the universe, CEPC has been enhanced in many design aspects and will outperform the original LHC in many aspects. CEPC will also help scientists discover many unanswered questions, such as dark matter, and it will focus on electroweak physics. CEPC has a strong potential in high-energy physics and the scientific community as a whole.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
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    Journal of Physics : Conference Series
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      Journal of Physics : Conference Series
      Article . 2021 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Thomas Hauck;

    Abstract Our view of MP cultural variability is blurred by site-specific problems as well as inadequate research concepts. The former are inherent in current fieldwork methodology and in the archaeological record itself. Excavation of Palaeolithic sites generally catches only parts of the entire archaeological record and thus leaves us with the sample size problem. Moreover, resolution of the archaeological record is often limited by the palimpsest problem which is especially given in spatially restricted sites (e.g. caves) coupled with a low sedimentation rate. Many research concepts not only neglect the resolution problem but also lack the consideration of scale when it comes to archaeological interpretation. Our aim is not to reinterpret the Levantine Middle Palaeolithic in the light of these challenges as this is outside the scope of this paper. Archaeological resolution and scale are nevertheless taken as guidelines for the integration of the Hummal Mousterian in a broader context. In doing so, we give a short review of current knowledge and show how a scale-sensitive approach can inform us about various aspects of the Levantine Middle Palaeolithic.

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    L Anthropologie
    Article . 2015 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao L Anthropologiearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      L Anthropologie
      Article . 2015 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Patrick V. Kirch;

    Polynesian societies have long been noted for encoding their histories in the form of oral narratives. While some narratives are clearly cosmogonic or mythological in nature, others purportedly recount the affairs of real persons, chronologically indexed to chiefly and family genealogies. Late 19th- and early 20th-century scholars such as Abraham Fornander and Te Rangi Hiroa relied upon such oral narratives to write the pre-European histories of various Polynesian societies. In the second half of the 20th century, however, archaeologists and cultural anthropologists alike have tended to dismiss the historical validity of oral narratives. Based on four case studies from Futuna, Tikopia, Niuatoputapu and Hawai'i, I reassess the linkages between oral narratives and the archaeological record, finding that in all cases there is strong evidence to support the view that the traditional narratives relate to real persons and events. Such traditional narratives typically do not extend farther back in time than three to four centuries, but for these later time periods they offer an invaluable resource - an indigenous perspective on island histories that complements and augments the empirical archaeological record.

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    Journal of the Polynesian Society
    Article . 2018 . Peer-reviewed
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      Journal of the Polynesian Society
      Article . 2018 . Peer-reviewed
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  • Authors: Tonya Kim Dewey;
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    Authors: yudha delonix;

    Television shows are currently dominated by programs such as reality shows, infotainment, etc. This situation inspiring Kompas TV to give different shows. Information and education are the main things that want to be presented to viewers. Through the “Explore Indonesia – Sasak Tribe” program, viewers are invited to know more closely and clearly about the cultures in various parts of Indonesia. “Explore Indonesia” is a documentary genre show. Documentary video is the most appropriate media to display a cultural reality and visual and audio. The Sasak tribe is one of the interesting cultures in Indonesia. Traditional houses, arts, and the daily lives of the unique Sasak people make this tribe a tourist attraction on the island of Lombok.

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    AKSA JURNAL DESAIN KOMUNIKASI VISUAL
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    AKSA JURNAL DESAIN KOMUNIKASI VISUAL
    Article . 2020 . Peer-reviewed
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