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There are several characters with a brief appearance in the history of the drama, thus having an apparent minor significance in designing the play. They seem to be mere “working tools” for the playwright. However when relating them to the major issues of the literary product and if integrating them in a larger vision of the whole creation of the author their significance and role can be outlined in a more adequate manner. The Herald may stand for the impossibility of the common man to understand the drama of the artist, for the incapacity of a mediocre person to assimilate the aspirations of the genius. The Second Carter is a good opportunity to express the middle-ages relations between the Orthodoxy of the Romanians and the Lutheranism of the Saxons in Transylvania, the Protestantism and the whole religious Reform having been rejected naturally by the Romanian people. The Third Carter is the pretext to express in an artistic manner a historical reality, i.e. the major role Târgovişte played as a spiritual focal point for the Romanian middle-ages Orthodoxy, but also as a centre for the religious printings in Romanian or Slavonic languages. Also one can distinguish the suggestion of a light irony on the behalf of the author with regards to the human prosaic hypostasis of the Romanian Orthodox priests when associating their two fundamental habits, anointing the priests and taking care of their own housekeeping. The Voivode is an image of a person with a subtle, diplomatic intelligence that leaves room for a waggish wit. He is fully aware of his condition as patron of church building. He hesitates between two decisions he should make concerning Manole the Craftsman: either to highly praise the artist, the creator or to sentence to death the human murderer. Whichever decision he would make, he knows very well his prerogative as a ruler is absolute and supreme, the middle-ages autocracy allowing him anything. Having a refined spirit, the Voivode understands from the very beginning both the superlative features of the creation and the sacrifice of the creator. His attitude seems to be benevolent, conciliatory, as he is very satisfied with the “gift” of the Masons – in his view the church belongs both to the ruler and to God. It becomes obvious the Voivode urges Manole to enjoy the “fruit of his endeavor and of his hands”. He forgives Manole, having been convinced that at the Last Judgment the church Manole has built would exculpate him of all sins. After Manole commits suicide the Voivode pays him the proper respect. The whole portrait configures the Voivode as an exceptional ambassador of his people, at a far distance from the bloody figure portrayed in some variants of the folk ballad, closer to the real historical character, the benefactor of the Argeş Monastery, Neagoe.

The article comprises an exemplification of the method the author used in his scientific research as a member of the grant Presa românească şi ideea naţională. Antologie, studiu, dicţionar, dosar critic (The Romanian Press and the National Idea. Anthology, Study, Dictionary, Critical File), 2005-2006, CNCSIS code 782, coordinator of grant Professor Mircea Popa. The author was responsible for the publications “Telegraful român” (“The Romanian Telegraph”) (1853-1918) and “Tribuna” (“The Tribune”) (1884-1903), both of which appeared in Sibiu. The author presents below a brief analytical file of the magazine and a selection of three articles it contained in its early beginnings. All of these articles refer to the relationship of the Romanian intellectuals from Transylvania with the Hungarian ruling political system and point out a rather discomforting state of mind at the time.

Abstract in Romanian Lucrarea a fost gândită să pună în valoare următoarele aspecte: Momente şi aspecte din lupta ideologică şi politică a românilor, reflectate în presă; Idealul naţional şi poezia transilvăneană; Momente ale luptelor naţionale ale românilor oglindite de revista „Familia” în perioada mişcării memorandiste; Cronologie privind acţiunile culturale şi politice din ţinutul Albei Iulia, excerptate din presa timpului; Dosar critic privind presa transilvăneană. Toate acestea sunt însoţite de un amplu studiu introductiv privind momentele mai importante care definesc configurarea şi îmbogăţirea conceptuală şi faptică a idealului naţional până în 1918.