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60 Research products

  • Digital Humanities and Cultural Heritage
  • Open Access
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lhuillier, Johanna; Rapin, Claude;

    International audience; An early Iron Age settlement was discovered in the earliest layers of Koktepe site(Sogdiana, Uzbekistan), dated by C14 to the second half of the 2nd and the beginningof the 1st millennium BC. The pottery is typical of the Painted Ware cultures andfor the first time in Central Asia it was possible to divide it into two stages relatedto the stratigraphy. On the basis of the observations made in Koktepe, the authorsconsider that spouted cooking pots are a late chronological marker and they proposeto synchronise Koktepe with the neighbouring regions of Sogdiana and Chach, thusgiving some preliminary elements about the evolution of the Early Iron Age cultureof Central Asia.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2013
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    Authors: Gaugne, Ronan; Gouranton, Valérie; Dumont, Georges; Chauffaut, Alain; +1 Authors

    International audience; This paper contributes to cross-domain mutual enrichment between archaeology and virtual reality. We present Immersia, an open high-end platform dedicated to research on immersive virtual reality and its usages. Immersia is a node of the european project Visionair that offers an infrastructure for high level visualisation facilities open to research communities across Europe. In Immersia, two projects are currently activeon on the theme of archaeology thematics. One is relative to the study of the Cairn of Carn, with the Creaah, a pluridisciplinary research laboratory of archeology and archeosciences, and one on the reconstitution of the gallo-roman villa of Bais, with the French institute INRAP.

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    Archeologia e Calcolatori
    Part of book or chapter of book . 2014
    License: CC BY NC ND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vanfasse, Nathalie;

    International audience; A Tale of Two Cities is one of Dickens's shortest and possibly one of his most atypical and puzzling novels. For French readers in particular-whose history this novel purports to reinterpret-The novel proves especially challenging. This article provides new insights into the understanding of this perplexing work. It argues that the complexity of the novel stems from its interculturality-especially in relation to translation-as well as from the historical, political, philosophical and sociological perspectives it engages with, and the interdisciplinary connections it thus establishes. The novel's puzzling quality also derives from its intricate handling of the concept of identity and its multifarious ramifications, that involve gender but also revolutionary crowds. Moreover, the elaborate combination of strong visual elements, added to an as yet underexplored but just as intense and multifaceted kinaesthetic dimension, enhance our reading of A Tale of Two Cities, and open up new possibilities for performing and adapting the novel.

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    Authors: Voskaki, Rania; Tziafa, Eleni; Ioannidou, Kyriaki;

    This paper reports on a corpus-based description of predicative nouns in a register-diversified financial corpus. Structural linguistics (Chomsky 1981) and register analysis (Biber & Conrad 2009) are the theoretical backgrounds of this research. As predicative noun, we define a noun derived from a verb, an adjective or a noun that occurs in support verb constructions (Gross 1981). In order to identify the predicative nouns occurring in a Modern Greek financial corpus we applied a. five Lexicon-Grammar tables containing predicative nouns, along with their distributional and transformational properties (Tziafa 2012); b. 122 finite state automata (Ioannidou 2013), representing noun phrases. Selected papers on theoretical and applied linguistics, Vol 21 (2016): Selected Papers on Theoretical and Applied Linguistics from ISTAL, Thessaloniki 5-7 April 2013

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    http://ejournals.lib.auth.gr/t...
    Article . 2016
    License: CC BY NC SA
    Data sources: Prothiki
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    Hyper Article en Ligne
    Other literature type . 2016
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    Hal-Diderot
    Other literature type . 2016
    Data sources: Hal-Diderot
    https://doi.org/10.26262/istal...
    Article . 2016
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://ejournals.lib...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      http://ejournals.lib.auth.gr/t...
      Article . 2016
      License: CC BY NC SA
      Data sources: Prothiki
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2016
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hal-Diderot
      Other literature type . 2016
      Data sources: Hal-Diderot
      https://doi.org/10.26262/istal...
      Article . 2016
      License: CC BY NC SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Delanoë-Brun, Emmanuelle;

    Westerns are all about men, the definition of manhood, the making or unmaking of the American hero. And yet they are also very much about women. Not directly so, or at least very rarely: outside of William Wellman’s 1951 Westward the Women, Nicholas Ray’s 1954 Johnny Guitar, or a a handful of Barbara Stanwyck vehicles obsessed with the fear of virile, willful women in the conservative 50s, women seldom occupy center stage in classical westerns, where they are generally relegated to the pride ...

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    OpenEdition
    Book . 2022
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    Authors: Bernard, Yann; Barreau, Jean-Baptiste; Bizien-Jaglin, Catherine; Quesnel, Laurent; +2 Authors

    International audience; The City of Alet is an important archaeological site in Brittany because it was in the late Iron Age the capital of the Coriosolites. The remains, scattered today in a neighbourhood of Saint-Malo, are highly heterogeneous. Because of its great archeological interest, it has become since 2015 the subject of experimentation in digital archeology. From 3D scanning and Ground Penetrating Radar experimentation, we started a 3D reconstruction of city including several levels of uncertainty and fuelling archaeological thoughts, the results of which are still in discussion.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ RiuNet; Recolector d...arrow_drop_down
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    RiuNet; Recolector de Ciencia Abierta, RECOLECTA
    Other literature type . Part of book or chapter of book . 2016
    License: CC BY NC ND
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    Authors: Michel, Anne;

    International audience; Reexamination of the vestiges excavated in the 1990's in area B in Abila of the Decapolis (Jordan), trying to determine their identification as a church with a crypt.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oskar Bordeauxarrow_drop_down
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    Oskar Bordeaux
    Part of book or chapter of book . 2019
    Data sources: Oskar Bordeaux
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    Hyper Article en Ligne
    Other literature type . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oskar Bordeaux
      Part of book or chapter of book . 2019
      Data sources: Oskar Bordeaux
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . 2019
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    Authors: Houal, Jean-Baptiste;

    International audience; Located less than 80km from both sides of the Amu Darya, Termez and Balkh represent two different urban phenomena in the Greco-Bactrian world. Bactria was already an important town, capital of Bactria during the Achaemenid period whereas Termez was only one small urban center at the hellenistic period. The discovery of Hellenistic levels at Balkh seems all the more important that since 1924, the reality of a Hellenistic occupation in Bactres was actively sought. Excavations from 2005 on various sites in the city have shown this reality and thus made certain assumptions about the extent of the occupation and the timeline.

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    Other literature type . 2016
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    Authors: Mullen, John;

    International audience; Historians, in my view, can be best defined by the questions they decide to ask. My approach to popular song is to maintain that it does not illustrate history with a capital H, history which happens elsewhere in muddy trenches or oak-panelled offices. It rather constitutes a series of mass activities which are a part of history, just as much as are other activities such as working or fighting. This is the reason for the title of my paper: “The Uses of British Wartime Song”. The question positions popular song as a material activity serving a purpose, and not as an expression of “national spirit”, “the soul of the people” or the “zeitgeist”, nor as only a particular stage in the artistic development of a musical genre. As we shall see, many of the specific characteristics of the mass activity, and of the structure of the music industry, influence the repertoire: notably the importance of audience singalong, and the absence of a system in the United Kingdom of paying royalties to songwriters. Putting the question of the “uses” of the popular song at the heart of the question reminds us of another significant element: songs can sometimes be used for purposes which were not decided by the creator of the song.I shall begin by presenting briefly the nature of the popular music industry in 1914. I shall then treat some of the myths that have grown up about wartime song, mostly in the absence of large-scale archival work and very much coloured by the idea of the “home front” – the view of all activity in the nation as subordinate to the empire’s military objectives. After this, I will deal with the particularly political groups of songs- the enthusiastic war songs in the early months, and the occasional dissenting songs throughout the conflict. Finally, I will focus in on the foremost use of the songs as a kind of collective catharsis of everyday life, showing very strong continuity with pre-war and post-war repertoires and processes.

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    Authors: Dascalu, Mihai; Crossley, Scott,; Mcnamara, Danielle,; Dessus, Philippe; +1 Authors

    International audience; A critical task for tutors is to provide learners with suitable reading materials in terms of difficulty. The challenge of this endeavor is increased by students' individual variability and the multiple levels in which complexity can vary, thus arguing for the necessity of automated systems to support teachers. This chapter describes ReaderBench, an open-source multi-dimensional and multilingual system that uses advanced Natural Language Processing techniques to assess textual complexity at multiple levels including surface-based, syntax, semantics and discourse structure. In contrast to other existing approaches, ReaderBench is centered on cohesion and makes extensive usage of two complementary models, i.e., Cohesion Network Analysis and the polyphonic model inspired from dialogism. The first model provides an in-depth view of discourse in terms of cohesive links, whereas the second one highlights interactions between points of view spanning throughout the discourse. In order to argue for its wide applicability and extensibility, two studies are introduced. The first study investigates the degree to which ReaderBench textual complexity indices differentiate between high and low cohesion texts. The ReaderBench indices led to a higher classification accuracy than those included in prior studies using Coh-Metrix and TAACO. In the second study, ReaderBench indices are used to predict the difficulty of a set of various texts. Although the high number of predictive indices (50 plus) accounted for less variance than previous studies, they make valuable contributions to our understanding of text due to their wide coverage.

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    Other literature type . 2018
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60 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lhuillier, Johanna; Rapin, Claude;

    International audience; An early Iron Age settlement was discovered in the earliest layers of Koktepe site(Sogdiana, Uzbekistan), dated by C14 to the second half of the 2nd and the beginningof the 1st millennium BC. The pottery is typical of the Painted Ware cultures andfor the first time in Central Asia it was possible to divide it into two stages relatedto the stratigraphy. On the basis of the observations made in Koktepe, the authorsconsider that spouted cooking pots are a late chronological marker and they proposeto synchronise Koktepe with the neighbouring regions of Sogdiana and Chach, thusgiving some preliminary elements about the evolution of the Early Iron Age cultureof Central Asia.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2013
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gaugne, Ronan; Gouranton, Valérie; Dumont, Georges; Chauffaut, Alain; +1 Authors

    International audience; This paper contributes to cross-domain mutual enrichment between archaeology and virtual reality. We present Immersia, an open high-end platform dedicated to research on immersive virtual reality and its usages. Immersia is a node of the european project Visionair that offers an infrastructure for high level visualisation facilities open to research communities across Europe. In Immersia, two projects are currently activeon on the theme of archaeology thematics. One is relative to the study of the Cairn of Carn, with the Creaah, a pluridisciplinary research laboratory of archeology and archeosciences, and one on the reconstitution of the gallo-roman villa of Bais, with the French institute INRAP.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL-Rennes 1; Hyper ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Archeologia e Calcolatori
    Part of book or chapter of book . 2014
    License: CC BY NC ND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vanfasse, Nathalie;

    International audience; A Tale of Two Cities is one of Dickens's shortest and possibly one of his most atypical and puzzling novels. For French readers in particular-whose history this novel purports to reinterpret-The novel proves especially challenging. This article provides new insights into the understanding of this perplexing work. It argues that the complexity of the novel stems from its interculturality-especially in relation to translation-as well as from the historical, political, philosophical and sociological perspectives it engages with, and the interdisciplinary connections it thus establishes. The novel's puzzling quality also derives from its intricate handling of the concept of identity and its multifarious ramifications, that involve gender but also revolutionary crowds. Moreover, the elaborate combination of strong visual elements, added to an as yet underexplored but just as intense and multifaceted kinaesthetic dimension, enhance our reading of A Tale of Two Cities, and open up new possibilities for performing and adapting the novel.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Voskaki, Rania; Tziafa, Eleni; Ioannidou, Kyriaki;

    This paper reports on a corpus-based description of predicative nouns in a register-diversified financial corpus. Structural linguistics (Chomsky 1981) and register analysis (Biber & Conrad 2009) are the theoretical backgrounds of this research. As predicative noun, we define a noun derived from a verb, an adjective or a noun that occurs in support verb constructions (Gross 1981). In order to identify the predicative nouns occurring in a Modern Greek financial corpus we applied a. five Lexicon-Grammar tables containing predicative nouns, along with their distributional and transformational properties (Tziafa 2012); b. 122 finite state automata (Ioannidou 2013), representing noun phrases. Selected papers on theoretical and applied linguistics, Vol 21 (2016): Selected Papers on Theoretical and Applied Linguistics from ISTAL, Thessaloniki 5-7 April 2013

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://ejournals.lib...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://ejournals.lib.auth.gr/t...
    Article . 2016
    License: CC BY NC SA
    Data sources: Prothiki
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2016
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hal-Diderot
    Other literature type . 2016
    Data sources: Hal-Diderot
    https://doi.org/10.26262/istal...
    Article . 2016
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://ejournals.lib...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      http://ejournals.lib.auth.gr/t...
      Article . 2016
      License: CC BY NC SA
      Data sources: Prothiki
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2016
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hal-Diderot
      Other literature type . 2016
      Data sources: Hal-Diderot
      https://doi.org/10.26262/istal...
      Article . 2016
      License: CC BY NC SA
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Delanoë-Brun, Emmanuelle;

    Westerns are all about men, the definition of manhood, the making or unmaking of the American hero. And yet they are also very much about women. Not directly so, or at least very rarely: outside of William Wellman’s 1951 Westward the Women, Nicholas Ray’s 1954 Johnny Guitar, or a a handful of Barbara Stanwyck vehicles obsessed with the fear of virile, willful women in the conservative 50s, women seldom occupy center stage in classical westerns, where they are generally relegated to the pride ...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Book . 2022
    Data sources: OpenEdition
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bernard, Yann; Barreau, Jean-Baptiste; Bizien-Jaglin, Catherine; Quesnel, Laurent; +2 Authors

    International audience; The City of Alet is an important archaeological site in Brittany because it was in the late Iron Age the capital of the Coriosolites. The remains, scattered today in a neighbourhood of Saint-Malo, are highly heterogeneous. Because of its great archeological interest, it has become since 2015 the subject of experimentation in digital archeology. From 3D scanning and Ground Penetrating Radar experimentation, we started a 3D reconstruction of city including several levels of uncertainty and fuelling archaeological thoughts, the results of which are still in discussion.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ RiuNet; Recolector d...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    RiuNet; Recolector de Ciencia Abierta, RECOLECTA
    Other literature type . Part of book or chapter of book . 2016
    License: CC BY NC ND
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