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  • Authors: Roche, Christophe; Papadopoulou, Maria;

    International audience; Classifying objects and choosing the right terms and definitions for them, all the while taking domain knowledge into account, are constant concerns in Digital Humanities (DH). In this regard, as well as in that of data interoperability and sharing on the Web, ontologies, in the sense of Knowledge Engineering (KE), constitute one of the most interesting developments. When conceptualizing a domain, the underlying principles in AI do not necessarily dovetail with those in DH. Adding to that, Terminology, as a discipline, has not really received due attention by AI and DH specialists as yet. This article is interested in the way experts work towards coming up with “definitions of things” and with naming things. The result of this reflection is a tool-assisted method for building terminologies whose conceptual system is a formal ontology, compliant with the ISO and W3C standards. The approach is illustrated by means of presenting the first ontoterminology dictionary of garments of ancient Greece.; La clasificación de los objetos, la elección de los términos y su definición con respecto al conocimiento del ámbito son preocupaciones constantes en las Humanidades Digitales (HD). En este marco, y en el contexto del intercambio y la interoperabilidad de datos en la Web, las ontologías en el sentido de la Ingeniería del Conocimiento (IC) constituyen uno de los avances más interesantes. Pero los principios que subyacen la conceptualización de un dominio tal como lo entienden la IC y las HD no son necesariamente los mismos. A esto se agrega un problema de Terminología como disciplina que a menudo es subestimada por ambos dominios. Este artículo se interesa a la manera de proceder de los expertos en su “definición de las cosas” y cómo las nombran. Esto nos ha llevado a definir un método basado en herramientas para la construcción de terminologías cuyo sistema conceptual es una ontología formal, en conformidad con las normas de la ISO y los estándares del W3C. Este método está ilustrado gracias al primer diccionario ontoterminológico de la vestimenta de la antigua Grecia.; La classification des objets, le choix des termes et leur définition au regard des connaissances du domaine, sont des préoccupations constantes en Humanités Numériques (HN). Dans ce cadre, et dans le contexte du partage et de l’interopérabilité des données sur le Web, les ontologies au sens de l’Ingénierie des Connaissances (IC )constituent une des avancées les plus intéressantes. Mais les principes sous-jacents à la conceptualisation d’un domaine tels que l’entendent l’IC et les HN ne sont pas nécessairement les mêmes. À cela s’ajoute un problème de Terminologie en tant que discipline souvent sous-estimée aussi bien par les uns que par les autres. Cet article s’intéresse àla façon de procéder des experts dans leur “définition des choses” et dans la manière de les nommer. Cela nous a conduits à définir une méthode outillée de construction de terminologies dont le système conceptuel est une ontologie formelle, dans le respect des normes ISO et des standards du W3C. Cette méthode est illustrée à l’aide du premier dictionnaire ontoterminologique des vêtements de la Grèce antique.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lindschouw, Jan Juhl; Gleerup Christensen, Mikkel;

    La motivation pour le travail sur la littérature dans les cours de langue au lycée est particulièrement intéressante à l’âge numérique. Cet article, qui s’appuie sur une enquête menée auprès de 464 lycéens participant aux cours de langue en français langue étrangère (FLE) au Danemark, évalue l’incidence sur la motivation de l’apprenant de son opinion sur la littérature comme médiateur du capital auquel il s’intéresse. L’orientation intégrative, qui est généralement corrélée à une forte motivation pour l’acquisition d’une langue étrangère, s’avère avoir une incidence considérable et positive sur la motivation. De plus, il est probable qu’une perception de la littérature comme utile pour le développement de la compétence symbolique peut avoir une incidence même plus importante sur la motivation. Enfin, il est possible qu’une préférence pour la culture française au détriment des cultures francophones puisse aussi influencer la motivation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2019
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2019
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nils Schultz Ravneberg; Lisbeth Verstraete-Hansen;

    Cet article s’interroge sur la méthode la plus adéquate pour enseigner la littérature aux étudiants au premier semestre de la formation Langue et culture françaises à l’Université de Copenhague. Pour ce faire, l’article mobilise trois types de données : les documents officiels concernant l’enseignement du français au lycée et à l’université, des données quantitatives récoltées à travers une enquête en ligne auprès des étudiants et de brefs essais écrits en français par ces mêmes étudiants. L’article montre qu’il existe un décalage entre les acquis linguistiques des étudiants arrivant à l’université et les attentes formulées dans les objectifs d’apprentissage du cours de littérature. Pour remédier à ce décalage, l’article propose de repenser l’enseignement littéraire à partir d’un principe de progression et d’une intégration plus poussée de la discipline littéraire et de la didactique des langues.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2019
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
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      Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Valsiner, Jaan;

    All social sciences of our day seem to adopt the politically correct position of relevance of being of "practical use" for "the society". It is claimed here that such appropriation of the applied value of a science is an accommodation to the social-institutional control demands on the sciences. While emphasizing "practical use" such demands keep the social sciences away from universal knowledge that might reveal the multiple social functions of the controlling institutions. The Semiotic Demand Settings (SDS) that are set up to regulate what social sciences do (and do not do) guarantee that the development of the given science is non-linear in its history, and uneven in its social-geographical distribution. History of social psychology especially its move between Europe and America - provides evidence of such processes that have resulted in fragmentation of knowledge and reliance on consensually accepted methods. Overcoming these historically set self-blinders by a discipline is needed if it generates general knowledge applicable to all societies.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao VBN; Aalborg Univers...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao VBN; Aalborg Univers...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • Authors: Roche, Christophe; Papadopoulou, Maria;

    International audience; Classifying objects and choosing the right terms and definitions for them, all the while taking domain knowledge into account, are constant concerns in Digital Humanities (DH). In this regard, as well as in that of data interoperability and sharing on the Web, ontologies, in the sense of Knowledge Engineering (KE), constitute one of the most interesting developments. When conceptualizing a domain, the underlying principles in AI do not necessarily dovetail with those in DH. Adding to that, Terminology, as a discipline, has not really received due attention by AI and DH specialists as yet. This article is interested in the way experts work towards coming up with “definitions of things” and with naming things. The result of this reflection is a tool-assisted method for building terminologies whose conceptual system is a formal ontology, compliant with the ISO and W3C standards. The approach is illustrated by means of presenting the first ontoterminology dictionary of garments of ancient Greece.; La clasificación de los objetos, la elección de los términos y su definición con respecto al conocimiento del ámbito son preocupaciones constantes en las Humanidades Digitales (HD). En este marco, y en el contexto del intercambio y la interoperabilidad de datos en la Web, las ontologías en el sentido de la Ingeniería del Conocimiento (IC) constituyen uno de los avances más interesantes. Pero los principios que subyacen la conceptualización de un dominio tal como lo entienden la IC y las HD no son necesariamente los mismos. A esto se agrega un problema de Terminología como disciplina que a menudo es subestimada por ambos dominios. Este artículo se interesa a la manera de proceder de los expertos en su “definición de las cosas” y cómo las nombran. Esto nos ha llevado a definir un método basado en herramientas para la construcción de terminologías cuyo sistema conceptual es una ontología formal, en conformidad con las normas de la ISO y los estándares del W3C. Este método está ilustrado gracias al primer diccionario ontoterminológico de la vestimenta de la antigua Grecia.; La classification des objets, le choix des termes et leur définition au regard des connaissances du domaine, sont des préoccupations constantes en Humanités Numériques (HN). Dans ce cadre, et dans le contexte du partage et de l’interopérabilité des données sur le Web, les ontologies au sens de l’Ingénierie des Connaissances (IC )constituent une des avancées les plus intéressantes. Mais les principes sous-jacents à la conceptualisation d’un domaine tels que l’entendent l’IC et les HN ne sont pas nécessairement les mêmes. À cela s’ajoute un problème de Terminologie en tant que discipline souvent sous-estimée aussi bien par les uns que par les autres. Cet article s’intéresse àla façon de procéder des experts dans leur “définition des choses” et dans la manière de les nommer. Cela nous a conduits à définir une méthode outillée de construction de terminologies dont le système conceptuel est une ontologie formelle, dans le respect des normes ISO et des standards du W3C. Cette méthode est illustrée à l’aide du premier dictionnaire ontoterminologique des vêtements de la Grèce antique.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lindschouw, Jan Juhl; Gleerup Christensen, Mikkel;

    La motivation pour le travail sur la littérature dans les cours de langue au lycée est particulièrement intéressante à l’âge numérique. Cet article, qui s’appuie sur une enquête menée auprès de 464 lycéens participant aux cours de langue en français langue étrangère (FLE) au Danemark, évalue l’incidence sur la motivation de l’apprenant de son opinion sur la littérature comme médiateur du capital auquel il s’intéresse. L’orientation intégrative, qui est généralement corrélée à une forte motivation pour l’acquisition d’une langue étrangère, s’avère avoir une incidence considérable et positive sur la motivation. De plus, il est probable qu’une perception de la littérature comme utile pour le développement de la compétence symbolique peut avoir une incidence même plus importante sur la motivation. Enfin, il est possible qu’une préférence pour la culture française au détriment des cultures francophones puisse aussi influencer la motivation.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2019
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DOAJ
      Article . 2019
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nils Schultz Ravneberg; Lisbeth Verstraete-Hansen;

    Cet article s’interroge sur la méthode la plus adéquate pour enseigner la littérature aux étudiants au premier semestre de la formation Langue et culture françaises à l’Université de Copenhague. Pour ce faire, l’article mobilise trois types de données : les documents officiels concernant l’enseignement du français au lycée et à l’université, des données quantitatives récoltées à travers une enquête en ligne auprès des étudiants et de brefs essais écrits en français par ces mêmes étudiants. L’article montre qu’il existe un décalage entre les acquis linguistiques des étudiants arrivant à l’université et les attentes formulées dans les objectifs d’apprentissage du cours de littérature. Pour remédier à ce décalage, l’article propose de repenser l’enseignement littéraire à partir d’un principe de progression et d’une intégration plus poussée de la discipline littéraire et de la didactique des langues.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DOAJarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2019
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Valsiner, Jaan;

    All social sciences of our day seem to adopt the politically correct position of relevance of being of "practical use" for "the society". It is claimed here that such appropriation of the applied value of a science is an accommodation to the social-institutional control demands on the sciences. While emphasizing "practical use" such demands keep the social sciences away from universal knowledge that might reveal the multiple social functions of the controlling institutions. The Semiotic Demand Settings (SDS) that are set up to regulate what social sciences do (and do not do) guarantee that the development of the given science is non-linear in its history, and uneven in its social-geographical distribution. History of social psychology especially its move between Europe and America - provides evidence of such processes that have resulted in fragmentation of knowledge and reliance on consensually accepted methods. Overcoming these historically set self-blinders by a discipline is needed if it generates general knowledge applicable to all societies.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao VBN; Aalborg Univers...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao VBN; Aalborg Univers...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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