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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Giacomo Sevieri; Carmine Galasso; Dina D'Ayala; Richard De Jesus; +3 Authors

    Abstract. Multi-hazard risk assessment of building portfolios is of primary importance in natural-hazard-prone areas, particularly for the prioritization of disaster risk reduction and resilience-enhancing strategies. In this context, cultural heritage assets require special consideration because of their high vulnerability to natural hazards – due to ageing and the type of constructions – and their strong links with communities from both an economic and a historical/sociocultural perspective. As part of the Cultural Heritage Resilience & Sustainability to multiple Hazards (CHeRiSH) project, funded by the UK Newton Fund, this paper introduces a multi-hazard risk prioritisation framework specifically developed for cultural heritage assets. The proposed framework relies on a multi-level rapid-visual-survey (RVS) form for the multi-hazard data collection and risk prioritization of case-study assets. Because of the multi-level architecture of the proposed RVS form, based on three levels of refinement/information, an increasing degree of accuracy can be achieved in the estimation of structural vulnerability and, ultimately structural risk of the considered assets. At the lowest level of refinement, the collected data are used for the computation of seismic and wind risk prioritization indices, specifically calibrated in this study for cultural heritage assets with various structural/non-structural features. The resulting indices are then combined into a unique multi-hazard risk prioritization index in which the intangible value of cultural heritage assets is also considered. This is achieved by defining a score expressing the cultural significance of the asset. The analytic hierarchy process is extensively used throughout the study to reduce the subjectivity involved in the framework, thus obtaining a simplified, yet robust, approach which can be adapted to different building typologies. The proposed framework is applied to 25 heritage buildings in Iloilo City, Philippines, for which innovative, non-invasive techniques and tools for improved surveying have also been tested. Thermal and omnidirectional cameras have helped in the collection of structural data, together with drones for the inspection of roofs. Results of the study are presented and critically discussed, highlighting advantages and drawbacks of the use of new technologies in this field.

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    Natural Hazards and Earth System Sciences
    Article . 2020 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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    https://doi.org/10.5194/nhess-...
    Preprint . 2020
    License: CC BY
    Data sources: Crossref
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    UCL Discovery
    Article . 2020
    Data sources: UCL Discovery
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    DOAJ
    Article . 2020
    Data sources: DOAJ
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    Natural Hazards and Earth System Sciences
    Article . Preprint
    License: CC BY
    Data sources: UnpayWall
    Copernicus Publications
    Other literature type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Natural Hazards and ...arrow_drop_down
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      Natural Hazards and Earth System Sciences
      Article . 2020 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5194/nhess-...
      Preprint . 2020
      License: CC BY
      Data sources: Crossref
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      UCL Discovery
      Article . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      DOAJ
      Article . 2020
      Data sources: DOAJ
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      Natural Hazards and Earth System Sciences
      Article . Preprint
      License: CC BY
      Data sources: UnpayWall
      Copernicus Publications
      Other literature type . 2020
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    Authors: Algura, Patricia O.;

    Abstract. Cemeteries are often regarded as left behind landscapes: scary and lifeless, abandoned and forgotten. Despite this derelict image, residents of Manila North Cemetery are living and co-existing in tombs and mausoleums. They celebrate life and live behind the shadows of those who have passed on. The maps present the unseen life in the spaces of the cemetery. Behind the dark and shadows of the departed are faces of people with bright smiles and with inspiring dreams. Through ethnographic research, interviews and observations were conducted to uncover and recover stories of life and experiences that were used as the basis, foundation, and inspiration of the maps. Using the actual map of the cemetery, a series of maps were realized to portray stained-glass images of mother and child, Mother Mary, and angel, where colors represent the vibrant life and the promise of afterlife in the cemetery.These maps tell a whole different story, giving light to the life rather than the dead. The Mother and child map shows how adults in the cemetery are doting parents and siblings. Elders were responsible for providing the needs and nourishing the family. As part of the Philippine culture, Filipinos are family-oriented, and they tend to remain close to their families even if the child is grown up - gainfully employed or has married. The portrait of Mother Mary symbolizes Filipinos’ Christian faith. The smiles on faces are evidences of hope and faith. Living in what society considers an undesirable disposition, the people are determined and always hopeful for tomorrow. The departed are depicted as the angel, as it shows how the living and the dead are at peace and coexisting in the same environment. We, as outsiders, often hear about ghosts, horror stories, and consider cemeteries as haunted, but these events and stories are uncommon to the residents. They had established a relationship with the place and those around it. For them, the cemetery is not merely a place, but a place they call home.The maps demonstrate that the living and the dead can co-exist in the same space rather than separated. These cartographic works are interventions to depict, portray, and represent urban life that exist in the peripheries of the city of Manila.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Abstracts of the ICAarrow_drop_down
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    Abstracts of the ICA
    Article . 2019 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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    Abstracts of the ICA
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    Copernicus Publications
    Other literature type . 2019
    Copernicus Publications
    Other literature type . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Abstracts of the ICAarrow_drop_down
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      Abstracts of the ICA
      Article . 2019 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Abstracts of the ICA
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      Copernicus Publications
      Other literature type . 2019
      Copernicus Publications
      Other literature type . 2019
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    Authors: Belmonte, A. A.; Biong, M. M. P.; Macatulad, E. G.;

    Abstract. Digital elevation models (DEMs) are widely used raster data for different applications concerning terrain, such as for flood modelling, viewshed analysis, mining, land development, engineering design projects, to name a few. DEMs can be obtained through various methods, including topographic survey, LiDAR or photogrammetry, and internet sources. Terrestrial close-range photogrammetry is one of the alternative methods to produce DEMs through the processing of images using photogrammetry software. There are already powerful photogrammetry software that are commercially-available and can produce high-accuracy DEMs. However, this entails corresponding cost. Although, some of these software have free or demo trials, these trials have limits in their usable features and usage time. One alternative is the use of free and open-source software (FOSS), such as the Python Photogrammetry Toolbox (PPT), which provides an interface for performing photogrammetric processes implemented through python script. For relatively small areas such as in mining or construction excavation, a relatively inexpensive, fast and accurate method would be advantageous. In this study, PPT was used to generate 3D point cloud data from images of an open pit excavation. The PPT was extended to add an algorithm converting the generated point cloud data into a usable DEM.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The International Ar...arrow_drop_down
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    DOAJ
    Article . 2017
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    Copernicus Publications
    Other literature type . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The International Ar...arrow_drop_down
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      Copernicus Publications
      Other literature type . 2018
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    Authors: Pawlik, Alfred F.; Thissen, Jürgen;

    Im Rahmen des Projektes „Prospektion Paläolithikum im Indetal“ der Stiftung Archäologie im Rheinischen Braunkohlenrevier wurden in den Jahren 2005 und 2006 im Tagebau Inden zwischen Jülich-Kirchberg und Lamersdorf die pleistozänen Deckschichten mittels 20 Baggertiefschnitten sondiert. Ziel war es, fossile Landoberflächen und mögliche paläolithische Siedlungsplätze zu finden und freizulegen. Im Dezember 2005 konnte in der Ortslage Inden-Altdorf eine mittelpaläolithische Fundschicht aus dem Eem-Interglazial entdeckt werden, die bis September 2006 auf einer Fläche von 3000 m² archäologisch untersucht werden konnte. Es fanden sich 700 Steinartefakte und herbeigebrachte Gerölle, aber auch evidente Grubenbefunde und Feuerstellen. Drei Baumwürfe lagen mitten in der Hauptartefaktkonzentration und waren wohl in das Siedlungsgeschehen eingebunden. Die Artefaktoberflächen waren kantenscharf und nicht patiniert, so dass die durchgeführten Gebrauchsspurenanalysen außergewöhnlich erfolgreich waren. Auf 120 der insgesamt 136 für die Gebrauchsspurenanalyse ausgewählten Artefakte fanden sich Mikrospuren verschiedenartiger Tätigkeiten sowie Residuen. Diese konnten mittels Rasterelektronenmikroskopie und energiedispersiver Röntgenmikroanalyse als Reste von Birkenrindenpech identifiziert werden. 82 Geräte mit Residuen erwiesen sich entweder als geschäftete Einsätze, die mit diesem Pech an den Schäften befestigt wurden oder als Werkzeuge für die Reparatur von gebrauchten und mit Pech verklebten Schäftungen, und dem Auswechseln verbrauchter Feuersteineinsätze dienten. Birkenrindenpech kann als ältester synthetisch hergestellter Werkstoff angesehen werden und wird in der Regel mit dem Jungpaläolithikum und modernen Menschen assoziiert. Die auf den Micoquien Artefakten aus Inden vorgefundenen Birkenpechreste zeigen, daß sowohl Schäftungstechnologien, Gebrauch und Herstellung von Klebstoff als auch die Anfertigung von komplexen, aus mehreren Komponenten bestehenden Geräten im Mittelpaläolithikum durchaus üblich waren. Deren Vorhandensein, noch dazu in einer vergleichsweise hohen Anzahl, kann als deutlicher Hinweis auf moderne menschliche Verhaltensweisen gewertet werden. research

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Eiszeitalter und Geg...arrow_drop_down
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    Eiszeitalter und Gegenwart
    Article
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    Eiszeitalter und Gegenwart
    Article . 2011 . Peer-reviewed
    License: CC BY
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    Copernicus Publications
    Other literature type . 2018
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    DOAJ
    Article . 2011
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    Copernicus Publications
    Other literature type . 2018
    GEO-LEO e-docs
    Article . 2011
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      Eiszeitalter und Gegenwart
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      Eiszeitalter und Gegenwart
      Article . 2011 . Peer-reviewed
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      Copernicus Publications
      Other literature type . 2018
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      DOAJ
      Article . 2011
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      Other literature type . 2018
      GEO-LEO e-docs
      Article . 2011
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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Giacomo Sevieri; Carmine Galasso; Dina D'Ayala; Richard De Jesus; +3 Authors

    Abstract. Multi-hazard risk assessment of building portfolios is of primary importance in natural-hazard-prone areas, particularly for the prioritization of disaster risk reduction and resilience-enhancing strategies. In this context, cultural heritage assets require special consideration because of their high vulnerability to natural hazards – due to ageing and the type of constructions – and their strong links with communities from both an economic and a historical/sociocultural perspective. As part of the Cultural Heritage Resilience & Sustainability to multiple Hazards (CHeRiSH) project, funded by the UK Newton Fund, this paper introduces a multi-hazard risk prioritisation framework specifically developed for cultural heritage assets. The proposed framework relies on a multi-level rapid-visual-survey (RVS) form for the multi-hazard data collection and risk prioritization of case-study assets. Because of the multi-level architecture of the proposed RVS form, based on three levels of refinement/information, an increasing degree of accuracy can be achieved in the estimation of structural vulnerability and, ultimately structural risk of the considered assets. At the lowest level of refinement, the collected data are used for the computation of seismic and wind risk prioritization indices, specifically calibrated in this study for cultural heritage assets with various structural/non-structural features. The resulting indices are then combined into a unique multi-hazard risk prioritization index in which the intangible value of cultural heritage assets is also considered. This is achieved by defining a score expressing the cultural significance of the asset. The analytic hierarchy process is extensively used throughout the study to reduce the subjectivity involved in the framework, thus obtaining a simplified, yet robust, approach which can be adapted to different building typologies. The proposed framework is applied to 25 heritage buildings in Iloilo City, Philippines, for which innovative, non-invasive techniques and tools for improved surveying have also been tested. Thermal and omnidirectional cameras have helped in the collection of structural data, together with drones for the inspection of roofs. Results of the study are presented and critically discussed, highlighting advantages and drawbacks of the use of new technologies in this field.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Natural Hazards and ...arrow_drop_down
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    Natural Hazards and Earth System Sciences
    Article . 2020 . Peer-reviewed
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    https://doi.org/10.5194/nhess-...
    Preprint . 2020
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    UCL Discovery
    Article . 2020
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DOAJ
    Article . 2020
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    Natural Hazards and Earth System Sciences
    Article . Preprint
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    Copernicus Publications
    Other literature type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Natural Hazards and ...arrow_drop_down
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      Natural Hazards and Earth System Sciences
      Article . 2020 . Peer-reviewed
      License: CC BY
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      https://doi.org/10.5194/nhess-...
      Preprint . 2020
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      UCL Discovery
      Article . 2020
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      DOAJ
      Article . 2020
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      Natural Hazards and Earth System Sciences
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      Copernicus Publications
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    Authors: Algura, Patricia O.;

    Abstract. Cemeteries are often regarded as left behind landscapes: scary and lifeless, abandoned and forgotten. Despite this derelict image, residents of Manila North Cemetery are living and co-existing in tombs and mausoleums. They celebrate life and live behind the shadows of those who have passed on. The maps present the unseen life in the spaces of the cemetery. Behind the dark and shadows of the departed are faces of people with bright smiles and with inspiring dreams. Through ethnographic research, interviews and observations were conducted to uncover and recover stories of life and experiences that were used as the basis, foundation, and inspiration of the maps. Using the actual map of the cemetery, a series of maps were realized to portray stained-glass images of mother and child, Mother Mary, and angel, where colors represent the vibrant life and the promise of afterlife in the cemetery.These maps tell a whole different story, giving light to the life rather than the dead. The Mother and child map shows how adults in the cemetery are doting parents and siblings. Elders were responsible for providing the needs and nourishing the family. As part of the Philippine culture, Filipinos are family-oriented, and they tend to remain close to their families even if the child is grown up - gainfully employed or has married. The portrait of Mother Mary symbolizes Filipinos’ Christian faith. The smiles on faces are evidences of hope and faith. Living in what society considers an undesirable disposition, the people are determined and always hopeful for tomorrow. The departed are depicted as the angel, as it shows how the living and the dead are at peace and coexisting in the same environment. We, as outsiders, often hear about ghosts, horror stories, and consider cemeteries as haunted, but these events and stories are uncommon to the residents. They had established a relationship with the place and those around it. For them, the cemetery is not merely a place, but a place they call home.The maps demonstrate that the living and the dead can co-exist in the same space rather than separated. These cartographic works are interventions to depict, portray, and represent urban life that exist in the peripheries of the city of Manila.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Abstracts of the ICAarrow_drop_down
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    Abstracts of the ICA
    Article . 2019 . Peer-reviewed
    License: CC BY
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    Abstracts of the ICA
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    Copernicus Publications
    Other literature type . 2019
    Copernicus Publications
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      Abstracts of the ICA
      Article . 2019 . Peer-reviewed
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      Abstracts of the ICA
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      Copernicus Publications
      Other literature type . 2019
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    Authors: Belmonte, A. A.; Biong, M. M. P.; Macatulad, E. G.;

    Abstract. Digital elevation models (DEMs) are widely used raster data for different applications concerning terrain, such as for flood modelling, viewshed analysis, mining, land development, engineering design projects, to name a few. DEMs can be obtained through various methods, including topographic survey, LiDAR or photogrammetry, and internet sources. Terrestrial close-range photogrammetry is one of the alternative methods to produce DEMs through the processing of images using photogrammetry software. There are already powerful photogrammetry software that are commercially-available and can produce high-accuracy DEMs. However, this entails corresponding cost. Although, some of these software have free or demo trials, these trials have limits in their usable features and usage time. One alternative is the use of free and open-source software (FOSS), such as the Python Photogrammetry Toolbox (PPT), which provides an interface for performing photogrammetric processes implemented through python script. For relatively small areas such as in mining or construction excavation, a relatively inexpensive, fast and accurate method would be advantageous. In this study, PPT was used to generate 3D point cloud data from images of an open pit excavation. The PPT was extended to add an algorithm converting the generated point cloud data into a usable DEM.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The International Ar...arrow_drop_down
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    DOAJ
    Article . 2017
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    Copernicus Publications
    Other literature type . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The International Ar...arrow_drop_down
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    Authors: Pawlik, Alfred F.; Thissen, Jürgen;

    Im Rahmen des Projektes „Prospektion Paläolithikum im Indetal“ der Stiftung Archäologie im Rheinischen Braunkohlenrevier wurden in den Jahren 2005 und 2006 im Tagebau Inden zwischen Jülich-Kirchberg und Lamersdorf die pleistozänen Deckschichten mittels 20 Baggertiefschnitten sondiert. Ziel war es, fossile Landoberflächen und mögliche paläolithische Siedlungsplätze zu finden und freizulegen. Im Dezember 2005 konnte in der Ortslage Inden-Altdorf eine mittelpaläolithische Fundschicht aus dem Eem-Interglazial entdeckt werden, die bis September 2006 auf einer Fläche von 3000 m² archäologisch untersucht werden konnte. Es fanden sich 700 Steinartefakte und herbeigebrachte Gerölle, aber auch evidente Grubenbefunde und Feuerstellen. Drei Baumwürfe lagen mitten in der Hauptartefaktkonzentration und waren wohl in das Siedlungsgeschehen eingebunden. Die Artefaktoberflächen waren kantenscharf und nicht patiniert, so dass die durchgeführten Gebrauchsspurenanalysen außergewöhnlich erfolgreich waren. Auf 120 der insgesamt 136 für die Gebrauchsspurenanalyse ausgewählten Artefakte fanden sich Mikrospuren verschiedenartiger Tätigkeiten sowie Residuen. Diese konnten mittels Rasterelektronenmikroskopie und energiedispersiver Röntgenmikroanalyse als Reste von Birkenrindenpech identifiziert werden. 82 Geräte mit Residuen erwiesen sich entweder als geschäftete Einsätze, die mit diesem Pech an den Schäften befestigt wurden oder als Werkzeuge für die Reparatur von gebrauchten und mit Pech verklebten Schäftungen, und dem Auswechseln verbrauchter Feuersteineinsätze dienten. Birkenrindenpech kann als ältester synthetisch hergestellter Werkstoff angesehen werden und wird in der Regel mit dem Jungpaläolithikum und modernen Menschen assoziiert. Die auf den Micoquien Artefakten aus Inden vorgefundenen Birkenpechreste zeigen, daß sowohl Schäftungstechnologien, Gebrauch und Herstellung von Klebstoff als auch die Anfertigung von komplexen, aus mehreren Komponenten bestehenden Geräten im Mittelpaläolithikum durchaus üblich waren. Deren Vorhandensein, noch dazu in einer vergleichsweise hohen Anzahl, kann als deutlicher Hinweis auf moderne menschliche Verhaltensweisen gewertet werden. research

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    Eiszeitalter und Gegenwart
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    Eiszeitalter und Gegenwart
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