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  • Digital Humanities and Cultural Heritage
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  • Repositori Obert UdL
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Charo Lacalle; Beatriz Gómez-Morales; Mireya Vicent-Ibáñez; Sara Narvaiza;

    The animalisation of women is a recurrent strategy of dehumanisation in Manosphere discourses. Its normalisation as a social phenomenon and its popularity are rooted in short and sententious genres (proverbs, sayings, etc.), which have significantly contributed to reaffirming the status quo of domination largely assigned to men in myths and philosophical theories. This article analyses the use of misogynistic zoomorphism in Burbuja.info, a Spanish economic forum whose extreme neoliberal perspective provides a suitable breeding ground for sexism. The corpus was constructed by identifying the most frequent examples of zoomorphism detected in an initial search of the approximately six million comments posted in the forum between 1 January 2022 and 31 May 2023. The research combines different digital techniques for the construction and quantitative analysis of the corpus with a qualitative analysis of examples of misogynistic zoomorphism. The analysis reveals that, while hostile sexist comments do a systematic comparison of women with the most undesirable traits culturally associated with animals, the positive aspects are never transferred to figurative use. The research also highlights the role played by some rhetorical strategies in the discursive construction of misogyny, such as metaphorical use of humour. This study was supported by the Ministry of Science and Innovation (Spain) under the Grant PID2019-105613GB-C31 ‘Mapping of Hate Speech in Spain’ research project.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cogent Arts & Hu...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Cogent Arts & Humanities
    Article . 2024
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Cogent Arts & Humanities; Repositori Obert UdL
    Article . 2024 . Peer-reviewed
    License: CC BY
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cogent Arts & Hu...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Cogent Arts & Humanities
      Article . 2024
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Cogent Arts & Humanities; Repositori Obert UdL
      Article . 2024 . Peer-reviewed
      License: CC BY
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Miriam Cabré; Albert Reixach Sala;

    L’article proposa un replantejament del paper de les terres gironines en la cultura trobadoresca, centrat sobretot en les circumstàncies de la possible etapa inicial de l’activitat de Cerverí (el moment en què es va convertir en Cerverí de Girona), la interpretació del sentit de la ruta de la seva Recepta de xarob i, finalment, la reconstrucció d’un cercle poètic entorn de la catedral de Girona. Per a tots aquests aspectes, combina l’anàlisi literària amb les dades històriques, tot recollint informació dispersa i inèdita sobre els personatges rellevants. En resulten exemples evidents de la implicació de la noblesa amb la cultura trobadoresca i de la manera com la lírica dels trobadors reflecteix les xarxes familiars i polítiques, i així complementa la visió que tradicionalment s’ha tingut de les relacions entre la noblesa i la reialesa en moments de conflicte. This article proposes a reassessment of the role played by the Girona area in troubadour culture, focusing in particular on the circumstances surrounding a possible initial stage in Cerverí’s career (when he became Cerverí de Girona), on interpreting the route described in his Recepta de xarob and, finally, on reconstructing a poetry circle centred upon the cathedral of Girona. By combining literary analysis and historical data, which bring together scattered and unpublished details about the figures studied, we are able to provide clear examples of the nobility’s engagement in the fostering of troubadour culture. As the troubadours’ lyrical poetry reflects a network of political and family exchanges, the article complements the traditional vision of the relationship between the monarchy and the nobility in times of conflict. Aquest treball s’inscriu dins dels projectes de recerca finançats “Cultura escrita cortés en la Corona de Aragón: materialidad, transmisión y recepción” (PID2019-109214GB-I00) i “Troubadours and European Identity: The Role of Catalan Courts” (Recercaixa 2015 ACUP 00127).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Anuario de Estudios Medievales
    Article . 2023
    Data sources: DOAJ
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Anuario de Estudios Medievales
      Article . 2023
      Data sources: DOAJ
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Albert Reixach Sala;

    Los traslados preventivos de familias y autoridades fuera de las ciudades en periodos de epidemia son una constante histórica que puede comprobarse en la Cataluña de la baja Edad Media. A lo largo de la secuencia de brotes posteriores a la Peste Negra y hasta inicios del siglo XVI se documenta esta dinámica en el conjunto de la red urbana catalana y de otros territorios de la Corona de Aragón. En el presente artículo se examinan lo que no siempre fueron huidas desesperadas, sino reacciones que se acaban integrando con relativa normalidad en el funcionamiento de las instituciones. Asimismo, se evalúan el alcance y los límites de utilizar estos traslados al entorno rural en momentos de contagio como indicador para avanzar en la reconstrucción de la secuencia epidémica de la Cataluña del siglo XV centrándonos en los casos significativos de las ciudades de Barcelona y Girona a partir de dos fuentes complementarias, vinculadas a sus respectivos gobiernos municipales. The preventive transfers of families and authorities out of towns in periods of epidemics are a historical constant that can be seen in Catalonia in the late Middle Ages. During the sequence of outbreaks following the Black Death and up to the beginning of the sixteenth century, this dynamic is documented throughout the Catalan urban network and in other territories of the Crown of Aragon. This article examines escapes that were not always desperate, but rather reactions that were ultimately integrated relatively normally into the functioning of institutions. It also assesses the extent and limits of the use these movements to the countryside at times of contagion as a parameter in order to reconstruct the epidemic sequence in fifteenth-century Catalonia, focusing on the significant cases of the cities of Barcelona and Girona from two complementary sources linked to their respective municipal governments. Este trabajo se ha preparado en el marco del proyecto “Más allá de la Peste Negra. Epidemias y crisis de mortalidad en el nordeste peninsular, siglos XI-XVI: reconstrucción de ciclos, medición de efectos y análisis de respuestas, EPIDEMED” (PID2020-117839GB-I00) y en el seno del grupo de investigación “ARQHISTEC - Economies alimentàries i dinàmiques de població a la Mediterrània occidental: grup d’arqueologia i història de les societats premodernes” (2021 SGR 01607).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Anuario de Estudios Medievales
    Article . 2023
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Anuario de Estudios Medievales
      Article . 2023
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Beatriz Gómez-Morales; Deborah Castro; Jorge Nieto-Ferrando;

    Despite substantial evidence that media fans are increasingly travelling to the filming locations for movies and TV series, research on core tribal fan film tourists’ travel motivations remains limited. This paper contributes to the scarce literature on this question with a study of the fan tourism phenomenon inspired by the fiction TV series Game of Thrones. The study is based on 68 semi-structured in-depth interviews with fans of the series; specifically, core fan community members who have travelled to one or more of the series’ filming locations. A thematic analysis of the interview responses reveals three main travel motivations: affective identification with characters; the existence of parallels between fiction and history; and the desire to feel part of a collective identity. The findings suggest that tourism motivated by Game of Thrones is the result of a profound emotional and narrative attachment to the series on the part of fans, with a combination of playful and serious elements. On the theoretical level, this paper contributes to the scholarly literature on fan film tourism. It also reveals that a better understanding of fans’ needs could support tourist destination managers in the creation of added value for fan film tourists. This work was supported by Spanish Ministry of Science and Innovation and Spanish State Research Agency [project ‘Qualitative and quantitative analysis of tourism-inducing factors of audiovisual fiction, and their effects on audiences and potential tourists’. PID2020-112668GB I00/AEI/10.13039/501100011033]; and European Union’s Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement [grant number 843473].

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repositori Obert UdLarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Repositori Obert UdL
    Article . 2022 . 2023
    Current Issues in Tourism
    Article . 2023 . Peer-reviewed
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repositori Obert UdLarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Repositori Obert UdL
      Article . 2022 . 2023
      Current Issues in Tourism
      Article . 2023 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Brown, Antony G.; Fallu, Daniel; Cucchiaro, Sara; Alonso-Eguiluz, Monica; +13 Authors

    Terracing is found widely in the Mediterranean and in other hilly and mountainous regions of the world. Yet while archaeological attention to these ‘mundane’ landscape features has grown, they remain understudied, particularly in Northern Europe. Here, the authors present a multidisciplinary study of terraces in the Breamish Valley, Northumberland. The results date their construction to the Early to Middle Bronze Age, when they were built by cutting back the hillside, stone clearance and wall construction. Environmental evidence points to their use for cereal cultivation. The authors suggest that the construction and use of these terraces formed part of an Early to Middle Bronze Age agricultural intensification, which may have been both demographically and culturally driven.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquity; Archivio ...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hayes, Daniel S.; Bruno, M.C.; Alp, M.; Boavida, Isabel; +13 Authors

    As the share of renewable energy grows worldwide, flexible energy production from peak-operating hydropower and the phenomenon of hydropeaking have received increasing attention. In this study, we collected open research questions from 220 experts in river science, practice, and policy across the globe using an online survey available in six languages related to hydropeaking. We used a systematic method of determining expert consensus (Delphi method) to identify 100 high-priority questions related to the following thematic fields: (a) hydrology, (b) physico-chemical properties of water, (c) river morphology and sediment dynamics, (d) ecology and biology, (e) socio-economic topics, (f) energy markets, (g) policy and regulation, and (h) management and mitigation measures. The consensus list of high-priority questions shall inform and guide researchers in focusing their efforts to foster a better science-policy interface, thereby improving the sustainability of peak-operating hydropower in a variety of settings. We find that there is already a strong understanding of the ecological impact of hydropeaking and efficient mitigation techniques to support sustainable hydropower. Yet, a disconnect remains in its policy and management implementation. Renewable and Sustainable Energy Reviews, 187 ISSN:1364-0321

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZHAW digitalcollecti...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Research Collection
    Article . 2023
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Vadell Guiral, Enric; Pemán García, Jesús; Verkerk, Pieter Johannes; Erdozain, Matilde; +1 Authors

    Because forests provide a myriad of essential services to society, sustainable forest management that considers and promotes the multifunctional role of forests is of key importance. Understanding how forests have been and are being managed is essential to learn how current forest landscapes have been shaped and how management could be improved to better address all societal needs. Spain makes for an interesting case study due to its dramatic expansion in forest cover over the last 150 years following ambitious national reforestation and afforestation initiatives, as well as for its diversity of forest ecosystems and management approaches. However, a national-level assessment of such a development is currently missing. Therefore, our objective was to document and analyse the development of forest management practices in Spain since the mid-20th century. We developed narratives to describe the trends in 11 indicators of forest management decision-making and practices. Results show that while some decisions have evolved towards promoting multifunctionality (e.g., soil cultivation), others have intensified to maximize production at the expense of other ecosystem services (e.g., naturalness of tree species) and others have not changed much during the past 80 years (e.g., type of regeneration). The analysis also showed that some of the indicators have been conditioned by technological innovations (e.g., machine operation) and by the development of certain policies and legislation (e.g., the application of chemical agents). Based on these trends, we identified the main challenges that forest management in general, and in Spain in particular, may face as well as some decisions that may have to be reconsidered (cutting regime, tree maturity, naturalness of tree species) if the country wants to transition towards alternative silvicultural approaches that promote multifunctionality. In addition, a transition towards mixed-species, uneven-aged forests alongside with genetic improvement of tree species would also facilitate rising to one of the main challenges that forest management faces: to develop a climate-smart forestry that contributes to the mitigation of and adaptation to global change. SdM benfitted from a Serra-Húnter Fellowship provided by the Government of Catalonia. PJV contributed to this research as part of the GenTree project, which has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement No. 676876. ME and SdM also contributed to this research as part of the SUPERB project, which has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement No. 101036849.

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    Authors: Miquel Àngel Herrero Cortell; Marta Raïch; Paola Artoni; José Antonio Madrid García;

    El presente artículo propone una prueba de concepto para la observación mediante técnicas de imagen multibanda de 63 pigmentos de referencia histórica (usados desde la Antigüedad hasta el siglo XX). La respuesta de estos pigmentos se ha documentado en varios puntos de espectro mediante la construcción de sus imágenes, por reflexión, transmisión, luminiscencia y falso color, desde el visible (VIS) hacia sus dos extremos, ultravioleta (UV) e infrarrojo (IR), completando además el estudio con la imagen radiográfica (RX). Cada pigmento responde de manera diferente en cada una de las técnicas usadas, en función de su comportamiento espectral, lo que genera un patrón de conducta único para cada materia. El conjunto de técnicas utilizadas conforma una metodología que plantea 11 posibles formas de ver, entendiéndolas de manera aislada, si bien es en la lectura transversal y confrontación de todas ellas donde se alcanzan unos resultados más completos, a través de un método inductivo basado en la observación. Se trata de un estudio de carácter novedoso que, aunque cuenta con precedentes aislados, compendia por primera vez en forma de imágenes, el aludido comportamiento espectral de tales pigmentos. Así, los resultados obtenidos pretenden contribuir a la mejorar la lectura e interpretación de los análisis no invasivos por imagen aplicados a obras pictóricas, permitiendo la identificación preliminar de algunos pigmentos. This paper proposes a proof of concept for the observation using multiband imaging techniques of 63 historical pigments (used from Antiquity to the 20th century). The response of these pigments has been documented at various points of the spectrum by constructing their images, by reflection, transmission, fluorescence, and false color, from the visible (VIS) to its two extremes, ultraviolet (UV) and infrared (IR). The study has been also completed with the radiographic image (RX). Each pigment responds differently in each of the techniques used, depending on its spectral behavior, which generates a unique behavior pattern for each material. The set of techniques used make up a methodology that proposes 11 possible ways of seeing, although it is in their transversal reading and confrontation where more complete results are achieved, th+rough an inductive method based on observation. This is a novel study, which although it has isolated precedents, summarizes for the first time in the form of images, the spectral behavior of such pigments. The results obtained intend, thus, to contribute to the improvement the interpretation of non-invasive imaging techniques applied to pictorial artworks, allowing the preliminary identification of some pigments. Este artigo propõe uma prova de conceito para a observação mediante técnicas de imagem multi-banda de 63 pigmentos históricos de referência (utilizados desde a antiguidade até ao século XX). A resposta destes pigmentos tem sido documentada em vários pontos do espectro através da construção das suas imagens, por reflexão, transmissão, luminescência e falsa cor, desde o visível (VIS) até aos seus dois extremos, ultravioleta (UV) e infravermelho (IR), completando o estudo com a imagem radiográfica (RX). Cada pigmento responde de forma diferente em cada uma das técnicas utilizadas, em função do seu comportamento espectral, o que gera um padrão de comportamento único para cada material. O conjunto de técnicas utilizadas constitui uma metodologia que propõe 11 formas possíveis de ver, compreendendo-as isoladamente, embora seja na leitura transversal e no confronto de todas elas que se obtêm resultados mais completos, através de um método indutivo baseado na observação. Trata-se de um novo estudo que, embora tenha precedentes isolados, resume pela primeira vez sob a forma de imagens, o comportamento espectral acima mencionado destes pigmentos. Assim, os resultados obtidos destinam-se a contribuir para melhorar a leitura e interpretação da análise não invasiva da imagem aplicada a obras pictóricas, permitindo a identificação preliminar de alguns pigmentos.

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    Authors: Marc Ballesté; Anna Solé-Llussà; Sofia Isus; Ares Fernández;

    In 2015, UNESCO inscribed the summer solstice fire festivals in the Pyrenees on the Representative List of the Intangible Cultural Heritage of Humanity. A few years later, a didactic programme was launched to incorporate the tradition into formal education, designed and developed in collaboration with the bearer and educational communities. Specifically, to accomplish the project, both collectives priorly analyzed and validated the proposal through field work, discussion groups, and qualitative and quantitative methods. The results demonstrated the need for cross-disciplinary materials designed to incorporate the festivals into formal education, the benefits of involving the bearer and educational communities in an initiative of these characteristics, and the usefulness of the project for the valorization of ICH and the imparting of curricular contents.

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    Authors: Mònica Bouso; Maribel Fuertes;

    En este artículo se dan a conocer dos nuevas inscripciones funerarias hebreas encontradas recientemente, fuera de contexto, en el barrio viejo de la ciudad de Girona. Las lápidas fueron reutilizadas en la construcción de un muro de un edificio de la calle Cort Reial. Gracias a las obras de rehabilitación de este espacio salieron a la luz estas dos estelas que habían sido encastradas en el muro que separa dos edificios. A partir del estudio de estas inscripciones se proponen sendas lecturas e interpretaciones de las lápidas, así como una tentativa de su cronología, puesto que en ninguna de las dos inscripciones aparece la fecha del óbito. This article introduces two new Hebrew funeral inscriptions recently found out of context in the old quarter of the city of Girona. The tombstones were reused in the construction of a wall of a building on calle Cort Reial. As a result of the renovation of this room, these two stelae, which had been built into the separation wall of two buildings, came to light. Based on the study of these inscriptions, we propose readings and interpretations of the tombstones, as well as an attempt at their chronology, since neither of the two inscriptions shows the date of death. Este artículo ha podido ser finalizado gracias a la concesión de la Ayuda para la recualificación del sistema universitario español 2021-2023 del Ministerio de Universidades y de la financiación recibida de la Unión Europea – NextGenerationEU.

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    Sefarad : Revista de Estudios Hebraicos y Sefardíes
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      Repositori Obert UdL
      Article . 2022
      License: CC BY
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      Sefarad : Revista de Estudios Hebraicos y Sefardíes
      Article . 2022 . Peer-reviewed
      License: CC BY
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Charo Lacalle; Beatriz Gómez-Morales; Mireya Vicent-Ibáñez; Sara Narvaiza;

    The animalisation of women is a recurrent strategy of dehumanisation in Manosphere discourses. Its normalisation as a social phenomenon and its popularity are rooted in short and sententious genres (proverbs, sayings, etc.), which have significantly contributed to reaffirming the status quo of domination largely assigned to men in myths and philosophical theories. This article analyses the use of misogynistic zoomorphism in Burbuja.info, a Spanish economic forum whose extreme neoliberal perspective provides a suitable breeding ground for sexism. The corpus was constructed by identifying the most frequent examples of zoomorphism detected in an initial search of the approximately six million comments posted in the forum between 1 January 2022 and 31 May 2023. The research combines different digital techniques for the construction and quantitative analysis of the corpus with a qualitative analysis of examples of misogynistic zoomorphism. The analysis reveals that, while hostile sexist comments do a systematic comparison of women with the most undesirable traits culturally associated with animals, the positive aspects are never transferred to figurative use. The research also highlights the role played by some rhetorical strategies in the discursive construction of misogyny, such as metaphorical use of humour. This study was supported by the Ministry of Science and Innovation (Spain) under the Grant PID2019-105613GB-C31 ‘Mapping of Hate Speech in Spain’ research project.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cogent Arts & Hu...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Cogent Arts & Humanities
    Article . 2024
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Cogent Arts & Humanities; Repositori Obert UdL
    Article . 2024 . Peer-reviewed
    License: CC BY
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cogent Arts & Hu...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Cogent Arts & Humanities
      Article . 2024
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      Cogent Arts & Humanities; Repositori Obert UdL
      Article . 2024 . Peer-reviewed
      License: CC BY
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Miriam Cabré; Albert Reixach Sala;

    L’article proposa un replantejament del paper de les terres gironines en la cultura trobadoresca, centrat sobretot en les circumstàncies de la possible etapa inicial de l’activitat de Cerverí (el moment en què es va convertir en Cerverí de Girona), la interpretació del sentit de la ruta de la seva Recepta de xarob i, finalment, la reconstrucció d’un cercle poètic entorn de la catedral de Girona. Per a tots aquests aspectes, combina l’anàlisi literària amb les dades històriques, tot recollint informació dispersa i inèdita sobre els personatges rellevants. En resulten exemples evidents de la implicació de la noblesa amb la cultura trobadoresca i de la manera com la lírica dels trobadors reflecteix les xarxes familiars i polítiques, i així complementa la visió que tradicionalment s’ha tingut de les relacions entre la noblesa i la reialesa en moments de conflicte. This article proposes a reassessment of the role played by the Girona area in troubadour culture, focusing in particular on the circumstances surrounding a possible initial stage in Cerverí’s career (when he became Cerverí de Girona), on interpreting the route described in his Recepta de xarob and, finally, on reconstructing a poetry circle centred upon the cathedral of Girona. By combining literary analysis and historical data, which bring together scattered and unpublished details about the figures studied, we are able to provide clear examples of the nobility’s engagement in the fostering of troubadour culture. As the troubadours’ lyrical poetry reflects a network of political and family exchanges, the article complements the traditional vision of the relationship between the monarchy and the nobility in times of conflict. Aquest treball s’inscriu dins dels projectes de recerca finançats “Cultura escrita cortés en la Corona de Aragón: materialidad, transmisión y recepción” (PID2019-109214GB-I00) i “Troubadours and European Identity: The Role of Catalan Courts” (Recercaixa 2015 ACUP 00127).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Anuario de Estudios Medievales
    Article . 2023
    Data sources: DOAJ
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Anuario de Estudios Medievales
      Article . 2023
      Data sources: DOAJ
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Albert Reixach Sala;

    Los traslados preventivos de familias y autoridades fuera de las ciudades en periodos de epidemia son una constante histórica que puede comprobarse en la Cataluña de la baja Edad Media. A lo largo de la secuencia de brotes posteriores a la Peste Negra y hasta inicios del siglo XVI se documenta esta dinámica en el conjunto de la red urbana catalana y de otros territorios de la Corona de Aragón. En el presente artículo se examinan lo que no siempre fueron huidas desesperadas, sino reacciones que se acaban integrando con relativa normalidad en el funcionamiento de las instituciones. Asimismo, se evalúan el alcance y los límites de utilizar estos traslados al entorno rural en momentos de contagio como indicador para avanzar en la reconstrucción de la secuencia epidémica de la Cataluña del siglo XV centrándonos en los casos significativos de las ciudades de Barcelona y Girona a partir de dos fuentes complementarias, vinculadas a sus respectivos gobiernos municipales. The preventive transfers of families and authorities out of towns in periods of epidemics are a historical constant that can be seen in Catalonia in the late Middle Ages. During the sequence of outbreaks following the Black Death and up to the beginning of the sixteenth century, this dynamic is documented throughout the Catalan urban network and in other territories of the Crown of Aragon. This article examines escapes that were not always desperate, but rather reactions that were ultimately integrated relatively normally into the functioning of institutions. It also assesses the extent and limits of the use these movements to the countryside at times of contagion as a parameter in order to reconstruct the epidemic sequence in fifteenth-century Catalonia, focusing on the significant cases of the cities of Barcelona and Girona from two complementary sources linked to their respective municipal governments. Este trabajo se ha preparado en el marco del proyecto “Más allá de la Peste Negra. Epidemias y crisis de mortalidad en el nordeste peninsular, siglos XI-XVI: reconstrucción de ciclos, medición de efectos y análisis de respuestas, EPIDEMED” (PID2020-117839GB-I00) y en el seno del grupo de investigación “ARQHISTEC - Economies alimentàries i dinàmiques de població a la Mediterrània occidental: grup d’arqueologia i història de les societats premodernes” (2021 SGR 01607).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
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    Anuario de Estudios Medievales
    Article . 2023
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anuario de Estudios ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Anuario de Estudios Medievales
      Article . 2023
      Data sources: DOAJ
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Beatriz Gómez-Morales; Deborah Castro; Jorge Nieto-Ferrando;

    Despite substantial evidence that media fans are increasingly travelling to the filming locations for movies and TV series, research on core tribal fan film tourists’ travel motivations remains limited. This paper contributes to the scarce literature on this question with a study of the fan tourism phenomenon inspired by the fiction TV series Game of Thrones. The study is based on 68 semi-structured in-depth interviews with fans of the series; specifically, core fan community members who have travelled to one or more of the series’ filming locations. A thematic analysis of the interview responses reveals three main travel motivations: affective identification with characters; the existence of parallels between fiction and history; and the desire to feel part of a collective identity. The findings suggest that tourism motivated by Game of Thrones is the result of a profound emotional and narrative attachment to the series on the part of fans, with a combination of playful and serious elements. On the theoretical level, this paper contributes to the scholarly literature on fan film tourism. It also reveals that a better understanding of fans’ needs could support tourist destination managers in the creation of added value for fan film tourists. This work was supported by Spanish Ministry of Science and Innovation and Spanish State Research Agency [project ‘Qualitative and quantitative analysis of tourism-inducing factors of audiovisual fiction, and their effects on audiences and potential tourists’. PID2020-112668GB I00/AEI/10.13039/501100011033]; and European Union’s Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement [grant number 843473].

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repositori Obert UdLarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Repositori Obert UdL
    Article . 2022 . 2023
    Current Issues in Tourism
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Repositori Obert UdLarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Repositori Obert UdL
      Article . 2022 . 2023
      Current Issues in Tourism
      Article . 2023 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Brown, Antony G.; Fallu, Daniel; Cucchiaro, Sara; Alonso-Eguiluz, Monica; +13 Authors

    Terracing is found widely in the Mediterranean and in other hilly and mountainous regions of the world. Yet while archaeological attention to these ‘mundane’ landscape features has grown, they remain understudied, particularly in Northern Europe. Here, the authors present a multidisciplinary study of terraces in the Breamish Valley, Northumberland. The results date their construction to the Early to Middle Bronze Age, when they were built by cutting back the hillside, stone clearance and wall construction. Environmental evidence points to their use for cereal cultivation. The authors suggest that the construction and use of these terraces formed part of an Early to Middle Bronze Age agricultural intensification, which may have been both demographically and culturally driven.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquity; Archivio ...arrow_drop_down
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    Authors: Hayes, Daniel S.; Bruno, M.C.; Alp, M.; Boavida, Isabel; +13 Authors

    As the share of renewable energy grows worldwide, flexible energy production from peak-operating hydropower and the phenomenon of hydropeaking have received increasing attention. In this study, we collected open research questions from 220 experts in river science, practice, and policy across the globe using an online survey available in six languages related to hydropeaking. We used a systematic method of determining expert consensus (Delphi method) to identify 100 high-priority questions related to the following thematic fields: (a) hydrology, (b) physico-chemical properties of water, (c) river morphology and sediment dynamics, (d) ecology and biology, (e) socio-economic topics, (f) energy markets, (g) policy and regulation, and (h) management and mitigation measures. The consensus list of high-priority questions shall inform and guide researchers in focusing their efforts to foster a better science-policy interface, thereby improving the sustainability of peak-operating hydropower in a variety of settings. We find that there is already a strong understanding of the ecological impact of hydropeaking and efficient mitigation techniques to support sustainable hydropower. Yet, a disconnect remains in its policy and management implementation. Renewable and Sustainable Energy Reviews, 187 ISSN:1364-0321

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    Authors: Vadell Guiral, Enric; Pemán García, Jesús; Verkerk, Pieter Johannes; Erdozain, Matilde; +1 Authors

    Because forests provide a myriad of essential services to society, sustainable forest management that considers and promotes the multifunctional role of forests is of key importance. Understanding how forests have been and are being managed is essential to learn how current forest landscapes have been shaped and how management could be improved to better address all societal needs. Spain makes for an interesting case study due to its dramatic expansion in forest cover over the last 150 years following ambitious national reforestation and afforestation initiatives, as well as for its diversity of forest ecosystems and management approaches. However, a national-level assessment of such a development is currently missing. Therefore, our objective was to document and analyse the development of forest management practices in Spain since the mid-20th century. We developed narratives to describe the trends in 11 indicators of forest management decision-making and practices. Results show that while some decisions have evolved towards promoting multifunctionality (e.g., soil cultivation), others have intensified to maximize production at the expense of other ecosystem services (e.g., naturalness of tree species) and others have not changed much during the past 80 years (e.g., type of regeneration). The analysis also showed that some of the indicators have been conditioned by technological innovations (e.g., machine operation) and by the development of certain policies and legislation (e.g., the application of chemical agents). Based on these trends, we identified the main challenges that forest management in general, and in Spain in particular, may face as well as some decisions that may have to be reconsidered (cutting regime, tree maturity, naturalness of tree species) if the country wants to transition towards alternative silvicultural approaches that promote multifunctionality. In addition, a transition towards mixed-species, uneven-aged forests alongside with genetic improvement of tree species would also facilitate rising to one of the main challenges that forest management faces: to develop a climate-smart forestry that contributes to the mitigation of and adaptation to global change. SdM benfitted from a Serra-Húnter Fellowship provided by the Government of Catalonia. PJV contributed to this research as part of the GenTree project, which has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement No. 676876. ME and SdM also contributed to this research as part of the SUPERB project, which has received funding from the European Union’s Horizon 2020 Research and Innovation Programme under Grant Agreement No. 101036849.

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    Authors: Miquel Àngel Herrero Cortell; Marta Raïch; Paola Artoni; José Antonio Madrid García;

    El presente artículo propone una prueba de concepto para la observación mediante técnicas de imagen multibanda de 63 pigmentos de referencia histórica (usados desde la Antigüedad hasta el siglo XX). La respuesta de estos pigmentos se ha documentado en varios puntos de espectro mediante la construcción de sus imágenes, por reflexión, transmisión, luminiscencia y falso color, desde el visible (VIS) hacia sus dos extremos, ultravioleta (UV) e infrarrojo (IR), completando además el estudio con la imagen radiográfica (RX). Cada pigmento responde de manera diferente en cada una de las técnicas usadas, en función de su comportamiento espectral, lo que genera un patrón de conducta único para cada materia. El conjunto de técnicas utilizadas conforma una metodología que plantea 11 posibles formas de ver, entendiéndolas de manera aislada, si bien es en la lectura transversal y confrontación de todas ellas donde se alcanzan unos resultados más completos, a través de un método inductivo basado en la observación. Se trata de un estudio de carácter novedoso que, aunque cuenta con precedentes aislados, compendia por primera vez en forma de imágenes, el aludido comportamiento espectral de tales pigmentos. Así, los resultados obtenidos pretenden contribuir a la mejorar la lectura e interpretación de los análisis no invasivos por imagen aplicados a obras pictóricas, permitiendo la identificación preliminar de algunos pigmentos. This paper proposes a proof of concept for the observation using multiband imaging techniques of 63 historical pigments (used from Antiquity to the 20th century). The response of these pigments has been documented at various points of the spectrum by constructing their images, by reflection, transmission, fluorescence, and false color, from the visible (VIS) to its two extremes, ultraviolet (UV) and infrared (IR). The study has been also completed with the radiographic image (RX). Each pigment responds differently in each of the techniques used, depending on its spectral behavior, which generates a unique behavior pattern for each material. The set of techniques used make up a methodology that proposes 11 possible ways of seeing, although it is in their transversal reading and confrontation where more complete results are achieved, th+rough an inductive method based on observation. This is a novel study, which although it has isolated precedents, summarizes for the first time in the form of images, the spectral behavior of such pigments. The results obtained intend, thus, to contribute to the improvement the interpretation of non-invasive imaging techniques applied to pictorial artworks, allowing the preliminary identification of some pigments. Este artigo propõe uma prova de conceito para a observação mediante técnicas de imagem multi-banda de 63 pigmentos históricos de referência (utilizados desde a antiguidade até ao século XX). A resposta destes pigmentos tem sido documentada em vários pontos do espectro através da construção das suas imagens, por reflexão, transmissão, luminescência e falsa cor, desde o visível (VIS) até aos seus dois extremos, ultravioleta (UV) e infravermelho (IR), completando o estudo com a imagem radiográfica (RX). Cada pigmento responde de forma diferente em cada uma das técnicas utilizadas, em função do seu comportamento espectral, o que gera um padrão de comportamento único para cada material. O conjunto de técnicas utilizadas constitui uma metodologia que propõe 11 formas possíveis de ver, compreendendo-as isoladamente, embora seja na leitura transversal e no confronto de todas elas que se obtêm resultados mais completos, através de um método indutivo baseado na observação. Trata-se de um novo estudo que, embora tenha precedentes isolados, resume pela primeira vez sob a forma de imagens, o comportamento espectral acima mencionado destes pigmentos. Assim, os resultados obtidos destinam-se a contribuir para melhorar a leitura e interpretação da análise não invasiva da imagem aplicada a obras pictóricas, permitindo a identificação preliminar de alguns pigmentos.

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    Authors: Marc Ballesté; Anna Solé-Llussà; Sofia Isus; Ares Fernández;

    In 2015, UNESCO inscribed the summer solstice fire festivals in the Pyrenees on the Representative List of the Intangible Cultural Heritage of Humanity. A few years later, a didactic programme was launched to incorporate the tradition into formal education, designed and developed in collaboration with the bearer and educational communities. Specifically, to accomplish the project, both collectives priorly analyzed and validated the proposal through field work, discussion groups, and qualitative and quantitative methods. The results demonstrated the need for cross-disciplinary materials designed to incorporate the festivals into formal education, the benefits of involving the bearer and educational communities in an initiative of these characteristics, and the usefulness of the project for the valorization of ICH and the imparting of curricular contents.

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    Authors: Mònica Bouso; Maribel Fuertes;

    En este artículo se dan a conocer dos nuevas inscripciones funerarias hebreas encontradas recientemente, fuera de contexto, en el barrio viejo de la ciudad de Girona. Las lápidas fueron reutilizadas en la construcción de un muro de un edificio de la calle Cort Reial. Gracias a las obras de rehabilitación de este espacio salieron a la luz estas dos estelas que habían sido encastradas en el muro que separa dos edificios. A partir del estudio de estas inscripciones se proponen sendas lecturas e interpretaciones de las lápidas, así como una tentativa de su cronología, puesto que en ninguna de las dos inscripciones aparece la fecha del óbito. This article introduces two new Hebrew funeral inscriptions recently found out of context in the old quarter of the city of Girona. The tombstones were reused in the construction of a wall of a building on calle Cort Reial. As a result of the renovation of this room, these two stelae, which had been built into the separation wall of two buildings, came to light. Based on the study of these inscriptions, we propose readings and interpretations of the tombstones, as well as an attempt at their chronology, since neither of the two inscriptions shows the date of death. Este artículo ha podido ser finalizado gracias a la concesión de la Ayuda para la recualificación del sistema universitario español 2021-2023 del Ministerio de Universidades y de la financiación recibida de la Unión Europea – NextGenerationEU.

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