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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Brown, Antony G.; Fallu, Daniel; Cucchiaro, Sara; Alonso-Eguiluz, Monica; +13 Authors

    Terracing is found widely in the Mediterranean and in other hilly and mountainous regions of the world. Yet while archaeological attention to these ‘mundane’ landscape features has grown, they remain understudied, particularly in Northern Europe. Here, the authors present a multidisciplinary study of terraces in the Breamish Valley, Northumberland. The results date their construction to the Early to Middle Bronze Age, when they were built by cutting back the hillside, stone clearance and wall construction. Environmental evidence points to their use for cereal cultivation. The authors suggest that the construction and use of these terraces formed part of an Early to Middle Bronze Age agricultural intensification, which may have been both demographically and culturally driven.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquity; Archivio ...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alarashi, Hala; Gourichon, Lionel; Khalidi, Lamya; Chambon, Philippe; +6 Authors

    The burials at the Neolithic cemetery Kadruka 23 in Sudan have yielded adornments and bone and lithic artefacts that occur as distinct stages of the chaîne opératoire. This article reports on a hitherto unrecognised funerary practice that highlights the importance of craftsmanship for Neolithic communities in life and beyond. Peer reviewed

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    Antiquity
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Julie Dunne; Maciej Jórdeczka; Marek Chłodnicki; Karen Hardy; +11 Authors

    The subsistence practices of Holocene communities living in the Nile Valley of Central Sudan are comparatively little known. Recent excavations at Khor Shambat, Sudan, have yielded well-defined Mesolithic and Neolithic stratigraphy. Here, for the first time, archaeozoological, palaeobotanical, phytolith and dental calculus studies are combined with lipid residue analysis of around 100 pottery fragments and comparative analysis of faunal remains and organic residues. This holistic approach provides valuable information on changes in adaptation strategies, from Mesolithic hunter-gatherers to Neolithic herders exploiting domesticates. A unique picture is revealed of the natural environment and human subsistence, demonstrating the potential wider value of combining multiple methods. Multidisciplinary research at the KSH1 site was funded by a grant from the National Science Centre, Poland (grant 2015/17/D/HS3/01492). The authors thank the Leverhulme Trust (RPG-2016-115) for funding ‘Peopling the Green Sahara? A multi-proxy approach to reconstructing the ecological and demographic history of the Saharan Holocene’, and NERC 771 (reference: CC010) and NEIF (www.isotopesuk.org) for funding and maintenance of the instruments used for this work.

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    Antiquity
    Article . 2021 . Peer-reviewed
    License: Cambridge Core User Agreement
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Explore Bristol Rese...arrow_drop_down
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      Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
      Article . 2021 . Peer-reviewed
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      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: João Zilhão; Diego E. Angelucci; François-Xavier Le Bourdonnec; Armando Lucena; +5 Authors

    Submitted by André Pereira (andrepereira@letras.ulisboa.pt) on 2021-07-28T13:04:08Z No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Approved for entry into archive by Manuel Botelheiro Moreno (manuelmoreno@campus.ul.pt) on 2021-07-28T16:31:42Z (GMT) No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Made available in DSpace on 2021-07-28T16:32:40Z (GMT). No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Previous issue date: 2021 info:eu-repo/semantics/publishedVersion

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Antiquity
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Brais X. Currás; F. Javier Sánchez-Palencia;

    This research was supported by the following projects: AVRIFER TAGVS: Minería romana del oro y poblamiento en Lusitania (AuTagus); AVRARIA: el oro de Hispania (2019-T1/HUM-14288); LOKI: Economías locales, economía imperial: el Occidente de la Península Ibérica (siglos II a.C.–II d.C.) (PID2019-104297GB-I00); Paisajes culturales en el norte y noroeste de la Península Ibérica (NyNO) (202010E147); and IGAEDIS: da civitas Igaeditanorum à Egitânia (DGPC: 2016-2019) Taking a landscape-based approach, the Aurifer Tagus project has demonstrated the significance of gold mining in the Roman province of Lusitania. New radiocarbon dates reveal the foundation, use and abandonment of the Covão do Urso and Mina da Presa mining sites. Combined with ancient literature, this evidence sheds light on the territory's organisation and the evolution of its social structure. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
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      Antiquity
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
      Article . 2021 . Peer-reviewed
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    Authors: Sam Turner; Tim Kinnaird; Günder Varinlioglu; Tevfik Emre Şerifoğlu; +11 Authors

    The history of agricultural terraces remains poorly understood due to problems in dating their construction and use. This has hampered broader research on their significance, limiting knowledge of past agricultural practices and the long-term investment choices of rural communities. The authors apply OSL profiling and dating to the sediments associated with agricultural terraces across the Mediterranean region to date their construction and use. Results from five widely dispersed case studies reveal that although many terraces were used in the first millennium AD, the most intensive episodes of terrace-building occurred during the later Middle Ages (c. AD 1100–1600). This innovative approach provides the first large-scale evidence for both the longevity and medieval intensification of Mediterranean terraces. Funding for fieldwork and analysis has been provided by grants from the Newton Fund administered by the British Academy (AF140007 & AF160103), UK Research and Innovation (AH/P005829/1 & AH/P014453/1), the Scientific and Technological Research Council of Turkey (116K829), the European Commission (H2020 657050), Dumbarton Oaks (Washington, D.C.), Seven Pillars of Wisdom Trust (UK), Ministry of Economy and Competitiveness (HAR2012-35022) (Spain), Xunta de Galicia (2016 PG-065) (Spain).

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    St Andrews Research Repository
    Article . 2021 . Peer-reviewed
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    Aperta - TÜBİTAK Açık Arşivi
    Other literature type . 2021
    License: CC BY
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    Antiquity
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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      St Andrews Research Repository
      Article . 2021 . Peer-reviewed
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      Aperta - TÜBİTAK Açık Arşivi
      Other literature type . 2021
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      Antiquity
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: González-Ruibal, Alfredo;

    The western Ethiopian borderland is remote from all centres of power in the Horn of Africa. As a result, local communities have often been regarded by scholars and state agents alike as isolated and antiquated. The picture that emerges from archaeological research, however, is more complex: borderland societies have, at different times from the mid first millennium AD onwards, embraced, reworked or rejected innovations from neighbouring polities. Indeed, borderland groups developed a type of ‘vernacular cosmopolitanism’ integrating foreign customs and artefacts. As an old multicultural borderland spanning many centuries and involving a range of state and non-state actors, the region offers important lessons for our understanding of frontier societies in Africa and beyond. Funding was provided by the Spanish Ministry of Culture/Institute of the Spanish Cultural Heritage-IPCE (Archaeology Abroad Programme) and the PIAR Programme of the Spanish National Research Council (CSIC).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vicente Lull; Cristina Rihuete-Herrada; Roberto Risch; Bárbara Bonora; +10 Authors

    The recent discovery of an exceptionally rich grave at La Almoloya in south-eastern Spain illuminates the political context of Early Bronze Age El Argar society. The quantity, variety and opulence of the grave goods emphasise the technological, economic and social dimensions of this unique culture. The assemblage includes politically and ideologically emblematic objects, among which a silver diadem stands out. Of equally exceptional character is the building under which the grave was found—possibly one of the first Bronze Age palaces identified in Western Europe. The architecture and artefacts from La Almoloya provide new insight into emblematic individuals and the exercise of power in societies of marked economic asymmetry. Introduction Argaric diadems as embodied emblems La Almoloya grave 38 Spaces of power Conclusions

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Francisco Martínez-Sevilla; Meritxell Arqués; Xavier Jordana; Assumpció Malgosa; +4 Authors

    Globally, rock art is one of the most widely distributed manifestations of past human activity. Previous research, however, has tended to focus on the art rather than artists. Understanding which members of society participated in creating such art is crucial to interpreting its social implications and that of the sites at which it is found. This article presents the first application of a method—palaeodermatoglyphics—for the estimation of the sex and age of two later prehistoric individuals who left their fingerprints at the Los Machos rockshelter in southern Iberia. The method has the potential to illuminate the complex socio-cultural dimensions of rock art sites worldwide.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio Instituc...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
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    Authors: Juan José Ibáñez; Juan Muñiz; Thomas Huet; Jonathan Santana; +4 Authors

    During the Early Neolithic in the Near East, particularly from the mid ninth millennium cal BC onwards, human iconography became more widespread. Explanations for this development, however, remain elusive. This article presents a unique assemblage of flint artefacts from the Middle Pre-Pottery Neolithic B (eighth millennium BC) site of Kharaysin in Jordan. Contextual, morphological, statistical and use-wear analyses of these artefacts suggest that they are not tools but rather human figurines. Their close association with burial contexts suggests that they were manufactured and discarded during mortuary rituals and remembrance ceremonies that included the extraction, manipulation and redeposition of human remains. ERIH PLUS 0,961 1,953 AHCI SSCI 899 880 Q1 Q2

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    Antiquity
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Brown, Antony G.; Fallu, Daniel; Cucchiaro, Sara; Alonso-Eguiluz, Monica; +13 Authors

    Terracing is found widely in the Mediterranean and in other hilly and mountainous regions of the world. Yet while archaeological attention to these ‘mundane’ landscape features has grown, they remain understudied, particularly in Northern Europe. Here, the authors present a multidisciplinary study of terraces in the Breamish Valley, Northumberland. The results date their construction to the Early to Middle Bronze Age, when they were built by cutting back the hillside, stone clearance and wall construction. Environmental evidence points to their use for cereal cultivation. The authors suggest that the construction and use of these terraces formed part of an Early to Middle Bronze Age agricultural intensification, which may have been both demographically and culturally driven.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquity; Archivio ...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Alarashi, Hala; Gourichon, Lionel; Khalidi, Lamya; Chambon, Philippe; +6 Authors

    The burials at the Neolithic cemetery Kadruka 23 in Sudan have yielded adornments and bone and lithic artefacts that occur as distinct stages of the chaîne opératoire. This article reports on a hitherto unrecognised funerary practice that highlights the importance of craftsmanship for Neolithic communities in life and beyond. Peer reviewed

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    Authors: Julie Dunne; Maciej Jórdeczka; Marek Chłodnicki; Karen Hardy; +11 Authors

    The subsistence practices of Holocene communities living in the Nile Valley of Central Sudan are comparatively little known. Recent excavations at Khor Shambat, Sudan, have yielded well-defined Mesolithic and Neolithic stratigraphy. Here, for the first time, archaeozoological, palaeobotanical, phytolith and dental calculus studies are combined with lipid residue analysis of around 100 pottery fragments and comparative analysis of faunal remains and organic residues. This holistic approach provides valuable information on changes in adaptation strategies, from Mesolithic hunter-gatherers to Neolithic herders exploiting domesticates. A unique picture is revealed of the natural environment and human subsistence, demonstrating the potential wider value of combining multiple methods. Multidisciplinary research at the KSH1 site was funded by a grant from the National Science Centre, Poland (grant 2015/17/D/HS3/01492). The authors thank the Leverhulme Trust (RPG-2016-115) for funding ‘Peopling the Green Sahara? A multi-proxy approach to reconstructing the ecological and demographic history of the Saharan Holocene’, and NERC 771 (reference: CC010) and NEIF (www.isotopesuk.org) for funding and maintenance of the instruments used for this work.

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    Antiquity
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      Antiquity
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    Authors: João Zilhão; Diego E. Angelucci; François-Xavier Le Bourdonnec; Armando Lucena; +5 Authors

    Submitted by André Pereira (andrepereira@letras.ulisboa.pt) on 2021-07-28T13:04:08Z No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Approved for entry into archive by Manuel Botelheiro Moreno (manuelmoreno@campus.ul.pt) on 2021-07-28T16:31:42Z (GMT) No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Made available in DSpace on 2021-07-28T16:32:40Z (GMT). No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Previous issue date: 2021 info:eu-repo/semantics/publishedVersion

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    Antiquity
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    Authors: Brais X. Currás; F. Javier Sánchez-Palencia;

    This research was supported by the following projects: AVRIFER TAGVS: Minería romana del oro y poblamiento en Lusitania (AuTagus); AVRARIA: el oro de Hispania (2019-T1/HUM-14288); LOKI: Economías locales, economía imperial: el Occidente de la Península Ibérica (siglos II a.C.–II d.C.) (PID2019-104297GB-I00); Paisajes culturales en el norte y noroeste de la Península Ibérica (NyNO) (202010E147); and IGAEDIS: da civitas Igaeditanorum à Egitânia (DGPC: 2016-2019) Taking a landscape-based approach, the Aurifer Tagus project has demonstrated the significance of gold mining in the Roman province of Lusitania. New radiocarbon dates reveal the foundation, use and abandonment of the Covão do Urso and Mina da Presa mining sites. Combined with ancient literature, this evidence sheds light on the territory's organisation and the evolution of its social structure. Peer reviewed

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    Authors: Sam Turner; Tim Kinnaird; Günder Varinlioglu; Tevfik Emre Şerifoğlu; +11 Authors

    The history of agricultural terraces remains poorly understood due to problems in dating their construction and use. This has hampered broader research on their significance, limiting knowledge of past agricultural practices and the long-term investment choices of rural communities. The authors apply OSL profiling and dating to the sediments associated with agricultural terraces across the Mediterranean region to date their construction and use. Results from five widely dispersed case studies reveal that although many terraces were used in the first millennium AD, the most intensive episodes of terrace-building occurred during the later Middle Ages (c. AD 1100–1600). This innovative approach provides the first large-scale evidence for both the longevity and medieval intensification of Mediterranean terraces. Funding for fieldwork and analysis has been provided by grants from the Newton Fund administered by the British Academy (AF140007 & AF160103), UK Research and Innovation (AH/P005829/1 & AH/P014453/1), the Scientific and Technological Research Council of Turkey (116K829), the European Commission (H2020 657050), Dumbarton Oaks (Washington, D.C.), Seven Pillars of Wisdom Trust (UK), Ministry of Economy and Competitiveness (HAR2012-35022) (Spain), Xunta de Galicia (2016 PG-065) (Spain).

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    Antiquity
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      St Andrews Research Repository
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    Authors: González-Ruibal, Alfredo;

    The western Ethiopian borderland is remote from all centres of power in the Horn of Africa. As a result, local communities have often been regarded by scholars and state agents alike as isolated and antiquated. The picture that emerges from archaeological research, however, is more complex: borderland societies have, at different times from the mid first millennium AD onwards, embraced, reworked or rejected innovations from neighbouring polities. Indeed, borderland groups developed a type of ‘vernacular cosmopolitanism’ integrating foreign customs and artefacts. As an old multicultural borderland spanning many centuries and involving a range of state and non-state actors, the region offers important lessons for our understanding of frontier societies in Africa and beyond. Funding was provided by the Spanish Ministry of Culture/Institute of the Spanish Cultural Heritage-IPCE (Archaeology Abroad Programme) and the PIAR Programme of the Spanish National Research Council (CSIC).

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    Antiquity
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    Authors: Vicente Lull; Cristina Rihuete-Herrada; Roberto Risch; Bárbara Bonora; +10 Authors

    The recent discovery of an exceptionally rich grave at La Almoloya in south-eastern Spain illuminates the political context of Early Bronze Age El Argar society. The quantity, variety and opulence of the grave goods emphasise the technological, economic and social dimensions of this unique culture. The assemblage includes politically and ideologically emblematic objects, among which a silver diadem stands out. Of equally exceptional character is the building under which the grave was found—possibly one of the first Bronze Age palaces identified in Western Europe. The architecture and artefacts from La Almoloya provide new insight into emblematic individuals and the exercise of power in societies of marked economic asymmetry. Introduction Argaric diadems as embodied emblems La Almoloya grave 38 Spaces of power Conclusions

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    Authors: Francisco Martínez-Sevilla; Meritxell Arqués; Xavier Jordana; Assumpció Malgosa; +4 Authors

    Globally, rock art is one of the most widely distributed manifestations of past human activity. Previous research, however, has tended to focus on the art rather than artists. Understanding which members of society participated in creating such art is crucial to interpreting its social implications and that of the sites at which it is found. This article presents the first application of a method—palaeodermatoglyphics—for the estimation of the sex and age of two later prehistoric individuals who left their fingerprints at the Los Machos rockshelter in southern Iberia. The method has the potential to illuminate the complex socio-cultural dimensions of rock art sites worldwide.

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    Antiquity
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    Authors: Juan José Ibáñez; Juan Muñiz; Thomas Huet; Jonathan Santana; +4 Authors

    During the Early Neolithic in the Near East, particularly from the mid ninth millennium cal BC onwards, human iconography became more widespread. Explanations for this development, however, remain elusive. This article presents a unique assemblage of flint artefacts from the Middle Pre-Pottery Neolithic B (eighth millennium BC) site of Kharaysin in Jordan. Contextual, morphological, statistical and use-wear analyses of these artefacts suggest that they are not tools but rather human figurines. Their close association with burial contexts suggests that they were manufactured and discarded during mortuary rituals and remembrance ceremonies that included the extraction, manipulation and redeposition of human remains. ERIH PLUS 0,961 1,953 AHCI SSCI 899 880 Q1 Q2

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