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  • Digital Humanities and Cultural Heritage
  • Publications
  • Antiquity
  • Jagiellonian University Repository

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jarosław Działek;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Historical Geography
    Article . 2024 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Historical Geography
      Article . 2024 . Peer-reviewed
      License: Elsevier TDM
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria Kobielska; Kinga Siewior;

    Whilst Poland appears today as a paradigmatic example of a homogeneous, exclusive national and cultural identity, reinforced by the hegemonic historical policy of a semi-authoritarian state, it is also challenged by Polish minority histories (civilian, multi-ethnic, non-Catholic, women). The main concern of the present article is the plural ‘Polishness’ that emerges from the constellation of these non-default histories. To examine the frictions of historical narratives in action, authors use spaces of historical museums as a field of observation, perceiving them as memory agents fostering not only confrontational but also negotiative memory politics. To identify situations in which tensions between the ‘central’ Polishness and its unorthodox variants are particularly evident, the paper takes a look at ‘non-central’ Polish territories i.e. ‘post-German’ areas, characterized by a complex heterogeneous past in which Germanness and Polishness, but also ‘Silesianness’ or ‘Borderlandness’ mutually clash and dialogue. Analysis of selected exhibitions’ construction reveals peculiarities of different local contexts in transitional spaces and strategies of resolving creeping conflicts between ‘the Polishness’ and plural, peripheral ‘Polishnesses’. As authors argue, these case studies – instead of a static model of open memory conflict and binaries – offer dynamic models of memory, and allow to introduce the concept of memory frictions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Acta Poloniae Historica
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Acta Poloniae Historica
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sabina Giergiel; Katarzyna Taczyńska;

    This article focuses on the first historical museum in Serbia, established in Sombor in 2019 (the Museum of the Danube Swabians), with an exhibition devoted to the presence of Germans in Vojvodina. The artefacts presented at the exhibition, left behind by the Germans who used to live in Vojvodina, have been recognised as part of Serbia’s difficult heritage (the term coined by Sharon Macdonald). The article analyses the permanent exhibition and the museum’s efforts to involve the local residents in creating said exhibition. The article also asks whether the museum in Sombor can shape the collective identity of Serbs and undermine its ethno-nationalist character.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Acta Poloniae Historica
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Acta Poloniae Historica
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hamerow, HF; Leggett, S; Tinguely, C; Le Roux, P;

    ABSTRACT Exogamous marriage alliances involving royal women played a prominent role in the conversion of the Anglo-Saxon kingdoms to Christianity in the seventh century AD. Yet the large number of well-furnished female burials from this period suggests a broader change in the role of women. The authors present the results of isotopic analysis of seventh-century burials, comparing male and female mobility and the mobility of females from well-furnished versus poorly/unfurnished burials. Results suggest increased mobility during the Conversion Period that is, paradoxically, most noticeable among women buried in poorly furnished graves; their well-furnished contemporaries were more likely to have grown up near to their place of burial.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Edinburgh Research E...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oxford University Research Archive
    Article . 2023
    License: CC BY NC ND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
    Article . 2024 . Peer-reviewed
    License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Edinburgh Research E...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oxford University Research Archive
      Article . 2023
      License: CC BY NC ND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Antiquity
      Article . 2024 . Peer-reviewed
      License: CC BY NC ND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Robert Kusek; Wojciech Szymański;

    The essay investigates the notion of queer heritage with regard to Central Europe and identifies a number of challenges related to the process of researching queer art history and heritage in Central Europe. Having addressed the status of largely “queer-philic” Western historiography, the paper offers a brief discussion of the Józef Czapski Pavilion in Krakow which is seen as an illustration of the problematic condition of queer heritage in Central Europe. Finally, by bringing the example of the 2017 show Dziedzictwo (Heritage), the essay attempts to offer the region-specific definition of queer heritage.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.31338/2657-...
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.31338/2657-...
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Adam R. Szromek; Marek Bugdol;

    The topic of cultural heritage is the subject of many interdisciplinary studies. So far, these studies have focused on the issues of classifying particular types of heritage, their functions and benefits, components and determinants. However, relatively less attention was paid to the dimension of a methodical approach to education and rebuilding cultural identity through heritage. Meanwhile, generational changes, especially in the dimension of knowledge perception, indicate such a need. The aim of this article is to present the perspective of using open innovations in the transfer of cultural heritage used in shaping cultural identity and education. Our review and conceptual article is an attempt to draw attention to the problem of changes in the perception of cultural heritage by generations born in the era of the digital revolution and the need to take these changes into account in heritage education. Taking these conditions into account allowed the authors to develop a model for generating open innovation in the outside-in process and then to develop a model for making it available through the inside-out process. The role of education in this process was also emphasized.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heritagearrow_drop_down
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    Heritage
    Article . 2024 . Peer-reviewed
    License: CC BY
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    Heritage
    Article . 2024
    Data sources: DOAJ
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Heritagearrow_drop_down
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      Heritage
      Article . 2024 . Peer-reviewed
      License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Heritage
      Article . 2024
      Data sources: DOAJ
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cielas, Hermina;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    https://doi.org/10.1163/978900...
    Book . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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      https://doi.org/10.1163/978900...
      Book . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Artur Gruszczak; Arkadiusz Lewandowski; Arkadiusz Nyzio;

    This book aims at conducting a comprehensive diagnosis and evaluation of the achievements, challenges and prospects of Polish intelligence studies (IS). Against the background of global intelligence studies, the popularity of this research field has been growing in Poland for two decades. However, research activities and their outcomes have been highly dispersed and unstructured, most often carried out by single researchers or small teams. The lack of a vehicle integrating the scattered research foci and entities in the IS area – in the form of a website, a flagship journal or a cyclical conference – furthers an identity crisis and organizational dispersion. We propose an in-depth systematization of how intelligence services and their activities are investigated in Poland. We carry out an intellectual inventory of this area, analysing key themes, threads and products. We consider Polish IS as a whole, looking at dominant research trends, identifying degrees of insights into specific aspects of IS, highlighting topics which have not yet been sufficiently investigated, and suggesting issues that deserve a detailed examination. We present the centres where Polish IS have been developing, treating them as equally important, with each of them having its own vital role to play, “spécialité de la maison” and achievements. Concurrently, we argue that a significant atomization of the IS epistemic community is one of its core weaknesses. The conclusions drawn from the research presented in this study are far from optimistic. However, they should not be treated as “sounding the alarm”; rather, this book is meant as a kind of “call to arms”.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    https://doi.org/10.12797/97883...
    Book . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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      https://doi.org/10.12797/97883...
      Book . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jadwiga Waniakowa;

    Jadwiga WaniakowaLitewskie pochodzenie jednej z polskich gwarowych nazw...Litewskie pochodzenie jednej z polskich gwarowych nazw wrotyczu pospolitego (Tanacetum vulgare L.)StreszczenieCelem niniejszego tekstu jest próba ustalenia etymologii polskiej gwarowej nazwy czyżma, która odnosi się do wrotyczu pospolitego, Tanacetum vulgare L. Nazwa ta występuje na Suwalszczyźnie. Przeprowadzona analiza wykazuje, że pol. gw. czyżma‘wrotycz pospolity’ i pol. ciżma ‘rodzaj buta używanego w dawnych czasach’ nie mają ze sobą nic wspólnego. Suwalska gwarowa nazwa wrotyczu jest zapożyczeniem z li-tewskiego. Pochodzi od lit. čižmà ‘wrotycz pospolity, Tanacetum vulgare L.’. Forma li-tewska zaś jest najprawdopodobniej derywatem od czasownika čìžti, a jej motywację semantyczną stanowi gęstość (zbitość) kwiatostanów rośliny lub sztywność jej łodyg This article attempts to establish the etymology of the Polish dialectal name czyżma, which refers to common tansy, Tanacetum vulgare L. This name occurs in the Su-wałki region. The analysis conducted shows that the Polish dial. czyżma ‘tansy’ and Polish ciżma ‘type of shoe used in the old days’ have nothing to do with each other. The Suwałki dialectal name of tansy is a loanword from Lithuanian. It comes from the Lithuanian čižmà ‘common tansy, Tanacetum vulgare L.’. The Lithuanian form is most likely a derivative of the verb čìžti, and its semantic motivation is the density (compactness) of the plant’s inflorescences or stiffness of its stems.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Acta Baltico-Slavicaarrow_drop_down
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    Acta Baltico-Slavica
    Article . 2023
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    Acta Baltico-Slavica
    Article . 2023 . Peer-reviewed
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Acta Baltico-Slavicaarrow_drop_down
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      Acta Baltico-Slavica
      Article . 2023
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      Acta Baltico-Slavica
      Article . 2023 . Peer-reviewed
      License: CC BY
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Norbert Ostrowski;

    Bałtyckie abstracta na -ība (np. lit. dial. gyvýba ‘życie; żywotność’ / łot. dzīvība ‘życie’) kontynuują stare abstracta na *-ī *-ijā), abstractów odprzymiotnikowych na *-ijā oraz odziedziczonych z prajęzyka abstractów dewerbalnych na *-ijā. We współczesnym litewskim wszystkie te typy kontynuowane są przez abstracta odprzymiotnikowe na -ė (np. lit. méilė ‘miłość’) i nomina actionis na -ė (np. lit. myn ‘pora międlenia lnu’). Baltic abstracts in -ība (e.g. Lith. dial. gyvýba ‘life’ / Latv. dzīvība ‘life’) are built on the basis of the old abstract formations in *-ī *-ijā), adjectival abstracts in *-ijā, and deverbal abstracts in *-ijā. In the current Lithuanian language, all these types are continued by adjectival abstracts in -ė (e.g. Lith. méilė ‘love’) and deverbal abstracts in -ė (e.g. Lith. myn ‘a time of flax crushing’).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Acta Baltico-Slavicaarrow_drop_down
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    Acta Baltico-Slavica
    Article . 2023 . Peer-reviewed
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Acta Baltico-Slavica
    Article . 2023
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      Acta Baltico-Slavica
      Article . 2023 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jarosław Działek;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Historical Geography
    Article . 2024 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Historical Geography
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria Kobielska; Kinga Siewior;

    Whilst Poland appears today as a paradigmatic example of a homogeneous, exclusive national and cultural identity, reinforced by the hegemonic historical policy of a semi-authoritarian state, it is also challenged by Polish minority histories (civilian, multi-ethnic, non-Catholic, women). The main concern of the present article is the plural ‘Polishness’ that emerges from the constellation of these non-default histories. To examine the frictions of historical narratives in action, authors use spaces of historical museums as a field of observation, perceiving them as memory agents fostering not only confrontational but also negotiative memory politics. To identify situations in which tensions between the ‘central’ Polishness and its unorthodox variants are particularly evident, the paper takes a look at ‘non-central’ Polish territories i.e. ‘post-German’ areas, characterized by a complex heterogeneous past in which Germanness and Polishness, but also ‘Silesianness’ or ‘Borderlandness’ mutually clash and dialogue. Analysis of selected exhibitions’ construction reveals peculiarities of different local contexts in transitional spaces and strategies of resolving creeping conflicts between ‘the Polishness’ and plural, peripheral ‘Polishnesses’. As authors argue, these case studies – instead of a static model of open memory conflict and binaries – offer dynamic models of memory, and allow to introduce the concept of memory frictions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Acta Poloniae Historica
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Acta Poloniae Historica
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    Authors: Sabina Giergiel; Katarzyna Taczyńska;

    This article focuses on the first historical museum in Serbia, established in Sombor in 2019 (the Museum of the Danube Swabians), with an exhibition devoted to the presence of Germans in Vojvodina. The artefacts presented at the exhibition, left behind by the Germans who used to live in Vojvodina, have been recognised as part of Serbia’s difficult heritage (the term coined by Sharon Macdonald). The article analyses the permanent exhibition and the museum’s efforts to involve the local residents in creating said exhibition. The article also asks whether the museum in Sombor can shape the collective identity of Serbs and undermine its ethno-nationalist character.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
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    Acta Poloniae Historica
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jagiellonian Univers...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Acta Poloniae Historica
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hamerow, HF; Leggett, S; Tinguely, C; Le Roux, P;

    ABSTRACT Exogamous marriage alliances involving royal women played a prominent role in the conversion of the Anglo-Saxon kingdoms to Christianity in the seventh century AD. Yet the large number of well-furnished female burials from this period suggests a broader change in the role of women. The authors present the results of isotopic analysis of seventh-century burials, comparing male and female mobility and the mobility of females from well-furnished versus poorly/unfurnished burials. Results suggest increased mobility during the Conversion Period that is, paradoxically, most noticeable among women buried in poorly furnished graves; their well-furnished contemporaries were more likely to have grown up near to their place of burial.

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    Oxford University Research Archive
    Article . 2023
    License: CC BY NC ND
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    Antiquity
    Article . 2024 . Peer-reviewed
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      Oxford University Research Archive
      Article . 2023
      License: CC BY NC ND
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      Antiquity
      Article . 2024 . Peer-reviewed
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    Authors: Robert Kusek; Wojciech Szymański;

    The essay investigates the notion of queer heritage with regard to Central Europe and identifies a number of challenges related to the process of researching queer art history and heritage in Central Europe. Having addressed the status of largely “queer-philic” Western historiography, the paper offers a brief discussion of the Józef Czapski Pavilion in Krakow which is seen as an illustration of the problematic condition of queer heritage in Central Europe. Finally, by bringing the example of the 2017 show Dziedzictwo (Heritage), the essay attempts to offer the region-specific definition of queer heritage.

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    https://doi.org/10.31338/2657-...
    Article . 2024 . Peer-reviewed
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      https://doi.org/10.31338/2657-...
      Article . 2024 . Peer-reviewed
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    Authors: Adam R. Szromek; Marek Bugdol;

    The topic of cultural heritage is the subject of many interdisciplinary studies. So far, these studies have focused on the issues of classifying particular types of heritage, their functions and benefits, components and determinants. However, relatively less attention was paid to the dimension of a methodical approach to education and rebuilding cultural identity through heritage. Meanwhile, generational changes, especially in the dimension of knowledge perception, indicate such a need. The aim of this article is to present the perspective of using open innovations in the transfer of cultural heritage used in shaping cultural identity and education. Our review and conceptual article is an attempt to draw attention to the problem of changes in the perception of cultural heritage by generations born in the era of the digital revolution and the need to take these changes into account in heritage education. Taking these conditions into account allowed the authors to develop a model for generating open innovation in the outside-in process and then to develop a model for making it available through the inside-out process. The role of education in this process was also emphasized.

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    Heritage
    Article . 2024 . Peer-reviewed
    License: CC BY
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    Heritage
    Article . 2024
    Data sources: DOAJ
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      Heritage
      Article . 2024 . Peer-reviewed
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      Heritage
      Article . 2024
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    Authors: Cielas, Hermina;
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    https://doi.org/10.1163/978900...
    Book . 2024 . Peer-reviewed
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      https://doi.org/10.1163/978900...
      Book . 2024 . Peer-reviewed
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    Authors: Artur Gruszczak; Arkadiusz Lewandowski; Arkadiusz Nyzio;

    This book aims at conducting a comprehensive diagnosis and evaluation of the achievements, challenges and prospects of Polish intelligence studies (IS). Against the background of global intelligence studies, the popularity of this research field has been growing in Poland for two decades. However, research activities and their outcomes have been highly dispersed and unstructured, most often carried out by single researchers or small teams. The lack of a vehicle integrating the scattered research foci and entities in the IS area – in the form of a website, a flagship journal or a cyclical conference – furthers an identity crisis and organizational dispersion. We propose an in-depth systematization of how intelligence services and their activities are investigated in Poland. We carry out an intellectual inventory of this area, analysing key themes, threads and products. We consider Polish IS as a whole, looking at dominant research trends, identifying degrees of insights into specific aspects of IS, highlighting topics which have not yet been sufficiently investigated, and suggesting issues that deserve a detailed examination. We present the centres where Polish IS have been developing, treating them as equally important, with each of them having its own vital role to play, “spécialité de la maison” and achievements. Concurrently, we argue that a significant atomization of the IS epistemic community is one of its core weaknesses. The conclusions drawn from the research presented in this study are far from optimistic. However, they should not be treated as “sounding the alarm”; rather, this book is meant as a kind of “call to arms”.

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    https://doi.org/10.12797/97883...
    Book . 2024 . Peer-reviewed
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      https://doi.org/10.12797/97883...
      Book . 2024 . Peer-reviewed
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    Authors: Jadwiga Waniakowa;

    Jadwiga WaniakowaLitewskie pochodzenie jednej z polskich gwarowych nazw...Litewskie pochodzenie jednej z polskich gwarowych nazw wrotyczu pospolitego (Tanacetum vulgare L.)StreszczenieCelem niniejszego tekstu jest próba ustalenia etymologii polskiej gwarowej nazwy czyżma, która odnosi się do wrotyczu pospolitego, Tanacetum vulgare L. Nazwa ta występuje na Suwalszczyźnie. Przeprowadzona analiza wykazuje, że pol. gw. czyżma‘wrotycz pospolity’ i pol. ciżma ‘rodzaj buta używanego w dawnych czasach’ nie mają ze sobą nic wspólnego. Suwalska gwarowa nazwa wrotyczu jest zapożyczeniem z li-tewskiego. Pochodzi od lit. čižmà ‘wrotycz pospolity, Tanacetum vulgare L.’. Forma li-tewska zaś jest najprawdopodobniej derywatem od czasownika čìžti, a jej motywację semantyczną stanowi gęstość (zbitość) kwiatostanów rośliny lub sztywność jej łodyg This article attempts to establish the etymology of the Polish dialectal name czyżma, which refers to common tansy, Tanacetum vulgare L. This name occurs in the Su-wałki region. The analysis conducted shows that the Polish dial. czyżma ‘tansy’ and Polish ciżma ‘type of shoe used in the old days’ have nothing to do with each other. The Suwałki dialectal name of tansy is a loanword from Lithuanian. It comes from the Lithuanian čižmà ‘common tansy, Tanacetum vulgare L.’. The Lithuanian form is most likely a derivative of the verb čìžti, and its semantic motivation is the density (compactness) of the plant’s inflorescences or stiffness of its stems.

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    Acta Baltico-Slavica
    Article . 2023
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    Acta Baltico-Slavica
    Article . 2023 . Peer-reviewed
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      Acta Baltico-Slavica
      Article . 2023
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      Acta Baltico-Slavica
      Article . 2023 . Peer-reviewed
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    Authors: Norbert Ostrowski;

    Bałtyckie abstracta na -ība (np. lit. dial. gyvýba ‘życie; żywotność’ / łot. dzīvība ‘życie’) kontynuują stare abstracta na *-ī *-ijā), abstractów odprzymiotnikowych na *-ijā oraz odziedziczonych z prajęzyka abstractów dewerbalnych na *-ijā. We współczesnym litewskim wszystkie te typy kontynuowane są przez abstracta odprzymiotnikowe na -ė (np. lit. méilė ‘miłość’) i nomina actionis na -ė (np. lit. myn ‘pora międlenia lnu’). Baltic abstracts in -ība (e.g. Lith. dial. gyvýba ‘life’ / Latv. dzīvība ‘life’) are built on the basis of the old abstract formations in *-ī *-ijā), adjectival abstracts in *-ijā, and deverbal abstracts in *-ijā. In the current Lithuanian language, all these types are continued by adjectival abstracts in -ė (e.g. Lith. méilė ‘love’) and deverbal abstracts in -ė (e.g. Lith. myn ‘a time of flax crushing’).

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Acta Baltico-Slavicaarrow_drop_down
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