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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laura Coltofean-Arizancu; Bisserka Gaydarska; Sébastien Plutniak; Laura Mary; +8 Authors

    Awareness of, and debate about, harassment, assault, bullying and intimidation (HABI) in archaeology has grown in recent years, but the issue remains under-researched. Here, the authors present the first Europe-wide survey to evaluate HABI in archaeological environments, from field to laboratory and classroom. The survey covers 18 forms of HABI, collecting more than 1000 responses from archaeologists of 49 nationalities. A total of 82 per cent of respondents report at least one HABI experience. The authors conclude that HABI is endemic in European archaeology, being experienced by all genders and ages, in multiple settings and countries. Documenting these behaviours is a critical first step to eradicating them and to achieving equity and safety in the discipline. International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Paris Nanterre; ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Paris Nanterre; ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alarashi, Hala; Gourichon, Lionel; Khalidi, Lamya; Chambon, Philippe; +6 Authors

    The burials at the Neolithic cemetery Kadruka 23 in Sudan have yielded adornments and bone and lithic artefacts that occur as distinct stages of the chaîne opératoire. This article reports on a hitherto unrecognised funerary practice that highlights the importance of craftsmanship for Neolithic communities in life and beyond. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
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    License: CC BY NC ND
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: João Zilhão; Diego E. Angelucci; François-Xavier Le Bourdonnec; Armando Lucena; +5 Authors

    Submitted by André Pereira (andrepereira@letras.ulisboa.pt) on 2021-07-28T13:04:08Z No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Approved for entry into archive by Manuel Botelheiro Moreno (manuelmoreno@campus.ul.pt) on 2021-07-28T16:31:42Z (GMT) No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Made available in DSpace on 2021-07-28T16:32:40Z (GMT). No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Previous issue date: 2021 info:eu-repo/semantics/publishedVersion

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sébastien Villotte; Sacha Kacki; Aurélien Mounier; Pascal Mora; +5 Authors

    This study presents preliminary results of recent explorations at Iroungou (Gabon), a pre-colonial burial cave containing scattered skeletal remains of at least 28 men, women and children. The individuals, whose crania show cultural tooth ablation, were buried with abundant metallic objects, a combination with no known equivalent in West Central Africa. International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Antiquityarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Antiquity
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
      Article . 2021 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Guillaume Charloux; Mona Ali Abady Mahmoud; Ahmed Mohammed Sayed ElNasseh; Sylvie Marchand;

    Following two centuries of research at Karnak, our understanding of the origins and development of this famous ancient Egyptian temple complex remains limited. Recent archaeological excavation in the Ptah temple, however, has reached its earliest levels, providing a first, securely dated stratigraphic sequence. Despite flood risks, the development of the religious complex c. 2200–2000 BC was made possible by the retreating Nile riverbank. Thus, the river and the expanding Karnak temple complex played major roles in the takeover of Egypt by the Eleventh Dynasty rulers and the growth of the new capital at Thebes, a potent combination of forces—fluvial, religious and secular—encountered among other early state powers.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Antiquityarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
    Article . 2021 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Antiquityarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
      Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lu, H.; Chen, X.; Zhang, Z.; Tang, L.; +5 Authors

    Archaeological research demonstrates that an agropastoral economy was established in Tibet during the second millennium BC, aided by the cultivation of barley introduced from South-western Asia. The exact cultural contexts of the emergence and development of agropastoralism in Tibet, however, remain obscure. Recent excavations at the site of Bangga provide new evidence for settled agropastoralism in central Tibet, demonstrating a material divergence from earlier archaeological cultures, possibly corresponding to the intensification of agropastoralism in the first millennium BC. The authors’ results depict a more dynamic system of subsistence in the first millennium BC, as the populations moved readily between distinct economic modes and combined them in a variety of innovative ways. Introduction Nackground The Bangga site and excavations Material culture Zooarchaeological an archaeobotanical remains Discussion Conclusion

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ MPG.PuRearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Antiquity
    Article . 2021 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ MPG.PuRearrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Derat, Marie-Laure; Bosc-Tiessé, Claire; Garric, Antoine; Mensan, Romain; +3 Authors

    The monolithic churches of Lalibela are commonly regarded as evidence for the shift of the Christian kingdom of Ethiopia from Aksum to the Ethiopian Highlands during the thirteenth century AD. Recent research, however, has shown that the rock-cut churches were not created ex nihilo. New archaeological evidence has emerged for an earlier, local troglodytic culture, particularly at Washa Mika'el, further illuminating the cosmopolitan society that existed in medieval Ethiopia. This article considers the role played by this troglodytic culture in the Christianisation of the Ethiopian Highlands and how it attests continuity with its predecessors, especially in the way that sculpted decor are perpetuated and transformed in the frame of a new religious background. International audience

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Antiquityarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
    Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Julien Loiseau; Simon Dorso; Yves Gleize; David Ollivier; +4 Authors

    Recent survey and excavation have found substantial evidence for medieval Muslim communities in Eastern Tigray. Although settlement of Muslims nearby modern Kwiha was previously known based on epigraphic evidence, its exact location remained unnoticed. Fieldwork with the support of the ERC project HornEast resulted in the identification of the site of Bilet and in the first excavation of a medieval Muslim cemetery on the Ethiopian highlands, along with the survey of several other Muslim cemeteries in the area. New evidence is highlighting the flourishing of Muslim communities, connected with the wider Islamicate world, at the very heart of the Zagwe Christian kingdom. These Muslim communities developed from both foreign and local populations and were well connected with the wider Islamicate world. International audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Descartes; HAL-E...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Antiquity
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    Antiquity
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    Authors: Vicente Lull; Cristina Rihuete-Herrada; Roberto Risch; Bárbara Bonora; +10 Authors

    The recent discovery of an exceptionally rich grave at La Almoloya in south-eastern Spain illuminates the political context of Early Bronze Age El Argar society. The quantity, variety and opulence of the grave goods emphasise the technological, economic and social dimensions of this unique culture. The assemblage includes politically and ideologically emblematic objects, among which a silver diadem stands out. Of equally exceptional character is the building under which the grave was found—possibly one of the first Bronze Age palaces identified in Western Europe. The architecture and artefacts from La Almoloya provide new insight into emblematic individuals and the exercise of power in societies of marked economic asymmetry. Introduction Argaric diadems as embodied emblems La Almoloya grave 38 Spaces of power Conclusions

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    Antiquity
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    Authors: Grabundžija, Ana; Schlichtherle, Helmut; Leuzinger, Urs; Schier, Wolfram; +1 Authors

    The study of prehistoric textile production requires the excavation of sites with exceptional organic preservation. Here, the authors focus on thread production using evidence from two fourth-millennium BC pre-Alpine wetland sites: Arbon-Bleiche 3 in Switzerland and Bad Buchau-Torwiesen II in southern Germany. A comparison of the spindle whorls from these two settlements with a contemporaneous East-Central European dataset suggests that multiple culture-historical groups with distinct technological signatures inhabited Neolithic Central Europe. Furthermore, the spatial distribution of conical spindle whorls within the pre-Alpine settlements suggests the immigration of both people and technology from the east, thereby illuminating the wider themes of mobility and innovation in prehistoric Europe.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laura Coltofean-Arizancu; Bisserka Gaydarska; Sébastien Plutniak; Laura Mary; +8 Authors

    Awareness of, and debate about, harassment, assault, bullying and intimidation (HABI) in archaeology has grown in recent years, but the issue remains under-researched. Here, the authors present the first Europe-wide survey to evaluate HABI in archaeological environments, from field to laboratory and classroom. The survey covers 18 forms of HABI, collecting more than 1000 responses from archaeologists of 49 nationalities. A total of 82 per cent of respondents report at least one HABI experience. The authors conclude that HABI is endemic in European archaeology, being experienced by all genders and ages, in multiple settings and countries. Documenting these behaviours is a critical first step to eradicating them and to achieving equity and safety in the discipline. International audience

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    Authors: Alarashi, Hala; Gourichon, Lionel; Khalidi, Lamya; Chambon, Philippe; +6 Authors

    The burials at the Neolithic cemetery Kadruka 23 in Sudan have yielded adornments and bone and lithic artefacts that occur as distinct stages of the chaîne opératoire. This article reports on a hitherto unrecognised funerary practice that highlights the importance of craftsmanship for Neolithic communities in life and beyond. Peer reviewed

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    Antiquity
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: João Zilhão; Diego E. Angelucci; François-Xavier Le Bourdonnec; Armando Lucena; +5 Authors

    Submitted by André Pereira (andrepereira@letras.ulisboa.pt) on 2021-07-28T13:04:08Z No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Approved for entry into archive by Manuel Botelheiro Moreno (manuelmoreno@campus.ul.pt) on 2021-07-28T16:31:42Z (GMT) No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Made available in DSpace on 2021-07-28T16:32:40Z (GMT). No. of bitstreams: 1 obsidian-in-the-upper-palaeolithic-of-iberia.pdf: 35662679 bytes, checksum: 4c261781e3211c52c02d47cc36e26d98 (MD5) Previous issue date: 2021 info:eu-repo/semantics/publishedVersion

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    Antiquity
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    Authors: Sébastien Villotte; Sacha Kacki; Aurélien Mounier; Pascal Mora; +5 Authors

    This study presents preliminary results of recent explorations at Iroungou (Gabon), a pre-colonial burial cave containing scattered skeletal remains of at least 28 men, women and children. The individuals, whose crania show cultural tooth ablation, were buried with abundant metallic objects, a combination with no known equivalent in West Central Africa. International audience

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    Antiquity
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    Authors: Guillaume Charloux; Mona Ali Abady Mahmoud; Ahmed Mohammed Sayed ElNasseh; Sylvie Marchand;

    Following two centuries of research at Karnak, our understanding of the origins and development of this famous ancient Egyptian temple complex remains limited. Recent archaeological excavation in the Ptah temple, however, has reached its earliest levels, providing a first, securely dated stratigraphic sequence. Despite flood risks, the development of the religious complex c. 2200–2000 BC was made possible by the retreating Nile riverbank. Thus, the river and the expanding Karnak temple complex played major roles in the takeover of Egypt by the Eleventh Dynasty rulers and the growth of the new capital at Thebes, a potent combination of forces—fluvial, religious and secular—encountered among other early state powers.

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Antiquity
      Article . 2021 . Peer-reviewed
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    Authors: Lu, H.; Chen, X.; Zhang, Z.; Tang, L.; +5 Authors

    Archaeological research demonstrates that an agropastoral economy was established in Tibet during the second millennium BC, aided by the cultivation of barley introduced from South-western Asia. The exact cultural contexts of the emergence and development of agropastoralism in Tibet, however, remain obscure. Recent excavations at the site of Bangga provide new evidence for settled agropastoralism in central Tibet, demonstrating a material divergence from earlier archaeological cultures, possibly corresponding to the intensification of agropastoralism in the first millennium BC. The authors’ results depict a more dynamic system of subsistence in the first millennium BC, as the populations moved readily between distinct economic modes and combined them in a variety of innovative ways. Introduction Nackground The Bangga site and excavations Material culture Zooarchaeological an archaeobotanical remains Discussion Conclusion

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    Antiquity
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      Antiquity
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    Authors: Derat, Marie-Laure; Bosc-Tiessé, Claire; Garric, Antoine; Mensan, Romain; +3 Authors

    The monolithic churches of Lalibela are commonly regarded as evidence for the shift of the Christian kingdom of Ethiopia from Aksum to the Ethiopian Highlands during the thirteenth century AD. Recent research, however, has shown that the rock-cut churches were not created ex nihilo. New archaeological evidence has emerged for an earlier, local troglodytic culture, particularly at Washa Mika'el, further illuminating the cosmopolitan society that existed in medieval Ethiopia. This article considers the role played by this troglodytic culture in the Christianisation of the Ethiopian Highlands and how it attests continuity with its predecessors, especially in the way that sculpted decor are perpetuated and transformed in the frame of a new religious background. International audience

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Antiquity
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    Authors: Julien Loiseau; Simon Dorso; Yves Gleize; David Ollivier; +4 Authors

    Recent survey and excavation have found substantial evidence for medieval Muslim communities in Eastern Tigray. Although settlement of Muslims nearby modern Kwiha was previously known based on epigraphic evidence, its exact location remained unnoticed. Fieldwork with the support of the ERC project HornEast resulted in the identification of the site of Bilet and in the first excavation of a medieval Muslim cemetery on the Ethiopian highlands, along with the survey of several other Muslim cemeteries in the area. New evidence is highlighting the flourishing of Muslim communities, connected with the wider Islamicate world, at the very heart of the Zagwe Christian kingdom. These Muslim communities developed from both foreign and local populations and were well connected with the wider Islamicate world. International audience

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    Antiquity
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    Authors: Vicente Lull; Cristina Rihuete-Herrada; Roberto Risch; Bárbara Bonora; +10 Authors

    The recent discovery of an exceptionally rich grave at La Almoloya in south-eastern Spain illuminates the political context of Early Bronze Age El Argar society. The quantity, variety and opulence of the grave goods emphasise the technological, economic and social dimensions of this unique culture. The assemblage includes politically and ideologically emblematic objects, among which a silver diadem stands out. Of equally exceptional character is the building under which the grave was found—possibly one of the first Bronze Age palaces identified in Western Europe. The architecture and artefacts from La Almoloya provide new insight into emblematic individuals and the exercise of power in societies of marked economic asymmetry. Introduction Argaric diadems as embodied emblems La Almoloya grave 38 Spaces of power Conclusions

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    Antiquity
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      Antiquity
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    Authors: Grabundžija, Ana; Schlichtherle, Helmut; Leuzinger, Urs; Schier, Wolfram; +1 Authors

    The study of prehistoric textile production requires the excavation of sites with exceptional organic preservation. Here, the authors focus on thread production using evidence from two fourth-millennium BC pre-Alpine wetland sites: Arbon-Bleiche 3 in Switzerland and Bad Buchau-Torwiesen II in southern Germany. A comparison of the spindle whorls from these two settlements with a contemporaneous East-Central European dataset suggests that multiple culture-historical groups with distinct technological signatures inhabited Neolithic Central Europe. Furthermore, the spatial distribution of conical spindle whorls within the pre-Alpine settlements suggests the immigration of both people and technology from the east, thereby illuminating the wider themes of mobility and innovation in prehistoric Europe.

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