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  • Digital Humanities and Cultural Heritage
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  • Journal of Church and State
  • The Journal of the Civil War Era
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  • Authors: Erik B. Alexander;
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  • Authors: Katherine J. Lennard;

    Abstract: This essay argues that novelist Thomas Dixon Jr’s portrait of the Reconstruction Klan was heavily influenced by college fraternities, particularly the Kappa Alpha Order. Founded by Confederate veterans in 1865, Kappa Alpha fused ritualistic fraternalism with the myth of the Lost Cause. Dixon’s continued involvement with the Kappa Alpha Order, long after his college days, provided philosophical and aesthetic inspiration for his portrait of vigilante terrorists as white-robed Christian Knights. In his trilogy of Reconstruction novels— The Leopard’s Spots (1902) , The Clansman (1905), and The Traitor (1907)—Dixon seamlessly assimilated the iconography and culture of white college fraternities, thereby underscoring the power of these organizations as repositories for white supremacy and Confederate memory in the wake of the Civil War .

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  • Authors: David T. Gleeson;
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  • Authors: Greg O’Brien;
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  • Authors: Holly N. S. White;
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  • Authors: Katherine J. Lennard;
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  • Authors: Iain A. Flood;

    Abstract: This work highlights the central role that enslaved people played in Missouri’s guerrilla conflict. During the Civil War, with the loss of male labor to armies and guerrilla bands, households in Missouri became ever more reliant on enslaved labor. This included guerrilla households, meaning that enslaved people played a much more active role in maintaining guerrilla bands than has been previously acknowledged. By aiding guerrillas’ domestic supply lines, enslaved people gained information that could prove their enslaver’s disloyalty. Aware that such information could be exchanged with US officers in return for freedom papers, enslaved people across Missouri seized the opportunity to escape. In effect, their actions created a second supply line, one that moved information out of Missouri’s slaveholding households and onto the desks of provost marshals. Enslaved people made the domestic supply line a tool of resistance and redefined the relationship between the army and Black refugees in Missouri.

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  • Authors: Ian Iverson;
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  • Authors: Elaine LaFay;
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  • Authors: Christopher James Bonner;

    Abstract: Enslaved people in the US South lived in a system designed to exploit their labor in pursuit of profit. This historiographical essay considers key questions about labor and power raised in the previous two decades of scholarship on antebellum slavery. What were the forms and meanings of enslaved people’s politics, and how can we track them through the archive? How was slavery connected to other phenomena including empire and capitalism in the early United States? In pursuing these questions, scholars have illuminated the history of slavery at different scales, ranging from the lived experiences of bound workers to transatlantic networks of commerce and credit through which the products of enslaved labor moved. This essay considers some of the different ways recent historians have worked to understand the institution of slavery, with a particular focus on the question of how closely their approaches bring us to understanding the shape of enslaved humanity.

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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • Authors: Erik B. Alexander;
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  • Authors: Katherine J. Lennard;

    Abstract: This essay argues that novelist Thomas Dixon Jr’s portrait of the Reconstruction Klan was heavily influenced by college fraternities, particularly the Kappa Alpha Order. Founded by Confederate veterans in 1865, Kappa Alpha fused ritualistic fraternalism with the myth of the Lost Cause. Dixon’s continued involvement with the Kappa Alpha Order, long after his college days, provided philosophical and aesthetic inspiration for his portrait of vigilante terrorists as white-robed Christian Knights. In his trilogy of Reconstruction novels— The Leopard’s Spots (1902) , The Clansman (1905), and The Traitor (1907)—Dixon seamlessly assimilated the iconography and culture of white college fraternities, thereby underscoring the power of these organizations as repositories for white supremacy and Confederate memory in the wake of the Civil War .

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  • Authors: David T. Gleeson;
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  • Authors: Greg O’Brien;
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  • Authors: Holly N. S. White;
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  • Authors: Katherine J. Lennard;
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  • Authors: Iain A. Flood;

    Abstract: This work highlights the central role that enslaved people played in Missouri’s guerrilla conflict. During the Civil War, with the loss of male labor to armies and guerrilla bands, households in Missouri became ever more reliant on enslaved labor. This included guerrilla households, meaning that enslaved people played a much more active role in maintaining guerrilla bands than has been previously acknowledged. By aiding guerrillas’ domestic supply lines, enslaved people gained information that could prove their enslaver’s disloyalty. Aware that such information could be exchanged with US officers in return for freedom papers, enslaved people across Missouri seized the opportunity to escape. In effect, their actions created a second supply line, one that moved information out of Missouri’s slaveholding households and onto the desks of provost marshals. Enslaved people made the domestic supply line a tool of resistance and redefined the relationship between the army and Black refugees in Missouri.

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  • Authors: Ian Iverson;
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  • Authors: Elaine LaFay;
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  • Authors: Christopher James Bonner;

    Abstract: Enslaved people in the US South lived in a system designed to exploit their labor in pursuit of profit. This historiographical essay considers key questions about labor and power raised in the previous two decades of scholarship on antebellum slavery. What were the forms and meanings of enslaved people’s politics, and how can we track them through the archive? How was slavery connected to other phenomena including empire and capitalism in the early United States? In pursuing these questions, scholars have illuminated the history of slavery at different scales, ranging from the lived experiences of bound workers to transatlantic networks of commerce and credit through which the products of enslaved labor moved. This essay considers some of the different ways recent historians have worked to understand the institution of slavery, with a particular focus on the question of how closely their approaches bring us to understanding the shape of enslaved humanity.

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