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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: John Murray; Breandán A. MacGabhann; Eamon Doyle; M. Gabriela Mángano; +2 Authors

    A rare and unusual large solitary discoidal fossil has been discovered on a paving slab quarried from the cyclothems of the Central Clare Group (Kinderscoutian, Pennsylvanian, Carboniferous), western Ireland. The fossil impression consists of a smooth raised inner discoidal area, surrounded by a slightly lower relief outer ring, ca. 130–135 mm in diameter, with eight prominent equidistant ovoid raised nodes towards the outermost margin. The octoradial body plan of this enigmatic specimen suggests a cnidarian connection and, as it is preserved as a positive hyporelief cast, it is tentatively interpreted as the resting trace of a large benthic anemone, which was either partially or fully infaunal. The discoidal fossil is interesting palaeoecologically; it occurs within the well-known Liscannor flag-stone, which consists of thinly bedded, fine-grained sandstone that is extensively covered by prominent, sinuous to meandering, horizontal grazing trails attributed to Psammichnites plummeri. This sedimentary facies likely represents mouth-bar sedimentation on a delta front of a river-dominated delta. The discoidal impression occurs on a portion of the slab where these trace fossils are relatively scarce. Uncertainty surrounds the classification and interpretation of the disc due to its relatively simple morphological form, coupled with a lack of unequivocally diagnostic features — a problem commonly encountered in studies of discoidal fossils from both the Ediacaran and the Phanerozoic

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Durham Research Onli...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Palaeoworld
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    https://doi.org/10.34961/resea...
    Other literature type . 2024
    License: CC BY NC SA
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    https://doi.org/10.34961/resea...
    Other literature type . 2024
    License: CC BY NC SA
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Durham Research Onli...arrow_drop_down
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      Palaeoworld
      Article . 2024 . Peer-reviewed
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      https://doi.org/10.34961/resea...
      Other literature type . 2024
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    Authors: Amoore, Louise;

    Abstract Deep neural network algorithms are becoming intimately involved in the politics of the border, and are themselves bordering devices in that they classify, divide and demarcate boundaries in data. Deep learning involves much more than the deployment of technologies at the border, and is reordering what the border means, how the boundaries of political community can be imagined. Where the biometric border rendered the border mobile through its inscription in the body, the deep border generates the racialized body in novel forms that extend the reach of state violence. The deep border is written through the machine learning models that make the world in their own image – as clusters of attributes and feature spaces from which data examples can be drawn. The ‘depth’ that becomes imaginable in computer science models of the indefinite multiplication of layers in a neural network begins to resonate with state desires for a reach into the attributes of population. The border is spatially reimagined as a set of always possible functions, features, and clusters – as a ‘line of best fit’ where the fraught politics of the border can be condensed and resolved.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Durham Research Onli...arrow_drop_down
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    Political Geography
    Other literature type . Article . 2022 . 2024 . Peer-reviewed
    License: Elsevier TDM
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Durham Research Onli...arrow_drop_down
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      Political Geography
      Other literature type . Article . 2022 . 2024 . Peer-reviewed
      License: Elsevier TDM
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    Authors: Hui Lin; Lisa Ni; Christina Phuong; Julian Hong;

    Natural language processing (NLP), a technology that translates human language into machine-readable data, is revolutionizing numerous sectors, including cancer care. This review outlines the evolution of NLP and its potential for crafting personalized treatment pathways for cancer patients. Leveraging NLPs ability to transform unstructured medical data into structured learnable formats, researchers can tap into the potential of big data for clinical and research applications. Significant advancements in NLP have spurred interest in developing tools that automate information extraction from clinical text, potentially transforming medical research and clinical practices in radiation oncology. Applications discussed include symptom and toxicity monitoring, identification of social determinants of health, improving patient-physician communication, patient education, and predictive modeling. However, several challenges impede the full realization of NLPs benefits, such as privacy and security concerns, biases in NLP models, and the interpretability and generalizability of these models. Overcoming these challenges necessitates a collaborative effort between computer scientists and the radiation oncology community. This paper serves as a comprehensive guide to understanding the intricacies of NLP algorithms, their performance assessment, past research contributions, and the future of NLP in radiation oncology research and clinics.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Pharmacogenomics and...arrow_drop_down
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    Pharmacogenomics and Personalized Medicine
    Article . 2024 . Peer-reviewed
    License: CC BY NC
    Data sources: Crossref
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Pharmacogenomics and...arrow_drop_down
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      Pharmacogenomics and Personalized Medicine
      Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Tetsushi Nonaka; Enora Gandon; John A Endler; Thelma Coyle; +1 Authors

    Abstract Pottery is a quintessential indicator of human cultural dynamics. Cultural alignment of behavioral repertoires and artifacts has been considered to rest upon two distinct dynamics: selective transmission of information and culture-specific biased transformation. In a cross-cultural field experiment, we tested whether community-specific morphological features of ceramic vessels would arise when the same unfamiliar shapes were reproduced by professional potters from three different communities who threw vessels using wheels. We analyzed the details of the underlying morphogenesis development of vessels in wheel throwing. When expert potters from three different communities of practice were instructed to faithfully reproduce common unfamiliar model shapes that were not parts of the daily repertoires, the morphometric variation in the final shape was not random; rather, different potters produced vessels with more morphometric variation among than within communities, indicating the presence of community-specific deviations of morphological features of vessels. Furthermore, this was found both in the final shape and in the underlying process of morphogenesis; there was more variation in the morphogenetic path among than within communities. These results suggest that the morphological features of ceramic vessels produced by potters reliably and nonrandomly diverge among different communities. The present study provides empirical evidence that collective alignment of morphological features of ceramic vessels can arise from the community-specific habits of fashioning clay.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PNAS Nexusarrow_drop_down
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    PNAS Nexus
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      PNAS Nexus
      Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Beaman, Jean;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ eScholarship - Unive...arrow_drop_down
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    Social Forces
    Article . 2024 . Peer-reviewed
    License: OUP Standard Publication Reuse
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      Social Forces
      Article . 2024 . Peer-reviewed
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    Authors: Vaʻaelua, Linda;

    Artist and designer Linda Vaʻaelua’s work explores her identity as a female of mixed Samoan and Scottish heritage who grew up as part of the Samoan diaspora in Aotearoa New Zealand. She reflects on cultural and language loss, vā (relational space), and weaving cultures together harmoniously. She expresses her gafa (genealogy) through her arrangement of patterns, shapes, colours, composition, and materials.

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    Pacific Arts
    Article . 2024 . Peer-reviewed
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      Pacific Arts
      Article . 2024 . Peer-reviewed
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    Authors: Veys, Fanny Wonu;

    Whether the tattooing of women was practiced in Tonga before the general ban on tattooing in 1839 is debated among both researchers and the contemporary tattooist community. This research note explores oral histories, written sources, and pictorial materials to paint a balanced picture of the history of female tattooing in Tonga and possibly break gender binaries.

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    Pacific Arts
    Article . 2024 . Peer-reviewed
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Pacific Arts
      Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Wronska-Friend, Maria;

    This article first introduces shell ornaments and pottery on the Aitape Islands in New Guinea, discussing the role of women in their production during the nineteenth and early twentieth centuries. It then turns to material culture produced by men—cult houses and canoes—that depended on supplies obtained by trading women’s products like shell valuables. By discussing these two gendered art forms together, this article shows how integral women’s labour was to the larger social and economic structures in New Guinea that have predominantly been associated with men. It concludes by discussing how colonisation, missionisation, and the introduction of a monetary economy impacted the gendered relations of art production in the islands.

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    Pacific Arts
    Article . 2024 . Peer-reviewed
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Pacific Arts
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Benjamin Ruilin Fong;

    This article proposes a new paradigm, Sino-American film, that is centered on Chinese language in American films. Sino-American films comprise two generations. The First Generation includes Pushing Hands (1993), Take Out (2004), and Saving Face (2004) and is characterized by independent production, limited distribution, and creation during a period when Asian Americans were rarely represented on film. The Second Generation includes The Farewell (2019), Tigertail (2019), Shang-Chi and the Legend of Ten Rings (2021), and Everything Everywhere All at Once (2022) and is characterized by a Hollywood production model, widespread distribution across streaming services, and creation during a period of growing Asian American cultural representation. Sino-American films negotiate both Chinese-language film and Hollywood by focusing on overlooked characters— Chinese-language-speaking Americans. This article contributes to conversations in Chinese film studies and Asian American studies by bringing Asian American film into exchanges with three Chinese film studies paradigms: transnational cinema, Chinese-language film, and Sinophone film. This cross pollination uncovers new areas for further study. Sino-American film demonstrates the importance of Sino-American language, ethnicity, and culture within the subsuming category of Asian American film. Furthermore, pairing Sino-American films with Chinese film studies uncovers a new category of Chinese-language film outside assumed contexts and paradigms.

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    Arts
    Article . 2024
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    Arts
    Article . 2024 . Peer-reviewed
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    Authors: Anita Di Chiara; Lisa Tauxe; Helen Gries; Barbara Helwing; +2 Authors

    Data from the marriage of paleomagnetism and archaeology (archaeomagnetism) are the backbone of attempts to create geomagnetic field models for ancient times. Paleointensity experimental design has been the focus of intensive efforts and the requirements and shortcomings are increasingly well understood. Some archaeological materials have excellent age control from inscriptions, which can be tied to a given decade or even a specific year in some cases. In this study, we analyzed fired mud bricks used for the construction of the Ishtar Gate, the entrance complex to the ancient city of Babylon in Southern Mesopotamia. We were able to extract reliable intensity data from all three phases of the gate, the earliest of which includes bricks inscribed with the name of King Nebuchadnezzar II (605 to 562 BCE). These results (1) add high quality intensity data to a region relatively unexplored so far (Southern Mesopotamia), (2) contribute to a better understanding of paleosecular variation in this region, and the development of an archaeomagnetic dating reference for one of the key regions in the history of human civilizations; (3) demonstrate the potential of inscribed bricks (glazed and unglazed), a common material in ancient Mesopotamia, to archaeomagnetic studies; and (4) suggest that the gate complex was constructed some time after the Babylonian conquest of Jerusalem, and that there were no substantial chronological gaps in the construction of each consecutive phase. The best fit of our data (averaging 136±2.1 ZAm2) with those of the reference curve (the Levantine Archaeomagnetic Curve) is 569 BCE.

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    PLoS ONE
    Article . 2024 . Peer-reviewed
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    PLoS ONE
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      PLoS ONE
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: John Murray; Breandán A. MacGabhann; Eamon Doyle; M. Gabriela Mángano; +2 Authors

    A rare and unusual large solitary discoidal fossil has been discovered on a paving slab quarried from the cyclothems of the Central Clare Group (Kinderscoutian, Pennsylvanian, Carboniferous), western Ireland. The fossil impression consists of a smooth raised inner discoidal area, surrounded by a slightly lower relief outer ring, ca. 130–135 mm in diameter, with eight prominent equidistant ovoid raised nodes towards the outermost margin. The octoradial body plan of this enigmatic specimen suggests a cnidarian connection and, as it is preserved as a positive hyporelief cast, it is tentatively interpreted as the resting trace of a large benthic anemone, which was either partially or fully infaunal. The discoidal fossil is interesting palaeoecologically; it occurs within the well-known Liscannor flag-stone, which consists of thinly bedded, fine-grained sandstone that is extensively covered by prominent, sinuous to meandering, horizontal grazing trails attributed to Psammichnites plummeri. This sedimentary facies likely represents mouth-bar sedimentation on a delta front of a river-dominated delta. The discoidal impression occurs on a portion of the slab where these trace fossils are relatively scarce. Uncertainty surrounds the classification and interpretation of the disc due to its relatively simple morphological form, coupled with a lack of unequivocally diagnostic features — a problem commonly encountered in studies of discoidal fossils from both the Ediacaran and the Phanerozoic

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    Palaeoworld
    Article . 2024 . Peer-reviewed
    License: CC BY
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      Palaeoworld
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    Authors: Amoore, Louise;

    Abstract Deep neural network algorithms are becoming intimately involved in the politics of the border, and are themselves bordering devices in that they classify, divide and demarcate boundaries in data. Deep learning involves much more than the deployment of technologies at the border, and is reordering what the border means, how the boundaries of political community can be imagined. Where the biometric border rendered the border mobile through its inscription in the body, the deep border generates the racialized body in novel forms that extend the reach of state violence. The deep border is written through the machine learning models that make the world in their own image – as clusters of attributes and feature spaces from which data examples can be drawn. The ‘depth’ that becomes imaginable in computer science models of the indefinite multiplication of layers in a neural network begins to resonate with state desires for a reach into the attributes of population. The border is spatially reimagined as a set of always possible functions, features, and clusters – as a ‘line of best fit’ where the fraught politics of the border can be condensed and resolved.

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    Political Geography
    Other literature type . Article . 2022 . 2024 . Peer-reviewed
    License: Elsevier TDM
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      Political Geography
      Other literature type . Article . 2022 . 2024 . Peer-reviewed
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    Authors: Hui Lin; Lisa Ni; Christina Phuong; Julian Hong;

    Natural language processing (NLP), a technology that translates human language into machine-readable data, is revolutionizing numerous sectors, including cancer care. This review outlines the evolution of NLP and its potential for crafting personalized treatment pathways for cancer patients. Leveraging NLPs ability to transform unstructured medical data into structured learnable formats, researchers can tap into the potential of big data for clinical and research applications. Significant advancements in NLP have spurred interest in developing tools that automate information extraction from clinical text, potentially transforming medical research and clinical practices in radiation oncology. Applications discussed include symptom and toxicity monitoring, identification of social determinants of health, improving patient-physician communication, patient education, and predictive modeling. However, several challenges impede the full realization of NLPs benefits, such as privacy and security concerns, biases in NLP models, and the interpretability and generalizability of these models. Overcoming these challenges necessitates a collaborative effort between computer scientists and the radiation oncology community. This paper serves as a comprehensive guide to understanding the intricacies of NLP algorithms, their performance assessment, past research contributions, and the future of NLP in radiation oncology research and clinics.

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    Pharmacogenomics and Personalized Medicine
    Article . 2024 . Peer-reviewed
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      Pharmacogenomics and Personalized Medicine
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    Authors: Tetsushi Nonaka; Enora Gandon; John A Endler; Thelma Coyle; +1 Authors

    Abstract Pottery is a quintessential indicator of human cultural dynamics. Cultural alignment of behavioral repertoires and artifacts has been considered to rest upon two distinct dynamics: selective transmission of information and culture-specific biased transformation. In a cross-cultural field experiment, we tested whether community-specific morphological features of ceramic vessels would arise when the same unfamiliar shapes were reproduced by professional potters from three different communities who threw vessels using wheels. We analyzed the details of the underlying morphogenesis development of vessels in wheel throwing. When expert potters from three different communities of practice were instructed to faithfully reproduce common unfamiliar model shapes that were not parts of the daily repertoires, the morphometric variation in the final shape was not random; rather, different potters produced vessels with more morphometric variation among than within communities, indicating the presence of community-specific deviations of morphological features of vessels. Furthermore, this was found both in the final shape and in the underlying process of morphogenesis; there was more variation in the morphogenetic path among than within communities. These results suggest that the morphological features of ceramic vessels produced by potters reliably and nonrandomly diverge among different communities. The present study provides empirical evidence that collective alignment of morphological features of ceramic vessels can arise from the community-specific habits of fashioning clay.

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    PNAS Nexus
    Article . 2024 . Peer-reviewed
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      PNAS Nexus
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    Authors: Beaman, Jean;
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    Social Forces
    Article . 2024 . Peer-reviewed
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      Social Forces
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    Authors: Vaʻaelua, Linda;

    Artist and designer Linda Vaʻaelua’s work explores her identity as a female of mixed Samoan and Scottish heritage who grew up as part of the Samoan diaspora in Aotearoa New Zealand. She reflects on cultural and language loss, vā (relational space), and weaving cultures together harmoniously. She expresses her gafa (genealogy) through her arrangement of patterns, shapes, colours, composition, and materials.

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    Pacific Arts
    Article . 2024 . Peer-reviewed
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      Pacific Arts
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    Authors: Veys, Fanny Wonu;

    Whether the tattooing of women was practiced in Tonga before the general ban on tattooing in 1839 is debated among both researchers and the contemporary tattooist community. This research note explores oral histories, written sources, and pictorial materials to paint a balanced picture of the history of female tattooing in Tonga and possibly break gender binaries.

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    Pacific Arts
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      Pacific Arts
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    Authors: Wronska-Friend, Maria;

    This article first introduces shell ornaments and pottery on the Aitape Islands in New Guinea, discussing the role of women in their production during the nineteenth and early twentieth centuries. It then turns to material culture produced by men—cult houses and canoes—that depended on supplies obtained by trading women’s products like shell valuables. By discussing these two gendered art forms together, this article shows how integral women’s labour was to the larger social and economic structures in New Guinea that have predominantly been associated with men. It concludes by discussing how colonisation, missionisation, and the introduction of a monetary economy impacted the gendered relations of art production in the islands.

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    Pacific Arts
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    Authors: Benjamin Ruilin Fong;

    This article proposes a new paradigm, Sino-American film, that is centered on Chinese language in American films. Sino-American films comprise two generations. The First Generation includes Pushing Hands (1993), Take Out (2004), and Saving Face (2004) and is characterized by independent production, limited distribution, and creation during a period when Asian Americans were rarely represented on film. The Second Generation includes The Farewell (2019), Tigertail (2019), Shang-Chi and the Legend of Ten Rings (2021), and Everything Everywhere All at Once (2022) and is characterized by a Hollywood production model, widespread distribution across streaming services, and creation during a period of growing Asian American cultural representation. Sino-American films negotiate both Chinese-language film and Hollywood by focusing on overlooked characters— Chinese-language-speaking Americans. This article contributes to conversations in Chinese film studies and Asian American studies by bringing Asian American film into exchanges with three Chinese film studies paradigms: transnational cinema, Chinese-language film, and Sinophone film. This cross pollination uncovers new areas for further study. Sino-American film demonstrates the importance of Sino-American language, ethnicity, and culture within the subsuming category of Asian American film. Furthermore, pairing Sino-American films with Chinese film studies uncovers a new category of Chinese-language film outside assumed contexts and paradigms.

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    Arts
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    Authors: Anita Di Chiara; Lisa Tauxe; Helen Gries; Barbara Helwing; +2 Authors

    Data from the marriage of paleomagnetism and archaeology (archaeomagnetism) are the backbone of attempts to create geomagnetic field models for ancient times. Paleointensity experimental design has been the focus of intensive efforts and the requirements and shortcomings are increasingly well understood. Some archaeological materials have excellent age control from inscriptions, which can be tied to a given decade or even a specific year in some cases. In this study, we analyzed fired mud bricks used for the construction of the Ishtar Gate, the entrance complex to the ancient city of Babylon in Southern Mesopotamia. We were able to extract reliable intensity data from all three phases of the gate, the earliest of which includes bricks inscribed with the name of King Nebuchadnezzar II (605 to 562 BCE). These results (1) add high quality intensity data to a region relatively unexplored so far (Southern Mesopotamia), (2) contribute to a better understanding of paleosecular variation in this region, and the development of an archaeomagnetic dating reference for one of the key regions in the history of human civilizations; (3) demonstrate the potential of inscribed bricks (glazed and unglazed), a common material in ancient Mesopotamia, to archaeomagnetic studies; and (4) suggest that the gate complex was constructed some time after the Babylonian conquest of Jerusalem, and that there were no substantial chronological gaps in the construction of each consecutive phase. The best fit of our data (averaging 136±2.1 ZAm2) with those of the reference curve (the Levantine Archaeomagnetic Curve) is 569 BCE.

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    PLoS ONE
    Article . 2024 . Peer-reviewed
    License: CC BY
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    PLoS ONE
    Article . 2024
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    PLoS ONE
    Article . 2024
    Data sources: DOAJ
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PLoS ONEarrow_drop_down
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      PLoS ONE
      Article . 2024 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      PLoS ONE
      Article . 2024
      Data sources: DOAJ
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      PLoS ONE
      Article . 2024
      Data sources: DOAJ
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