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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Masana i Artigas, Marc;

    Aquest projecte pretén construir a Vilanova i la Geltrú una Casa de la Festa, un espai expositiu on tot l’any s’expliqui i es faci pedagogia sobre el calendari festiu d’aquesta ciutat. Concretament, s’incidirà en les quatre grans fetes que té aquesta, els seus Tres Tombs, per Sant Antoni Abat; el seu Carnaval; el Corpus i les seves Festes Majors. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Roigé Ventura

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Masip Cubells, Aloma;

    L‟objectiu principal del projecte és proporcionar un seguit d‟eines i iniciatives per a la dinamització i l‟empenta del patrimoni natural i cultural a la comarca de la Ribera d‟Ebre; una comarca rica, però desconeguda que sovint queda apartada dels principals mapes i circuits turístics. Presentem, a continuació, els objectius secundaris d‟aquest projecte: 1. Establir les bases per la creació d‟un Centre d‟Interpretació a Móra d‟Ebre centrat en el riu Ebre i tots els trets culturals i identitaris que se‟n desprenen; presen-tar l‟Ebre més enllà d‟un simple accident geogràfic. 2. Reforçar la capitalitat de Móra d‟Ebre i posicionar el mu-nicipi com una destinació turística clau dins la reserva de la biosfera de les Terres de l‟Ebre tenint present el patri-moni, el paisatge i el teixit social i econòmic relacionats. Fer un pas endavant cap al turisme sostenible. 3. Avançar cap a l‟Agenda 2030 pel desenvolupament sos-tenible cuidant l‟entorn natural i incrementant la consciència de la importància de la biodiversitat de l‟Ebre; i generant beneficis socials i econòmics per a la població local així com les futures generacions. L'objectiu principal del projecte és proporcionar un seguit d'eines i iniciatives per a la dinamització i l'empenta del patrimoni natural i cultural a la comarca de la Ribera d'Ebre; una comarca rica, però desconeguda que sovint queda apartada dels principals mapes i circuits turístics. Presentem, a continuació, els objectius secundaris d'aquest projecte: 1. Establir les bases per la creació d'un Centre d‟Interpretació a Móra d'Ebre centrat en el riu Ebre i tots els trets culturals i identitaris que se'n desprenen; presentar l'Ebre més enllà d'un simple accident geogràfic. 2. Reforçar la capitalitat de Móra d‟Ebre i posicionar el municipi com una destinació turística clau dins la reserva de la biosfera de les Terres de l'Ebre tenint present el patrimoni, el paisatge i el teixit social i econòmic relacionats. Fer un pas endavant cap al turisme sostenible. 3. Avançar cap a l'Agenda 2030 pel desenvolupament sostenible cuidant l'entorn natural i incrementant la consciència de la importància de la biodiversitat de l'Ebre; i generant beneficis socials i econòmics per a la població local així com les futures generacions. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Roigé Ventura

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Noble Mor, Claudia;

    En el presente trabajo de investigación analizaremos la decadencia – entendida desde la moralidad – de las clases más altas de la sociedad italiana; esto es, la aristocracia y la alta burguesía, y cómo ha sido representada en el arte cinematográfico. Debido a la recurrencia con la que esta temática aparece tratada por una nómina concreta de directores a lo largo de la década de los 50 y de los 60 (principal pero no exclusivamente), nos ha llamado la atención cuáles son las causas de ello y qué ha supuesto para la cinematografía italiana. Màster Oficial en Estudis Avançats en Història de l'Art. Facultat de Geografia i Història de la UB. Curs: 2021-2022, Tutor: José Enrique Monterde Lozoya

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Molina Neira, Bárbara; Eljuri Jaramillo, Gabriela; Roigé, Xavier;

    Purpose This paper aims to study possible differences between the Outstanding Universal Value (OUV) defined in the designation of Cuenca as a World Heritage (WH) site and its inhabitants' perceptions of heritage value. The study is based on research conducted in the historic centre of Cuenca in Ecuador, which was accorded WH status in 1999. Design/methodology/approach The research employs both quantitative and qualitative methodologies, providing a complementary approach to the research subject. Quantitative research involved a probability survey of 400 informants randomly selected from the population of the canton of Cuenca, while qualitative research included 40 semi-structured interviews with residents and traders in the historic centre and 150 further written consultations with residents of the city.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pizarro Vinent, Alejandra;

    Desde hace años la idea de vivir en mundos virtuales parecía ser solo ciencia ficción pero, con el avance de la tecnología, esta idea se está convirtiendo en una realidad cada vez más viable. En las últimas décadas ha aumentado el uso de nuevas tecnologías para proporcionar experiencias más interactivas en numerosos campos, desarrollando aplicaciones para crear mundos virtuales capaces de sumergir a las personas a un nuevo espacio más llamativo y dinámico. Uno de esos campos es el patrimonio, el cual ha empezado a jugar más con estas tecnologías que experimentan con la realidad y la virtualidad, como lo sería la Realidad Aumentada, haciéndolas parte de actividades turísticas y museológicas. El presente trabajo pretende hacer un análisis documental de la información que se tiene hasta el momento y estudiar e interpretar diversos factores comunes mediante una catalogación de 50 casos en donde instituciones patrimoniales hayan usado la RA. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Rubio Campillo

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mañer Ferré, Martina;

    [cat] Al treball plantejo una recreació històrica sobre un moment determinant de la història, crear una escola basada en els anys 30. Es podrà veure quins elements són els determinants per a construir la didàctica i uns recreadors que es posaran a la pell d’alumnes i mestres del moment. Una exhibició itinerant que anirà passant per diferents indrets per demostrar als joves que hi ha altres maneres d’aprendre. Una representació per reivindicar la importància de la salvaguarda de la memòria històrica com a patrimoni nacional que nodreix la construcció del nostre futur. Tot això acompanyat dels elements claus per a fer la mostra, des dels pressupostos fins als elements essencials que es necessiten, ajudat d’un pla de comunicació, important per a la difusió i culminació en la interacció amb tots els visitants. [eng] This research work contemplates the historic recreation of a specific moment in the history, to create a school based in the 30s. It will show which are the decisive elements in order to build up the didactics. Some volunteers will put themselves as teachers and students of that time. An itinerant exhibition that will travel through the history showing young students that other ways of learning are possible. A representation made in order to reclaim the historical memory safeguard as national heritage that nourishes our future construction. All this, joined by the key elements to make the exhibition. From the budgets to all the essential components needed accompanied by a communication plan, much needed for the dissemination and culmination in all the visitants interaction. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Francesc Xavier Hernández

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Duran Vidal, Elna;

    Aquest projecte planteja la creació d’una institució anomenada Centre d’Interpretació dels Moviments Socials ( per documentar i difondre el patrimoni memorial dels moviments socials a Catalunya des de 1980 fins a l’actualitat La proposta sorgeix com a resposta a la necessitat de comptar amb una ciutadania mobilitzada capaç d’organitzar se per millorar la societat i assolir els Objectius de Desenvolupament Sostenible El centre tindria el doble objectiu de documentar i difondre la memòria històrica d’una època que, per cronologia, queda exclosa de la definició legal de memòria històrica i, alhora, servir com a punt de trobada per enfortir els moviments socials actuals i la participació activa de la ciutadania en la transformació social Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Andrea Granell

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Povorina, Polina;

    Los videojuegos son juegos en formato digital, y son una de las industrias de entretenimiento más potentes del siglo XXI1. Su uso se ha convertido en una actividad omnipresente, que puede ser realizada en cualquier sitio, a través de cualquier dispositivo. Pueden jugarse de dos maneras: vía online, a través de Internet, o bien offline. Para ejecutarlos pueden emplearse consolas (Xbox One, Plastation 4, Xbox360, Sonny Play Station), teléfonos móviles (mediante las aplicaciones de Google Play), ordenadores (en discos o descargados de Internet) o los tablets, En el mundo hay alrededor de 2.500 millones de jugadores, de los cuales un 40% juega cada día. Son un nuevo medio de expresión única: tienen el lenguaje y los medios de expresión propios2, igual que pintura, escultura, literatura o arquitectura. Siendo un medio narrativo por excelencia, pueden tratar los temas importantes para la sociedad actual (el cambio climático, la diversidad cultural, las enfermedades mentales). En el siglo XXI, los videojuegos están oficialmente reconocidos como un bien cultural al nivel nacional e internacional. En múltiples países del mundo existen museos dedicados a la conservación, exposición Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Rubio-Campillo

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Helena Alexanderson; Per Möller; Mayank Jain; Mads F. Knudsen; +4 Authors

    Wind-abraded cobbles (ventifacts) and aeolian sand are known from the sandy-gravelly coastal areas of south-western Sweden, especially in association with raised deltas. Ventifacts are recorded on at least two different stratigraphic levels, at some sites atop glaciofluvial sediment, at other sites atop littoral deposits, and in some places at both levels, while aeolian sand usually forms a surficial cover. The formation of ventifacts has usually been coupled to abrasion due to katabatic winds from the retreating ice sheet or with periglacial climate during the Younger Dryas stadial (12.8–11.7 ka). To determine the timing of these deflation events, we have applied a combination of dating methods to ventifacts and associated sediments on top of an ice-contact delta at Veinge, south-western Sweden. Quartz and feldspar luminescence dating as well as portable luminescence profiling has been used for littoral and aeolian sediments over- and underlying deflation surfaces, while rock surface luminescence burial dating and paired 14C–10Be cosmogenic nuclide dating were conducted on ventifacts. The results show that a first deflation event occurred c. 16.5 ka, just after deglaciation and prior to a regional transgression that peaked around 15.7 ka. At 12.4–11.4 ka, during the Younger Dryas stadial, a new set of ventifacts formed on the surface of the exposed littoral sands and gravels. Some wind abrasion also occurred in the early Holocene, but at c. 8.5 ka the surface was covered by aeolian sand, up to 2.5 m thick. The combination of different dating methods have allowed us to draw more informed conclusions on the timing and duration of these wind abrasion/transport events than would have been possible from the use of only single-method dating. It has also made it possible to infer some environmental conditions during deposition. For example, both glaciofluvial and littoral deposits show evidence of incomplete bleaching of the luminescence signal. This suggests short subaerial transport and brief reworking by waves, respectively, though bleaching conditions improved during shore regression. Rock surface burial luminescence profiles reveal that some ventifacts were repeatedly exposed, but that later event(s) were shorter in duration as indicated by quartz-feldspar age comparisons. Quaternary Geochronology, 80 ISSN:1871-1014

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Quaternary Geochronology
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      Quaternary Geochronology
      Article . 2024 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Redondo i Arolas, Mar; Figueras Ferrer, Eva;

    [ca] «Anar i tornar a Brossa» és una mostra que, a propòsit de la commemoració del centenari del naixement del poeta Joan Brossa, dona a conèixer una selecció de les obres del fons Patrim de la Col·lecció Belles Arts de la Universitat de Barcelona. L’eix temàtic que guia l’exposició és el diàleg entre la selecció d’obres d’aquest fons i una tria de la poesia escènica de Joan Brossa. Amb els diàlegs entre obres fem present la vigència de la producció de Brossa i la volem projectar cap al futur: l’obra que genera obra. Capes temàntiques de producció artística se sumen, travessen el temps i posen en relleu com són d’imprescindibles la cultura i la creació per situar-nos i entendre el món. Joan Brossa, doncs, esdevé un magnífic eix de recerca, d’aprenentatge, d’interacció i d’expansió dels processos de creació. Organitzar una exposició vol dir fer visible un posicionament, una manera de veure el món. «Anar i tornar a Brossa» vol generar i mostrar vasos comunicants entre els diversos temps, generacions i obres d’art. El recorregut suposa una mirada sobre l’entorn, el més proper i el més allunyat. La interpretació sorgeix del joc de distàncies entre els artistes i entre les obres, les de la Facultat de Belles Arts i les de Joan Brossa. Us proposem, doncs, interpretar el present en clau brossiana. Volem homenatjar, d’aquesta manera, el centenari del naixement de Joan Brossa i contribuir a difondre entre les generacions més joves la rellevància de l’obra i de l’autor, precisament per la seva riquesa, transversalitat i singularitat com a creador, sempre a prop de l’art del seu temps i d’una inqüestionable contemporaneïtat. Joan Brossa és, a més, un artista cívic i compromès amb la llengua, que amb la poesia afronta la lluita per la llibertat i contra les desigualtats socials i l’alienació de la cultura de l’espectacle. Entén la poesia com un acte de comunicació que permet al lector espectador reflexionar sobre la relació indefugible entre la quotidianitat, el temps present i l’art. Amb aquesta iniciativa volem contribuir a preservar, per a la institució universitària i per a la ciutadania, un dels pocs llocs que ens fan avançar com a individus i com a ciutadans: el lloc de l’art. Perquè pensem que l’art ens fa preguntes i fa que ens preguntem, perquè promou el diàleg entre les persones i les cultures, i ens acosta. Perquè les obres estan pensades per generar reflexió, per contribuir a desxifrar i interpretar el món que ens envolta, per moure i per commoure. Perquè us volem traslladar les potencialitats de l’art en un món necessitat d’acció: heus aquí les raons de ser del que us disposeu a veure.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Masana i Artigas, Marc;

    Aquest projecte pretén construir a Vilanova i la Geltrú una Casa de la Festa, un espai expositiu on tot l’any s’expliqui i es faci pedagogia sobre el calendari festiu d’aquesta ciutat. Concretament, s’incidirà en les quatre grans fetes que té aquesta, els seus Tres Tombs, per Sant Antoni Abat; el seu Carnaval; el Corpus i les seves Festes Majors. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Roigé Ventura

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Masip Cubells, Aloma;

    L‟objectiu principal del projecte és proporcionar un seguit d‟eines i iniciatives per a la dinamització i l‟empenta del patrimoni natural i cultural a la comarca de la Ribera d‟Ebre; una comarca rica, però desconeguda que sovint queda apartada dels principals mapes i circuits turístics. Presentem, a continuació, els objectius secundaris d‟aquest projecte: 1. Establir les bases per la creació d‟un Centre d‟Interpretació a Móra d‟Ebre centrat en el riu Ebre i tots els trets culturals i identitaris que se‟n desprenen; presen-tar l‟Ebre més enllà d‟un simple accident geogràfic. 2. Reforçar la capitalitat de Móra d‟Ebre i posicionar el mu-nicipi com una destinació turística clau dins la reserva de la biosfera de les Terres de l‟Ebre tenint present el patri-moni, el paisatge i el teixit social i econòmic relacionats. Fer un pas endavant cap al turisme sostenible. 3. Avançar cap a l‟Agenda 2030 pel desenvolupament sos-tenible cuidant l‟entorn natural i incrementant la consciència de la importància de la biodiversitat de l‟Ebre; i generant beneficis socials i econòmics per a la població local així com les futures generacions. L'objectiu principal del projecte és proporcionar un seguit d'eines i iniciatives per a la dinamització i l'empenta del patrimoni natural i cultural a la comarca de la Ribera d'Ebre; una comarca rica, però desconeguda que sovint queda apartada dels principals mapes i circuits turístics. Presentem, a continuació, els objectius secundaris d'aquest projecte: 1. Establir les bases per la creació d'un Centre d‟Interpretació a Móra d'Ebre centrat en el riu Ebre i tots els trets culturals i identitaris que se'n desprenen; presentar l'Ebre més enllà d'un simple accident geogràfic. 2. Reforçar la capitalitat de Móra d‟Ebre i posicionar el municipi com una destinació turística clau dins la reserva de la biosfera de les Terres de l'Ebre tenint present el patrimoni, el paisatge i el teixit social i econòmic relacionats. Fer un pas endavant cap al turisme sostenible. 3. Avançar cap a l'Agenda 2030 pel desenvolupament sostenible cuidant l'entorn natural i incrementant la consciència de la importància de la biodiversitat de l'Ebre; i generant beneficis socials i econòmics per a la població local així com les futures generacions. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Roigé Ventura

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Noble Mor, Claudia;

    En el presente trabajo de investigación analizaremos la decadencia – entendida desde la moralidad – de las clases más altas de la sociedad italiana; esto es, la aristocracia y la alta burguesía, y cómo ha sido representada en el arte cinematográfico. Debido a la recurrencia con la que esta temática aparece tratada por una nómina concreta de directores a lo largo de la década de los 50 y de los 60 (principal pero no exclusivamente), nos ha llamado la atención cuáles son las causas de ello y qué ha supuesto para la cinematografía italiana. Màster Oficial en Estudis Avançats en Història de l'Art. Facultat de Geografia i Història de la UB. Curs: 2021-2022, Tutor: José Enrique Monterde Lozoya

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Molina Neira, Bárbara; Eljuri Jaramillo, Gabriela; Roigé, Xavier;

    Purpose This paper aims to study possible differences between the Outstanding Universal Value (OUV) defined in the designation of Cuenca as a World Heritage (WH) site and its inhabitants' perceptions of heritage value. The study is based on research conducted in the historic centre of Cuenca in Ecuador, which was accorded WH status in 1999. Design/methodology/approach The research employs both quantitative and qualitative methodologies, providing a complementary approach to the research subject. Quantitative research involved a probability survey of 400 informants randomly selected from the population of the canton of Cuenca, while qualitative research included 40 semi-structured interviews with residents and traders in the historic centre and 150 further written consultations with residents of the city.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pizarro Vinent, Alejandra;

    Desde hace años la idea de vivir en mundos virtuales parecía ser solo ciencia ficción pero, con el avance de la tecnología, esta idea se está convirtiendo en una realidad cada vez más viable. En las últimas décadas ha aumentado el uso de nuevas tecnologías para proporcionar experiencias más interactivas en numerosos campos, desarrollando aplicaciones para crear mundos virtuales capaces de sumergir a las personas a un nuevo espacio más llamativo y dinámico. Uno de esos campos es el patrimonio, el cual ha empezado a jugar más con estas tecnologías que experimentan con la realidad y la virtualidad, como lo sería la Realidad Aumentada, haciéndolas parte de actividades turísticas y museológicas. El presente trabajo pretende hacer un análisis documental de la información que se tiene hasta el momento y estudiar e interpretar diversos factores comunes mediante una catalogación de 50 casos en donde instituciones patrimoniales hayan usado la RA. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Rubio Campillo

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mañer Ferré, Martina;

    [cat] Al treball plantejo una recreació històrica sobre un moment determinant de la història, crear una escola basada en els anys 30. Es podrà veure quins elements són els determinants per a construir la didàctica i uns recreadors que es posaran a la pell d’alumnes i mestres del moment. Una exhibició itinerant que anirà passant per diferents indrets per demostrar als joves que hi ha altres maneres d’aprendre. Una representació per reivindicar la importància de la salvaguarda de la memòria històrica com a patrimoni nacional que nodreix la construcció del nostre futur. Tot això acompanyat dels elements claus per a fer la mostra, des dels pressupostos fins als elements essencials que es necessiten, ajudat d’un pla de comunicació, important per a la difusió i culminació en la interacció amb tots els visitants. [eng] This research work contemplates the historic recreation of a specific moment in the history, to create a school based in the 30s. It will show which are the decisive elements in order to build up the didactics. Some volunteers will put themselves as teachers and students of that time. An itinerant exhibition that will travel through the history showing young students that other ways of learning are possible. A representation made in order to reclaim the historical memory safeguard as national heritage that nourishes our future construction. All this, joined by the key elements to make the exhibition. From the budgets to all the essential components needed accompanied by a communication plan, much needed for the dissemination and culmination in all the visitants interaction. Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Francesc Xavier Hernández

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Duran Vidal, Elna;

    Aquest projecte planteja la creació d’una institució anomenada Centre d’Interpretació dels Moviments Socials ( per documentar i difondre el patrimoni memorial dels moviments socials a Catalunya des de 1980 fins a l’actualitat La proposta sorgeix com a resposta a la necessitat de comptar amb una ciutadania mobilitzada capaç d’organitzar se per millorar la societat i assolir els Objectius de Desenvolupament Sostenible El centre tindria el doble objectiu de documentar i difondre la memòria històrica d’una època que, per cronologia, queda exclosa de la definició legal de memòria històrica i, alhora, servir com a punt de trobada per enfortir els moviments socials actuals i la participació activa de la ciutadania en la transformació social Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Andrea Granell

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Povorina, Polina;

    Los videojuegos son juegos en formato digital, y son una de las industrias de entretenimiento más potentes del siglo XXI1. Su uso se ha convertido en una actividad omnipresente, que puede ser realizada en cualquier sitio, a través de cualquier dispositivo. Pueden jugarse de dos maneras: vía online, a través de Internet, o bien offline. Para ejecutarlos pueden emplearse consolas (Xbox One, Plastation 4, Xbox360, Sonny Play Station), teléfonos móviles (mediante las aplicaciones de Google Play), ordenadores (en discos o descargados de Internet) o los tablets, En el mundo hay alrededor de 2.500 millones de jugadores, de los cuales un 40% juega cada día. Son un nuevo medio de expresión única: tienen el lenguaje y los medios de expresión propios2, igual que pintura, escultura, literatura o arquitectura. Siendo un medio narrativo por excelencia, pueden tratar los temas importantes para la sociedad actual (el cambio climático, la diversidad cultural, las enfermedades mentales). En el siglo XXI, los videojuegos están oficialmente reconocidos como un bien cultural al nivel nacional e internacional. En múltiples países del mundo existen museos dedicados a la conservación, exposición Màster Oficial en Gestió del Patrimoni Cultural i Museologia, Facultat de Geografia i Història, Universitat de Barcelona. Curs: 2022-2023. Tutor: Xavier Rubio-Campillo

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Helena Alexanderson; Per Möller; Mayank Jain; Mads F. Knudsen; +4 Authors

    Wind-abraded cobbles (ventifacts) and aeolian sand are known from the sandy-gravelly coastal areas of south-western Sweden, especially in association with raised deltas. Ventifacts are recorded on at least two different stratigraphic levels, at some sites atop glaciofluvial sediment, at other sites atop littoral deposits, and in some places at both levels, while aeolian sand usually forms a surficial cover. The formation of ventifacts has usually been coupled to abrasion due to katabatic winds from the retreating ice sheet or with periglacial climate during the Younger Dryas stadial (12.8–11.7 ka). To determine the timing of these deflation events, we have applied a combination of dating methods to ventifacts and associated sediments on top of an ice-contact delta at Veinge, south-western Sweden. Quartz and feldspar luminescence dating as well as portable luminescence profiling has been used for littoral and aeolian sediments over- and underlying deflation surfaces, while rock surface luminescence burial dating and paired 14C–10Be cosmogenic nuclide dating were conducted on ventifacts. The results show that a first deflation event occurred c. 16.5 ka, just after deglaciation and prior to a regional transgression that peaked around 15.7 ka. At 12.4–11.4 ka, during the Younger Dryas stadial, a new set of ventifacts formed on the surface of the exposed littoral sands and gravels. Some wind abrasion also occurred in the early Holocene, but at c. 8.5 ka the surface was covered by aeolian sand, up to 2.5 m thick. The combination of different dating methods have allowed us to draw more informed conclusions on the timing and duration of these wind abrasion/transport events than would have been possible from the use of only single-method dating. It has also made it possible to infer some environmental conditions during deposition. For example, both glaciofluvial and littoral deposits show evidence of incomplete bleaching of the luminescence signal. This suggests short subaerial transport and brief reworking by waves, respectively, though bleaching conditions improved during shore regression. Rock surface burial luminescence profiles reveal that some ventifacts were repeatedly exposed, but that later event(s) were shorter in duration as indicated by quartz-feldspar age comparisons. Quaternary Geochronology, 80 ISSN:1871-1014

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Copenhagen Universit...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Quaternary Geochronology
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      Quaternary Geochronology
      Article . 2024 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Redondo i Arolas, Mar; Figueras Ferrer, Eva;

    [ca] «Anar i tornar a Brossa» és una mostra que, a propòsit de la commemoració del centenari del naixement del poeta Joan Brossa, dona a conèixer una selecció de les obres del fons Patrim de la Col·lecció Belles Arts de la Universitat de Barcelona. L’eix temàtic que guia l’exposició és el diàleg entre la selecció d’obres d’aquest fons i una tria de la poesia escènica de Joan Brossa. Amb els diàlegs entre obres fem present la vigència de la producció de Brossa i la volem projectar cap al futur: l’obra que genera obra. Capes temàntiques de producció artística se sumen, travessen el temps i posen en relleu com són d’imprescindibles la cultura i la creació per situar-nos i entendre el món. Joan Brossa, doncs, esdevé un magnífic eix de recerca, d’aprenentatge, d’interacció i d’expansió dels processos de creació. Organitzar una exposició vol dir fer visible un posicionament, una manera de veure el món. «Anar i tornar a Brossa» vol generar i mostrar vasos comunicants entre els diversos temps, generacions i obres d’art. El recorregut suposa una mirada sobre l’entorn, el més proper i el més allunyat. La interpretació sorgeix del joc de distàncies entre els artistes i entre les obres, les de la Facultat de Belles Arts i les de Joan Brossa. Us proposem, doncs, interpretar el present en clau brossiana. Volem homenatjar, d’aquesta manera, el centenari del naixement de Joan Brossa i contribuir a difondre entre les generacions més joves la rellevància de l’obra i de l’autor, precisament per la seva riquesa, transversalitat i singularitat com a creador, sempre a prop de l’art del seu temps i d’una inqüestionable contemporaneïtat. Joan Brossa és, a més, un artista cívic i compromès amb la llengua, que amb la poesia afronta la lluita per la llibertat i contra les desigualtats socials i l’alienació de la cultura de l’espectacle. Entén la poesia com un acte de comunicació que permet al lector espectador reflexionar sobre la relació indefugible entre la quotidianitat, el temps present i l’art. Amb aquesta iniciativa volem contribuir a preservar, per a la institució universitària i per a la ciutadania, un dels pocs llocs que ens fan avançar com a individus i com a ciutadans: el lloc de l’art. Perquè pensem que l’art ens fa preguntes i fa que ens preguntem, perquè promou el diàleg entre les persones i les cultures, i ens acosta. Perquè les obres estan pensades per generar reflexió, per contribuir a desxifrar i interpretar el món que ens envolta, per moure i per commoure. Perquè us volem traslladar les potencialitats de l’art en un món necessitat d’acció: heus aquí les raons de ser del que us disposeu a veure.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Diposit Digital de l...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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