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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Miyagawa, So;

    This study presents a groundbreaking approach to preserving the Ainu language, recognized as critically endangered by UNESCO, by developing a bi-directional neural machine translation (MT) system between Ainu and Japanese. Utilizing the Marian MT framework, known for its effectiveness with resource-scarce languages, the research aims to overcome the linguistic complexities inherent in Ainu's polysynthetic structure. The paper delineates a comprehensive methodology encompassing data collection from diverse Ainu text sources, meticulous preprocessing, and the deployment of neural MT models, culminating in the achievement of significant SacreBLEU scores that underscore the models' translation accuracy. The findings illustrate the potential of advanced MT technology to facilitate linguistic preservation and educational endeavors, advocating for integrating such technologies in safeguarding endangered languages. This research not only underscores the critical role of MT in bridging language divides but also sets a precedent for employing computational linguistics to preserve cultural and linguistic heritage.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Preprint . 2024
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Preprint . 2024
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Preprint . 2024
      License: CC BY
      Data sources: ZENODO
      ZENODO
      Preprint . 2024
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ogasawara, Kota;

    I analyze factory worker households in the early 1920s in Osaka to examine idiosyncratic income shocks and consumption. Using the household-level monthly panel dataset, I find that while households could not fully cope with idiosyncratic income shocks at that time, they mitigated fluctuations in indispensable consumption during economic hardship. In terms of risk-coping mechanisms, I find suggestive evidence that savings institutions helped mitigate vulnerabilities and that both using borrowing institutions and adjusting labor supply served as risk-coping strategies among households with less savings.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2018
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Journal of Economic History
    Article . 2024 . Peer-reviewed
    License: Cambridge Core User Agreement
    Data sources: Crossref
    JAIRO
    Conference object . 2019
    Data sources: JAIRO
    https://doi.org/10.48550/arxiv...
    Article . 2018
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
    JAIRO
    Conference object . 2020
    Data sources: JAIRO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      arXiv.org e-Print Archive
      Other literature type . Preprint . 2018
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Journal of Economic History
      Article . 2024 . Peer-reviewed
      License: Cambridge Core User Agreement
      Data sources: Crossref
      JAIRO
      Conference object . 2019
      Data sources: JAIRO
      https://doi.org/10.48550/arxiv...
      Article . 2018
      License: arXiv Non-Exclusive Distribution
      Data sources: Datacite
      JAIRO
      Conference object . 2020
      Data sources: JAIRO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The weak correlation between spatiotemporal fluctuations in nonequilibrium complex systems is shown to govern the fluctuation distribution, maximizing the conditional entropy associated with such fluctuations. The result is illustrated in diffusion phenomena observed in living cells. A generic feature of the weak correlation is briefly mentioned. Comment: 16 pages, no figures. For the proceedings of the 12th International Conference on Mathematical Modeling in Physical Sciences (August 28-31, 2023, Belgrade, Serbia)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
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    Journal of Physics : Conference Series
    Article . 2024 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    arXiv.org e-Print Archive
    Other literature type . Preprint . 2023
    https://doi.org/10.48550/arxiv...
    Article . 2023
    License: arXiv Non-Exclusive Distribution
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Physics :...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of Physics : Conference Series
      Article . 2024 . Peer-reviewed
      License: CC BY
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      arXiv.org e-Print Archive
      Other literature type . Preprint . 2023
      https://doi.org/10.48550/arxiv...
      Article . 2023
      License: arXiv Non-Exclusive Distribution
      Data sources: Datacite
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Naofumi Yamaguchi; Tsuyoshi Ando; Hirotaka Enokida; Natsumi Nakada; +2 Authors

    ABSTRACTThe grain‐size distributions of sediments can yield important information about sediment provenance and sedimentary processes; however, grain‐size distributions are frequently polymodal, rendering analyses difficult. To improve analyses of polymodal grain‐size data, the present study decomposed the grain‐size distributions of bottom surface sediments from Lake Kitaura, a shallow lake in Japan, into lognormal distributions and performed logratio analysis of their mixing proportions. The polymodal grain‐size distributions of the studied samples were separated into four common components at most sites. This logratio analysis revealed clear differences in the characteristics of the spatial distributions of the separated grain‐size components. The logratio values indicated that the three finer components were uniformly deposited within the lake, whereas the coarsest component was spatially diverse, reflecting differences in their sources and sedimentary processes. These results demonstrate the effectiveness of decomposition and logratio analysis of polymodal grain‐size distributions for estimating sedimentary processes. This method can be applied to modern sediments and for palaeoenvironmental reconstructions using sediment cores.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Sedimentologyarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Sedimentology
    Article . 2024 . Peer-reviewed
    License: Wiley Online Library User Agreement
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Sedimentologyarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Sedimentology
      Article . 2024 . Peer-reviewed
      License: Wiley Online Library User Agreement
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  • Authors: Phongtharin Vinayavekhin; Banphatree Khomkham; Vorapong Suppakitpaisarn; Phillippe Codognet; +2 Authors

    Many Western-style paintings by Japanese artists in the early 1900s, though maintaining a unique quality, were greatly inspired by the works of Western artists. In this article, we employ machine learning to identify relationships and classify the works of Japanese and Western artists. The relationships are of significant interest to numerous art historians, as they can reveal how Western art was introduced to Japan. Historically, art historians have manually annotated these correspondences, which is a time-consuming and labor-intensive process. In this article, we introduce a new method for finding correspondences between related artworks by comparing their overall outline information. This technique is based on Siamese neural networks (SNNs) and a self-supervised learning approach. Additionally, we have compiled a dataset of illustrations from Japanese artists such as Seiki Kuroda and Western artists such as Raphaël Collin, complete with correspondence annotations. However, to exhibit the unique quality of works by Japanese artists, we demonstrate that machine learning can classify between artworks created by Japanese artists and those created by Western artists.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Koichi Tanabe; Honoka Hayashi; Natsuki Murakami; Yoko Yoshiyama; +2 Authors

    Sake (Japanese rice wine) was fermented in pottery for more than a millennium before wooden barrels were adopted to obtain a greater brewing capacity. Although a recently conducted analysis of sake brewed in pottery indicated that sake brewed in unglazed pottery contains more ethanol than that brewed in glazed pottery, little is known about the characteristics of sake brewed in pottery. In this study, we used two types of ceramic containers of identical size, one glazed and one unglazed, for small-scale sake brewing to evaluate the effects of glazing on fermentation properties. The following parameters were measured continuously in the sake samples over 3 weeks of fermentation: temperature, weight, ethanol concentration, and glucose concentration in sake mash. Taste-sensory values, minerals, and volatile components were also quantified in the final fermented sake mash. The results show that, in the unglazed containers, the temperature of the sake mash was lower and the weight loss was higher compared to the sake mash in the glazed containers. The quantity of ethanol and the levels of Na+, Fe3+, and Al3+ tended to be higher in the sake brewed in the unglazed pottery. A taste-sensory analysis revealed that umami and saltiness were also higher in the samples brewed in the unglazed pottery. These results suggest that glazing affects multiple fermentation parameters and the flavor of sake brewed in pottery. They may also suggest that the materials of the containers used in sake brewing generally affect the fermentation properties.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Foodsarrow_drop_down
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    Foods
    Article . 2023 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Foods
    Article . 2023
    Data sources: DOAJ
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Foodsarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Foods
      Article . 2023 . Peer-reviewed
      License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Foods
      Article . 2023
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Felix A. Jiménez Botta;

    This article analyzes the non-elite human rights vision promoted by the Russell III Tribunal and the Committee for Fundamental Rights and Democracy (Komitee für Grundrechte und Demokratie, Grundrechtekomitee). The article centers on leftists who utilized human rights to challenge state power since the late 1970s. The III Russell Tribunal (1978–79) brought international scrutiny to the West German state's restrictions against civil employment for suspected subversives. Policymakers, politicians, and liberal public intellectuals rejected the use of human rights rhetoric to address domestic wrongs. In their view, the sobriquet ‘human rights abuse’ was befitting solely to the cruelties committed by the National Socialists and in countries in the Global South and Eastern Europe. Veterans of Russell III founded the Grundrechtekomitee in 1980 to challenge this limited understanding of human rights. The second part of the article focuses on the Committee's engagement against Helmut Kohl's asylum policy and domestic racism. While focused on West Germany, the Committee mobilized a cosmopolitan vision of human rights that mobilized Holocaust memory to advocate for the rights of migrants and asylum seekers. The article argues that Russell III and the Grundrechtekomitee saw domestic human rights advocacy as a bulwark against undemocratic and xenophobic tendencies in Germany.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Contempor...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Contemporary History
    Article . 2023 . Peer-reviewed
    License: SAGE TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Contempor...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Contemporary History
      Article . 2023 . Peer-reviewed
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  • Authors: Hirofumi Kosaka;
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Christopher Tso;

    This article explores the everyday policing processes surrounding men’s bodily grooming and white-collar masculinities in Japan. Amidst increasing scrutiny of men’s bodies, research has highlighted how men understand their grooming in relation to masculinities privileged by class, race, and sexuality. Less is understood, however, about men’s experiences of everyday policing processes surrounding grooming. Japanese white-collar cultures where good grooming stands for professionalism provide fruitful contexts to address these gaps. Interviews with 33 socially privileged white-collar men in Tokyo demonstrate how participants understand grooming vis-à-vis masculine ideals of professional competency. Participants are particularly conscious of scrutiny from superiors, colleagues, and subordinates. While past scholarship has often overlooked the vulnerability of privileged men’s positions, for white-collar men in Japan, being subject to often cruel policing processes threatens their place on gendered hierarchies. Thus, I argue that even for privileged men, policing of their grooming presents real costs to their hegemonic status.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Men and Masculinitie...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Men and Masculinities
    Article . 2023 . Peer-reviewed
    License: SAGE TDM
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Men and Masculinitie...arrow_drop_down
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      Men and Masculinities
      Article . 2023 . Peer-reviewed
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    Authors: Kamiyama, Takeki; Kaneda, Jumpei; Hayashi, Ryoko;

    International audience; This paper presents a series of studies on the impact of regional variation in L1 (source language) on L2 (target language) pronunciation, focusing on the high back vowel /u/ in French perceived or produced by native speakers of Japanese from the Kanto area (around Tokyo) and the Kansai area (around Osaka). 1) To serve as a base line, the 5 Japanese vowels were pronounced by 11 speakers (5 women and 6 men) from Kansai with no learning experience of French and their first 4 formants were measured to examine their acoustic properties. 2) 25 naïve listeners from Kansai took part in an AXB auditory discrimination task for French vowels including pairs /u/-/y/, /y/-/ø/ and /u/-/ø/; the results were compared with those of Kanto speakers in previous studies. 3) Some Japanese-speaking learners of French (JSL) from Kansai produced the French /u/ with a lower F2 (around 1,000 Hz for men) than typical values observed for learners from the Tokyo area. These results show limited differences for some of the speakers from Kansai compared to the tendency commonly observed with Kanto speakers.; Cet article présente une série d’études portant sur l’impact de la variation régionale en L1 (langue source) sur la prononciation en L2 (langue cible), en se focalisant sur la voyelle fermée postérieure /u/ en français perçue ou produite par des locuteurs natifs du japonais du Kanto (région de Tokyo) et du Kansaï (région d’Osaka). 1) Pour servir de référence, les 5 voyelles du japonais ont été prononcées par 11 locuteurs (5 femmes et 6 hommes) du Kansaï (Osaka) sans expérience d’apprentissage du français et les 4 premiers formants ont été mesurés afin d’examiner leurs propriétés acoustiques. 2) 25 auditeurs originaires du Kansaï et non-apprenants du français ont effectué une tâche de discrimination auditive AXB de voyelles françaises, comprenant les paires /u/-/y/, /y/-/ø/ et /u/-/ø/ : les résultats ont été comparés avec ceux de locuteurs du Kanto dans des études antérieures. 3) Certains apprenants japonophones du français langue étrangère du Kansaï ont produit le /u/ français avec un F2 plus bas (autour de 1000 Hz pour les hommes) que les valeurs typiques observées chez des apprenants du Kanto. Ces résultats montrent des différences limitées chez certains des locuteurs du Kansaï par rapport à la tendance communément observée chez des locuteurs du Kanto.

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    Espaces Linguistiques
    Article . 2023
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    Espaces Linguistiques
    Article . 2023 . Peer-reviewed
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      Espaces Linguistiques
      Article . 2023
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      Espaces Linguistiques
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Miyagawa, So;

    This study presents a groundbreaking approach to preserving the Ainu language, recognized as critically endangered by UNESCO, by developing a bi-directional neural machine translation (MT) system between Ainu and Japanese. Utilizing the Marian MT framework, known for its effectiveness with resource-scarce languages, the research aims to overcome the linguistic complexities inherent in Ainu's polysynthetic structure. The paper delineates a comprehensive methodology encompassing data collection from diverse Ainu text sources, meticulous preprocessing, and the deployment of neural MT models, culminating in the achievement of significant SacreBLEU scores that underscore the models' translation accuracy. The findings illustrate the potential of advanced MT technology to facilitate linguistic preservation and educational endeavors, advocating for integrating such technologies in safeguarding endangered languages. This research not only underscores the critical role of MT in bridging language divides but also sets a precedent for employing computational linguistics to preserve cultural and linguistic heritage.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Preprint . 2024
    License: CC BY
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    ZENODO
    Preprint . 2024
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Preprint . 2024
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      ZENODO
      Preprint . 2024
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ogasawara, Kota;

    I analyze factory worker households in the early 1920s in Osaka to examine idiosyncratic income shocks and consumption. Using the household-level monthly panel dataset, I find that while households could not fully cope with idiosyncratic income shocks at that time, they mitigated fluctuations in indispensable consumption during economic hardship. In terms of risk-coping mechanisms, I find suggestive evidence that savings institutions helped mitigate vulnerabilities and that both using borrowing institutions and adjusting labor supply served as risk-coping strategies among households with less savings.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2018
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Journal of Economic History
    Article . 2024 . Peer-reviewed
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    JAIRO
    Conference object . 2019
    Data sources: JAIRO
    https://doi.org/10.48550/arxiv...
    Article . 2018
    License: arXiv Non-Exclusive Distribution
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    JAIRO
    Conference object . 2020
    Data sources: JAIRO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      arXiv.org e-Print Archive
      Other literature type . Preprint . 2018
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Journal of Economic History
      Article . 2024 . Peer-reviewed
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      JAIRO
      Conference object . 2019
      Data sources: JAIRO
      https://doi.org/10.48550/arxiv...
      Article . 2018
      License: arXiv Non-Exclusive Distribution
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      JAIRO
      Conference object . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The weak correlation between spatiotemporal fluctuations in nonequilibrium complex systems is shown to govern the fluctuation distribution, maximizing the conditional entropy associated with such fluctuations. The result is illustrated in diffusion phenomena observed in living cells. A generic feature of the weak correlation is briefly mentioned. Comment: 16 pages, no figures. For the proceedings of the 12th International Conference on Mathematical Modeling in Physical Sciences (August 28-31, 2023, Belgrade, Serbia)

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    Journal of Physics : Conference Series
    Article . 2024 . Peer-reviewed
    License: CC BY
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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2023
    https://doi.org/10.48550/arxiv...
    Article . 2023
    License: arXiv Non-Exclusive Distribution
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      Journal of Physics : Conference Series
      Article . 2024 . Peer-reviewed
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      arXiv.org e-Print Archive
      Other literature type . Preprint . 2023
      https://doi.org/10.48550/arxiv...
      Article . 2023
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Naofumi Yamaguchi; Tsuyoshi Ando; Hirotaka Enokida; Natsumi Nakada; +2 Authors

    ABSTRACTThe grain‐size distributions of sediments can yield important information about sediment provenance and sedimentary processes; however, grain‐size distributions are frequently polymodal, rendering analyses difficult. To improve analyses of polymodal grain‐size data, the present study decomposed the grain‐size distributions of bottom surface sediments from Lake Kitaura, a shallow lake in Japan, into lognormal distributions and performed logratio analysis of their mixing proportions. The polymodal grain‐size distributions of the studied samples were separated into four common components at most sites. This logratio analysis revealed clear differences in the characteristics of the spatial distributions of the separated grain‐size components. The logratio values indicated that the three finer components were uniformly deposited within the lake, whereas the coarsest component was spatially diverse, reflecting differences in their sources and sedimentary processes. These results demonstrate the effectiveness of decomposition and logratio analysis of polymodal grain‐size distributions for estimating sedimentary processes. This method can be applied to modern sediments and for palaeoenvironmental reconstructions using sediment cores.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Sedimentology
    Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Sedimentologyarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Sedimentology
      Article . 2024 . Peer-reviewed
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  • Authors: Phongtharin Vinayavekhin; Banphatree Khomkham; Vorapong Suppakitpaisarn; Phillippe Codognet; +2 Authors

    Many Western-style paintings by Japanese artists in the early 1900s, though maintaining a unique quality, were greatly inspired by the works of Western artists. In this article, we employ machine learning to identify relationships and classify the works of Japanese and Western artists. The relationships are of significant interest to numerous art historians, as they can reveal how Western art was introduced to Japan. Historically, art historians have manually annotated these correspondences, which is a time-consuming and labor-intensive process. In this article, we introduce a new method for finding correspondences between related artworks by comparing their overall outline information. This technique is based on Siamese neural networks (SNNs) and a self-supervised learning approach. Additionally, we have compiled a dataset of illustrations from Japanese artists such as Seiki Kuroda and Western artists such as Raphaël Collin, complete with correspondence annotations. However, to exhibit the unique quality of works by Japanese artists, we demonstrate that machine learning can classify between artworks created by Japanese artists and those created by Western artists.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Koichi Tanabe; Honoka Hayashi; Natsuki Murakami; Yoko Yoshiyama; +2 Authors

    Sake (Japanese rice wine) was fermented in pottery for more than a millennium before wooden barrels were adopted to obtain a greater brewing capacity. Although a recently conducted analysis of sake brewed in pottery indicated that sake brewed in unglazed pottery contains more ethanol than that brewed in glazed pottery, little is known about the characteristics of sake brewed in pottery. In this study, we used two types of ceramic containers of identical size, one glazed and one unglazed, for small-scale sake brewing to evaluate the effects of glazing on fermentation properties. The following parameters were measured continuously in the sake samples over 3 weeks of fermentation: temperature, weight, ethanol concentration, and glucose concentration in sake mash. Taste-sensory values, minerals, and volatile components were also quantified in the final fermented sake mash. The results show that, in the unglazed containers, the temperature of the sake mash was lower and the weight loss was higher compared to the sake mash in the glazed containers. The quantity of ethanol and the levels of Na+, Fe3+, and Al3+ tended to be higher in the sake brewed in the unglazed pottery. A taste-sensory analysis revealed that umami and saltiness were also higher in the samples brewed in the unglazed pottery. These results suggest that glazing affects multiple fermentation parameters and the flavor of sake brewed in pottery. They may also suggest that the materials of the containers used in sake brewing generally affect the fermentation properties.

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    Foods
    Article . 2023 . Peer-reviewed
    License: CC BY
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    Foods
    Article . 2023
    Data sources: DOAJ
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      Foods
      Article . 2023 . Peer-reviewed
      License: CC BY
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      Foods
      Article . 2023
      Data sources: DOAJ
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Felix A. Jiménez Botta;

    This article analyzes the non-elite human rights vision promoted by the Russell III Tribunal and the Committee for Fundamental Rights and Democracy (Komitee für Grundrechte und Demokratie, Grundrechtekomitee). The article centers on leftists who utilized human rights to challenge state power since the late 1970s. The III Russell Tribunal (1978–79) brought international scrutiny to the West German state's restrictions against civil employment for suspected subversives. Policymakers, politicians, and liberal public intellectuals rejected the use of human rights rhetoric to address domestic wrongs. In their view, the sobriquet ‘human rights abuse’ was befitting solely to the cruelties committed by the National Socialists and in countries in the Global South and Eastern Europe. Veterans of Russell III founded the Grundrechtekomitee in 1980 to challenge this limited understanding of human rights. The second part of the article focuses on the Committee's engagement against Helmut Kohl's asylum policy and domestic racism. While focused on West Germany, the Committee mobilized a cosmopolitan vision of human rights that mobilized Holocaust memory to advocate for the rights of migrants and asylum seekers. The article argues that Russell III and the Grundrechtekomitee saw domestic human rights advocacy as a bulwark against undemocratic and xenophobic tendencies in Germany.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Contempor...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Contemporary History
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Contempor...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Contemporary History
      Article . 2023 . Peer-reviewed
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  • Authors: Hirofumi Kosaka;
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Christopher Tso;

    This article explores the everyday policing processes surrounding men’s bodily grooming and white-collar masculinities in Japan. Amidst increasing scrutiny of men’s bodies, research has highlighted how men understand their grooming in relation to masculinities privileged by class, race, and sexuality. Less is understood, however, about men’s experiences of everyday policing processes surrounding grooming. Japanese white-collar cultures where good grooming stands for professionalism provide fruitful contexts to address these gaps. Interviews with 33 socially privileged white-collar men in Tokyo demonstrate how participants understand grooming vis-à-vis masculine ideals of professional competency. Participants are particularly conscious of scrutiny from superiors, colleagues, and subordinates. While past scholarship has often overlooked the vulnerability of privileged men’s positions, for white-collar men in Japan, being subject to often cruel policing processes threatens their place on gendered hierarchies. Thus, I argue that even for privileged men, policing of their grooming presents real costs to their hegemonic status.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Men and Masculinitie...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Men and Masculinities
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Men and Masculinitie...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Men and Masculinities
      Article . 2023 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kamiyama, Takeki; Kaneda, Jumpei; Hayashi, Ryoko;

    International audience; This paper presents a series of studies on the impact of regional variation in L1 (source language) on L2 (target language) pronunciation, focusing on the high back vowel /u/ in French perceived or produced by native speakers of Japanese from the Kanto area (around Tokyo) and the Kansai area (around Osaka). 1) To serve as a base line, the 5 Japanese vowels were pronounced by 11 speakers (5 women and 6 men) from Kansai with no learning experience of French and their first 4 formants were measured to examine their acoustic properties. 2) 25 naïve listeners from Kansai took part in an AXB auditory discrimination task for French vowels including pairs /u/-/y/, /y/-/ø/ and /u/-/ø/; the results were compared with those of Kanto speakers in previous studies. 3) Some Japanese-speaking learners of French (JSL) from Kansai produced the French /u/ with a lower F2 (around 1,000 Hz for men) than typical values observed for learners from the Tokyo area. These results show limited differences for some of the speakers from Kansai compared to the tendency commonly observed with Kanto speakers.; Cet article présente une série d’études portant sur l’impact de la variation régionale en L1 (langue source) sur la prononciation en L2 (langue cible), en se focalisant sur la voyelle fermée postérieure /u/ en français perçue ou produite par des locuteurs natifs du japonais du Kanto (région de Tokyo) et du Kansaï (région d’Osaka). 1) Pour servir de référence, les 5 voyelles du japonais ont été prononcées par 11 locuteurs (5 femmes et 6 hommes) du Kansaï (Osaka) sans expérience d’apprentissage du français et les 4 premiers formants ont été mesurés afin d’examiner leurs propriétés acoustiques. 2) 25 auditeurs originaires du Kansaï et non-apprenants du français ont effectué une tâche de discrimination auditive AXB de voyelles françaises, comprenant les paires /u/-/y/, /y/-/ø/ et /u/-/ø/ : les résultats ont été comparés avec ceux de locuteurs du Kanto dans des études antérieures. 3) Certains apprenants japonophones du français langue étrangère du Kansaï ont produit le /u/ français avec un F2 plus bas (autour de 1000 Hz pour les hommes) que les valeurs typiques observées chez des apprenants du Kanto. Ces résultats montrent des différences limitées chez certains des locuteurs du Kansaï par rapport à la tendance communément observée chez des locuteurs du Kanto.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Espaces Linguistique...arrow_drop_down
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    Espaces Linguistiques
    Article . 2023
    Data sources: DOAJ
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Espaces Linguistiques
    Article . 2023 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Espaces Linguistique...arrow_drop_down
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      Espaces Linguistiques
      Article . 2023
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      Espaces Linguistiques
      Article . 2023 . Peer-reviewed
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