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  • Digital Humanities and Cultural Heritage
  • 2018-2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tobiasz Janikowski;

    -

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Annales Universitati...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Article . 2022 . Peer-reviewed
    License: CC BY NC ND
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Annales Universitati...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
      Article . 2022 . Peer-reviewed
      License: CC BY NC ND
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ahmad Dawamul MUTHİ; Khalid EL-AWAISI;

    Beytülmakdis'in Müslümanlar tarafından yedinci asırda gerçekleştirilen ilk fethi, Kutsal Topraklar için dikkat çekici bir dönüm noktasıydı. Asırlar süren dışlamanın sonunda Kutsal Topraklarda barış ve kucaklayıcılık nihayet kurulabilmişti. Onun da ötesinde bu tarihi olay, iki süpergücün, Bizans ve Persin arasında İslamın duruşunu da yükseltmekteydi. Bu önemli gelişme Ömer bin Hattabın zamanında gerçekleştiği için onun o önemli rolü ile ilgili bazı çalışmalar yapılmıştır. Ancak çok kısıtlı sayıda kaynak ilk İslam halifesi Ebubekir es-Sıddık'ın rolüne odaklanmaktadır. O halife seçilmesi ile beraber, sadece Medinede kurulan İslam devletini güçlendirmeye yönelik katkılar sağlamamız aynı zamanda Beytülmakdis'in özgürleştirilmesine / fethine de önemlı katkılar sağlamıştır. Erken dönem kaynaklar ve tarihi kayıtlar göstermiştir ki Halife Ebu Bekr, Hz Peygamberin Beytülmakdis'in fethine dair planını devam ettirmeye kararlıydı. Bu nedenle bu çalışmada, Hz Ebubekirin hilafeti boyunca Kutsal Toprakların fethinin zeminini hazırlamadaki katkıları incelenecektir. Bu katkılar, Usame Ordusunu yola çıkarması, yerel tehditleri güvence altına alması, Ridde Savaşları esnasında Müslümanları birleştirilmesi, Biladüşşama ordular göndermesi ve bunu öncelemesi, kendisinden sonraki halifesi aday göstermek suretiyle Kutsal Toprakların fetih planının devam etmesini garanti altına alması gibi hususları içerecektir. Bu çalışma sonucunda, Halife Ebu Bekirin katkılarının, vefatından sadece birkaç sene sonra onun halefi olan, Halife Ömerin devrinde Beytülmakdis'in ilk İslami fethine olanak sağladığı fikri desteklenmiştir. The first Muslim fath/ liberation of Islamicjerusalem in the seventh century was a remarkable historical turning point for the Holy Land. After centuries of exclusion, peace and inclusivity in Holy Land were finally established. Moreover, this historical event raised the standing of Islam between two superpowers, Byzantium and the Persia. As this vital event occurred in the era of ‘Umar Ibn al-Khattāb, several studies have documented his significant role. However, limited literature focuses on the role of his predecessor, the first Muslim Caliph, Abū Bakr al-Siddiq. Since his appointment as Caliph, Abū Bakr made crucial contributions not only to strengthen the foundation of the Islamic State in Madinah but also to liberate Islamicjerusalem. Investigation and analysis based on primary sources and historical records show that Caliph Abū Bakr was determined to continue the Prophet's plan to liberate Bayt al-Maqdis. Therefore, this study examined Caliph Abū Bakr’s contributions during his reign in paving the way for the liberation of the Holy Land. His significant contributions included sending out ’Usamah’s army, securing domestic threats and uniting Muslims during the Apostates War, prioritising and directing armies to al-Sham, and even the selection of his successor, all of which has contributed to the liberation of Bayt al-Maqdis. The result of this study supports the view that Caliph Abū Bakr's contributions enabled the first Muslim liberation of Islamicjerusalem to be achieved merely a few years after his demise, during the reign of his successor, ‘Umar Ibn al-Khattāb. كان الفتح الأول لبيت المقدس في القرن الأول الهجري/ السابع الميلادي نقطة تحول تاريخية في الأرض المقدسة. فبعد قرون من الإقصاء، ومع وصول المسلمين ترسخت فكرة التعايش والسلام والشمولية على الأرض المقدسة. بالاضافة لذلك، أبرز هذا الحدث التاريخي الهام مكانة الإسلام والمسلمين بين أقوى امبراطوريتين الروم البيزنطيين والفرس. وبما أن هذه الحادثة التاريخية الهامة حصلت في عهد الخليفة عمر بن الخطاب، فقد وثقت العديد من الدراسات وأبرزت دوره الهام في هذا الفتح. ومع أنه لم يكن من خطط لهذا الفتح ابتداء، فأغلب الدراسات لا تركز على دور من سبقه وخصوصا الخليفة الراشدي الأول، أبو بكر الصديق. فمنذ اختياره كخليفة للمسلمين، ساهم أبو بكر الصديق مساهمات محورية لم تنحصر فقط في تأسيس وتثبيت الدولة الإسلامية في المدينة المنورة بعد وفاة رسول الله، بل وكانت له بصمات جوهرية في تحرير بيت المقدس وفتحه. تُظهر هذه الدراسة من خلال تحليل المصادر التاريخية المبكرة بأن الخليفة الراشدي أبو بكر الصديق كان قد عزم على مواصلة واتمام خطة رسول الله الاستراتيجية لفتح بيت المقدس. لذلك يناقش هذا البحث إساهمات الخليفة أبو بكر الصديق خلال فترة خلافته في تمهيد الطريق لتحرير بيت المقدس والأرض المقدسة. وقد استنتج البحث أن أهم إساهماته تتمحور في إنفاذه بعث أسامة بن زيد رغم كل العقبات والصعوبات، وتأمين الجبهة الداخلية من خلال القضاء على المرتدين وبذلك استطاع توحيد المسلمين تحت راية واحدة، هذا بالإضافة لإعطاء الأولوية لتوجيه جيوش وعساكر المسلمين إلى الشام، وأخيرا اختياره للخليفة من بعده، وقد ساهم كل هذا في فتوح بيت المقدس وبلاد الشام. وبذلك تساند هذه النتائج الرأي القائل بأن إساهمات الخليفة الراشدي أبو بكر الصديق قد مكنت الفتح الأول لبيت المقدس وتحريره بعد سنوات قليلة من وفاة أبوبكر، في عهد خليفته عمر بن الخطاب.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Islamicje...arrow_drop_down
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    Journal of Islamicjerusalem Studies
    Article . 2022 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal of Islamicje...arrow_drop_down
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      Journal of Islamicjerusalem Studies
      Article . 2022 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Monika Trojanowska;

    In recent years, several biblical gardens were constructed in the harsh climate of Poland. They try to convey spiritual values through the medium of garden art and design. Rarely are they built from scratch with a granted budget; the majority of them represent the effort to revitalize degraded urban space and cultural heritage. In most cases, they are constructed and maintained as a challenge by groups of enthusiasts with no institutional financial help. From the very beginning, they are attracting numerous visitors, individuals, and organized groups to previously neglected spaces. The scope of this paper is to present the phenomenon of their construction, discuss the selected case studies, and try to identify whether their creation is strengthening the resilience of cultural landscapes. cultural heritag, therapeutic landscapes, resilience, biblical gardens, Gdańsk, Poland 1-30 70 1

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    Land
    Article . 2022 . Peer-reviewed
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Land
    Article . 2022
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Landarrow_drop_down
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      Land
      Article . 2022 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Land
      Article . 2022
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Paul Martin Langner;

    The article describes the aspects of Joachim Zintel’s (Berlin, 1943) graphics that are referred to as typography. In his graphics, the artist processes snippets of memories of the flight from Stettin to Berlin at the end of the World War II. But it is not the historical events that come to the fore in the graphics, but the processes of remembering and forgetting, the themes of images that are characterized by shifts, highlights, obscuring, blurring and gaps.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Annales Universitati...arrow_drop_down
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    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Article . 2022 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Annales Universitati...arrow_drop_down
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      Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
      Article . 2022 . Peer-reviewed
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    Authors: Vladislav Knoll;

    The language of the Moldavian books and chancery documents written during the reign of Peter Rareş (1527–1538, 1541–1546) shows an unneglectable variability depending on the purpose, addressee and format of the texts. Using all kinds of preserved texts from this period, we have tried to describe this variability focusing on the texts written in the Cyrillic script. These texts are evaluated according to three criteria: spelling, morphosyntax and vocabulary. The most prestigious variety was the Trinovitan (Tărnovo) variety of Middle Church Slavonic. Its shape in the texts, belonging to the common Church Slavonic legacy, shows the lowest impact of the Moldavian linguistic environment. The original Church Slavonic bookish texts composed in Moldavia (Macarie’s Chronicle, Enkomion to St John the New, colophons and inscriptions) show a variable proportion of Moldavian spelling and morphosyntactic markers. The chancery documents can be characterised by blending of Church Slavonic and Ruthenian (Ukrainian-based) elements. Except the Ruthenian-based documents addressed to Poland, the chancery documents are basically Church Slavonic shaped with Ruthenian infiltrations on the level of some fixed formulas, function words and few lexical items. Moreover, Slavonic letters sent to Transylvania show tiny Wallachian Slavonic influence, manifested by forms of Serbian chancery origin. Monastery charters combine CS-shaped Ruthenian formulas with Trinovitan Church Slavonic formulas, partly shared with colophons and inscriptions. Thus, the Moldavian written legacy shares common elements both with the Wallachian milieu (e.g. Romanian Cyrillic spelling of proper names, Romanian impact on morphosyntax, specific terminology etc.) as well as with a broader Ruthenian area (mainly the eastern part of the Polish-Lithuanian Union).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repozytorium Uniwers...arrow_drop_down
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    Studia Ceranea
    Article . 2022
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    Studia Ceranea
    Article . 2022 . Peer-reviewed
    License: CC BY NC ND
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      Studia Ceranea
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      Studia Ceranea
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    Authors: Agnieszka Nęcka-Czapska;

    The sketch tries to show the importance of social media for writers. The author focused on the (auto)promotional activity of authors carried out via social media (with particular emphasis on Facebook). The analysis would primarily cover fan pages managed by prose writers themselves (including Joanna Bator, Katarzyna Bonda, Jacek Dehnel, Remigiusz Mróz, Szczepan Twardoch, Michał Witkowski, Jakub Żulczyk). The main aim of the sketch was to show how the authors (representing various literary genres) approach the issue of building their brand and how they model their images. Szkic próbuje pokazać znaczenie social mediów dla pisarek i pisarzy. Autorka skoncentrowała się na działalności (auto)promocyjnej autorek i autorów prowadzonej za pośrednictwem social mediów (ze szczególnym uwzględnieniem Facebooka). Analizie poddane zostały przede wszystkim fanpage’e zarządzane przez samych prozaików (m.in. Joanna Bator, Katarzyna Bonda, Jacek Dehnel, Remigiusz Mróz, Szczepan Twardoch, Michał Witkowski, Jakub Żulczyk). Nadrzędnym celem szkicu było pokazanie, w jaki sposób autorki i autorzy (reprezentujący różne gatunki literackie) podchodzą do kwestii budowania własnej marki i w jaki sposób modelują swoje wizerunki.

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    Czytanie Literatury Łódzkie Studia Literaturoznawcze
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      Czytanie Literatury Łódzkie Studia Literaturoznawcze
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    Authors: null Dziatkovskii Anton;

    The successful development of the digital economy, which we can observe since the advent of the internet, is closely related to progress in several "frontier technologies" (frontier technologies), among which the most important, according to the scientific community and international organizations, are such software-oriented technologies as blockchain, Big Data Analytics (Big Data), Artificial Intelligence (AI) and cloud Computing (Cloud Computing), as well as specialized machine-oriented equipment: 3D printers, internet of Things devices (Internet of things Things, IoT), automation and robotics. Significant progress in the application of these technologies contributes to the growth of production capabilities, labor productivity, and capital return of both digital companies and enterprises of the non-digital economy while transforming their established business models and principles of generating income and expenses of companies. This makes it necessary to study the above technologies in detail from the point of view of analyzing their essence, role, and potential for use in various spheres of economic life. Although the term "blockchain" has recently entered scientific and public use, the idea of the technology appeared in the late 1980s, namely in 1989. Lamport proposed "a model for achieving consensus on results in a network of computers, where computers or the network itself can be unreliable". In 2008, Satoshi Nakamoto proposed the concept of using a decentralized computer network to operate a P2P electronic money system. In the article "Bitcoin: a Peer-to-Peer Electronic Cash System" published on the internet, the innovator described the algorithm of functioning of the Bitcoin cryptocurrency as a completely independent electronic cash system from a single issue Center, which does not require the trust (mediation) of a third party, but relies on direct operations between the parties to the transaction, protected by cryptographic encryption.

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    International Journal of Innovative Technologies in Social Science
    Article . 2022 . Peer-reviewed
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      International Journal of Innovative Technologies in Social Science
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    Authors: Annette Hautli-Janisz; Katarzyna Budzynska; Chris Reed;

    Despite the ubiquity of conventional implicatures in language and the critical role they play in argumentation, they have heretofore been almost entirely absent from theories of argument and the linguistic expression of reasoning. In this paper, we discuss conventional implicatures (cis) as an interesting phenomenon at the interface of semantics, pragmatics and argumentation by harnessing research in semantics and pragmatics and extending an existing account for argument diagramming with this type of implicit meaning. In particular, we show that cis are unlike enthymemes, which are extremely challenging to conceptualise and to specify precisely. Instead, cis are anchored on the linguistic surface, trigger a largely predictable discourse contribution and are therefore more apt for argument analysis. By surfacing conventionally implicated material, we can unpack a wider variety of ways in which arguments are triggered by, composed of, and demolished by implicit discourse material, in particular inferential structures, conflicts and references to ethos. This also allows us to model the complex interplay between conventional implicature and argumentation, which in turn sheds new light on the interplay of meaning and argumentation in general.

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    Other literature type . Article . 2022 . Peer-reviewed
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    Article . 2022
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      Other literature type . Article . 2022 . Peer-reviewed
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    In its most general form, Mikhail Epstein is outlined by such a vast circle of spheres as philology, philosophy, cultural studies, literary criticism, or linguistics. Currently, Epstein’s method is classified by researchers as “analytically-oriented”. The purpose of the article is to determine the set of methods of philosophical essayism by Mikhail Epstein, which will be achieved based on the material of the book The Paradoxes of Novelty. Despite the fact that the author’s self-reflection extends over a large number of articles (“Laws of the Free Genre (Essay and Essayism in the Culture of the New Time)”, “On the Soul. Four Essays”, “Essays on Essays”, “God of Details”, etc.), features of the poetics of essayism such as the author’s principle, imagery, and digressions are revealed in a more focused way, i.e. based on the opening book. The book is notable for its freedom of presentation, its being full of aphorisms, and its lengthy philosophical sayings. Essayisation can be considered the leading genre-forming principle of the book, affecting the way of presenting thoughts. The author’s task is to clarify the meaning of tradition in literature, which is associated with the author’s central interest, namely “culture in its borderline situations”. The factor that holds the texts together is the author’s desire to propose a way to solve the “problem situation”: what is criticism and how to look at literature? The plot of the book is built upon the author’s own questions and personal preferences. The task is to analyse what was written earlier and summarise the milestone results of creative activity. The book has a character of a manifest as the first major work of the author. It contains a programme for Epstein’s future activities, which is confirmed by the subsequent addition and reprint of the publication. It is essential that Russian classical literature was chosen as the material. В самом общем виде род деятельности Михаила Эпштейна очерчивается таким кругом сфер, как филология, философия, культурология, литературная критика, лингвистика. В настоящее время метод Эпштейна классифицируется исследователями как «аналитически ориентированный». Цель статьи – определить систему приемов философской эссеистики Михаила Эпштейна с опорой на материал книги Парадоксы новизны. Несмотря на то, что саморефлексия автора распространяется и на многочисленный ряд статей (Законы свободного жанра (Эссеистика и эссеизм в культуре Нового времени), О душе. Четыре эссе, Эссе об эссе, Бог деталей и др.), такие особенности поэтики эссеизма, как авторское начало, образность, отступления, концентрированно проявлены уже дебютной книге. Книга отличается свободой изложения, насыщенна афоризмами и пространными философскими изречениями. Эссеизацию можно считать ведущим жанрообразующим принципом книги. Перед автором стоит задача определить роль традиции в литературе, что связано с главным авторским интересом, «культурой в ее пограничных ситуациях». Фактор, скрепляющий тексты, – стремление автора предложить способ решения «проблемной ситуации»: что есть критика и как смотреть на литературу. Сюжет книги выстраивается из вопрошаний и личных культурных и мировоззренческих предпочтений автора. Задача заключается в анализе написанного ранее и подведении рубежных итогов творческой деятельности. Книга носит манифестарный характер как первое крупное произведение автора. Здесь содержится программа будущей деятельности Эпштейна, что подтверждается последующим дополнением и переизданием. Существенно, что в качестве материала выбрана русская классическая литература.

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    Acta Universitatis Lodziensis: Folia Litteraria Rossica
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    Authors: George Prokhorov;

    In this article, I trace some effects produced by Baroque on the Russian poetry and question the traditional attitude to the cultural epoch as to somewhat occasional and uninfluential; a mere buffer between the traditional Old Russian art and Russian Neoclassicism introduced by Peter the Great’s reforms oriented towards new European norms. In contrast to the vision, I put an emphasis on the genuine, rhetoric nature of the Neoclassicism. Russia has never been a country of the classical antiquity; thus, Russian poets use classical motifs solely and exclusively as popular verbal cliches. Beneath the new formulas, poets continue the Russian literary tradition; Russian Neoclassicism is shaped by the Baroque. I compare works by Symeon of Polotsk, Mikail Lomonosov, and Gavriil Derzhavin in order to explore a poetic tradition manifested by a shared plot and a set of motifs. Influenced by Symeon of Polotsk, Russian Neoclassicism continues to use baroque elements. Namely, the protagonists of Lomonosov are sceptical about the capabilities of the human mind to interpret nature. Quite opposite, they are admired by superabundance and the omnipresent mysteries of the Universe. In later poetry, such as Derzhvine’s ode titled “God”, the baroque vision is linked with Pre-Romanticism. There, an individual appears as someone who is able to have a sensual experience of the Universe and interact with it. The world turns into an area of dialogue and spiritual interaction between the Creator and the Human. В центре статьи – эволюция топосов, пришедших в русскую поэзию в эпоху барокко. Автор полемизирует с традиционным для России отношением к барокко как в явлению периферийному и чуждому русской культуре – скорее буферу между традиционным древнерусским и новым искусством, рожденным реформами Петра I и ориентированным на европейские образцы. Акцентируется риторическая природа русского классицизма, при котором античные мотивы и аллюзии – исключительно речевые формулы, введенные скорее как дань моде, притом что Россия никогда не была страной античной цивилизации. Соответственно, под этими формулами продолжает жить русская литературная традиция, а русский классицизм несет в себе отчетливые черты русского барокко. В статье сопоставляются произведения Симеона Полоцкого, Михаила Ломоносова, Гавриила Державина и вскрывается преемственность, выраженная общностью сюжетной ситуации и обращением к общему набору мотивов. Барочные элементы, вошедшие в русскую литературу при посредничестве Симеона Полоцкого, продолжают функционировать внутри духовной поэзии классицизма. Потому лирический герой Ломоносова парадоксально испытывает скепсис по поводу способности человеческого разума познавать и осмыслять природу; восхищается сверхъизбыточностью и непознаваемостью мироздания. В более поздней поэзии (ода Бог Гавриила Державина) пришедшая из барокко топика выражает переживания, характерные для мироощущения предромантизма. Мир предстает объектом, предназначенным для переживания индивидуальной личностью, зоной диалога между Творцом и человеком.

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    Acta Universitatis Lodziensis: Folia Litteraria Rossica
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      Acta Universitatis Lodziensis: Folia Litteraria Rossica
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tobiasz Janikowski;

    -

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    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Article . 2022 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Annales Universitati...arrow_drop_down
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      Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ahmad Dawamul MUTHİ; Khalid EL-AWAISI;

    Beytülmakdis'in Müslümanlar tarafından yedinci asırda gerçekleştirilen ilk fethi, Kutsal Topraklar için dikkat çekici bir dönüm noktasıydı. Asırlar süren dışlamanın sonunda Kutsal Topraklarda barış ve kucaklayıcılık nihayet kurulabilmişti. Onun da ötesinde bu tarihi olay, iki süpergücün, Bizans ve Persin arasında İslamın duruşunu da yükseltmekteydi. Bu önemli gelişme Ömer bin Hattabın zamanında gerçekleştiği için onun o önemli rolü ile ilgili bazı çalışmalar yapılmıştır. Ancak çok kısıtlı sayıda kaynak ilk İslam halifesi Ebubekir es-Sıddık'ın rolüne odaklanmaktadır. O halife seçilmesi ile beraber, sadece Medinede kurulan İslam devletini güçlendirmeye yönelik katkılar sağlamamız aynı zamanda Beytülmakdis'in özgürleştirilmesine / fethine de önemlı katkılar sağlamıştır. Erken dönem kaynaklar ve tarihi kayıtlar göstermiştir ki Halife Ebu Bekr, Hz Peygamberin Beytülmakdis'in fethine dair planını devam ettirmeye kararlıydı. Bu nedenle bu çalışmada, Hz Ebubekirin hilafeti boyunca Kutsal Toprakların fethinin zeminini hazırlamadaki katkıları incelenecektir. Bu katkılar, Usame Ordusunu yola çıkarması, yerel tehditleri güvence altına alması, Ridde Savaşları esnasında Müslümanları birleştirilmesi, Biladüşşama ordular göndermesi ve bunu öncelemesi, kendisinden sonraki halifesi aday göstermek suretiyle Kutsal Toprakların fetih planının devam etmesini garanti altına alması gibi hususları içerecektir. Bu çalışma sonucunda, Halife Ebu Bekirin katkılarının, vefatından sadece birkaç sene sonra onun halefi olan, Halife Ömerin devrinde Beytülmakdis'in ilk İslami fethine olanak sağladığı fikri desteklenmiştir. The first Muslim fath/ liberation of Islamicjerusalem in the seventh century was a remarkable historical turning point for the Holy Land. After centuries of exclusion, peace and inclusivity in Holy Land were finally established. Moreover, this historical event raised the standing of Islam between two superpowers, Byzantium and the Persia. As this vital event occurred in the era of ‘Umar Ibn al-Khattāb, several studies have documented his significant role. However, limited literature focuses on the role of his predecessor, the first Muslim Caliph, Abū Bakr al-Siddiq. Since his appointment as Caliph, Abū Bakr made crucial contributions not only to strengthen the foundation of the Islamic State in Madinah but also to liberate Islamicjerusalem. Investigation and analysis based on primary sources and historical records show that Caliph Abū Bakr was determined to continue the Prophet's plan to liberate Bayt al-Maqdis. Therefore, this study examined Caliph Abū Bakr’s contributions during his reign in paving the way for the liberation of the Holy Land. His significant contributions included sending out ’Usamah’s army, securing domestic threats and uniting Muslims during the Apostates War, prioritising and directing armies to al-Sham, and even the selection of his successor, all of which has contributed to the liberation of Bayt al-Maqdis. The result of this study supports the view that Caliph Abū Bakr's contributions enabled the first Muslim liberation of Islamicjerusalem to be achieved merely a few years after his demise, during the reign of his successor, ‘Umar Ibn al-Khattāb. كان الفتح الأول لبيت المقدس في القرن الأول الهجري/ السابع الميلادي نقطة تحول تاريخية في الأرض المقدسة. فبعد قرون من الإقصاء، ومع وصول المسلمين ترسخت فكرة التعايش والسلام والشمولية على الأرض المقدسة. بالاضافة لذلك، أبرز هذا الحدث التاريخي الهام مكانة الإسلام والمسلمين بين أقوى امبراطوريتين الروم البيزنطيين والفرس. وبما أن هذه الحادثة التاريخية الهامة حصلت في عهد الخليفة عمر بن الخطاب، فقد وثقت العديد من الدراسات وأبرزت دوره الهام في هذا الفتح. ومع أنه لم يكن من خطط لهذا الفتح ابتداء، فأغلب الدراسات لا تركز على دور من سبقه وخصوصا الخليفة الراشدي الأول، أبو بكر الصديق. فمنذ اختياره كخليفة للمسلمين، ساهم أبو بكر الصديق مساهمات محورية لم تنحصر فقط في تأسيس وتثبيت الدولة الإسلامية في المدينة المنورة بعد وفاة رسول الله، بل وكانت له بصمات جوهرية في تحرير بيت المقدس وفتحه. تُظهر هذه الدراسة من خلال تحليل المصادر التاريخية المبكرة بأن الخليفة الراشدي أبو بكر الصديق كان قد عزم على مواصلة واتمام خطة رسول الله الاستراتيجية لفتح بيت المقدس. لذلك يناقش هذا البحث إساهمات الخليفة أبو بكر الصديق خلال فترة خلافته في تمهيد الطريق لتحرير بيت المقدس والأرض المقدسة. وقد استنتج البحث أن أهم إساهماته تتمحور في إنفاذه بعث أسامة بن زيد رغم كل العقبات والصعوبات، وتأمين الجبهة الداخلية من خلال القضاء على المرتدين وبذلك استطاع توحيد المسلمين تحت راية واحدة، هذا بالإضافة لإعطاء الأولوية لتوجيه جيوش وعساكر المسلمين إلى الشام، وأخيرا اختياره للخليفة من بعده، وقد ساهم كل هذا في فتوح بيت المقدس وبلاد الشام. وبذلك تساند هذه النتائج الرأي القائل بأن إساهمات الخليفة الراشدي أبو بكر الصديق قد مكنت الفتح الأول لبيت المقدس وتحريره بعد سنوات قليلة من وفاة أبوبكر، في عهد خليفته عمر بن الخطاب.

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    Journal of Islamicjerusalem Studies
    Article . 2022 . Peer-reviewed
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      Journal of Islamicjerusalem Studies
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    Authors: Monika Trojanowska;

    In recent years, several biblical gardens were constructed in the harsh climate of Poland. They try to convey spiritual values through the medium of garden art and design. Rarely are they built from scratch with a granted budget; the majority of them represent the effort to revitalize degraded urban space and cultural heritage. In most cases, they are constructed and maintained as a challenge by groups of enthusiasts with no institutional financial help. From the very beginning, they are attracting numerous visitors, individuals, and organized groups to previously neglected spaces. The scope of this paper is to present the phenomenon of their construction, discuss the selected case studies, and try to identify whether their creation is strengthening the resilience of cultural landscapes. cultural heritag, therapeutic landscapes, resilience, biblical gardens, Gdańsk, Poland 1-30 70 1

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    Authors: Paul Martin Langner;

    The article describes the aspects of Joachim Zintel’s (Berlin, 1943) graphics that are referred to as typography. In his graphics, the artist processes snippets of memories of the flight from Stettin to Berlin at the end of the World War II. But it is not the historical events that come to the fore in the graphics, but the processes of remembering and forgetting, the themes of images that are characterized by shifts, highlights, obscuring, blurring and gaps.

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    Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
    Article . 2022 . Peer-reviewed
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      Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
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    Authors: Vladislav Knoll;

    The language of the Moldavian books and chancery documents written during the reign of Peter Rareş (1527–1538, 1541–1546) shows an unneglectable variability depending on the purpose, addressee and format of the texts. Using all kinds of preserved texts from this period, we have tried to describe this variability focusing on the texts written in the Cyrillic script. These texts are evaluated according to three criteria: spelling, morphosyntax and vocabulary. The most prestigious variety was the Trinovitan (Tărnovo) variety of Middle Church Slavonic. Its shape in the texts, belonging to the common Church Slavonic legacy, shows the lowest impact of the Moldavian linguistic environment. The original Church Slavonic bookish texts composed in Moldavia (Macarie’s Chronicle, Enkomion to St John the New, colophons and inscriptions) show a variable proportion of Moldavian spelling and morphosyntactic markers. The chancery documents can be characterised by blending of Church Slavonic and Ruthenian (Ukrainian-based) elements. Except the Ruthenian-based documents addressed to Poland, the chancery documents are basically Church Slavonic shaped with Ruthenian infiltrations on the level of some fixed formulas, function words and few lexical items. Moreover, Slavonic letters sent to Transylvania show tiny Wallachian Slavonic influence, manifested by forms of Serbian chancery origin. Monastery charters combine CS-shaped Ruthenian formulas with Trinovitan Church Slavonic formulas, partly shared with colophons and inscriptions. Thus, the Moldavian written legacy shares common elements both with the Wallachian milieu (e.g. Romanian Cyrillic spelling of proper names, Romanian impact on morphosyntax, specific terminology etc.) as well as with a broader Ruthenian area (mainly the eastern part of the Polish-Lithuanian Union).

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    Studia Ceranea
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    Studia Ceranea
    Article . 2022 . Peer-reviewed
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      Studia Ceranea
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      Studia Ceranea
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    Authors: Agnieszka Nęcka-Czapska;

    The sketch tries to show the importance of social media for writers. The author focused on the (auto)promotional activity of authors carried out via social media (with particular emphasis on Facebook). The analysis would primarily cover fan pages managed by prose writers themselves (including Joanna Bator, Katarzyna Bonda, Jacek Dehnel, Remigiusz Mróz, Szczepan Twardoch, Michał Witkowski, Jakub Żulczyk). The main aim of the sketch was to show how the authors (representing various literary genres) approach the issue of building their brand and how they model their images. Szkic próbuje pokazać znaczenie social mediów dla pisarek i pisarzy. Autorka skoncentrowała się na działalności (auto)promocyjnej autorek i autorów prowadzonej za pośrednictwem social mediów (ze szczególnym uwzględnieniem Facebooka). Analizie poddane zostały przede wszystkim fanpage’e zarządzane przez samych prozaików (m.in. Joanna Bator, Katarzyna Bonda, Jacek Dehnel, Remigiusz Mróz, Szczepan Twardoch, Michał Witkowski, Jakub Żulczyk). Nadrzędnym celem szkicu było pokazanie, w jaki sposób autorki i autorzy (reprezentujący różne gatunki literackie) podchodzą do kwestii budowania własnej marki i w jaki sposób modelują swoje wizerunki.

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    Czytanie Literatury Łódzkie Studia Literaturoznawcze
    Article . 2022 . Peer-reviewed
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      Czytanie Literatury Łódzkie Studia Literaturoznawcze
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    Authors: null Dziatkovskii Anton;

    The successful development of the digital economy, which we can observe since the advent of the internet, is closely related to progress in several "frontier technologies" (frontier technologies), among which the most important, according to the scientific community and international organizations, are such software-oriented technologies as blockchain, Big Data Analytics (Big Data), Artificial Intelligence (AI) and cloud Computing (Cloud Computing), as well as specialized machine-oriented equipment: 3D printers, internet of Things devices (Internet of things Things, IoT), automation and robotics. Significant progress in the application of these technologies contributes to the growth of production capabilities, labor productivity, and capital return of both digital companies and enterprises of the non-digital economy while transforming their established business models and principles of generating income and expenses of companies. This makes it necessary to study the above technologies in detail from the point of view of analyzing their essence, role, and potential for use in various spheres of economic life. Although the term "blockchain" has recently entered scientific and public use, the idea of the technology appeared in the late 1980s, namely in 1989. Lamport proposed "a model for achieving consensus on results in a network of computers, where computers or the network itself can be unreliable". In 2008, Satoshi Nakamoto proposed the concept of using a decentralized computer network to operate a P2P electronic money system. In the article "Bitcoin: a Peer-to-Peer Electronic Cash System" published on the internet, the innovator described the algorithm of functioning of the Bitcoin cryptocurrency as a completely independent electronic cash system from a single issue Center, which does not require the trust (mediation) of a third party, but relies on direct operations between the parties to the transaction, protected by cryptographic encryption.

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    International Journal of Innovative Technologies in Social Science
    Article . 2022 . Peer-reviewed
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      International Journal of Innovative Technologies in Social Science
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    Authors: Annette Hautli-Janisz; Katarzyna Budzynska; Chris Reed;

    Despite the ubiquity of conventional implicatures in language and the critical role they play in argumentation, they have heretofore been almost entirely absent from theories of argument and the linguistic expression of reasoning. In this paper, we discuss conventional implicatures (cis) as an interesting phenomenon at the interface of semantics, pragmatics and argumentation by harnessing research in semantics and pragmatics and extending an existing account for argument diagramming with this type of implicit meaning. In particular, we show that cis are unlike enthymemes, which are extremely challenging to conceptualise and to specify precisely. Instead, cis are anchored on the linguistic surface, trigger a largely predictable discourse contribution and are therefore more apt for argument analysis. By surfacing conventionally implicated material, we can unpack a wider variety of ways in which arguments are triggered by, composed of, and demolished by implicit discourse material, in particular inferential structures, conflicts and references to ethos. This also allows us to model the complex interplay between conventional implicature and argumentation, which in turn sheds new light on the interplay of meaning and argumentation in general.

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    Other literature type . Article . 2022 . Peer-reviewed
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    Article . 2022
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      Other literature type . Article . 2022 . Peer-reviewed
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    In its most general form, Mikhail Epstein is outlined by such a vast circle of spheres as philology, philosophy, cultural studies, literary criticism, or linguistics. Currently, Epstein’s method is classified by researchers as “analytically-oriented”. The purpose of the article is to determine the set of methods of philosophical essayism by Mikhail Epstein, which will be achieved based on the material of the book The Paradoxes of Novelty. Despite the fact that the author’s self-reflection extends over a large number of articles (“Laws of the Free Genre (Essay and Essayism in the Culture of the New Time)”, “On the Soul. Four Essays”, “Essays on Essays”, “God of Details”, etc.), features of the poetics of essayism such as the author’s principle, imagery, and digressions are revealed in a more focused way, i.e. based on the opening book. The book is notable for its freedom of presentation, its being full of aphorisms, and its lengthy philosophical sayings. Essayisation can be considered the leading genre-forming principle of the book, affecting the way of presenting thoughts. The author’s task is to clarify the meaning of tradition in literature, which is associated with the author’s central interest, namely “culture in its borderline situations”. The factor that holds the texts together is the author’s desire to propose a way to solve the “problem situation”: what is criticism and how to look at literature? The plot of the book is built upon the author’s own questions and personal preferences. The task is to analyse what was written earlier and summarise the milestone results of creative activity. The book has a character of a manifest as the first major work of the author. It contains a programme for Epstein’s future activities, which is confirmed by the subsequent addition and reprint of the publication. It is essential that Russian classical literature was chosen as the material. В самом общем виде род деятельности Михаила Эпштейна очерчивается таким кругом сфер, как филология, философия, культурология, литературная критика, лингвистика. В настоящее время метод Эпштейна классифицируется исследователями как «аналитически ориентированный». Цель статьи – определить систему приемов философской эссеистики Михаила Эпштейна с опорой на материал книги Парадоксы новизны. Несмотря на то, что саморефлексия автора распространяется и на многочисленный ряд статей (Законы свободного жанра (Эссеистика и эссеизм в культуре Нового времени), О душе. Четыре эссе, Эссе об эссе, Бог деталей и др.), такие особенности поэтики эссеизма, как авторское начало, образность, отступления, концентрированно проявлены уже дебютной книге. Книга отличается свободой изложения, насыщенна афоризмами и пространными философскими изречениями. Эссеизацию можно считать ведущим жанрообразующим принципом книги. Перед автором стоит задача определить роль традиции в литературе, что связано с главным авторским интересом, «культурой в ее пограничных ситуациях». Фактор, скрепляющий тексты, – стремление автора предложить способ решения «проблемной ситуации»: что есть критика и как смотреть на литературу. Сюжет книги выстраивается из вопрошаний и личных культурных и мировоззренческих предпочтений автора. Задача заключается в анализе написанного ранее и подведении рубежных итогов творческой деятельности. Книга носит манифестарный характер как первое крупное произведение автора. Здесь содержится программа будущей деятельности Эпштейна, что подтверждается последующим дополнением и переизданием. Существенно, что в качестве материала выбрана русская классическая литература.

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    Acta Universitatis Lodziensis: Folia Litteraria Rossica
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      Acta Universitatis Lodziensis: Folia Litteraria Rossica
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    Authors: George Prokhorov;

    In this article, I trace some effects produced by Baroque on the Russian poetry and question the traditional attitude to the cultural epoch as to somewhat occasional and uninfluential; a mere buffer between the traditional Old Russian art and Russian Neoclassicism introduced by Peter the Great’s reforms oriented towards new European norms. In contrast to the vision, I put an emphasis on the genuine, rhetoric nature of the Neoclassicism. Russia has never been a country of the classical antiquity; thus, Russian poets use classical motifs solely and exclusively as popular verbal cliches. Beneath the new formulas, poets continue the Russian literary tradition; Russian Neoclassicism is shaped by the Baroque. I compare works by Symeon of Polotsk, Mikail Lomonosov, and Gavriil Derzhavin in order to explore a poetic tradition manifested by a shared plot and a set of motifs. Influenced by Symeon of Polotsk, Russian Neoclassicism continues to use baroque elements. Namely, the protagonists of Lomonosov are sceptical about the capabilities of the human mind to interpret nature. Quite opposite, they are admired by superabundance and the omnipresent mysteries of the Universe. In later poetry, such as Derzhvine’s ode titled “God”, the baroque vision is linked with Pre-Romanticism. There, an individual appears as someone who is able to have a sensual experience of the Universe and interact with it. The world turns into an area of dialogue and spiritual interaction between the Creator and the Human. В центре статьи – эволюция топосов, пришедших в русскую поэзию в эпоху барокко. Автор полемизирует с традиционным для России отношением к барокко как в явлению периферийному и чуждому русской культуре – скорее буферу между традиционным древнерусским и новым искусством, рожденным реформами Петра I и ориентированным на европейские образцы. Акцентируется риторическая природа русского классицизма, при котором античные мотивы и аллюзии – исключительно речевые формулы, введенные скорее как дань моде, притом что Россия никогда не была страной античной цивилизации. Соответственно, под этими формулами продолжает жить русская литературная традиция, а русский классицизм несет в себе отчетливые черты русского барокко. В статье сопоставляются произведения Симеона Полоцкого, Михаила Ломоносова, Гавриила Державина и вскрывается преемственность, выраженная общностью сюжетной ситуации и обращением к общему набору мотивов. Барочные элементы, вошедшие в русскую литературу при посредничестве Симеона Полоцкого, продолжают функционировать внутри духовной поэзии классицизма. Потому лирический герой Ломоносова парадоксально испытывает скепсис по поводу способности человеческого разума познавать и осмыслять природу; восхищается сверхъизбыточностью и непознаваемостью мироздания. В более поздней поэзии (ода Бог Гавриила Державина) пришедшая из барокко топика выражает переживания, характерные для мироощущения предромантизма. Мир предстает объектом, предназначенным для переживания индивидуальной личностью, зоной диалога между Творцом и человеком.

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