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  • The Polar Journal

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Liggett, Daniela; Fugmann, Gerlis;

    A change of editors of the Conference Reports and Notes section in The Polar Journal coincides, unwittingly, with COVID-19 and the unravelling of so much that is familiar in our professional and pe...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    The Polar Journal
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      The Polar Journal
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    Authors: Pablo Wainschenker; Elizabeth Leane;

    The representation of Antarctica in fiction has drawn the attention of an increasing number of scholars during recent years. However, analyses undertaken so far have foregrounded English-language texts produced by writers located in the Northern Hemisphere. In these texts, Antarctica is often seen as a remote, oppositional and alien space. This article challenges the Anglocentric view of Antarctic representation by examining the way the region is imagined in South American fiction. After surveying the small body of criticism that deals with Spanish-language texts set in Antarctica, we focus closely on three twentiethcentury short works written in South America. Our analysis demonstrates that these three texts challenge the image of Antarctic as an underworld, opposed to and cut off from the rest of the world. Rather, in Antarctic literary imaginings of Argentina and Chile, the Drake Passage bridges the gap between Tierra del Fuego and Antarctica, acting not as a barrier between two opposed regions, but connecting landscapes with shared features. Aware of the evident geopolitical connotations to this construction of South American/Antarctic relations, we show that in Antarctic fiction from Argentina and Chile geographic proximity does not necessarily play in favour of nationalist rhetoric. Surprisingly, it can be at the core of texts that naturalise Anglophone hegemony. Moreover, while the three stories evoke a geographic imaginary very different from that produced by many Anglophone texts, they do not present a unified vision. Further research is needed to probe whether the geographic imaginaries constructed in these three short texts can be traced in a wider range of South American texts set in Antarctica.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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    The Polar Journal
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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  • Authors: Ruth Watson;
    The Polar Journalarrow_drop_down
    The Polar Journal
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  • Authors: Bob Frame;

    The title Erebus: The Story of a Ship might suggest a dry naval architecture thesis illustrated with line drawings from which a balsa wood scale model could be authentically lofted, built and caref...

    The Polar Journalarrow_drop_down
    The Polar Journal
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  • Authors: Bob Frame; Elizabeth Leane; Robert W. Lindeman;

    Trends in digitisation such as virtual reality, citizen science, and big data will impact both tourism and research outreach in Antarctica. We examine one modest but revealing example: geocaching. In particular we review the form and distribution of current geocaching practice in Antarctica and situate that within a global context. Through a self-reflexive examination of our own experiences on Ross Island in the 2018 summer season, we explore some of the ways that digitisation impacts on recreation in Antarctica through our different research lenses. Among other things, we found that geocaching folded into our personal experiences an unanticipated echo of the Heroic Era. Although it is simply our own observations as researchers that we draw on here, we consider that they are usefully suggestive when it comes to the future of human activity in Antarctica as it responds to increasing digitization and to calls for increased public science engagement activity.

    The Polar Journalarrow_drop_down
    The Polar Journal
    Article . 2018 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ursula Rack;

    Cornelia Ludecke is one of the few historians who has deep knowledge of the German contribution to Antarctic research from the Heroic Age (1897–1917). The British expeditions and some of their lead...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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    Article . 2017 . Peer-reviewed
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  • Authors: Ursula Rack;

    Held at the Scott Polar Research Institute, University of Cambridge (SPRI) in Cambridge from 19 to 20 September 2016, the conference was attended by 33 researchers from 11 different countries with ...

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    The Polar Journal
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  • Authors: Ursula Rack;

    This paper presents an historic view on diaries and correspondence; in particular, how information related to weather was personally recorded and how Antarctic weather conditions influenced the expedition members in the Heroic Age (1897–1922). The paper is based on a presentation made at the Scientific Committee on Antarctic Research Open Science Conference in Auckland 2014. In this study, diaries have been used from the German “Gauss”-Expedition (also known as the “German South Polar Expedition”), led by Erich von Drygalski and the British “Discovery”-Expedition (also known as the “British National Antarctic Expedition”), led by Robert Falcon Scott. Both expeditions were undertaken during the period from 1901 through 1904. The timeframe is of particular interest, because it is a time when the men who went south did not have reliable comparative accounts in order to adequately mentally prepare for what they were about to experience. To put the research into a wider context, there are links drawn between o...

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  • Authors: Hanne E. F. Nielsen;

    As examples of cultural production, plays and their treatment of imagined Antarctic space can provide valuable insights into how attitudes towards the continent have developed and been expressed, by revealing the dominant narratives at various points in time. In recent years, the traditional focus on Heroic Era narratives has given way to an engagement with environmental issues and the materiality of the place. The current accessibility of Antarctica has led to several site-specific works and multimedia performances that incorporate film footage shot on-site on the southern continent. Taking Mojisola Adebayo’s Moj of the Antarctic (2006) and Lynda Chanwai-Earle’s Heat (2008) as case studies, this article outlines, contextualises and explores recent developments in the representation of Antarctica upon the stage. Together, these plays show how playwrights are engaging with Antarctica in new and exciting ways and treating the continent as part of a global system.

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  • Authors: Elizabeth Leane; Carolyn Philpott; Hanne E. F. Nielsen;

    In November 1937, an unusual work premiered at the Hamburg State Opera. Entitled Das Opfer (“The Sacrifice”), the one-act opera tells the story of Robert F. Scott’s last expedition, focusing on the famous final moments of Lawrence Oates. While the action features only four main characters, a large chorus – dressed for much of the time in penguin costumes – comments on events. The opera was an adaptation of an award-winning and controversial play by the eccentric expressionist poet Reinhard Goering. The libretto was written by Goering, who committed suicide not long after its completion – about a year before the first performance. The score was by composer Winfried Zillig – a student of Arnold Schoenberg and promoter of his radical modernist 12-tone technique. Subsequent descriptions of Das Opfer and its reception have been remarkably varied. Some commentators assert the play was quickly banned by the National Socialists due to its pro-British content and “degenerate” 12-tone score. Others argue that this ...

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    Article . 2014 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Liggett, Daniela; Fugmann, Gerlis;

    A change of editors of the Conference Reports and Notes section in The Polar Journal coincides, unwittingly, with COVID-19 and the unravelling of so much that is familiar in our professional and pe...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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    Authors: Pablo Wainschenker; Elizabeth Leane;

    The representation of Antarctica in fiction has drawn the attention of an increasing number of scholars during recent years. However, analyses undertaken so far have foregrounded English-language texts produced by writers located in the Northern Hemisphere. In these texts, Antarctica is often seen as a remote, oppositional and alien space. This article challenges the Anglocentric view of Antarctic representation by examining the way the region is imagined in South American fiction. After surveying the small body of criticism that deals with Spanish-language texts set in Antarctica, we focus closely on three twentiethcentury short works written in South America. Our analysis demonstrates that these three texts challenge the image of Antarctic as an underworld, opposed to and cut off from the rest of the world. Rather, in Antarctic literary imaginings of Argentina and Chile, the Drake Passage bridges the gap between Tierra del Fuego and Antarctica, acting not as a barrier between two opposed regions, but connecting landscapes with shared features. Aware of the evident geopolitical connotations to this construction of South American/Antarctic relations, we show that in Antarctic fiction from Argentina and Chile geographic proximity does not necessarily play in favour of nationalist rhetoric. Surprisingly, it can be at the core of texts that naturalise Anglophone hegemony. Moreover, while the three stories evoke a geographic imaginary very different from that produced by many Anglophone texts, they do not present a unified vision. Further research is needed to probe whether the geographic imaginaries constructed in these three short texts can be traced in a wider range of South American texts set in Antarctica.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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    The Polar Journal
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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  • Authors: Ruth Watson;
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  • Authors: Bob Frame;

    The title Erebus: The Story of a Ship might suggest a dry naval architecture thesis illustrated with line drawings from which a balsa wood scale model could be authentically lofted, built and caref...

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    Article . 2019 . Peer-reviewed
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      Article . 2019 . Peer-reviewed
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  • Authors: Bob Frame; Elizabeth Leane; Robert W. Lindeman;

    Trends in digitisation such as virtual reality, citizen science, and big data will impact both tourism and research outreach in Antarctica. We examine one modest but revealing example: geocaching. In particular we review the form and distribution of current geocaching practice in Antarctica and situate that within a global context. Through a self-reflexive examination of our own experiences on Ross Island in the 2018 summer season, we explore some of the ways that digitisation impacts on recreation in Antarctica through our different research lenses. Among other things, we found that geocaching folded into our personal experiences an unanticipated echo of the Heroic Era. Although it is simply our own observations as researchers that we draw on here, we consider that they are usefully suggestive when it comes to the future of human activity in Antarctica as it responds to increasing digitization and to calls for increased public science engagement activity.

    The Polar Journalarrow_drop_down
    The Polar Journal
    Article . 2018 . Peer-reviewed
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      Article . 2018 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ursula Rack;

    Cornelia Ludecke is one of the few historians who has deep knowledge of the German contribution to Antarctic research from the Heroic Age (1897–1917). The British expeditions and some of their lead...

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    The Polar Journal
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    The Polar Journal
    Article . 2017 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ The Polar Journalarrow_drop_down
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      The Polar Journal
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      Article . 2017 . Peer-reviewed
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  • Authors: Ursula Rack;

    Held at the Scott Polar Research Institute, University of Cambridge (SPRI) in Cambridge from 19 to 20 September 2016, the conference was attended by 33 researchers from 11 different countries with ...

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    Article . 2017 . Peer-reviewed
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  • Authors: Ursula Rack;

    This paper presents an historic view on diaries and correspondence; in particular, how information related to weather was personally recorded and how Antarctic weather conditions influenced the expedition members in the Heroic Age (1897–1922). The paper is based on a presentation made at the Scientific Committee on Antarctic Research Open Science Conference in Auckland 2014. In this study, diaries have been used from the German “Gauss”-Expedition (also known as the “German South Polar Expedition”), led by Erich von Drygalski and the British “Discovery”-Expedition (also known as the “British National Antarctic Expedition”), led by Robert Falcon Scott. Both expeditions were undertaken during the period from 1901 through 1904. The timeframe is of particular interest, because it is a time when the men who went south did not have reliable comparative accounts in order to adequately mentally prepare for what they were about to experience. To put the research into a wider context, there are links drawn between o...

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    Article . 2015 . Peer-reviewed
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  • Authors: Hanne E. F. Nielsen;

    As examples of cultural production, plays and their treatment of imagined Antarctic space can provide valuable insights into how attitudes towards the continent have developed and been expressed, by revealing the dominant narratives at various points in time. In recent years, the traditional focus on Heroic Era narratives has given way to an engagement with environmental issues and the materiality of the place. The current accessibility of Antarctica has led to several site-specific works and multimedia performances that incorporate film footage shot on-site on the southern continent. Taking Mojisola Adebayo’s Moj of the Antarctic (2006) and Lynda Chanwai-Earle’s Heat (2008) as case studies, this article outlines, contextualises and explores recent developments in the representation of Antarctica upon the stage. Together, these plays show how playwrights are engaging with Antarctica in new and exciting ways and treating the continent as part of a global system.

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    Article . 2015 . Peer-reviewed
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  • Authors: Elizabeth Leane; Carolyn Philpott; Hanne E. F. Nielsen;

    In November 1937, an unusual work premiered at the Hamburg State Opera. Entitled Das Opfer (“The Sacrifice”), the one-act opera tells the story of Robert F. Scott’s last expedition, focusing on the famous final moments of Lawrence Oates. While the action features only four main characters, a large chorus – dressed for much of the time in penguin costumes – comments on events. The opera was an adaptation of an award-winning and controversial play by the eccentric expressionist poet Reinhard Goering. The libretto was written by Goering, who committed suicide not long after its completion – about a year before the first performance. The score was by composer Winfried Zillig – a student of Arnold Schoenberg and promoter of his radical modernist 12-tone technique. Subsequent descriptions of Das Opfer and its reception have been remarkably varied. Some commentators assert the play was quickly banned by the National Socialists due to its pro-British content and “degenerate” 12-tone score. Others argue that this ...

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    Article . 2014 . Peer-reviewed
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