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14 Research products

  • Digital Humanities and Cultural Heritage
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  • DAIS - Digitalni arhiv izdanja SANU

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The Editorial Board of the INSAM Journal of Contemporary Music, Art and Technology decided that both issues of 2022 will be dedicated to one main theme, namely, “Fighting for the attention: Music and art on social media”. We can say that this call for papers went very successfully, as we are now presenting to you INSAM Journal No. 9. In a year which has seen many grave turbulences on socio-economic and political levels on a global scale, we have once again confirmed the importance of social media for communication and the spreading of news, and we have also seen the limitations of these tools. Turning to music and art on social media, our Main Theme section consists of five intriguing papers, Beyond the Main Theme section has two articles, (Inter)Views bring three exciting pieces, and the Reviews one festival report.

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    We have before us the sixth issue of INSAM Journal of Contemporary Music, Art and Technology. This is the second issue in a row dedicated to the global crisis caused by the Covid-19 pandemic. After the overwhelming response from all over the world to the call for papers and provocative inspections that ensued, here we wanted to discuss the ways in which technology shapes and enables work in the areas of music, arts, humanities, and the education process, this time inviting our collaborators to discuss the shortcomings and struggles of the working processes in these fields. The main theme, “Music, Art and Humanities in the Time of Global Crisis”, expanded from the Main Theme section into the interviews as well.

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    The couple of issues of the INSAM Journal of Contemporary Music, Art and Technology planned for this year – of which the issue before us, No. 8, is the first one – are dedicated to the theme titled “Fighting for the attention: Music and art on social media”. This theme also leans on the previous ones that dealt with music and art in times of crisis or the relationship between music and art with mental health in contemporary society. This time, we are shedding the light on artists, creators, procedures, methodologies and outputs that are in direct correlation with the ways in which diverse social media platforms today function and grab our attention. The Main Theme section brings us seven exciting papers

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    Речник појмова ликовних уметности и архитектуре. Том 1, А–Ђ. – Београд : Српска академија наука и уметности : Завод за уџбенике, 2014. Говорили: академик Милан Лојаница, др Љиљана Стошић, Драгољуб Којчић. У Београду, уторак 3. фебруар 2015. у 13 часова.

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    Authors: Mansrud, Anja; Windle, Morgan; Armstrong-Oma, Kristin; Živaljević, Ivana; +3 Authors

    This session proposes multispecies approaches and understandings advanced within the ontological turn, as analytical frameworks for exploring how hunter-gatherers past and present were living (well?) with other species. Prehistoric archaeology, entailing the study of human and animal remains from the beginnings of humanity, on a global scale, can contribute in a unique way to explore what it means to be human in a world populated by non-human others. Throughout the Holocene humans have lived with animals in multispecies environments. How humans have lived with animals varies within, and between, societies. Animals have been bred, domesticated, buried, hunted, and fished, nurtured as pets and companions in addition to being exploited as food and materials. We also reflect on the role of insects as cultural agents, by focusing on how insects have impacted hunterfisher lifeways in the past and present, and what sort of challenges or solutions can insects represent to hunter-gatherers. A multispecies approach, inspired by ethology and biosemiotics, entanglement theory, and native ontologies, recognize that prehistoric communities were entwined with nonhumans in social as well as ecological and economic ways. We further embrace the concept of «egomorphism» (Milton 2005), a perspective acknowledging that humans perceive animals as similar to themselves and able to partake in social relations, as a viable road to overcome the polarization between Western and indigenous ontologies, while still taking native perspectives seriously. Archaeology is largely invisible in current debates about the Anthropocene and human influence on the environment. Although archaeological periods lie far beyond the onset of this geological epoch as currently defined, engaging with the debates encourages us to reflect on relations to nature and animals past and present, and our role and place in the world. Archaeological finds can challenge present norms and understandings and provide depth and diversity to the Anthropocene-debate which would not be accessible from anthropological, geographical or historical data. We welcome papers exploring multispecies relations from a variety of perspectives – relational, zoo/biosemiotic, ethological, historical, anthropological, environmental and phenomenological, regardless of chronological, geographical or cultural context. Contributions may focus on methods, models, case studies or theoretical frameworks.

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    In the seventh issue of INSAM Journal of Contemporary Music, Art and Technology, we are continuing our series on themes dedicated to art, music, and humanities in times of global crisis. After dealing with more general questions regarding these areas of creation, in this volume we are thinking about the issue of mental and bodily health during the Covid-19 pandemic and its possible ties and representations in music and art.

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    Human-Machine Collaboration in music, arts, and theory, has come to be a particularly challenging, provocative, and necessary topic. As we underlined in the Call for Papers, the theme of the issue highlighted our intention to give space to overcoming the deep-rooted dichotomy “human vs. machine” in the arts. In finding and understanding the flaws and strengths of both sides through theoretical, inter and trans-disciplinary, and critical thinking, we strive towards creating a platform for open discussions on the subject. In the issue of INSAM Journal in front of us, this conversation is inspired by the propelling artwork of Sougwen Chung.

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    Тема броја: Град у Србији и Бугарској: компаративно ишчитавање актуелних процеса / Topic of the issue: The Town in Serbia and Bulgaria: a Comparative Reading of Current Processes

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    Историографски чланци и расправе. Књ. 1 и 2 / Василије Ђ. Крестић ; уредник Михаило Војводић. – Београд : САНУ ; Нови Сад : Матица српска, 2020. Говорили: академик Василије Ђ. Крестић, академик Славенко Терзић, др Софија Божић. У Београду, уторак 23. новембар 2021. у 13 часова.

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    The fifth issue of INSAM Journal of Contemporary Music, Art and Technology is the second one we are preparing and publishing in the Covid-19 pandemic. And while the theme for the previous issue was conceived in a world unburdened with what has preoccupied our minds and lives in 2020, the theme for this one is directly shaped by it. During the Spring, when we were taken aback by the governmental measures and the fear of the “invisible enemy” (the use of militant vocabulary is rather prominent in the discourse surrounding the virus), the uncertainty for the future grew strong. However, at that time, we could not predict the longevity, brevity and consequences of the pandemic – in December we are still not certain, but we are getting tired. This is why I would like to thank all the authors for working with us in these trying times, unpacking what can only be a beginning of ‘a global crisis’ during the Summer and Autumn of 2020. The main theme of the issue, Music, Art, and Technology in the Time of Global Crisis, strives to capture this period through the lens of workers in art, music, and academia around the world, focusing on the role and place of arts and technology in our/their relocated institutional realities.

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14 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The Editorial Board of the INSAM Journal of Contemporary Music, Art and Technology decided that both issues of 2022 will be dedicated to one main theme, namely, “Fighting for the attention: Music and art on social media”. We can say that this call for papers went very successfully, as we are now presenting to you INSAM Journal No. 9. In a year which has seen many grave turbulences on socio-economic and political levels on a global scale, we have once again confirmed the importance of social media for communication and the spreading of news, and we have also seen the limitations of these tools. Turning to music and art on social media, our Main Theme section consists of five intriguing papers, Beyond the Main Theme section has two articles, (Inter)Views bring three exciting pieces, and the Reviews one festival report.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    We have before us the sixth issue of INSAM Journal of Contemporary Music, Art and Technology. This is the second issue in a row dedicated to the global crisis caused by the Covid-19 pandemic. After the overwhelming response from all over the world to the call for papers and provocative inspections that ensued, here we wanted to discuss the ways in which technology shapes and enables work in the areas of music, arts, humanities, and the education process, this time inviting our collaborators to discuss the shortcomings and struggles of the working processes in these fields. The main theme, “Music, Art and Humanities in the Time of Global Crisis”, expanded from the Main Theme section into the interviews as well.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The couple of issues of the INSAM Journal of Contemporary Music, Art and Technology planned for this year – of which the issue before us, No. 8, is the first one – are dedicated to the theme titled “Fighting for the attention: Music and art on social media”. This theme also leans on the previous ones that dealt with music and art in times of crisis or the relationship between music and art with mental health in contemporary society. This time, we are shedding the light on artists, creators, procedures, methodologies and outputs that are in direct correlation with the ways in which diverse social media platforms today function and grab our attention. The Main Theme section brings us seven exciting papers

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Речник појмова ликовних уметности и архитектуре. Том 1, А–Ђ. – Београд : Српска академија наука и уметности : Завод за уџбенике, 2014. Говорили: академик Милан Лојаница, др Љиљана Стошић, Драгољуб Којчић. У Београду, уторак 3. фебруар 2015. у 13 часова.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mansrud, Anja; Windle, Morgan; Armstrong-Oma, Kristin; Živaljević, Ivana; +3 Authors

    This session proposes multispecies approaches and understandings advanced within the ontological turn, as analytical frameworks for exploring how hunter-gatherers past and present were living (well?) with other species. Prehistoric archaeology, entailing the study of human and animal remains from the beginnings of humanity, on a global scale, can contribute in a unique way to explore what it means to be human in a world populated by non-human others. Throughout the Holocene humans have lived with animals in multispecies environments. How humans have lived with animals varies within, and between, societies. Animals have been bred, domesticated, buried, hunted, and fished, nurtured as pets and companions in addition to being exploited as food and materials. We also reflect on the role of insects as cultural agents, by focusing on how insects have impacted hunterfisher lifeways in the past and present, and what sort of challenges or solutions can insects represent to hunter-gatherers. A multispecies approach, inspired by ethology and biosemiotics, entanglement theory, and native ontologies, recognize that prehistoric communities were entwined with nonhumans in social as well as ecological and economic ways. We further embrace the concept of «egomorphism» (Milton 2005), a perspective acknowledging that humans perceive animals as similar to themselves and able to partake in social relations, as a viable road to overcome the polarization between Western and indigenous ontologies, while still taking native perspectives seriously. Archaeology is largely invisible in current debates about the Anthropocene and human influence on the environment. Although archaeological periods lie far beyond the onset of this geological epoch as currently defined, engaging with the debates encourages us to reflect on relations to nature and animals past and present, and our role and place in the world. Archaeological finds can challenge present norms and understandings and provide depth and diversity to the Anthropocene-debate which would not be accessible from anthropological, geographical or historical data. We welcome papers exploring multispecies relations from a variety of perspectives – relational, zoo/biosemiotic, ethological, historical, anthropological, environmental and phenomenological, regardless of chronological, geographical or cultural context. Contributions may focus on methods, models, case studies or theoretical frameworks.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DAIS - Digitalni arh...arrow_drop_down
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    In the seventh issue of INSAM Journal of Contemporary Music, Art and Technology, we are continuing our series on themes dedicated to art, music, and humanities in times of global crisis. After dealing with more general questions regarding these areas of creation, in this volume we are thinking about the issue of mental and bodily health during the Covid-19 pandemic and its possible ties and representations in music and art.

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