Advanced search in Research products
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • Open Access
  • Publications
  • Research software
  • Other research products
  • GB
  • English
  • Oxford University Research Archive

Date (most recent)
arrow_drop_down
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Agar, C;

    My thesis examines the functions of visions of heavenly beings in Coptic hagiography and their relationship to the cult of saints in Egypt. I use six saints’ hagiographical traditions as case studies: Kollouthos, Menas, Phoibammon of Preht, Merkourios, Viktor, son of Romanos, and James the Persian. My source base includes all the Coptic hagiographical texts in these saints’ traditions which contain visions experienced by them prior to their deaths and/or visions of them appearing posthumously to laypeople. I am thus able to understand the functions of visions through the writers’ choices in presenting them, and through that how they were perceived and utilised within the cult of saints. I achieve two aims. Firstly, I address the lack of attention that Coptic hagiography has received in both Late Antique and Byzantine Studies and Egyptology, showing that it contributes significantly to our understanding of the cult of saints. Secondly, I focus on visions because, where supernatural phenomena within hagiography have been studied, there has been an overwhelming emphasis on posthumous miracles, meaning that the functions of other phenomena have gone unexplored. The thesis begins with a close examination of my source base and the issues inherent in the creation, transmission, and historicity of hagiographies in Chapter 1. In Chapter 2, I contextualise my source base using archaeological evidence of the cult of saints, demonstrating in detail what we can learn from these texts and how to negotiate the issues with them. Then, in Chapters 3 and 4, I perform narratological analysis of the visions experienced by martyr saints and by laypeople, comparing them to illustrate that saints were portrayed as idealised Christians and that laypeople were instructed through visions how to participate in the cult in order to be allowed access to the divine.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility50
    visibilityviews50
    downloaddownloads41
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kowalski, RC;

    This thesis examines the first ten years of the campaign of political violence that was waged by the Provisional Irish Republican Army (PIRA) during the Northern Ireland Troubles (c.1969–1998). The primary aim is to understand how and why the PIRA chose to apply violence, and the consequences of these decisions. What is significant about this thesis, is the volume and range of PIRA violence that has been disaggregated and assessed – fatal and non-fatal acts of violence; targeted assassinations that were planned and executed as intended; operations that were stillborn, off-target, or thwarted by the security forces; attacks that maimed or killed unintended targets; and acts that were never intended to and did not cause physical harm to others. The work uncovers a richer account of the relationship between PIRA agency, chance, and the character and consequences of PIRA violence than has hitherto been possible. The research has involved a detailed investigation of the PIRA’s activity to establish how, when where and why the violence took different forms. The PIRA’s operations have been examined in minute detail to identify and evaluate the significance of various characteristics that are apparent in each stage of the process: its design, execution, outcome, and reception. This has involved first, identifying why the PIRA selected certain targets and tactics, and the extent to which they perpetrated violence with accuracy and discrimination in each scenario. Second, the different outcomes that are produced – directly or indirectly – as a result of PIRA violence (including the material damage, deaths and injuries caused) and the relationship between these outcomes and the actions taken by the perpetrator(s), have been explored. Finally, the thesis considers how and why the armed struggle was perceived in disparate ways by others.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility69
    visibilityviews69
    downloaddownloads231
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Beeton, A;

    This thesis explores the role of the parliamentary state in places of education during the period of the Rump Parliament (1649-53) by focusing on the committee for regulating the universities (CRU). Although there are many studies devoted to education and its reform during this period, the role of the state in this sphere is largely overlooked. This thesis addresses this oversight, demonstrating that the Commonwealth government and the regimes of the 1640s and 1650s more widely were important agents in educational matters and were deeply involved in places of learning. The Rump’s priorities for schools and universities are analysed and it is shown that the government wished to work inside the traditional structure of educational institutions rather than to overhaul them. This thesis also offers a fresh approach to the Commonwealth government and period. Historians often examine the Rump through its legislation and events at Westminster which results in a depiction of the government’s life as characterised by infrequent spasms of activity. The study below challenges this interpretation and argues that the regime ought to be analysed through the workings of its committees, like the CRU, and the implementation of its rule in institutional or local contexts. As is demonstrated, it is necessary to look at both the centre and the localities when discussing the Rump. This thesis thus focuses on both the members of government and those of educational establishments, examining the agency of the latter group and illustrating the widespread existence of cooperation and consensus in the period. To achieve its aims, this thesis adopts an archive-based approach and uses the records of numerous places of learning, including many not often included in histories of the period or education. New perspectives on both the Rump and key Commonwealth issues, including the ministry and propagation, emerge as a result.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility16
    visibilityviews16
    downloaddownloads48
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: O'Keeffe, EW;

    Military music was pervasive in Britain and Ireland during the French Wars but has received limited attention from historians. This thesis interprets martial music-making as a core military activity and an integral part of wider musical culture. A critical tool of communication and discipline, music sounded the alarm, aided recruitment, and governed soldiers’ routines and bodily movements. Officers invested heavily in military bands, regarding them as social amenities, sources of prestige, and essential for maintaining soldiers’ morale. Regiments competed and cooperated in a seller’s market for musical labour, engaging knowledgeable civilian performers and training a mass of novice instrumentalists through a cogent instructional programme. Attention to music reveals the depth and reciprocity of interactions between the military and society. Regimental bands provided sought-after entertainment at myriad public events, staged free open-air concerts for socially diverse audiences, and amplified wartime expressions of patriotism. Military performers also promoted cultural dissemination and exchange, rehearsing eclectic repertoires and adopting melodies from other regiments, armies, and peoples. Military mobilisation palpably shaped nineteenth-century musical culture. Volunteer and militia bands established in wartime continued playing together for decades after Waterloo while discharged regimental instrumentalists actively contributed to provincial and colonial musical life as teachers, performers, and retailers. The expansion of military music-making also encouraged the post-war spread of amateur wind and brass bands, which were often led by old soldiers and modelled on regimental lines. Ingrained in popular culture after two decades of conflict, martial music was widely emulated by political reformers with the involvement of musically trained ex-servicemen. Military music, in sum, was an everyday and intrusive part of wartime life, a source of entertainment and opportunity, and a politically charged exponent of both patriotism and protest. The legacies of martial music-making, as this thesis argues, echoed far beyond the barrack gates.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility30
    visibilityviews30
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roushannafas, T;

    This research sets out to assess the potential of geometric morphometric (GMM) outline analysis to refine taxonomy and analyse diversity among charred wheat grains preserved in archaeological deposits. An equivalent methodology is applied across three archaeological case studies, allowing for specific research questions and the parameters and effectiveness of the GMM approach to be assessed. Analysis of experimentally charred modern wheat accessions demonstrates that a combination of two-dimensional views enables taxonomic separation based on grain shape. Morphological diversity of grains is further explored as relating to a range of factors, including varietal-level distinctions, domestication status, growing conditions and crop processing. The first case study (Paper 1) concerns the taxonomic identification and domestication status of so-called ‘new glume wheat’ (NGW) at Neolithic Çatalhöyük (Central Anatolia), summarising existing evidence for a once-widely spread crop that has almost disappeared in the present day. Results indicate that NGW grains exhibit a strong morphological resemblance to Timopheev’s wheat (Triticum timopheevii), while morphological analysis of both grain and chaff suggest that this crop underwent a gradual co-evolutionary process of domestication during the Neolithic occupation sequence. Development of the crop is interpreted in the context of diverse plant food strategies at the site which helped to offset the risk of individual resource failure. The second case study (Paper 2) analyses ‘free-threshing’ wheat (FTW) grains from Neolithic Çatalhöyük and Kouphovouno (southern Greece), highlighting ambiguities in the early evidence for the two genetic groupings of ‘naked’ wheats. Results indicate that a tetraploid wheat resembling modern durum was cultivated at Kouphovouno, and support evidence of hexaploid wheat cultivation at Çatalhöyük. The findings build on theories of a more southerly route of tetraploid FTWs into Europe along the Mediterranean coast, with hexaploid FTW spreading through the Balkans and Carpathian basin into central Europe. Interpretation of results considers the sustainability of the regimes associated with these crops in the long term. The third case study (Paper 3) investigates the theorised introduction of tetraploid rivet wheat into Late Anglo-Saxon agriculture. Archaeological wheat grains are examined from twelve sites in central, eastern and south-west England, accessed through the ‘FeedSax’ (Feeding Anglo-Saxon England) project. Specimens closely resembling modern rivet wheat, and particularly traditional ‘Blue Cone’ rivet, are identified at multiple sites. The introduction of rivet is contextualised within a period of acceleration and innovation in arable production, including the strategic cultivation of a broader range of crops as corresponding to local conditions. The final study (Appendix 1) addresses related concerns, reporting on experiments comparing grain shape, size and yield of the same wheat variety grown under different agricultural regimes. Across the case studies, insights into diverse and flexible practices of cultivation in the past are interpreted in the context of contemporary concerns regarding sustainability and the loss of genetic diversity in modern wheat farming. Overall, findings indicate much potential for further exploration of morphological diversity in archaeobotanical cereal remains using GMM, a rapidly evolving field for which new archaeological applications are continuously emerging.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility18
    visibilityviews18
    downloaddownloads15
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nomoto, K;

    This thesis studies the widespread use of a kind of riding dress by the ruling class in the first half of Tang dynasty China (618-755). In contrast to the traditional type of dress of the Han people, generally a full-length attire with wide sleeves, the riding dress, an ensemble of tight-sleeved robe, trousers, belt and boots, had its origins in the typical attire of steppe peoples, developed out of the need to enhance efficiency and comfort while riding. The primary question of this thesis is: Why did the Tang elite choose to wear such practical clothing of foreign origin as ordinary attire? Previous studies tend to regard the diffusion of the riding dress as a natural consequence of the preceding situation, that is, the intrusion of steppe peoples and correspondingly of their clothing customs into mainland China during the Northern and Southern Dynasties period (386-589). This thesis tackles the question from a new angle, first, by effectively synthesising iconographic, textual and archaeological materials and, secondly, by taking into account recent historiography on Tang politics emphasising on the interethnic political networking at the Tang court in the context of the competitive and entangled interstate relationships in Eastern Eurasia that the Tang experienced in its attempt to survive. To incorporate people of diverse ethnic and cultural backgrounds into the political hierarchy, the Tang court needed a visual symbol of status and office that could be widely accepted by both the Han people and foreigners. This thesis defends that the riding dress served this role by being bestowed upon clients as a common insignia with Chinese titles and making the status ranking system visual. This thesis also reveals that the adoption of luxury silks with hybrid designs was an essential factor that contributed to elevating the status of the riding dress from a local steppe dress to a dress that suited the aristocrats’ tastes.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility19
    visibilityviews19
    downloaddownloads61
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Weir, JM;

    This thesis argues for a recentring of musicological narratives on the subject of ‘Vienna 1900’ and offers four case studies that examine the transformation of vernacular culture alongside the expansion of the city from 1870 to the outbreak of the First World War. I propose an alternative set of paradigms for understanding Vienna during this period by exploring musical life in the suburbs and the impact of urban planning on street music and noise. The main themes covered in my four chapters are: a study of sound and noise abatement campaigns in relation to political theatre and social crisis, moving from the voices of working-class communities to the musical experimentation of suburban enclaves; an extended biography of the Schrammelmusik phenomenon, its position on the threshold of two musical worlds, and its urban-rural networks that contributed to a blurring of boundaries between mythology and reality; an analysis of Wienerlied texts which provide sharply etched commentaries on metropolitan life at the edge of liberal bourgeois experience and their role in tracing the shifting subjectivities of suburban dwellers; and a portrait of clocks and barrel organs that channels the familiar image of the organ grinder through the idea of fractured temporalities, as revealed in different approaches to time synchronisation and urban rhythms. Throughout my four chapters, I emphasise the materiality of music-making at street level and the social fabric of suburban musical establishments. I aim to reposition narratives that stress fin-de-siècle Vienna as a place apart by adopting an expanded conception of centre and periphery relationships which reaches beyond the city and borderlands of neighbouring empires. I argue that by offering a more pluralistic notion of the vernacular, refracted through a study of acoustic and temporal environments, one can begin to understand more fully how the changing identities of Vienna’s population were intimately connected with the accelerated reconfiguration of the city towards the end of the nineteenth century.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oxford University Research Archive
    Doctoral thesis . 2023
    License: CC BY
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility36
    visibilityviews36
    downloaddownloads86
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oxford University Research Archive
      Doctoral thesis . 2023
      License: CC BY
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Holland, AW;

    This thesis is about the communication of collective identity in the landscape of Anglo-Saxon England. The goal of this research is to examine the way landscape was perceived in historical writing, and how landscape shaped the strategies by which political authority and collective identity was transmitted. Thus, this thesis is concerned with the relationship between practice and perception. From a historiographical perspective, this work will bring together three aspects of research that are sometimes not in simultaneous dialogue, namely: landscape, identity, and political history, providing an opportunity to synthesise major historiographical work, and demonstrate the interconnectedness of topics often dealt with in isolation. The central contention of this work is that the landscape was not ‘passive’ or mute; it was ideologically charged and fiercely contested. Not only did this guide political and social strategies, but it also underpinned historical writing, and the landscape itself could be used for rhetorical effect. The first major argument of this thesis is that Anglo-Saxon collective identity was layered and flexible, and it cannot be entirely determined or discussed in ethnic terms. As such, techniques that communicated collective identity needed to be robust enough to incorporate complex layers of Anglo-Saxon self-perception. It will be argued that ‘conflict’, as a broad process and set of interactions which were interpreted and communicated in historical writing, was an important way to locate collective identity in a landscape context. The places where battles took place and were memorialised, where assemblies publicly asserted the status of the military elite, and where acts of reconciliation took place were perceived as being significant and were incorporated into wider landscapes. Thus, the perception of the landscape, and the layers of meaning that it evoked in Anglo-Saxon society could subvert the traditional dichotomy of ‘core-and-periphery’ by emphasising the ideological significance of landscapes that might traditionally be understood as ‘peripheral’, such as forests, moors, or fens.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility27
    visibilityviews27
    downloaddownloads165
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Galan-Guerrero, L;

    This thesis examines the reform of the British Civil Service and its impact on society by providing the first systematic exploration of developments in the Treasury department between 1847 and 1914. It covers some of the most significant changes in the modern history of the British state in terms of appointments, promotions, pensions, and the development of a new idea of profession in the Civil Service from youth to old age. It reveals the interconnections between the aristocracy and the professions over the nineteenth century, and the Treasury’s key role in the professionalization of government administration. Existing scholarship on the Civil Service has provided the foundations of our understanding of reforms and public departments. However, few scholars have studied these processes from a social history perspective, exploring how reforms impacted the lives of civil servants, or how social structures shaped the new Civil Service profession. By analysing the Civil Service through the lenses of life cycle, family, and class, this study offers a new dimension to our understanding of the professionalization of the British state and society. Reforms evolved in ways that reflected and were influenced by changing attitudes to class, public office, life course, and family. Between 1847–1914, new Civil Service employment and career structures common to clerks from the aristocracy, middle classes, and working classes were developed, yet considerable disparities between the different levels of the Civil Service persisted. The professionalization of the British state played out in private as well as in public spheres, where family formations, intergenerational support, social connections, educational institutions, and voluntary associations meshed with the structures of the Civil Service in various forms in the late nineteenth century. By analysing the reform of the Civil Service from a social and cultural perspective and through thus far untapped sources, this thesis explores an important shift in British administrative, political, and social history.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility19
    visibilityviews19
    downloaddownloads88
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Beaudoin, I;

    At the heart of the late Anglo-Saxon political order lay a single relationship: the bond between the king and the powerful men of the realm. This thesis is concerned with the ways in which that relationship was established, then developed in written sources; centrally it will explore how kings forged such bonds with members of the lay elite. Chapter One argues that there is little evidence for the existence of a contemporary mentality in which kings attempted to use conceptual mechanisms to impose loyalty onto their men, either in legal or religious terms. Chapter Two proposes a new model for the analysis of royal diplomas for this period, wherein the strategic incentivisation of lay loyalty through the granting of bookland is revealed via the joint consideration of factors such as beneficiary status, rank, participation in the witan on the one hand, and estate size and location on the other. Chapter Three offers new interpretations of a range of extant royal policies from most reigns of the period in relation to the matter of loyalty, and demonstrates in this way that the surviving evidence for kings’ management of their relationships with their lay elites is overwhelmingly characterised by the same overarching principles of constancy, community and active leadership. The thesis concludes that the loyalty of the lay elite in this period could not be taken for granted by kings as a simple corollary of their consecration, but was instead actively cultivated and negotiated. Kings not only offered incentive programmes but created communities of shared interest, devising novel ways in which to define magnates’ identities through their loyalty to their king, and integrating those from frontier regions into the political and social fabric of West Saxon kingship.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility67
    visibilityviews67
    downloaddownloads52
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
Advanced search in Research products
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Agar, C;

    My thesis examines the functions of visions of heavenly beings in Coptic hagiography and their relationship to the cult of saints in Egypt. I use six saints’ hagiographical traditions as case studies: Kollouthos, Menas, Phoibammon of Preht, Merkourios, Viktor, son of Romanos, and James the Persian. My source base includes all the Coptic hagiographical texts in these saints’ traditions which contain visions experienced by them prior to their deaths and/or visions of them appearing posthumously to laypeople. I am thus able to understand the functions of visions through the writers’ choices in presenting them, and through that how they were perceived and utilised within the cult of saints. I achieve two aims. Firstly, I address the lack of attention that Coptic hagiography has received in both Late Antique and Byzantine Studies and Egyptology, showing that it contributes significantly to our understanding of the cult of saints. Secondly, I focus on visions because, where supernatural phenomena within hagiography have been studied, there has been an overwhelming emphasis on posthumous miracles, meaning that the functions of other phenomena have gone unexplored. The thesis begins with a close examination of my source base and the issues inherent in the creation, transmission, and historicity of hagiographies in Chapter 1. In Chapter 2, I contextualise my source base using archaeological evidence of the cult of saints, demonstrating in detail what we can learn from these texts and how to negotiate the issues with them. Then, in Chapters 3 and 4, I perform narratological analysis of the visions experienced by martyr saints and by laypeople, comparing them to illustrate that saints were portrayed as idealised Christians and that laypeople were instructed through visions how to participate in the cult in order to be allowed access to the divine.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility50
    visibilityviews50
    downloaddownloads41
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kowalski, RC;

    This thesis examines the first ten years of the campaign of political violence that was waged by the Provisional Irish Republican Army (PIRA) during the Northern Ireland Troubles (c.1969–1998). The primary aim is to understand how and why the PIRA chose to apply violence, and the consequences of these decisions. What is significant about this thesis, is the volume and range of PIRA violence that has been disaggregated and assessed – fatal and non-fatal acts of violence; targeted assassinations that were planned and executed as intended; operations that were stillborn, off-target, or thwarted by the security forces; attacks that maimed or killed unintended targets; and acts that were never intended to and did not cause physical harm to others. The work uncovers a richer account of the relationship between PIRA agency, chance, and the character and consequences of PIRA violence than has hitherto been possible. The research has involved a detailed investigation of the PIRA’s activity to establish how, when where and why the violence took different forms. The PIRA’s operations have been examined in minute detail to identify and evaluate the significance of various characteristics that are apparent in each stage of the process: its design, execution, outcome, and reception. This has involved first, identifying why the PIRA selected certain targets and tactics, and the extent to which they perpetrated violence with accuracy and discrimination in each scenario. Second, the different outcomes that are produced – directly or indirectly – as a result of PIRA violence (including the material damage, deaths and injuries caused) and the relationship between these outcomes and the actions taken by the perpetrator(s), have been explored. Finally, the thesis considers how and why the armed struggle was perceived in disparate ways by others.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility69
    visibilityviews69
    downloaddownloads231
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Beeton, A;

    This thesis explores the role of the parliamentary state in places of education during the period of the Rump Parliament (1649-53) by focusing on the committee for regulating the universities (CRU). Although there are many studies devoted to education and its reform during this period, the role of the state in this sphere is largely overlooked. This thesis addresses this oversight, demonstrating that the Commonwealth government and the regimes of the 1640s and 1650s more widely were important agents in educational matters and were deeply involved in places of learning. The Rump’s priorities for schools and universities are analysed and it is shown that the government wished to work inside the traditional structure of educational institutions rather than to overhaul them. This thesis also offers a fresh approach to the Commonwealth government and period. Historians often examine the Rump through its legislation and events at Westminster which results in a depiction of the government’s life as characterised by infrequent spasms of activity. The study below challenges this interpretation and argues that the regime ought to be analysed through the workings of its committees, like the CRU, and the implementation of its rule in institutional or local contexts. As is demonstrated, it is necessary to look at both the centre and the localities when discussing the Rump. This thesis thus focuses on both the members of government and those of educational establishments, examining the agency of the latter group and illustrating the widespread existence of cooperation and consensus in the period. To achieve its aims, this thesis adopts an archive-based approach and uses the records of numerous places of learning, including many not often included in histories of the period or education. New perspectives on both the Rump and key Commonwealth issues, including the ministry and propagation, emerge as a result.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility16
    visibilityviews16
    downloaddownloads48
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: O'Keeffe, EW;

    Military music was pervasive in Britain and Ireland during the French Wars but has received limited attention from historians. This thesis interprets martial music-making as a core military activity and an integral part of wider musical culture. A critical tool of communication and discipline, music sounded the alarm, aided recruitment, and governed soldiers’ routines and bodily movements. Officers invested heavily in military bands, regarding them as social amenities, sources of prestige, and essential for maintaining soldiers’ morale. Regiments competed and cooperated in a seller’s market for musical labour, engaging knowledgeable civilian performers and training a mass of novice instrumentalists through a cogent instructional programme. Attention to music reveals the depth and reciprocity of interactions between the military and society. Regimental bands provided sought-after entertainment at myriad public events, staged free open-air concerts for socially diverse audiences, and amplified wartime expressions of patriotism. Military performers also promoted cultural dissemination and exchange, rehearsing eclectic repertoires and adopting melodies from other regiments, armies, and peoples. Military mobilisation palpably shaped nineteenth-century musical culture. Volunteer and militia bands established in wartime continued playing together for decades after Waterloo while discharged regimental instrumentalists actively contributed to provincial and colonial musical life as teachers, performers, and retailers. The expansion of military music-making also encouraged the post-war spread of amateur wind and brass bands, which were often led by old soldiers and modelled on regimental lines. Ingrained in popular culture after two decades of conflict, martial music was widely emulated by political reformers with the involvement of musically trained ex-servicemen. Military music, in sum, was an everyday and intrusive part of wartime life, a source of entertainment and opportunity, and a politically charged exponent of both patriotism and protest. The legacies of martial music-making, as this thesis argues, echoed far beyond the barrack gates.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility30
    visibilityviews30
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Roushannafas, T;

    This research sets out to assess the potential of geometric morphometric (GMM) outline analysis to refine taxonomy and analyse diversity among charred wheat grains preserved in archaeological deposits. An equivalent methodology is applied across three archaeological case studies, allowing for specific research questions and the parameters and effectiveness of the GMM approach to be assessed. Analysis of experimentally charred modern wheat accessions demonstrates that a combination of two-dimensional views enables taxonomic separation based on grain shape. Morphological diversity of grains is further explored as relating to a range of factors, including varietal-level distinctions, domestication status, growing conditions and crop processing. The first case study (Paper 1) concerns the taxonomic identification and domestication status of so-called ‘new glume wheat’ (NGW) at Neolithic Çatalhöyük (Central Anatolia), summarising existing evidence for a once-widely spread crop that has almost disappeared in the present day. Results indicate that NGW grains exhibit a strong morphological resemblance to Timopheev’s wheat (Triticum timopheevii), while morphological analysis of both grain and chaff suggest that this crop underwent a gradual co-evolutionary process of domestication during the Neolithic occupation sequence. Development of the crop is interpreted in the context of diverse plant food strategies at the site which helped to offset the risk of individual resource failure. The second case study (Paper 2) analyses ‘free-threshing’ wheat (FTW) grains from Neolithic Çatalhöyük and Kouphovouno (southern Greece), highlighting ambiguities in the early evidence for the two genetic groupings of ‘naked’ wheats. Results indicate that a tetraploid wheat resembling modern durum was cultivated at Kouphovouno, and support evidence of hexaploid wheat cultivation at Çatalhöyük. The findings build on theories of a more southerly route of tetraploid FTWs into Europe along the Mediterranean coast, with hexaploid FTW spreading through the Balkans and Carpathian basin into central Europe. Interpretation of results considers the sustainability of the regimes associated with these crops in the long term. The third case study (Paper 3) investigates the theorised introduction of tetraploid rivet wheat into Late Anglo-Saxon agriculture. Archaeological wheat grains are examined from twelve sites in central, eastern and south-west England, accessed through the ‘FeedSax’ (Feeding Anglo-Saxon England) project. Specimens closely resembling modern rivet wheat, and particularly traditional ‘Blue Cone’ rivet, are identified at multiple sites. The introduction of rivet is contextualised within a period of acceleration and innovation in arable production, including the strategic cultivation of a broader range of crops as corresponding to local conditions. The final study (Appendix 1) addresses related concerns, reporting on experiments comparing grain shape, size and yield of the same wheat variety grown under different agricultural regimes. Across the case studies, insights into diverse and flexible practices of cultivation in the past are interpreted in the context of contemporary concerns regarding sustainability and the loss of genetic diversity in modern wheat farming. Overall, findings indicate much potential for further exploration of morphological diversity in archaeobotanical cereal remains using GMM, a rapidly evolving field for which new archaeological applications are continuously emerging.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility18
    visibilityviews18
    downloaddownloads15
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nomoto, K;

    This thesis studies the widespread use of a kind of riding dress by the ruling class in the first half of Tang dynasty China (618-755). In contrast to the traditional type of dress of the Han people, generally a full-length attire with wide sleeves, the riding dress, an ensemble of tight-sleeved robe, trousers, belt and boots, had its origins in the typical attire of steppe peoples, developed out of the need to enhance efficiency and comfort while riding. The primary question of this thesis is: Why did the Tang elite choose to wear such practical clothing of foreign origin as ordinary attire? Previous studies tend to regard the diffusion of the riding dress as a natural consequence of the preceding situation, that is, the intrusion of steppe peoples and correspondingly of their clothing customs into mainland China during the Northern and Southern Dynasties period (386-589). This thesis tackles the question from a new angle, first, by effectively synthesising iconographic, textual and archaeological materials and, secondly, by taking into account recent historiography on Tang politics emphasising on the interethnic political networking at the Tang court in the context of the competitive and entangled interstate relationships in Eastern Eurasia that the Tang experienced in its attempt to survive. To incorporate people of diverse ethnic and cultural backgrounds into the political hierarchy, the Tang court needed a visual symbol of status and office that could be widely accepted by both the Han people and foreigners. This thesis defends that the riding dress served this role by being bestowed upon clients as a common insignia with Chinese titles and making the status ranking system visual. This thesis also reveals that the adoption of luxury silks with hybrid designs was an essential factor that contributed to elevating the status of the riding dress from a local steppe dress to a dress that suited the aristocrats’ tastes.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility19
    visibilityviews19
    downloaddownloads61
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Weir, JM;

    This thesis argues for a recentring of musicological narratives on the subject of ‘Vienna 1900’ and offers four case studies that examine the transformation of vernacular culture alongside the expansion of the city from 1870 to the outbreak of the First World War. I propose an alternative set of paradigms for understanding Vienna during this period by exploring musical life in the suburbs and the impact of urban planning on street music and noise. The main themes covered in my four chapters are: a study of sound and noise abatement campaigns in relation to political theatre and social crisis, moving from the voices of working-class communities to the musical experimentation of suburban enclaves; an extended biography of the Schrammelmusik phenomenon, its position on the threshold of two musical worlds, and its urban-rural networks that contributed to a blurring of boundaries between mythology and reality; an analysis of Wienerlied texts which provide sharply etched commentaries on metropolitan life at the edge of liberal bourgeois experience and their role in tracing the shifting subjectivities of suburban dwellers; and a portrait of clocks and barrel organs that channels the familiar image of the organ grinder through the idea of fractured temporalities, as revealed in different approaches to time synchronisation and urban rhythms. Throughout my four chapters, I emphasise the materiality of music-making at street level and the social fabric of suburban musical establishments. I aim to reposition narratives that stress fin-de-siècle Vienna as a place apart by adopting an expanded conception of centre and periphery relationships which reaches beyond the city and borderlands of neighbouring empires. I argue that by offering a more pluralistic notion of the vernacular, refracted through a study of acoustic and temporal environments, one can begin to understand more fully how the changing identities of Vienna’s population were intimately connected with the accelerated reconfiguration of the city towards the end of the nineteenth century.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Oxford University Research Archive
    Doctoral thesis . 2023
    License: CC BY
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility36
    visibilityviews36
    downloaddownloads86
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Oxford University Research Archive
      Doctoral thesis . 2023
      License: CC BY
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Holland, AW;

    This thesis is about the communication of collective identity in the landscape of Anglo-Saxon England. The goal of this research is to examine the way landscape was perceived in historical writing, and how landscape shaped the strategies by which political authority and collective identity was transmitted. Thus, this thesis is concerned with the relationship between practice and perception. From a historiographical perspective, this work will bring together three aspects of research that are sometimes not in simultaneous dialogue, namely: landscape, identity, and political history, providing an opportunity to synthesise major historiographical work, and demonstrate the interconnectedness of topics often dealt with in isolation. The central contention of this work is that the landscape was not ‘passive’ or mute; it was ideologically charged and fiercely contested. Not only did this guide political and social strategies, but it also underpinned historical writing, and the landscape itself could be used for rhetorical effect. The first major argument of this thesis is that Anglo-Saxon collective identity was layered and flexible, and it cannot be entirely determined or discussed in ethnic terms. As such, techniques that communicated collective identity needed to be robust enough to incorporate complex layers of Anglo-Saxon self-perception. It will be argued that ‘conflict’, as a broad process and set of interactions which were interpreted and communicated in historical writing, was an important way to locate collective identity in a landscape context. The places where battles took place and were memorialised, where assemblies publicly asserted the status of the military elite, and where acts of reconciliation took place were perceived as being significant and were incorporated into wider landscapes. Thus, the perception of the landscape, and the layers of meaning that it evoked in Anglo-Saxon society could subvert the traditional dichotomy of ‘core-and-periphery’ by emphasising the ideological significance of landscapes that might traditionally be understood as ‘peripheral’, such as forests, moors, or fens.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility27
    visibilityviews27
    downloaddownloads165
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Galan-Guerrero, L;

    This thesis examines the reform of the British Civil Service and its impact on society by providing the first systematic exploration of developments in the Treasury department between 1847 and 1914. It covers some of the most significant changes in the modern history of the British state in terms of appointments, promotions, pensions, and the development of a new idea of profession in the Civil Service from youth to old age. It reveals the interconnections between the aristocracy and the professions over the nineteenth century, and the Treasury’s key role in the professionalization of government administration. Existing scholarship on the Civil Service has provided the foundations of our understanding of reforms and public departments. However, few scholars have studied these processes from a social history perspective, exploring how reforms impacted the lives of civil servants, or how social structures shaped the new Civil Service profession. By analysing the Civil Service through the lenses of life cycle, family, and class, this study offers a new dimension to our understanding of the professionalization of the British state and society. Reforms evolved in ways that reflected and were influenced by changing attitudes to class, public office, life course, and family. Between 1847–1914, new Civil Service employment and career structures common to clerks from the aristocracy, middle classes, and working classes were developed, yet considerable disparities between the different levels of the Civil Service persisted. The professionalization of the British state played out in private as well as in public spheres, where family formations, intergenerational support, social connections, educational institutions, and voluntary associations meshed with the structures of the Civil Service in various forms in the late nineteenth century. By analysing the reform of the Civil Service from a social and cultural perspective and through thus far untapped sources, this thesis explores an important shift in British administrative, political, and social history.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility19
    visibilityviews19
    downloaddownloads88
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Beaudoin, I;

    At the heart of the late Anglo-Saxon political order lay a single relationship: the bond between the king and the powerful men of the realm. This thesis is concerned with the ways in which that relationship was established, then developed in written sources; centrally it will explore how kings forged such bonds with members of the lay elite. Chapter One argues that there is little evidence for the existence of a contemporary mentality in which kings attempted to use conceptual mechanisms to impose loyalty onto their men, either in legal or religious terms. Chapter Two proposes a new model for the analysis of royal diplomas for this period, wherein the strategic incentivisation of lay loyalty through the granting of bookland is revealed via the joint consideration of factors such as beneficiary status, rank, participation in the witan on the one hand, and estate size and location on the other. Chapter Three offers new interpretations of a range of extant royal policies from most reigns of the period in relation to the matter of loyalty, and demonstrates in this way that the surviving evidence for kings’ management of their relationships with their lay elites is overwhelmingly characterised by the same overarching principles of constancy, community and active leadership. The thesis concludes that the loyalty of the lay elite in this period could not be taken for granted by kings as a simple corollary of their consecration, but was instead actively cultivated and negotiated. Kings not only offered incentive programmes but created communities of shared interest, devising novel ways in which to define magnates’ identities through their loyalty to their king, and integrating those from frontier regions into the political and social fabric of West Saxon kingship.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    visibility67
    visibilityviews67
    downloaddownloads52
    Powered by Usage counts
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/