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Pour cet épisode, je reçois Yannick Bardy, maître de conférences à l’université de Lille, membre du laboratoire CECILLE et chercheur associé au CRJ de l’Ehess. Il est historien, spécialiste des sociétés locales japonaises durant la période d’Edo (1600-1868).À travers ses recherches sur les sanctuaires shintō de la province d’Izumi, il nous présente le fonctionnement des sociétés villageoises du Japon de la période d’Edo.

Dans un objectif de renouvellement des approches de l’histoire du droit, ce dossier de Clio@Themis se consacre aux effets du genre sur le droit, dans une perspective historique, que ce soit dans sa définition, son élaboration, sa rédaction, son interprétation, son application ou sa perception. La définition retenue ici entend, dans une conception large, le genre comme un phénomène de construction matérielle, symbolique et hiérarchisée de la différence des sexes et des sexualités. Le prisme du genre permet d’interroger la nature même du droit, en questionnant les formes de domination de genre qui sous-tendent sa formation et sa mise en œuvre, notamment judiciaire. With the aim of renewing approaches to the history of law, this issue of Clio@Themis focuses on the effects of gender on the law, from a historical perspective, whether in terms of its definition, development, drafting, interpretation, application or perception. The definition adopted here takes a broad view of gender as a phenomenon of material, symbolic and hierarchical construction of the difference between the sexes and sexualities. The gender prism makes it possible to examine the very nature of the law, by questioning the forms of gender

Le projet d’humanités numériques RePPOL est une édition numérique (en XML et en LATEX) du manuscrit 128 conservé dans le fonds de la Parker Library (Corpus Christi College, Cambridge). Ce manuscrit 128 datant de 1543 a été compilé à la suite de l’accusation d’hérésie portée à l’encontre de l’archevêque de Cantorbéry Thomas Cranmer. Il contient les interrogatoires d’une centaine de clercs et de laïcs du Kent, témoignant des pratiques et des croyances dans une Angleterre secouée par la réforme voulue par Henri VIII. RePPOL is centered on MS 128 of Corpus Christi College, Cambridge. The manuscript was compiled in 1543 to document religious practices in Kent and to record evidence related to the attempt by conservative clergy and laity to discredit Archbishop Thomas Cranmer. The manuscript combines testimonies of evangelical beliefs and attitudes, conservative plotting and organising and documents unorthodox practices on all sides. https://reppol.meshs.fr/

The paper presents for the first time the imports of Spanish lustreware in Bulgaria. For a long time such ware remained neglected probably because there have been very few finds usually representing an insignificant segment of the ceramic assemblages from medieval settlements. However, to assume a supply of western goods is more than reasonable given the wide trade contacts of the Tarnovo Tsardom and the Dobrudzha Despotate during the 14th c., and the dominant role of the Italian maritime republics in the Black Sea trading region. The targeted search for Spanish imports in several museum collections confirmed their presence in six settlements along the Black Sea coast: Sozopol, Varna, Kastritsi, Kaliakra, the fortresses of Rusokastro and Petrich near Varna. The pottery included in the paper illustrates the 14th to 15th c. imports of the following well known in the European studies subgroups of Valencian production: loza valenciana malagueňa dorada y azul; loza valenciana dorada Pula; loza valenciana dorada clasicá. The presence of some 16th c. post-Valencian products, most probably originating from the workshops of Muel, Saragossa, is also suggested. Most of the examined finds show that Iberian imports, even though just a few, reached Bulgaria between the 1330s and the late 15th c., most likely due to Italian merchants. Numerous written sources prove that the main reason for the active policy followed by Genoa and Venice was the export of cheap cereals and raw materials. There is no explicit information about the import of ceramics but given the connections of the two maritime republics with Spanish ports, especially the Genoese ones, it can be assumed that they supplied luxury lustreware to both Bulgarian lands and cities on the North Black Sea coast.

In the course of rescue archaeological excavations of site 1/1000 at Baba Velika locality, located at the foot of Vrashka chuka in Northwest Bulgaria, the remains of an Early Iron Age site were encountered. This paper is focused on the pottery assemblage found during the rescue archaeological excavations at Vrashka chuka. The study presents the main characteristic of the Early Iron Age pottery found in the features and the general characteristics of the pottery found in the Early Iron Age cultural layer. It also discusses the recognizable shapes and decorative motifs and points out synchronous parallels. The study of the pottery assemblage from Vrashka chuka provided us with the opportunity to shed a new light on the development of the Early Iron Age in Northwest Bulgaria, and especially the district of the modern city of Vidin. The intensive archaeological excavations in recent years have opened a new page in the studies of the Early Iron Age in this part of Bulgaria, which so far was not studied in details.

https://www.clarin.eu/blog/recap-clarin-cafe-bilingual-and-multilingual-corpora

Modernité artistique chinoise; Pan Tianshou ᄞॠ䄓 (1897-1971) was a painter and a teacher of traditional Chinese Art. Close to the art of Wu Changshuo, he established the foundations of education in traditional painting in modern China. He regarded Chinese and Western art forms as having different roots and that any attempt to conflate the two expressions would only corrupt both of them. His painting is a reflection of the criteria and techniques of calligraphy and seal engraving. Yet, engaged in the modernization of China, he questioned the way to modernize traditional Chinese art. Liu Haisu 㴤ၹᔐ (1896-1994) is known for his oil painting that he learned from the age of fourteen. He traveled and stayed in Japan and the West and founded the Chinese Painting Academy of Shanghai, the first school of fine arts in modern China, where he advocated the learning of both types of painting. But what space can be given to calligraphy on an oil painting, as colophon does not exist in the West? How does one keep the calligraphic line in this new medium of oil painting? From the creative process of these two artists and through the prism of the education they received and their position toward the West, we will discuss the relationship between text and image in modern China. Two fields will hold our attention: first, the general aesthetic principles of the artists and their contribution to blending the Western modernity with the Chinese tradition or keeping them apart and second, the resulting visual research: the use of ink or oil, the quality of the line and the space of inscription and signature.; Pan Tianshou ᄞॠ䄓 (1897-1971) était un peintre et pédagogue d’art traditionnel chinois. Proche des recherches de Wu Changshuo, il construisit les bases de l’éducation en peinture traditionnelle de la Chine moderne. Selon lui, art chinois et art occidental avaient des racines différentes et toute tentative de mixité ne pouvait que les corrompre l’un et l’autre. Sa peinture était le reflet des critères et des techniques de la calligraphie et de la gravure de sceaux. Pourtant, homme engagé dans la modernisation de la Chine, il s’interrogea sur le moyen de moderniser l’art traditionnel chinois. Liu Haisu 㴤ၹᔐ(1896-1994) est réputé pour sa peinture à l’huile qu’il apprit dès l’âge de quatorze ans. Il voyagea et séjourna au Japon et en Occident et fonda la première école des beaux-arts de la Chine moderne, l’Académie de peinture chinoise de Shanghai, où il prôna l’apprentissage des deux types de peinture. Mais quelle place doit-on donner à la calligraphie sur un tableau à l’huile, alors même qu’en Occident la pratique du colophon n’existe pas ? Que garder de la ligne issue d’un usage calligraphique du pinceau dans ce nouveau medium qu’est la peinture à l’huile ? À partir de ces deux parcours et à travers le prisme de l’éducation reçue par les artistes et de leur positionnement par rapport à l’Occident, nous réfléchirons à la relation du texte et de l’image dans la Chine moderne. Deux axes retiendront notre attention : les partis pris esthétiques des artistes et leur positionnement par rapport à la tradition chinoise ainsi que les recherches plastiques qui en découlent : usages de l’encre et de l’huile, qualité du tracé, place du texte et de la signature.

Description of the kittajafr-v2-2.0.1; This guide presents KittajaFr-v2. It is a set of free resources and tools frequently used in machine translation, to build a Transformer model to translate from Japanese into French. The corpus contains 2,5M aligned segments. Score BLEU is between 13,5 et 11,5.; Ce guide présente le kit kittajafr-v2baseline. Il s'agit d'un ensemble de ressources et d'outils libres couramment utilisés en traduction automatique, permettant d'entraîner un modèle Transformer de traduction neuronale du japonais vers le français. Le corpus contient 2,5M de segments alignés de qualité variable. La segmentation (sentencePiece) du vocabulaire est fixée à 16K mots pour chaque langue et les embeddings sont de 256. Les scores BLEU se situent vers 13,5 et 11,5 (on dispose aussi des scores chrF). Le kittjafr-v2 fait suite à la version v1, qui permettait de construire un très petit modèle (score BLEU 3 et 7).

This dataset is intended for training and testing Logical Layout Analysis and recognition system on French historical documents published between 1900 and 1950. The original data is part of the "Fond régional: Franche-Comté", which is curated by Gallica, the digital portal of the Bibliothèque Nationale de France (BnF). It is available on Zenodo at the following adress: https://zenodo.org/record/5752440#.YboX6lPjJhE; This dataset is intended for training and testing Logical Layout Analysis and recognition system on French historical documents published between 1900 and 1950. The original data is part of the "Fond régional: Franche-Comté", which is curated by Gallica, the digital portal of the Bibliothèque Nationale de France (BnF). It is available on Zenodo at the following adress: https://zenodo.org/record/5752440#.YboX6lPjJhE

contribution à un site web; A historian and specialist of the Middle East, Professor Jean-Pierre Filiu is the author of the much acclaimed Le milieu des mondes. Pour une histoire laïque du Moyen Orient, de 395 à nos jours (The Middle of the Worlds: A Secular History of the Middle East from 395 CE to the Present), in which he adopts a distinctly secular approach, exploring and giving us keys to understanding one and a half millennia of the region’s history, starting with the founding of the Eastern Roman Empire in 395 CE. Jean-Pierre Filiu answers our questions. Interview by Miriam Périer, CERI.