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  • Digital Humanities and Cultural Heritage
  • 2019-2023
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  • Repositori Institucional URV
  • Norwegian Open Research Archives

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bredal-Tomren, Tom Sverre;

    In several church declarations dating as far back as the 1990s, it is stated that Sámi spirituality provides an important impulse for churches that want to develop ecotheology. In this article, I examine how two well-known Sámi priests, Bierna Leine Bientie and Tore Johnsen, have received this encouragement and what characterizes their ecotheological responses. By studying selected publications from these two, using established methods for the analysis of ecotheological texts, I show that they present an ecotheology that places more emphasis on building ecocentric worldviews than on promoting concrete solutions. This stands in contrast to the dominant theology in the Church of Norway, which places great emphasis on ethics in its statements. I conclude that Sámi theologians, measured against the findings in this analysis, challenge the church of Norway and other western churches to focus more on the connection between humans and other species and on the value of non-human nature in future ecotheological statements.

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    Authors: Ollé, Andreu; Lombao, Diego; Asryan, Lena; García-Medrano, Paula; +12 Authors

    Since the oldest known Acheulean lithic techno-typological features in Europe were reported at the site of Barranc de la Boella (Tarragona, Spain), continuous fieldwork has been conducted there in archeological deposits of the late Early Pleistocene age (0.99–0.78 Ma). As a result, excavations in two of the three open-air localities have significantly expanded the collection of lithic and faunal remains, allowing us to make progress in the interpretation of the hominin behaviors in an open-air fluvial-deltaic sedimentary environment. This includes examples of cumulative palimpsests, such as those found at the locality of La Mina, in which hominins only had a minimal role as modifying agents, as well as the extraordinary mammoth butchery site recorded at the Pit 1 locality. The aim of this paper is to present a comprehensive update of the collection of large shaped tools and to assess its significance in the framework of the earliest occurrence of the Acheulean in Europe. This cultural entity is increasingly well-documented for the early Middle Pleistocene, but very little is known about its presence in Europe before the Brunhes–Matuyama boundary. Large shaped tools appear in the three localities explored in the Unit II of Barranc de la Boella, including choppers (unifacial and bifacial) and standard Acheulean forms, such as picks, knives, and cleaver-like forms. Techno-typological and morphometrical analyses revealed a basic heavy-duty component obtained through simple shaping sequences coupled with significantly more elaborate tools produced on various large blanks (cobbles, slabs, or flakes). The complete bifacial and bilateral shapings have yet to be documented, but the present specific tool assemblage attests to the Early Acheulean technological threshold. Hence, the archaeological data from Barranc de la Boella provide insights into the first appearance of the Acheulean technology in Europe and add critical information to the debate on the technological variability of the Early Pleistocene hominin occupation of the continent. The results of this study revealed a technological assemblage unique in the known late Early Pleistocene archeological record from Europe, different from the rest of ancient Acheulean sites in this continent, which are dated at the Middle Pleistocene. This lends support to the hypothesis that Barranc de la Boella may represent a previously unrecognized Early Acheulean dispersion out of Africa connected to its first evidence at the gates of Eurasia, potentially moving over the northern Mediterranean coastal road to reach Western Europe.

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    Authors: De Andres-Sanchez, J; Belzunegui-Eraso, A; Souto-Romero, M;

    This paper tests the explanatory capability of the individual, organizational, environmental and job factors regarding Spanish workers’ perception of isolation and stress owing to working from home (WFH). We used a survey of the Spanish agency Centro de Investigaciones Sociológicas on the Spanish population’s perceptions of several aspects of information technologies that was carried out in March 2021. Information overload, work overload and isolation are perceived to be the principal factors involved in WFH. Because WFH could be inhibit professional development, drawbacks in the infrastructure include overload and impediments to career development as the most relevant variables to explain the perception of isolation. Age and balance between family and work also have explanatory power, but less so for isolation and stress. While people with intermediate ages are less sensitive to isolation and stress, having a correct balance between work and personal life is a protective factor against these effects. From the results in this paper, we outline several questions that must be addressed by labour authorities via legal regulations and by firms and workers to adapt organizational and working culture to ensure the efficient implementation of WFH settings compatible with employees’ well-being.

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    Authors: Brosa-Rodríguez, Antoni;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Titko, Jelena; Tambovceva, Tatjana; Atstāja, Dzintra; Lapinskaitė, Indrė; +3 Authors

    Publisher Copyright: © 2023 Jelena Titko et al. Sustainable economic development is driven by sustainable entrepreneurial activities, generated by the personal attitudes of entrepreneurs. The present and future of sustainable entrepreneurship are shaped by the youth, including students, which is why it is important to understand their attitudes towards this type of entrepreneurship. Therefore, the key goal of the research is to evaluate the attitudes and behaviours of the youth towards sustainability issues and sustainable entrepreneurship. The current article reflects the results of the second research stage and aims at evaluating attitudes towards sustainable entrepreneurship among Latvian and Lithuanian students. The results reveal that gender/age affect personal environmental attitudes, however gender/age has no effect on personal willingness to start a sustainable business. The analysis results of the personal attitudes to sustainable entrepreneurship differ by age and gender. Gender has no effect and age strongly affects personal attitudes to sustainable development. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Riga Stradiņš Univer...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Riga Stradiņš Univer...arrow_drop_down
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    Authors: Mantilla J;

    This article aims to analyze the use of digital communication technologies in the solidarity processes of Venezuelan migrants in Quito, Ecuador. The methodology applied was based on in-depth interviews and content analysis of WhatsApp groups. The research was conducted between June 2020 and March 2021. A non-probabilistic strategy (snowball sampling) was applied for the sampling. The results illustrate the dynamics of digital solidarity both in groups with strong ties (families) and weak ties. However, due to its qualitative nature, these results cannot be generalized. The conclusions show that in transnational families, solidarity develops from a sense of co-presence that allows the fulfillment of moral obligations, the generation of an economy of care, and emotional support. On the other hand, in the case of migrants without connective ties with each other, solidarity occurs through the construction of digital communities in large and impersonal groups.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: García-Díaz, José Antonio; Colomo-Palacios, Ricardo; Valencia-Garcia, Rafael;

    In general, people are usually more reluctant to follow advice and directions from politicians who do not have their ideology. In extreme cases, people can be heavily biased in favour of a political party at the same time that they are in sharp disagreement with others, which may lead to irrational decision making and can put people’s lives at risk by ignoring certain recommendations from the authorities. Therefore, considering political ideology as a psychographic trait can improve political micro-targeting by helping public authorities and local governments to adopt better communication policies during crises. In this work, we explore the reliability of determining psychographic traits concerning political ideology. Our contribution is twofold. On the one hand, we release the PoliCorpus-2020, a dataset composed by Spanish politicians’ tweets posted in 2020. On the other hand, we conduct two authorship analysis tasks with the aforementioned dataset: an author profiling task to extract demographic and psychographic traits, and an authorship attribution task to determine the author of an anonymous text in the political domain. Both experiments are evaluated with several neural network architectures grounded on explainable linguistic features, statistical features, and state-of-the-art transformers. In addition, we test whether the neural network models can be transferred to detect the political ideology of citizens. Our results indicate that the linguistic features are good indicators for identifying finegrained political affiliation, they boost the performance of neural network models when combined with embedding-based features, and they preserve relevant information when the models are tested with ordinary citizens. Besides, we found that lexical and morphosyntactic features are more effective on author profiling, whereas stylometric features are more effective in authorship attribution.

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    Authors: Barth, Theodor;

    Research portfolio THE PROBLEM: The collection of items available as uploads (left) are broadly concerned with a class of rhythmic events that that contain disturbing elements, or “hiccups”. Example: Firstly, secondly, weirdly and thirdly… Hiccups can occur in sequences that are either logical, procedural or both (editorial). They are e.g. relevant in connection with photogravure editions. Featuring elements that are unexplainable/irrelevant in the sequence. 1, 2, X and 3… (See Didi-Huberman for an in depth analysis of the question. Didi-Huberman, Georges. (2008). La ressemblance par contact—Archaeologie et modernité de l’empreinte. Minuit.) I am broadly scouting for ways of taking stock such odd elements to see if it is possible to intercept the weft of the passage from image- to object perception. This is done by asking a question, showing an image, and providing an answer. The images are the ones contained in the slide-show (featuring the Q&A at the end). Together, the sequence of 26 Q&As with an image, feature a matrix of the type that Christopher Alexander called a pattern (with the interception X added here). The argument for making an account and finding uses for hiccups is: if unattended they leave a long tail, a growing shadow discussed here in Goethe’s and Jung’s terms. If hiccups are understood as elements occurring in a sequence/edition for which there is no rule, nor any currently existing learning algorithm, then they will tend to aggregate. If left unaccounted and unattended they will grow on par with the power and multiplication of computers in human exchange (i.e., a long entropic tail). Hence we here have a candidate model to explain how human and environmental relations could escalate to states of exception in a variety of un/related areas. And alternatives of how to deal with them are within reach of research. A solution that eliminates the problem—or, an answer that eliminates the question—contains no knowledge. SYNOPSIS From the exhibition element shown in Gallery ROM61 at KMD, for the seminar Tracing Rhythm, a carousel of slides were slung in a spiral out of the Lineup called La Kahina. Her journey around the world as the wife of a diplomat called K, features a variety of homes: domestic interiors adapted to a variety of local circumstances and the job. On the backdrop of this adaptive enclosure the life and work of her husband: the Norwegian political positions in the global oil and gas-trade. Between them a middle zone dedicated to mundane and cultural events: La Kahina’s home is never quite private, and K’s diplomatic errands are never quite public. The middle zone is fringe-space between the private and public domains. It is compared with Goethe’s studio and Arne Næss cabin at Tvergastein (Hallingskarvet). From this an idea of a proximal space—smaller than the world but wider than the body—is connected to the come-and-go between studio-work and fieldwork. In this setting, three art works are compared in terms of how they differently combine field- and studio-work: William Kentridge, Geir Harald Samuelsen, Dragoş Gheorghiu. It is suggested that the vectorial sum of field- and studio-work are organised according to 3 material tropes (Karen Barad): entanglement, superposition and intra-action. From this it is further anticipated that complex phenomena will be composite in terms of these 3 tropes. Providing a ground work for understanding current critical turns. The two chief conversation partners are here Bruno Latour’s titles: Down to Earth (2018) and After lockdown (2021). The idea of the long-tail model above came from there. The essay (attached) was written in preparation to the seminar Tracing Rhythm to reach a ground zero from where the images could be at the forefront. The result was a hiccup: that is, it produced a phenomenological equivalent—or, the event—of Shannon’s definition of information as entropy. On account of the multiplication of images perceived owing to the many instrumental shifts in the production of a photogravure, the techniques becomes an experimental laboratory to explore image collapse into object perception. The Kahina lineup attempts to transpose the production of this transition into an exhibition space, in making the image to object perception available to the viewer in the form of a debatable proposition. However, the photogravure process also features an artistic proposition (exposition) as an active model of similar types of problem (outlined above): notably types of processes where object perception is indeterminately anticipated and proposed. Calling on a hammerbolt, or featuring a counter-beat. As an entry/exit device in working with diary materials—as is the case in the National Library residency in which the project is currently hatching—photgravure has a similar function as the wind-rose on maps. One that steers towards the hatching of an object. Most probably a book. The hosting PKU project—Matter Gesture and Soul—is one of the unique arenas where academic pursuits and research can combine with workshop premises of the art field. Matter Gesture and Soul (DIKU/KMD)

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    Authors: Gomez-Baggethun, Erik;

    Except for sleep, humans spend more of their lifetimes on work than on any other activity. Many people take for granted the centrality of work in society, conceiving the prevailing 40 h workweeks in high-income countries as a ‘natural’ configuration of time. However, work and working time have been fiercely contested phenomena and have taken many different forms throughout history as they were reshaped by technological development, social struggle, and changing cultural values. Drawing on insight from history, anthropological research, and time use studies, this paper attempts to broaden the frames harnessing current debates about the future of work. First, we examine evolving conceptions of work in different cultures. Second, we review patterns of working time throughout history, contrasting some widely held assumptions against the background of the long dur´ee. Finally, we present ideas and principles to rethink dominant conceptions about the meaning, purpose, volume, content, distribution, and remuneration of work along ecological economic principles of sustainability and justice. Work time reduction Post-growth Automation Sustainability Utopia History Degrowth

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    Authors: Stana, Ingeborg;

    The phenomenon of artistic research attracts a significant amount of attention because of the growing integration between art and science. At the same time, it remains a challenging research subject that is interpreted differently by various scientists and artists. This paper presents an attempt to investigate the role of artistic research in artists’ books. It aims to present a brief history of the artists’ books and show how various artists have captured the complex artistic processes, results, or the stories behind the works of art. The article discusses further the problem and potential of representation in artists´ books and examine the artists’ books as an effective mechanism of disseminating findings of artistic research. To present the complex artistic processes and the stories behind a work of art implies challenges. My own attempts to capture knowledge from my artistic research have been challenged while working on my own project the last year, and will be discussed. Eventually, the study will illustrate how artists’ books contribute to the process of capturing the reflections of artistic research and make the manifestations accessible to people outside of the formal contexts of the lecture halls.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bredal-Tomren, Tom Sverre;

    In several church declarations dating as far back as the 1990s, it is stated that Sámi spirituality provides an important impulse for churches that want to develop ecotheology. In this article, I examine how two well-known Sámi priests, Bierna Leine Bientie and Tore Johnsen, have received this encouragement and what characterizes their ecotheological responses. By studying selected publications from these two, using established methods for the analysis of ecotheological texts, I show that they present an ecotheology that places more emphasis on building ecocentric worldviews than on promoting concrete solutions. This stands in contrast to the dominant theology in the Church of Norway, which places great emphasis on ethics in its statements. I conclude that Sámi theologians, measured against the findings in this analysis, challenge the church of Norway and other western churches to focus more on the connection between humans and other species and on the value of non-human nature in future ecotheological statements.

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    Authors: Ollé, Andreu; Lombao, Diego; Asryan, Lena; García-Medrano, Paula; +12 Authors

    Since the oldest known Acheulean lithic techno-typological features in Europe were reported at the site of Barranc de la Boella (Tarragona, Spain), continuous fieldwork has been conducted there in archeological deposits of the late Early Pleistocene age (0.99–0.78 Ma). As a result, excavations in two of the three open-air localities have significantly expanded the collection of lithic and faunal remains, allowing us to make progress in the interpretation of the hominin behaviors in an open-air fluvial-deltaic sedimentary environment. This includes examples of cumulative palimpsests, such as those found at the locality of La Mina, in which hominins only had a minimal role as modifying agents, as well as the extraordinary mammoth butchery site recorded at the Pit 1 locality. The aim of this paper is to present a comprehensive update of the collection of large shaped tools and to assess its significance in the framework of the earliest occurrence of the Acheulean in Europe. This cultural entity is increasingly well-documented for the early Middle Pleistocene, but very little is known about its presence in Europe before the Brunhes–Matuyama boundary. Large shaped tools appear in the three localities explored in the Unit II of Barranc de la Boella, including choppers (unifacial and bifacial) and standard Acheulean forms, such as picks, knives, and cleaver-like forms. Techno-typological and morphometrical analyses revealed a basic heavy-duty component obtained through simple shaping sequences coupled with significantly more elaborate tools produced on various large blanks (cobbles, slabs, or flakes). The complete bifacial and bilateral shapings have yet to be documented, but the present specific tool assemblage attests to the Early Acheulean technological threshold. Hence, the archaeological data from Barranc de la Boella provide insights into the first appearance of the Acheulean technology in Europe and add critical information to the debate on the technological variability of the Early Pleistocene hominin occupation of the continent. The results of this study revealed a technological assemblage unique in the known late Early Pleistocene archeological record from Europe, different from the rest of ancient Acheulean sites in this continent, which are dated at the Middle Pleistocene. This lends support to the hypothesis that Barranc de la Boella may represent a previously unrecognized Early Acheulean dispersion out of Africa connected to its first evidence at the gates of Eurasia, potentially moving over the northern Mediterranean coastal road to reach Western Europe.

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    Authors: De Andres-Sanchez, J; Belzunegui-Eraso, A; Souto-Romero, M;

    This paper tests the explanatory capability of the individual, organizational, environmental and job factors regarding Spanish workers’ perception of isolation and stress owing to working from home (WFH). We used a survey of the Spanish agency Centro de Investigaciones Sociológicas on the Spanish population’s perceptions of several aspects of information technologies that was carried out in March 2021. Information overload, work overload and isolation are perceived to be the principal factors involved in WFH. Because WFH could be inhibit professional development, drawbacks in the infrastructure include overload and impediments to career development as the most relevant variables to explain the perception of isolation. Age and balance between family and work also have explanatory power, but less so for isolation and stress. While people with intermediate ages are less sensitive to isolation and stress, having a correct balance between work and personal life is a protective factor against these effects. From the results in this paper, we outline several questions that must be addressed by labour authorities via legal regulations and by firms and workers to adapt organizational and working culture to ensure the efficient implementation of WFH settings compatible with employees’ well-being.

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    Authors: Brosa-Rodríguez, Antoni;
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    Authors: Titko, Jelena; Tambovceva, Tatjana; Atstāja, Dzintra; Lapinskaitė, Indrė; +3 Authors

    Publisher Copyright: © 2023 Jelena Titko et al. Sustainable economic development is driven by sustainable entrepreneurial activities, generated by the personal attitudes of entrepreneurs. The present and future of sustainable entrepreneurship are shaped by the youth, including students, which is why it is important to understand their attitudes towards this type of entrepreneurship. Therefore, the key goal of the research is to evaluate the attitudes and behaviours of the youth towards sustainability issues and sustainable entrepreneurship. The current article reflects the results of the second research stage and aims at evaluating attitudes towards sustainable entrepreneurship among Latvian and Lithuanian students. The results reveal that gender/age affect personal environmental attitudes, however gender/age has no effect on personal willingness to start a sustainable business. The analysis results of the personal attitudes to sustainable entrepreneurship differ by age and gender. Gender has no effect and age strongly affects personal attitudes to sustainable development. Peer reviewed

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    Authors: Mantilla J;

    This article aims to analyze the use of digital communication technologies in the solidarity processes of Venezuelan migrants in Quito, Ecuador. The methodology applied was based on in-depth interviews and content analysis of WhatsApp groups. The research was conducted between June 2020 and March 2021. A non-probabilistic strategy (snowball sampling) was applied for the sampling. The results illustrate the dynamics of digital solidarity both in groups with strong ties (families) and weak ties. However, due to its qualitative nature, these results cannot be generalized. The conclusions show that in transnational families, solidarity develops from a sense of co-presence that allows the fulfillment of moral obligations, the generation of an economy of care, and emotional support. On the other hand, in the case of migrants without connective ties with each other, solidarity occurs through the construction of digital communities in large and impersonal groups.

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    Authors: García-Díaz, José Antonio; Colomo-Palacios, Ricardo; Valencia-Garcia, Rafael;

    In general, people are usually more reluctant to follow advice and directions from politicians who do not have their ideology. In extreme cases, people can be heavily biased in favour of a political party at the same time that they are in sharp disagreement with others, which may lead to irrational decision making and can put people’s lives at risk by ignoring certain recommendations from the authorities. Therefore, considering political ideology as a psychographic trait can improve political micro-targeting by helping public authorities and local governments to adopt better communication policies during crises. In this work, we explore the reliability of determining psychographic traits concerning political ideology. Our contribution is twofold. On the one hand, we release the PoliCorpus-2020, a dataset composed by Spanish politicians’ tweets posted in 2020. On the other hand, we conduct two authorship analysis tasks with the aforementioned dataset: an author profiling task to extract demographic and psychographic traits, and an authorship attribution task to determine the author of an anonymous text in the political domain. Both experiments are evaluated with several neural network architectures grounded on explainable linguistic features, statistical features, and state-of-the-art transformers. In addition, we test whether the neural network models can be transferred to detect the political ideology of citizens. Our results indicate that the linguistic features are good indicators for identifying finegrained political affiliation, they boost the performance of neural network models when combined with embedding-based features, and they preserve relevant information when the models are tested with ordinary citizens. Besides, we found that lexical and morphosyntactic features are more effective on author profiling, whereas stylometric features are more effective in authorship attribution.

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    Authors: Barth, Theodor;

    Research portfolio THE PROBLEM: The collection of items available as uploads (left) are broadly concerned with a class of rhythmic events that that contain disturbing elements, or “hiccups”. Example: Firstly, secondly, weirdly and thirdly… Hiccups can occur in sequences that are either logical, procedural or both (editorial). They are e.g. relevant in connection with photogravure editions. Featuring elements that are unexplainable/irrelevant in the sequence. 1, 2, X and 3… (See Didi-Huberman for an in depth analysis of the question. Didi-Huberman, Georges. (2008). La ressemblance par contact—Archaeologie et modernité de l’empreinte. Minuit.) I am broadly scouting for ways of taking stock such odd elements to see if it is possible to intercept the weft of the passage from image- to object perception. This is done by asking a question, showing an image, and providing an answer. The images are the ones contained in the slide-show (featuring the Q&A at the end). Together, the sequence of 26 Q&As with an image, feature a matrix of the type that Christopher Alexander called a pattern (with the interception X added here). The argument for making an account and finding uses for hiccups is: if unattended they leave a long tail, a growing shadow discussed here in Goethe’s and Jung’s terms. If hiccups are understood as elements occurring in a sequence/edition for which there is no rule, nor any currently existing learning algorithm, then they will tend to aggregate. If left unaccounted and unattended they will grow on par with the power and multiplication of computers in human exchange (i.e., a long entropic tail). Hence we here have a candidate model to explain how human and environmental relations could escalate to states of exception in a variety of un/related areas. And alternatives of how to deal with them are within reach of research. A solution that eliminates the problem—or, an answer that eliminates the question—contains no knowledge. SYNOPSIS From the exhibition element shown in Gallery ROM61 at KMD, for the seminar Tracing Rhythm, a carousel of slides were slung in a spiral out of the Lineup called La Kahina. Her journey around the world as the wife of a diplomat called K, features a variety of homes: domestic interiors adapted to a variety of local circumstances and the job. On the backdrop of this adaptive enclosure the life and work of her husband: the Norwegian political positions in the global oil and gas-trade. Between them a middle zone dedicated to mundane and cultural events: La Kahina’s home is never quite private, and K’s diplomatic errands are never quite public. The middle zone is fringe-space between the private and public domains. It is compared with Goethe’s studio and Arne Næss cabin at Tvergastein (Hallingskarvet). From this an idea of a proximal space—smaller than the world but wider than the body—is connected to the come-and-go between studio-work and fieldwork. In this setting, three art works are compared in terms of how they differently combine field- and studio-work: William Kentridge, Geir Harald Samuelsen, Dragoş Gheorghiu. It is suggested that the vectorial sum of field- and studio-work are organised according to 3 material tropes (Karen Barad): entanglement, superposition and intra-action. From this it is further anticipated that complex phenomena will be composite in terms of these 3 tropes. Providing a ground work for understanding current critical turns. The two chief conversation partners are here Bruno Latour’s titles: Down to Earth (2018) and After lockdown (2021). The idea of the long-tail model above came from there. The essay (attached) was written in preparation to the seminar Tracing Rhythm to reach a ground zero from where the images could be at the forefront. The result was a hiccup: that is, it produced a phenomenological equivalent—or, the event—of Shannon’s definition of information as entropy. On account of the multiplication of images perceived owing to the many instrumental shifts in the production of a photogravure, the techniques becomes an experimental laboratory to explore image collapse into object perception. The Kahina lineup attempts to transpose the production of this transition into an exhibition space, in making the image to object perception available to the viewer in the form of a debatable proposition. However, the photogravure process also features an artistic proposition (exposition) as an active model of similar types of problem (outlined above): notably types of processes where object perception is indeterminately anticipated and proposed. Calling on a hammerbolt, or featuring a counter-beat. As an entry/exit device in working with diary materials—as is the case in the National Library residency in which the project is currently hatching—photgravure has a similar function as the wind-rose on maps. One that steers towards the hatching of an object. Most probably a book. The hosting PKU project—Matter Gesture and Soul—is one of the unique arenas where academic pursuits and research can combine with workshop premises of the art field. Matter Gesture and Soul (DIKU/KMD)

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    Authors: Gomez-Baggethun, Erik;

    Except for sleep, humans spend more of their lifetimes on work than on any other activity. Many people take for granted the centrality of work in society, conceiving the prevailing 40 h workweeks in high-income countries as a ‘natural’ configuration of time. However, work and working time have been fiercely contested phenomena and have taken many different forms throughout history as they were reshaped by technological development, social struggle, and changing cultural values. Drawing on insight from history, anthropological research, and time use studies, this paper attempts to broaden the frames harnessing current debates about the future of work. First, we examine evolving conceptions of work in different cultures. Second, we review patterns of working time throughout history, contrasting some widely held assumptions against the background of the long dur´ee. Finally, we present ideas and principles to rethink dominant conceptions about the meaning, purpose, volume, content, distribution, and remuneration of work along ecological economic principles of sustainability and justice. Work time reduction Post-growth Automation Sustainability Utopia History Degrowth

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    Authors: Stana, Ingeborg;

    The phenomenon of artistic research attracts a significant amount of attention because of the growing integration between art and science. At the same time, it remains a challenging research subject that is interpreted differently by various scientists and artists. This paper presents an attempt to investigate the role of artistic research in artists’ books. It aims to present a brief history of the artists’ books and show how various artists have captured the complex artistic processes, results, or the stories behind the works of art. The article discusses further the problem and potential of representation in artists´ books and examine the artists’ books as an effective mechanism of disseminating findings of artistic research. To present the complex artistic processes and the stories behind a work of art implies challenges. My own attempts to capture knowledge from my artistic research have been challenged while working on my own project the last year, and will be discussed. Eventually, the study will illustrate how artists’ books contribute to the process of capturing the reflections of artistic research and make the manifestations accessible to people outside of the formal contexts of the lecture halls.

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