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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: William, S; Scott-Jackson, Professor William;

    Spatial analysis combines the capabilities of database systems with the presentation of computer mapping, to model the spatial relationships between archaeological entities and topography, such as defining catchment areas and the views from and to monuments. To date, such applications have generally taken a functional approach, treating spatial relationships, and space itself, as depersonalised and neutral. Here, spatial analysis is used to determine the cognitive locational criteria of people of three distinct periods, Lower/Middle Palaeolithic (lithic scatters), later prehistoric (banked enclosure) and Roman (road) on the Dickett’s Field high-level plateau. The advantages and disadvantages of alternative hypothetical locations were modelled and compared to the chosen locations, as indicated by the archaeological evidence. The results of this research demonstrate that spatial analysis can be used to model hypothetical locations and to identify the decision making criteria of past peoples.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: White, JA;

    In the global literature on violence and warfare, the Jōmon period of the prehistoric Japanese archipelago is renowned as an example of a complex hunter-gatherer culture with little evidence of violent conflict through its duration, whereas the subsequent agricultural Yayoi period is marked by numerous indicators of violence, including formalised weaponry and fortified villages. How violence was prevented or utilised during large-scale cultural and technological transitions in prehistory is an ongoing area of research, but it is clear that they cannot simply be explained by external pressures, rather the cultural context in which conflict management strategies are played-out is also a large deciding factor in whether or not disputes result in violence. In order to look at these dynamics with great resolution, this thesis aimed to systematically analyse the arguably most direct evidence for violence – traumatic skeletal lesion – from 29 sites dating to the Late–Final Jōmon (ca. 2540 – 435 BC) through the Yayoi (ca. 900 BC – 250 AD) periods, where agriculture first appeared in the Japanese archipelago. In total 250 Jōmon skulls and 174 Yayoi skeletons were examined for evidence of traumatic lesions likely related to violence. In order to facilitate the data analysis, a method of examining skeletal data in Geographical Information Systems (GIS) using an existing 3D model of the human skeleton was developed. The author modified a freely available 3D model of the skeleton (BodyParts3D licenced through Creative Commons) to be compatible with this thesis’ completeness recording methods. 3D features were then added to the model to represent instances of trauma. This novel method allowed for the creation of distinct analytical units which could be easily queried, compiled, and compared at the individual and group levels rather than simply representing completeness and trauma data in ad hoc diagrams or through singular 3D visualisations. The results demonstrate that, although it has been underestimated, the overall rates of violent trauma during the Jōmon are low, but that there are as of yet unexplored patterns in the occurrence of antemortem and perimortem trauma among the males and females of the period. The transition to the Yayoi is marked by an increase in healed trauma among the sites dating to the beginnings of the period. Perimortem trauma and trauma related to weaponry increase from the Early–Middle Yayoi period, but indicators of healed intragroup trauma persist. The implications of these findings are critically evaluated in relation to previous studies in the region and to patterns of violence from two case studies from European prehistory – the Mesolithic-–Neolithic transition and the Bronze Age.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Agar, C;

    My thesis examines the functions of visions of heavenly beings in Coptic hagiography and their relationship to the cult of saints in Egypt. I use six saints’ hagiographical traditions as case studies: Kollouthos, Menas, Phoibammon of Preht, Merkourios, Viktor, son of Romanos, and James the Persian. My source base includes all the Coptic hagiographical texts in these saints’ traditions which contain visions experienced by them prior to their deaths and/or visions of them appearing posthumously to laypeople. I am thus able to understand the functions of visions through the writers’ choices in presenting them, and through that how they were perceived and utilised within the cult of saints. I achieve two aims. Firstly, I address the lack of attention that Coptic hagiography has received in both Late Antique and Byzantine Studies and Egyptology, showing that it contributes significantly to our understanding of the cult of saints. Secondly, I focus on visions because, where supernatural phenomena within hagiography have been studied, there has been an overwhelming emphasis on posthumous miracles, meaning that the functions of other phenomena have gone unexplored. The thesis begins with a close examination of my source base and the issues inherent in the creation, transmission, and historicity of hagiographies in Chapter 1. In Chapter 2, I contextualise my source base using archaeological evidence of the cult of saints, demonstrating in detail what we can learn from these texts and how to negotiate the issues with them. Then, in Chapters 3 and 4, I perform narratological analysis of the visions experienced by martyr saints and by laypeople, comparing them to illustrate that saints were portrayed as idealised Christians and that laypeople were instructed through visions how to participate in the cult in order to be allowed access to the divine.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kowalski, RC;

    This thesis examines the first ten years of the campaign of political violence that was waged by the Provisional Irish Republican Army (PIRA) during the Northern Ireland Troubles (c.1969–1998). The primary aim is to understand how and why the PIRA chose to apply violence, and the consequences of these decisions. What is significant about this thesis, is the volume and range of PIRA violence that has been disaggregated and assessed – fatal and non-fatal acts of violence; targeted assassinations that were planned and executed as intended; operations that were stillborn, off-target, or thwarted by the security forces; attacks that maimed or killed unintended targets; and acts that were never intended to and did not cause physical harm to others. The work uncovers a richer account of the relationship between PIRA agency, chance, and the character and consequences of PIRA violence than has hitherto been possible. The research has involved a detailed investigation of the PIRA’s activity to establish how, when where and why the violence took different forms. The PIRA’s operations have been examined in minute detail to identify and evaluate the significance of various characteristics that are apparent in each stage of the process: its design, execution, outcome, and reception. This has involved first, identifying why the PIRA selected certain targets and tactics, and the extent to which they perpetrated violence with accuracy and discrimination in each scenario. Second, the different outcomes that are produced – directly or indirectly – as a result of PIRA violence (including the material damage, deaths and injuries caused) and the relationship between these outcomes and the actions taken by the perpetrator(s), have been explored. Finally, the thesis considers how and why the armed struggle was perceived in disparate ways by others.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Raw, A;

    This thesis brings multiple methodologies together to examine where we might find pleasure and sexual subjectivity for women in later medieval England. At once working to uncover the assumptions within historians’ theoretical frames and lay new groundwork, in the Introduction I explore the semantic and theoretical challenges, and propose some new methods, focussing on pleasure as an operative term.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Beeton, A;

    This thesis explores the role of the parliamentary state in places of education during the period of the Rump Parliament (1649-53) by focusing on the committee for regulating the universities (CRU). Although there are many studies devoted to education and its reform during this period, the role of the state in this sphere is largely overlooked. This thesis addresses this oversight, demonstrating that the Commonwealth government and the regimes of the 1640s and 1650s more widely were important agents in educational matters and were deeply involved in places of learning. The Rump’s priorities for schools and universities are analysed and it is shown that the government wished to work inside the traditional structure of educational institutions rather than to overhaul them. This thesis also offers a fresh approach to the Commonwealth government and period. Historians often examine the Rump through its legislation and events at Westminster which results in a depiction of the government’s life as characterised by infrequent spasms of activity. The study below challenges this interpretation and argues that the regime ought to be analysed through the workings of its committees, like the CRU, and the implementation of its rule in institutional or local contexts. As is demonstrated, it is necessary to look at both the centre and the localities when discussing the Rump. This thesis thus focuses on both the members of government and those of educational establishments, examining the agency of the latter group and illustrating the widespread existence of cooperation and consensus in the period. To achieve its aims, this thesis adopts an archive-based approach and uses the records of numerous places of learning, including many not often included in histories of the period or education. New perspectives on both the Rump and key Commonwealth issues, including the ministry and propagation, emerge as a result.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: O'Keeffe, EW;

    Military music was pervasive in Britain and Ireland during the French Wars but has received limited attention from historians. This thesis interprets martial music-making as a core military activity and an integral part of wider musical culture. A critical tool of communication and discipline, music sounded the alarm, aided recruitment, and governed soldiers’ routines and bodily movements. Officers invested heavily in military bands, regarding them as social amenities, sources of prestige, and essential for maintaining soldiers’ morale. Regiments competed and cooperated in a seller’s market for musical labour, engaging knowledgeable civilian performers and training a mass of novice instrumentalists through a cogent instructional programme. Attention to music reveals the depth and reciprocity of interactions between the military and society. Regimental bands provided sought-after entertainment at myriad public events, staged free open-air concerts for socially diverse audiences, and amplified wartime expressions of patriotism. Military performers also promoted cultural dissemination and exchange, rehearsing eclectic repertoires and adopting melodies from other regiments, armies, and peoples. Military mobilisation palpably shaped nineteenth-century musical culture. Volunteer and militia bands established in wartime continued playing together for decades after Waterloo while discharged regimental instrumentalists actively contributed to provincial and colonial musical life as teachers, performers, and retailers. The expansion of military music-making also encouraged the post-war spread of amateur wind and brass bands, which were often led by old soldiers and modelled on regimental lines. Ingrained in popular culture after two decades of conflict, martial music was widely emulated by political reformers with the involvement of musically trained ex-servicemen. Military music, in sum, was an everyday and intrusive part of wartime life, a source of entertainment and opportunity, and a politically charged exponent of both patriotism and protest. The legacies of martial music-making, as this thesis argues, echoed far beyond the barrack gates.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Caroe, H;

    Primary documentary sources attest to ‘oceanic’ beer drinking in Anglo-Saxon England; however, corresponding archaeological and archaeobotanical evidence has, to date, been conspicuously lacking. Archaeobotanical and structural evidence have together recently been used to designate a crop-processing complex, securely radiocarbon dated to the Mid Saxon era, at the site of Sedgeford in northwest Norfolk as, more specifically, a malting complex (comprising a steeping tank, and multiple germination floors and kilns): the earliest known in Anglo-Saxon England. The key archaeobotanical criterion signifying malting is abundant germinated cereal grains. The malting complex assemblage is, unusually, dominated by rye grains, and secondarily, free-threshing wheat. New methods for assessing germination in ‘naked’ grains such as rye and free-threshing wheat, based on external morphology as visible under a light microscope, are presented. Results are ‘triangulated’ with other novel analyses -- geometric morphometric analysis and scanning electron microscopy – for assessing germination in malting complex grains. Coherence in these results provides multi-stranded evidence for widespread germination, and hence malting, at Sedgeford. This study sets the malting complex in its broader socio-economic and cultural context: describing Sedgeford’s place in the contested Mid Saxon ‘agricultural revolution’. Stable isotope analysis and functional weed ecology together evidence all three components of the mooted ‘mouldboard plough package’: heavy plough use, extensification and, perhaps, early crop rotation, in the arable land supplying the malting complex. Further, results suggest Sedgeford may have been a ‘collection centre’ for harvested crops from surrounding arable land. Cultural continuity between the ‘eastern zone’ of England and northwest continental Europe in the era is increasingly recognised, and evidenced at the site. Rye was then commonly cultivated on the continent. Importation of rye-husbanding and -malting customs by recent immigrants to Sedgeford from littoral northwest Europe is tentatively hypothesised.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Roushannafas, T;

    This research sets out to assess the potential of geometric morphometric (GMM) outline analysis to refine taxonomy and analyse diversity among charred wheat grains preserved in archaeological deposits. An equivalent methodology is applied across three archaeological case studies, allowing for specific research questions and the parameters and effectiveness of the GMM approach to be assessed. Analysis of experimentally charred modern wheat accessions demonstrates that a combination of two-dimensional views enables taxonomic separation based on grain shape. Morphological diversity of grains is further explored as relating to a range of factors, including varietal-level distinctions, domestication status, growing conditions and crop processing. The first case study (Paper 1) concerns the taxonomic identification and domestication status of so-called ‘new glume wheat’ (NGW) at Neolithic Çatalhöyük (Central Anatolia), summarising existing evidence for a once-widely spread crop that has almost disappeared in the present day. Results indicate that NGW grains exhibit a strong morphological resemblance to Timopheev’s wheat (Triticum timopheevii), while morphological analysis of both grain and chaff suggest that this crop underwent a gradual co-evolutionary process of domestication during the Neolithic occupation sequence. Development of the crop is interpreted in the context of diverse plant food strategies at the site which helped to offset the risk of individual resource failure. The second case study (Paper 2) analyses ‘free-threshing’ wheat (FTW) grains from Neolithic Çatalhöyük and Kouphovouno (southern Greece), highlighting ambiguities in the early evidence for the two genetic groupings of ‘naked’ wheats. Results indicate that a tetraploid wheat resembling modern durum was cultivated at Kouphovouno, and support evidence of hexaploid wheat cultivation at Çatalhöyük. The findings build on theories of a more southerly route of tetraploid FTWs into Europe along the Mediterranean coast, with hexaploid FTW spreading through the Balkans and Carpathian basin into central Europe. Interpretation of results considers the sustainability of the regimes associated with these crops in the long term. The third case study (Paper 3) investigates the theorised introduction of tetraploid rivet wheat into Late Anglo-Saxon agriculture. Archaeological wheat grains are examined from twelve sites in central, eastern and south-west England, accessed through the ‘FeedSax’ (Feeding Anglo-Saxon England) project. Specimens closely resembling modern rivet wheat, and particularly traditional ‘Blue Cone’ rivet, are identified at multiple sites. The introduction of rivet is contextualised within a period of acceleration and innovation in arable production, including the strategic cultivation of a broader range of crops as corresponding to local conditions. The final study (Appendix 1) addresses related concerns, reporting on experiments comparing grain shape, size and yield of the same wheat variety grown under different agricultural regimes. Across the case studies, insights into diverse and flexible practices of cultivation in the past are interpreted in the context of contemporary concerns regarding sustainability and the loss of genetic diversity in modern wheat farming. Overall, findings indicate much potential for further exploration of morphological diversity in archaeobotanical cereal remains using GMM, a rapidly evolving field for which new archaeological applications are continuously emerging.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Paterson, E;

    In the late Elizabethan and Jacobean period, monopolies emerged as a crucial tool of crown financial policy. In response, subjects petitioned crown, council, and parliament to lament the changes these grants wrought on their trades and livelihoods. This thesis will offer an analysis of anti-monopoly petitioning activity between 1590-1625. It will demonstrate the vibrancy and sophistication of petitioning in this often-overlooked period, whilst illuminating the important intersection between politics and economics at the turn of the seventeenth century. This economic issue politicised subjects, who turned to petitioning to lament the effects of this intrusive form of prerogative finance. They embraced the opportunities to approach parliament, council, monarch, and even new commissions charged with managing economic petitions. Subjects proved willing to draw on wider discourses in political culture and economic thought as bargaining strategies within petitions designed to further their own economic interests. This thesis will adopt a case study approach, focusing on the monopolisation of leather, starch, glass, and cloth. It will draw on a range of sources, predominantly manuscript, from such archives as the State Papers and individual livery companies. The role of London’s livery and overseas trading companies both as petitioners, and as a source of concerted opposition themselves, will be explored throughout. In addition, the capacity for subjects to organise petitioning activity independently of the auspices of corporate organisation will be shown. By analysing often overlooked petitioning campaigns, the complex alliances between courtiers and artisans made possible in this era of monopolisation will also be illuminated. Through a focus on these anti-monopoly petitioning campaigns, this thesis will add to understandings of manuscript petitioning culture in the late Elizabethan and Jacobean periods, whilst demonstrating the importance of economic issues to the politics of the early modern public sphere.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: William, S; Scott-Jackson, Professor William;

    Spatial analysis combines the capabilities of database systems with the presentation of computer mapping, to model the spatial relationships between archaeological entities and topography, such as defining catchment areas and the views from and to monuments. To date, such applications have generally taken a functional approach, treating spatial relationships, and space itself, as depersonalised and neutral. Here, spatial analysis is used to determine the cognitive locational criteria of people of three distinct periods, Lower/Middle Palaeolithic (lithic scatters), later prehistoric (banked enclosure) and Roman (road) on the Dickett’s Field high-level plateau. The advantages and disadvantages of alternative hypothetical locations were modelled and compared to the chosen locations, as indicated by the archaeological evidence. The results of this research demonstrate that spatial analysis can be used to model hypothetical locations and to identify the decision making criteria of past peoples.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: White, JA;

    In the global literature on violence and warfare, the Jōmon period of the prehistoric Japanese archipelago is renowned as an example of a complex hunter-gatherer culture with little evidence of violent conflict through its duration, whereas the subsequent agricultural Yayoi period is marked by numerous indicators of violence, including formalised weaponry and fortified villages. How violence was prevented or utilised during large-scale cultural and technological transitions in prehistory is an ongoing area of research, but it is clear that they cannot simply be explained by external pressures, rather the cultural context in which conflict management strategies are played-out is also a large deciding factor in whether or not disputes result in violence. In order to look at these dynamics with great resolution, this thesis aimed to systematically analyse the arguably most direct evidence for violence – traumatic skeletal lesion – from 29 sites dating to the Late–Final Jōmon (ca. 2540 – 435 BC) through the Yayoi (ca. 900 BC – 250 AD) periods, where agriculture first appeared in the Japanese archipelago. In total 250 Jōmon skulls and 174 Yayoi skeletons were examined for evidence of traumatic lesions likely related to violence. In order to facilitate the data analysis, a method of examining skeletal data in Geographical Information Systems (GIS) using an existing 3D model of the human skeleton was developed. The author modified a freely available 3D model of the skeleton (BodyParts3D licenced through Creative Commons) to be compatible with this thesis’ completeness recording methods. 3D features were then added to the model to represent instances of trauma. This novel method allowed for the creation of distinct analytical units which could be easily queried, compiled, and compared at the individual and group levels rather than simply representing completeness and trauma data in ad hoc diagrams or through singular 3D visualisations. The results demonstrate that, although it has been underestimated, the overall rates of violent trauma during the Jōmon are low, but that there are as of yet unexplored patterns in the occurrence of antemortem and perimortem trauma among the males and females of the period. The transition to the Yayoi is marked by an increase in healed trauma among the sites dating to the beginnings of the period. Perimortem trauma and trauma related to weaponry increase from the Early–Middle Yayoi period, but indicators of healed intragroup trauma persist. The implications of these findings are critically evaluated in relation to previous studies in the region and to patterns of violence from two case studies from European prehistory – the Mesolithic-–Neolithic transition and the Bronze Age.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Agar, C;

    My thesis examines the functions of visions of heavenly beings in Coptic hagiography and their relationship to the cult of saints in Egypt. I use six saints’ hagiographical traditions as case studies: Kollouthos, Menas, Phoibammon of Preht, Merkourios, Viktor, son of Romanos, and James the Persian. My source base includes all the Coptic hagiographical texts in these saints’ traditions which contain visions experienced by them prior to their deaths and/or visions of them appearing posthumously to laypeople. I am thus able to understand the functions of visions through the writers’ choices in presenting them, and through that how they were perceived and utilised within the cult of saints. I achieve two aims. Firstly, I address the lack of attention that Coptic hagiography has received in both Late Antique and Byzantine Studies and Egyptology, showing that it contributes significantly to our understanding of the cult of saints. Secondly, I focus on visions because, where supernatural phenomena within hagiography have been studied, there has been an overwhelming emphasis on posthumous miracles, meaning that the functions of other phenomena have gone unexplored. The thesis begins with a close examination of my source base and the issues inherent in the creation, transmission, and historicity of hagiographies in Chapter 1. In Chapter 2, I contextualise my source base using archaeological evidence of the cult of saints, demonstrating in detail what we can learn from these texts and how to negotiate the issues with them. Then, in Chapters 3 and 4, I perform narratological analysis of the visions experienced by martyr saints and by laypeople, comparing them to illustrate that saints were portrayed as idealised Christians and that laypeople were instructed through visions how to participate in the cult in order to be allowed access to the divine.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kowalski, RC;

    This thesis examines the first ten years of the campaign of political violence that was waged by the Provisional Irish Republican Army (PIRA) during the Northern Ireland Troubles (c.1969–1998). The primary aim is to understand how and why the PIRA chose to apply violence, and the consequences of these decisions. What is significant about this thesis, is the volume and range of PIRA violence that has been disaggregated and assessed – fatal and non-fatal acts of violence; targeted assassinations that were planned and executed as intended; operations that were stillborn, off-target, or thwarted by the security forces; attacks that maimed or killed unintended targets; and acts that were never intended to and did not cause physical harm to others. The work uncovers a richer account of the relationship between PIRA agency, chance, and the character and consequences of PIRA violence than has hitherto been possible. The research has involved a detailed investigation of the PIRA’s activity to establish how, when where and why the violence took different forms. The PIRA’s operations have been examined in minute detail to identify and evaluate the significance of various characteristics that are apparent in each stage of the process: its design, execution, outcome, and reception. This has involved first, identifying why the PIRA selected certain targets and tactics, and the extent to which they perpetrated violence with accuracy and discrimination in each scenario. Second, the different outcomes that are produced – directly or indirectly – as a result of PIRA violence (including the material damage, deaths and injuries caused) and the relationship between these outcomes and the actions taken by the perpetrator(s), have been explored. Finally, the thesis considers how and why the armed struggle was perceived in disparate ways by others.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Raw, A;

    This thesis brings multiple methodologies together to examine where we might find pleasure and sexual subjectivity for women in later medieval England. At once working to uncover the assumptions within historians’ theoretical frames and lay new groundwork, in the Introduction I explore the semantic and theoretical challenges, and propose some new methods, focussing on pleasure as an operative term.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Beeton, A;

    This thesis explores the role of the parliamentary state in places of education during the period of the Rump Parliament (1649-53) by focusing on the committee for regulating the universities (CRU). Although there are many studies devoted to education and its reform during this period, the role of the state in this sphere is largely overlooked. This thesis addresses this oversight, demonstrating that the Commonwealth government and the regimes of the 1640s and 1650s more widely were important agents in educational matters and were deeply involved in places of learning. The Rump’s priorities for schools and universities are analysed and it is shown that the government wished to work inside the traditional structure of educational institutions rather than to overhaul them. This thesis also offers a fresh approach to the Commonwealth government and period. Historians often examine the Rump through its legislation and events at Westminster which results in a depiction of the government’s life as characterised by infrequent spasms of activity. The study below challenges this interpretation and argues that the regime ought to be analysed through the workings of its committees, like the CRU, and the implementation of its rule in institutional or local contexts. As is demonstrated, it is necessary to look at both the centre and the localities when discussing the Rump. This thesis thus focuses on both the members of government and those of educational establishments, examining the agency of the latter group and illustrating the widespread existence of cooperation and consensus in the period. To achieve its aims, this thesis adopts an archive-based approach and uses the records of numerous places of learning, including many not often included in histories of the period or education. New perspectives on both the Rump and key Commonwealth issues, including the ministry and propagation, emerge as a result.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford University Re...arrow_drop_down
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    Authors: O'Keeffe, EW;

    Military music was pervasive in Britain and Ireland during the French Wars but has received limited attention from historians. This thesis interprets martial music-making as a core military activity and an integral part of wider musical culture. A critical tool of communication and discipline, music sounded the alarm, aided recruitment, and governed soldiers’ routines and bodily movements. Officers invested heavily in military bands, regarding them as social amenities, sources of prestige, and essential for maintaining soldiers’ morale. Regiments competed and cooperated in a seller’s market for musical labour, engaging knowledgeable civilian performers and training a mass of novice instrumentalists through a cogent instructional programme. Attention to music reveals the depth and reciprocity of interactions between the military and society. Regimental bands provided sought-after entertainment at myriad public events, staged free open-air concerts for socially diverse audiences, and amplified wartime expressions of patriotism. Military performers also promoted cultural dissemination and exchange, rehearsing eclectic repertoires and adopting melodies from other regiments, armies, and peoples. Military mobilisation palpably shaped nineteenth-century musical culture. Volunteer and militia bands established in wartime continued playing together for decades after Waterloo while discharged regimental instrumentalists actively contributed to provincial and colonial musical life as teachers, performers, and retailers. The expansion of military music-making also encouraged the post-war spread of amateur wind and brass bands, which were often led by old soldiers and modelled on regimental lines. Ingrained in popular culture after two decades of conflict, martial music was widely emulated by political reformers with the involvement of musically trained ex-servicemen. Military music, in sum, was an everyday and intrusive part of wartime life, a source of entertainment and opportunity, and a politically charged exponent of both patriotism and protest. The legacies of martial music-making, as this thesis argues, echoed far beyond the barrack gates.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Caroe, H;

    Primary documentary sources attest to ‘oceanic’ beer drinking in Anglo-Saxon England; however, corresponding archaeological and archaeobotanical evidence has, to date, been conspicuously lacking. Archaeobotanical and structural evidence have together recently been used to designate a crop-processing complex, securely radiocarbon dated to the Mid Saxon era, at the site of Sedgeford in northwest Norfolk as, more specifically, a malting complex (comprising a steeping tank, and multiple germination floors and kilns): the earliest known in Anglo-Saxon England. The key archaeobotanical criterion signifying malting is abundant germinated cereal grains. The malting complex assemblage is, unusually, dominated by rye grains, and secondarily, free-threshing wheat. New methods for assessing germination in ‘naked’ grains such as rye and free-threshing wheat, based on external morphology as visible under a light microscope, are presented. Results are ‘triangulated’ with other novel analyses -- geometric morphometric analysis and scanning electron microscopy – for assessing germination in malting complex grains. Coherence in these results provides multi-stranded evidence for widespread germination, and hence malting, at Sedgeford. This study sets the malting complex in its broader socio-economic and cultural context: describing Sedgeford’s place in the contested Mid Saxon ‘agricultural revolution’. Stable isotope analysis and functional weed ecology together evidence all three components of the mooted ‘mouldboard plough package’: heavy plough use, extensification and, perhaps, early crop rotation, in the arable land supplying the malting complex. Further, results suggest Sedgeford may have been a ‘collection centre’ for harvested crops from surrounding arable land. Cultural continuity between the ‘eastern zone’ of England and northwest continental Europe in the era is increasingly recognised, and evidenced at the site. Rye was then commonly cultivated on the continent. Importation of rye-husbanding and -malting customs by recent immigrants to Sedgeford from littoral northwest Europe is tentatively hypothesised.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Roushannafas, T;

    This research sets out to assess the potential of geometric morphometric (GMM) outline analysis to refine taxonomy and analyse diversity among charred wheat grains preserved in archaeological deposits. An equivalent methodology is applied across three archaeological case studies, allowing for specific research questions and the parameters and effectiveness of the GMM approach to be assessed. Analysis of experimentally charred modern wheat accessions demonstrates that a combination of two-dimensional views enables taxonomic separation based on grain shape. Morphological diversity of grains is further explored as relating to a range of factors, including varietal-level distinctions, domestication status, growing conditions and crop processing. The first case study (Paper 1) concerns the taxonomic identification and domestication status of so-called ‘new glume wheat’ (NGW) at Neolithic Çatalhöyük (Central Anatolia), summarising existing evidence for a once-widely spread crop that has almost disappeared in the present day. Results indicate that NGW grains exhibit a strong morphological resemblance to Timopheev’s wheat (Triticum timopheevii), while morphological analysis of both grain and chaff suggest that this crop underwent a gradual co-evolutionary process of domestication during the Neolithic occupation sequence. Development of the crop is interpreted in the context of diverse plant food strategies at the site which helped to offset the risk of individual resource failure. The second case study (Paper 2) analyses ‘free-threshing’ wheat (FTW) grains from Neolithic Çatalhöyük and Kouphovouno (southern Greece), highlighting ambiguities in the early evidence for the two genetic groupings of ‘naked’ wheats. Results indicate that a tetraploid wheat resembling modern durum was cultivated at Kouphovouno, and support evidence of hexaploid wheat cultivation at Çatalhöyük. The findings build on theories of a more southerly route of tetraploid FTWs into Europe along the Mediterranean coast, with hexaploid FTW spreading through the Balkans and Carpathian basin into central Europe. Interpretation of results considers the sustainability of the regimes associated with these crops in the long term. The third case study (Paper 3) investigates the theorised introduction of tetraploid rivet wheat into Late Anglo-Saxon agriculture. Archaeological wheat grains are examined from twelve sites in central, eastern and south-west England, accessed through the ‘FeedSax’ (Feeding Anglo-Saxon England) project. Specimens closely resembling modern rivet wheat, and particularly traditional ‘Blue Cone’ rivet, are identified at multiple sites. The introduction of rivet is contextualised within a period of acceleration and innovation in arable production, including the strategic cultivation of a broader range of crops as corresponding to local conditions. The final study (Appendix 1) addresses related concerns, reporting on experiments comparing grain shape, size and yield of the same wheat variety grown under different agricultural regimes. Across the case studies, insights into diverse and flexible practices of cultivation in the past are interpreted in the context of contemporary concerns regarding sustainability and the loss of genetic diversity in modern wheat farming. Overall, findings indicate much potential for further exploration of morphological diversity in archaeobotanical cereal remains using GMM, a rapidly evolving field for which new archaeological applications are continuously emerging.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Paterson, E;

    In the late Elizabethan and Jacobean period, monopolies emerged as a crucial tool of crown financial policy. In response, subjects petitioned crown, council, and parliament to lament the changes these grants wrought on their trades and livelihoods. This thesis will offer an analysis of anti-monopoly petitioning activity between 1590-1625. It will demonstrate the vibrancy and sophistication of petitioning in this often-overlooked period, whilst illuminating the important intersection between politics and economics at the turn of the seventeenth century. This economic issue politicised subjects, who turned to petitioning to lament the effects of this intrusive form of prerogative finance. They embraced the opportunities to approach parliament, council, monarch, and even new commissions charged with managing economic petitions. Subjects proved willing to draw on wider discourses in political culture and economic thought as bargaining strategies within petitions designed to further their own economic interests. This thesis will adopt a case study approach, focusing on the monopolisation of leather, starch, glass, and cloth. It will draw on a range of sources, predominantly manuscript, from such archives as the State Papers and individual livery companies. The role of London’s livery and overseas trading companies both as petitioners, and as a source of concerted opposition themselves, will be explored throughout. In addition, the capacity for subjects to organise petitioning activity independently of the auspices of corporate organisation will be shown. By analysing often overlooked petitioning campaigns, the complex alliances between courtiers and artisans made possible in this era of monopolisation will also be illuminated. Through a focus on these anti-monopoly petitioning campaigns, this thesis will add to understandings of manuscript petitioning culture in the late Elizabethan and Jacobean periods, whilst demonstrating the importance of economic issues to the politics of the early modern public sphere.

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Oxford University Re...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao