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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mena Bodas, Raúl;

    This work studies the importance of the United States as a world power, focused on the advertising sector. An individualized and joint analysis of two of the most representative commercial brands at a global level is provided to verify the key figure they play in global society. Thanks to this analysis we observe how companies and the public relate through mutual demands in line with development and changing consumer trends. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2023/2024. Directores/as: Cristina Figueroa Domecq

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: López García, Cristina;

    This work attempts to verify if it is viable to create a new tour of mysteries and legends through the Madrid neighborhood of Malasaña. First, the history of dark tourism will be briefly explained, and then the viability of the aforementioned tour will be verified. This will be done through a public survey and a market analysis. Subsequently, the tour will be designed, including the creation of a new brand, with the corresponding communication plan to make it known by the public. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2023/2024. Directores/as: María Teresa Villacé Molinero

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Rodriguez Santamaria, Lucia;

    El suicidio es una de las principales causas de muerte en todo el mundo, y la principal forma de evitarlo es mediante su prevención. La prevención del suicidio no solo es importante para salvar vidas, también ayuda a mejorar las vidas de aquellas personas que lidien con estos pensamientos y mejora la salud mental de la población. Además, tratar la cuestión del suicidio no solo afecta a la persona que lo sufre, sino también a su entorno cercano, por eso la prevención y la reducción del estigma que lo acompaña, son cruciales. Este estudio investiga y desarrolla la aplicación de Inteligencia Artificial para la prevención del suicidio en redes sociales, mediante el desarrollo de un clasificador que identifique publicaciones con y sin tendencias suicidas, con el objetivo de brindar la asistencia oportuna a aquellos que están en riesgo. Para obtener un modelo de clasificación fiable se realizan varios experimentos, con el fin de encontrar el modelo que logre el mejor rendimiento. Una vez obtenido este modelo, ha sido integrado en una aplicación que permite ponerlo a prueba con publicaciones reales extraídas de Twitter. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2022/2023. Directores/as: Alberto Fernández Gil

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Benito Gracia, Miguel Jose;

    El discurso de odio es un fenómeno que inunda las redes sociales en la actualidad y, cada vez más, requiere de un estudio exhaustivo para comprenderlo en profundidad y encontrar contramedidas efectivas. Ante la ausencia de herramientas flexibles para el análisis de fenómenos de esta índole, se propone un sistema de información modular cuyo cometido es recoger publicaciones de redes sociales y almacenarlas para su posterior procesado y análisis. Se proponen además mecanismos de procesado adicionales para la extracción de conocimiento, como es en este caso la clasificación de texto mediante NLP, empleando tecnologías pioneras de Deep Learning como son los modelos de lenguaje Transformer. Esta información generada nos permite realizar análisis en mayor profundidad y de fenómenos que antes eran imposibles de estudiar de forma automatizada. A lo largo del desarrollo, mantener la modularidad ha sido una prioridad para facilitar la flexibilidad del sistema a la hora de adaptarse a diferentes redes sociales u objetivos de investigación si estas requieren la sustitución de alguno de los módulos. El diseño orientado a objetos del sistema permite diseñar interfaces universales entre las clases para poder reemplazarlas con facilidad. Para interactuar universalmente con sistemas externos, el sistema dispone de conectores que también actúan de interfaz entre ambas partes. Finalmente, se ha propuesto un ejemplo de uso del sistema a través de una prueba de análisis. Esta prueba ha demostrado que el sistema no solamente cumple con su función, sino que además ha podido aportar información de suficiente corrección y calidad como para obtener unos resultados de análisis coherentes. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2022/2023. Directores/as: Antonio González Pardo

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao

    This anthology explores the memory work performed by Baltic and Central and East European far-right actors in the online space. Situated at the crossroads between memory studies, far-right studies, and media studies, the volume’s seven chapters show how a wide range of far-right actors, from small movements to major parties, have exploited digital communication technologies in order to establish their plays with the past in the mainstream discourses of their respective national contexts. With a focus on the online memory work of the far right in Austria, Belarus, Czechia, Lithuania, Romania, Sweden, and Ukraine, the anthology dissects the nexus between politics, media, and memory to show how digital communication have empowered the memory work of marginal but dangerous societal actors. As the different contributions show, the online space has raised the visibility and success of organised intolerant groups and, consequently, it has magni ed the societal impact of their memory work. Thanks to digital media, the memory work of the far right can compete on an equal footing with state-endorsed memory politics. rough manipulation of the historical narrative and thereby the perception and understanding of the past in civil societies, on websites, blogs, and social media, the far right has succeeded in overcoming its marginality and in normalising its messages of intolerance on a continental scale. Åke Wibergs Stiftelse, H20-0051

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitala Vetenskapli...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitala Vetenskapli...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao

    Историографски чланци и расправе. Књ. 1 и 2 / Василије Ђ. Крестић ; уредник Михаило Војводић. – Београд : САНУ ; Нови Сад : Матица српска, 2020. Говорили: академик Василије Ђ. Крестић, академик Славенко Терзић, др Софија Божић. У Београду, уторак 23. новембар 2021. у 13 часова.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao DAIS - Digitalni arh...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao DAIS - Digitalni arh...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Temür, Bora;

    MÖ. 2. binyılın başı ile birlikte Batı Anadolu'da gerek kültürel gerekse sosyal örgütlenme bağlamında daha karmaşık ve yerel unsurların ön plana çıktığı bir sürece girilmiştir. Beycesultan Höyük'te tüm aşamaları kesintisiz biçimde izlenebilen bu sürecin kültürel unsurlarının detaylı biçimde ele alınması, özellikle İç Batı Anadolu'nun kültürel ve kronolojik sürecinin aydınlatılması açısından büyük önem arz etmektedir. Beycesultan Höyük'te son yıllarda gerçekleştirilen kazılar, Orta Tunç Çağı ve Geç Tunç Çağı tabakaları üzerine odaklanmıştır. Söz konusu çalışmalar sonucunda Beycesultan Höyük'ün tabakalanması büyük ölçüde değiştirilmiştir. Bu projenin konusunu oluşturan Beycesultan Höyük'ün Orta Tunç Çağı, eski tabakalanmada V ve IV. tabakalar ile yeni tabakalanmada ise 10-7. tabakalar ile temsil edilmektedir. Tarafımızdan 2012-2019 kazı sezonlarında araştırılmış olan Orta Tunç Çağı tabakaları henüz başlangıç aşamasında olmakla birlikte daha şimdiden özellikle kronolojik bağlamda bazı yeni sonuçlar vermiştir. Ġlk dönem kazı çalışmalarında Orta Tunç Çağı tabakaların tarihlendirilmesinin daha çok göreli tarihleme yöntemleri ile yapılması ve V. tabakadan elde edilen radyokarbon analiz sonucunun arkeolojik verilerle desteklenmemesinden ötürü tabakaların tarihlenmesinin tatmin edici bir düzeye ulaşmamasına neden olmuştur. Yeni yapılan kazılar sonucunda V ve IVc ile ilişkilendirilen 10. ve 7. Tabakadan elde edilen radyokarbon analiz sonuçları bu tabakaların daha önce önerilen tarihlerden daha erkene çekilmesi gerektiğini göstermiştir. With the beginning of the second millennium BC, a process was introduced in Western Anatolia in the context of both cultural and social organization, where more complex and local elements came to the fore. In Beycesultan Höyük, the cultural aspects of this process, which can be monitored without interruption, are of great importance, especially in terms of enlightening the cultural and chronological process of Central Western Anatolia. Excavations in Beycesultan Höyük in recent years have focused on the Middle Bronze Age and Late Bronze Age levels. As a result of these studies, the stratification of Beycesultan Höyük has been changed to a great extent. The Middle Bronze Age levels of Beycesultan Höyük, which constitute the subject of this project, are in the old stratification V and IV, 10-7 in new stratification. The Middle Bronze Age levels, which have been explored by us during the 2012-2019 excavation seasons, are still in their infancy, but have already yielded some new results, especially in a chronological context. In the early excavations, the dating of the Middle Bronze Age layers was mostly done with relative dating methods, and the result of the radiocarbon analysis obtained from the 5th layer was not supported by archaeological data, which caused the dating of the layers to not reach a satisfactory level. Radiocarbon analysis results obtained from Layers 10 and 7 associated with V and IVc as a result of the new excavations showed that these layers should be pulled earlier than the previously suggested dates.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Ege University Insti...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Ege University Insti...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Vilarrúbias Cuadras, Daniel;

    El moro ha sido históricamente en Cataluña -y en buena parte de la Península- un recurso muy poderoso de construcción identitaria a través de la alteridad. La razón es que se asociaba a todo aquello que era ajeno o diferente al universo mental autóctono. La aparición del moro en contextos festivos conlleva una clara intencionalidad política por parte de las clases dominantes (monarquía e Iglesia): se trataba de crear una imagen que permtiese definir con nitidez al moro como un enemigo cultural de la sociedad, un adversario político y territorial. En esta tesis se tratan las entrades reales y fastos regios, así como la nueva fiesta del Corpus Christi y la posterior creación de las fiestas patronales como principales marcos contextuales donde ubicar dichas plasmaciones, las cuales iban cargadas ideológicamente con este componente de intencionalidad, componente que se incrementó claramente a partir de los siglos XVI y XVII, después de la pérdida de Constantinopla en 1453 y con la proliferación de corsarios por todo el Mediterráneo. También se realiza el seguimiento histórico exhaustivo de la Turquía o Patera, un entremès de moros y cristianos que se documenta en Igualada (Barcelona) entre 1489 y 1896. De origen seguramente anterior, dicha representación podría considerarse como la más importante de su género en Cataluña, almenos entre las que tuvieron continuidad regular en lo que afecta a sus apariciones. Además, esta plasmación festiva parece tenir consecuencias de rabiosa actualidad en la fiesta de Reyes que se celebra desde 1899 en dicha localidad. Actualmente dicha fiesta pasa por un proceso de replanteamiento ya que se contemplan possibles incomodidades por parte de col·lectivos potencialment racializados. El moro ha suposat històricament a Catalunya -i bona part de la Península Ibèrica- un poderós recurs de construcció d'identitat mitjançant l'alteritat, ja que s'associava a tot allò que era aliè i diferent a l'univers mental autòcton. L'aparició del moro en contextos festius portava associada una manifesta intencionalitat política per part de les classes dominants (monarquia i església): es tractava de crear una imatge que permetés definir amb nitidesa el moro com un enemic social i cultural, un adversari polític i territorial. En aquesta tesi s'aborden les entrades i festes reials, la nova festa del Corpus Christi i la posterior aparició de les festes patronals com els marcs de creació de contextos on ubicar aquestes plasmacions, les quals anaven carregades ideològicament amb aquest component intencionat, fortament incrementat a partir dels segles XVI i XVII després de la caiguda de Constantinoble l'any 1453 i amb la proliferació de corsaris per tota la Mediterrània. També es realitza el seguiment exhaustiu de la Turquia o Patera, un entremès de moros i cristians que es documenta a Igualada (Barcelona) entre 1489 i 1896. D'origen segurament anterior, aquesta representació podria considerar-se com la més important del seu gènere a Catalunya d'entre les que tingueren una continuïtat regular pel que fa a les seves aparicions. A més, aquesta plasmació festiva sembla tenir conseqüències rabiosament contemporànies en la festa dels Reis que des de 1899 se celebra a la mateixa població. Aquesta festa actualment viu un procés de replantejament per la possible incomoditat dels col·lectius potencialment racialitzats. Historically, the figure of the moor has been used as a powerful identity-building device. The importance of this resource in Catalonia and most of the Iberian Peninsula lies in the idea of alterity, linked to what was considered as foreign or strange. In a festive context, the moors appear tied up to the political purpose of the ruling classes (Monarchy and Church) of defining them as social and political enemies. In this thesis, we address how the royal entries and royal celebrations, as well as the new Feast of Corpus Christi and festivities of the patron saints, were used as an ideological framework and showcase. These events provided the necessary context for the new negative conception of the moors to be instilled - a project that saw increasing success during the 16th and 17th centuries, coinciding with the fall of Constantinople in 1453 and the expansion of privateering in the Mediterranean Sea. We have also made an extensive historical analysis of a show called Turquia or Patera (Moors and Christians), held in Igualada (Barcelona) from 1489 to 1896. Even though we could probably talk of an earlier origin, this festivity can be considered perhaps as the most relevant of its genre in Catalonia. Moreover, it appears to have had obvious effects and consequences in another local festivity, "Reis" (the Three Wise Men), which is celebrated in the city since 1899 and is currently under analysis to rid it of its possibly offensive ethnic traits.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Puncello, Irene; Caprili, Silvia; Roca Fabregat, Pedro;

    Monumental historical buildings are worldwide recognized as a fundamental component of the World Cultural Heritage to be preserved for future generations. Their structural performance analysis needs to face challenging issues such as the usually limited initial knowledge, the generally large dimensions, and the great structural complexity coming from overlapped construction phases over centuries. The structural behavior of historical constructions, therefore, differs from ordinary buildings, since resulting from the interaction of different parts, recognizable as ‘structural units’. A methodology accounting for all the peculiarities of monumental masonry buildings is proposed with reference to the specific case study of La Certosa di Calci (Italy). The monumental cluster is ideally decomposed into its structural units based on a preliminary knowledge phase, allowing to perform detailed structural analyses only on selected areas without resorting to a cumbersome and time demanding global model. The aggregate-effect influence over the structural behavior of a single unit is investigated by means of nonlinear analysis performed on different configurations. Achieved results are accurately analyzed, finally proposing a simplified model where one structural unit is represented through a FEM model and the interaction effects due to the adjacent portions are simulated through a calibrated spring system. The final publication is available at Springer via http://dx.doi.org/10.1007/s10518-022-01397-w Peer Reviewed

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mena Bodas, Raúl;

    This work studies the importance of the United States as a world power, focused on the advertising sector. An individualized and joint analysis of two of the most representative commercial brands at a global level is provided to verify the key figure they play in global society. Thanks to this analysis we observe how companies and the public relate through mutual demands in line with development and changing consumer trends. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2023/2024. Directores/as: Cristina Figueroa Domecq

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: López García, Cristina;

    This work attempts to verify if it is viable to create a new tour of mysteries and legends through the Madrid neighborhood of Malasaña. First, the history of dark tourism will be briefly explained, and then the viability of the aforementioned tour will be verified. This will be done through a public survey and a market analysis. Subsequently, the tour will be designed, including the creation of a new brand, with the corresponding communication plan to make it known by the public. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2023/2024. Directores/as: María Teresa Villacé Molinero

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Rodriguez Santamaria, Lucia;

    El suicidio es una de las principales causas de muerte en todo el mundo, y la principal forma de evitarlo es mediante su prevención. La prevención del suicidio no solo es importante para salvar vidas, también ayuda a mejorar las vidas de aquellas personas que lidien con estos pensamientos y mejora la salud mental de la población. Además, tratar la cuestión del suicidio no solo afecta a la persona que lo sufre, sino también a su entorno cercano, por eso la prevención y la reducción del estigma que lo acompaña, son cruciales. Este estudio investiga y desarrolla la aplicación de Inteligencia Artificial para la prevención del suicidio en redes sociales, mediante el desarrollo de un clasificador que identifique publicaciones con y sin tendencias suicidas, con el objetivo de brindar la asistencia oportuna a aquellos que están en riesgo. Para obtener un modelo de clasificación fiable se realizan varios experimentos, con el fin de encontrar el modelo que logre el mejor rendimiento. Una vez obtenido este modelo, ha sido integrado en una aplicación que permite ponerlo a prueba con publicaciones reales extraídas de Twitter. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2022/2023. Directores/as: Alberto Fernández Gil

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Benito Gracia, Miguel Jose;

    El discurso de odio es un fenómeno que inunda las redes sociales en la actualidad y, cada vez más, requiere de un estudio exhaustivo para comprenderlo en profundidad y encontrar contramedidas efectivas. Ante la ausencia de herramientas flexibles para el análisis de fenómenos de esta índole, se propone un sistema de información modular cuyo cometido es recoger publicaciones de redes sociales y almacenarlas para su posterior procesado y análisis. Se proponen además mecanismos de procesado adicionales para la extracción de conocimiento, como es en este caso la clasificación de texto mediante NLP, empleando tecnologías pioneras de Deep Learning como son los modelos de lenguaje Transformer. Esta información generada nos permite realizar análisis en mayor profundidad y de fenómenos que antes eran imposibles de estudiar de forma automatizada. A lo largo del desarrollo, mantener la modularidad ha sido una prioridad para facilitar la flexibilidad del sistema a la hora de adaptarse a diferentes redes sociales u objetivos de investigación si estas requieren la sustitución de alguno de los módulos. El diseño orientado a objetos del sistema permite diseñar interfaces universales entre las clases para poder reemplazarlas con facilidad. Para interactuar universalmente con sistemas externos, el sistema dispone de conectores que también actúan de interfaz entre ambas partes. Finalmente, se ha propuesto un ejemplo de uso del sistema a través de una prueba de análisis. Esta prueba ha demostrado que el sistema no solamente cumple con su función, sino que además ha podido aportar información de suficiente corrección y calidad como para obtener unos resultados de análisis coherentes. Trabajo Fin de Grado leído en la Universidad Rey Juan Carlos en el curso académico 2022/2023. Directores/as: Antonio González Pardo

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao

    This anthology explores the memory work performed by Baltic and Central and East European far-right actors in the online space. Situated at the crossroads between memory studies, far-right studies, and media studies, the volume’s seven chapters show how a wide range of far-right actors, from small movements to major parties, have exploited digital communication technologies in order to establish their plays with the past in the mainstream discourses of their respective national contexts. With a focus on the online memory work of the far right in Austria, Belarus, Czechia, Lithuania, Romania, Sweden, and Ukraine, the anthology dissects the nexus between politics, media, and memory to show how digital communication have empowered the memory work of marginal but dangerous societal actors. As the different contributions show, the online space has raised the visibility and success of organised intolerant groups and, consequently, it has magni ed the societal impact of their memory work. Thanks to digital media, the memory work of the far right can compete on an equal footing with state-endorsed memory politics. rough manipulation of the historical narrative and thereby the perception and understanding of the past in civil societies, on websites, blogs, and social media, the far right has succeeded in overcoming its marginality and in normalising its messages of intolerance on a continental scale. Åke Wibergs Stiftelse, H20-0051

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitala Vetenskapli...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Историографски чланци и расправе. Књ. 1 и 2 / Василије Ђ. Крестић ; уредник Михаило Војводић. – Београд : САНУ ; Нови Сад : Матица српска, 2020. Говорили: академик Василије Ђ. Крестић, академик Славенко Терзић, др Софија Божић. У Београду, уторак 23. новембар 2021. у 13 часова.

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao DAIS - Digitalni arh...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Temür, Bora;

    MÖ. 2. binyılın başı ile birlikte Batı Anadolu'da gerek kültürel gerekse sosyal örgütlenme bağlamında daha karmaşık ve yerel unsurların ön plana çıktığı bir sürece girilmiştir. Beycesultan Höyük'te tüm aşamaları kesintisiz biçimde izlenebilen bu sürecin kültürel unsurlarının detaylı biçimde ele alınması, özellikle İç Batı Anadolu'nun kültürel ve kronolojik sürecinin aydınlatılması açısından büyük önem arz etmektedir. Beycesultan Höyük'te son yıllarda gerçekleştirilen kazılar, Orta Tunç Çağı ve Geç Tunç Çağı tabakaları üzerine odaklanmıştır. Söz konusu çalışmalar sonucunda Beycesultan Höyük'ün tabakalanması büyük ölçüde değiştirilmiştir. Bu projenin konusunu oluşturan Beycesultan Höyük'ün Orta Tunç Çağı, eski tabakalanmada V ve IV. tabakalar ile yeni tabakalanmada ise 10-7. tabakalar ile temsil edilmektedir. Tarafımızdan 2012-2019 kazı sezonlarında araştırılmış olan Orta Tunç Çağı tabakaları henüz başlangıç aşamasında olmakla birlikte daha şimdiden özellikle kronolojik bağlamda bazı yeni sonuçlar vermiştir. Ġlk dönem kazı çalışmalarında Orta Tunç Çağı tabakaların tarihlendirilmesinin daha çok göreli tarihleme yöntemleri ile yapılması ve V. tabakadan elde edilen radyokarbon analiz sonucunun arkeolojik verilerle desteklenmemesinden ötürü tabakaların tarihlenmesinin tatmin edici bir düzeye ulaşmamasına neden olmuştur. Yeni yapılan kazılar sonucunda V ve IVc ile ilişkilendirilen 10. ve 7. Tabakadan elde edilen radyokarbon analiz sonuçları bu tabakaların daha önce önerilen tarihlerden daha erkene çekilmesi gerektiğini göstermiştir. With the beginning of the second millennium BC, a process was introduced in Western Anatolia in the context of both cultural and social organization, where more complex and local elements came to the fore. In Beycesultan Höyük, the cultural aspects of this process, which can be monitored without interruption, are of great importance, especially in terms of enlightening the cultural and chronological process of Central Western Anatolia. Excavations in Beycesultan Höyük in recent years have focused on the Middle Bronze Age and Late Bronze Age levels. As a result of these studies, the stratification of Beycesultan Höyük has been changed to a great extent. The Middle Bronze Age levels of Beycesultan Höyük, which constitute the subject of this project, are in the old stratification V and IV, 10-7 in new stratification. The Middle Bronze Age levels, which have been explored by us during the 2012-2019 excavation seasons, are still in their infancy, but have already yielded some new results, especially in a chronological context. In the early excavations, the dating of the Middle Bronze Age layers was mostly done with relative dating methods, and the result of the radiocarbon analysis obtained from the 5th layer was not supported by archaeological data, which caused the dating of the layers to not reach a satisfactory level. Radiocarbon analysis results obtained from Layers 10 and 7 associated with V and IVc as a result of the new excavations showed that these layers should be pulled earlier than the previously suggested dates.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Ege University Insti...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Ege University Insti...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Vilarrúbias Cuadras, Daniel;

    El moro ha sido históricamente en Cataluña -y en buena parte de la Península- un recurso muy poderoso de construcción identitaria a través de la alteridad. La razón es que se asociaba a todo aquello que era ajeno o diferente al universo mental autóctono. La aparición del moro en contextos festivos conlleva una clara intencionalidad política por parte de las clases dominantes (monarquía e Iglesia): se trataba de crear una imagen que permtiese definir con nitidez al moro como un enemigo cultural de la sociedad, un adversario político y territorial. En esta tesis se tratan las entrades reales y fastos regios, así como la nueva fiesta del Corpus Christi y la posterior creación de las fiestas patronales como principales marcos contextuales donde ubicar dichas plasmaciones, las cuales iban cargadas ideológicamente con este componente de intencionalidad, componente que se incrementó claramente a partir de los siglos XVI y XVII, después de la pérdida de Constantinopla en 1453 y con la proliferación de corsarios por todo el Mediterráneo. También se realiza el seguimiento histórico exhaustivo de la Turquía o Patera, un entremès de moros y cristianos que se documenta en Igualada (Barcelona) entre 1489 y 1896. De origen seguramente anterior, dicha representación podría considerarse como la más importante de su género en Cataluña, almenos entre las que tuvieron continuidad regular en lo que afecta a sus apariciones. Además, esta plasmación festiva parece tenir consecuencias de rabiosa actualidad en la fiesta de Reyes que se celebra desde 1899 en dicha localidad. Actualmente dicha fiesta pasa por un proceso de replanteamiento ya que se contemplan possibles incomodidades por parte de col·lectivos potencialment racializados. El moro ha suposat històricament a Catalunya -i bona part de la Península Ibèrica- un poderós recurs de construcció d'identitat mitjançant l'alteritat, ja que s'associava a tot allò que era aliè i diferent a l'univers mental autòcton. L'aparició del moro en contextos festius portava associada una manifesta intencionalitat política per part de les classes dominants (monarquia i església): es tractava de crear una imatge que permetés definir amb nitidesa el moro com un enemic social i cultural, un adversari polític i territorial. En aquesta tesi s'aborden les entrades i festes reials, la nova festa del Corpus Christi i la posterior aparició de les festes patronals com els marcs de creació de contextos on ubicar aquestes plasmacions, les quals anaven carregades ideològicament amb aquest component intencionat, fortament incrementat a partir dels segles XVI i XVII després de la caiguda de Constantinoble l'any 1453 i amb la proliferació de corsaris per tota la Mediterrània. També es realitza el seguiment exhaustiu de la Turquia o Patera, un entremès de moros i cristians que es documenta a Igualada (Barcelona) entre 1489 i 1896. D'origen segurament anterior, aquesta representació podria considerar-se com la més important del seu gènere a Catalunya d'entre les que tingueren una continuïtat regular pel que fa a les seves aparicions. A més, aquesta plasmació festiva sembla tenir conseqüències rabiosament contemporànies en la festa dels Reis que des de 1899 se celebra a la mateixa població. Aquesta festa actualment viu un procés de replantejament per la possible incomoditat dels col·lectius potencialment racialitzats. Historically, the figure of the moor has been used as a powerful identity-building device. The importance of this resource in Catalonia and most of the Iberian Peninsula lies in the idea of alterity, linked to what was considered as foreign or strange. In a festive context, the moors appear tied up to the political purpose of the ruling classes (Monarchy and Church) of defining them as social and political enemies. In this thesis, we address how the royal entries and royal celebrations, as well as the new Feast of Corpus Christi and festivities of the patron saints, were used as an ideological framework and showcase. These events provided the necessary context for the new negative conception of the moors to be instilled - a project that saw increasing success during the 16th and 17th centuries, coinciding with the fall of Constantinople in 1453 and the expansion of privateering in the Mediterranean Sea. We have also made an extensive historical analysis of a show called Turquia or Patera (Moors and Christians), held in Igualada (Barcelona) from 1489 to 1896. Even though we could probably talk of an earlier origin, this festivity can be considered perhaps as the most relevant of its genre in Catalonia. Moreover, it appears to have had obvious effects and consequences in another local festivity, "Reis" (the Three Wise Men), which is celebrated in the city since 1899 and is currently under analysis to rid it of its possibly offensive ethnic traits.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Puncello, Irene; Caprili, Silvia; Roca Fabregat, Pedro;

    Monumental historical buildings are worldwide recognized as a fundamental component of the World Cultural Heritage to be preserved for future generations. Their structural performance analysis needs to face challenging issues such as the usually limited initial knowledge, the generally large dimensions, and the great structural complexity coming from overlapped construction phases over centuries. The structural behavior of historical constructions, therefore, differs from ordinary buildings, since resulting from the interaction of different parts, recognizable as ‘structural units’. A methodology accounting for all the peculiarities of monumental masonry buildings is proposed with reference to the specific case study of La Certosa di Calci (Italy). The monumental cluster is ideally decomposed into its structural units based on a preliminary knowledge phase, allowing to perform detailed structural analyses only on selected areas without resorting to a cumbersome and time demanding global model. The aggregate-effect influence over the structural behavior of a single unit is investigated by means of nonlinear analysis performed on different configurations. Achieved results are accurately analyzed, finally proposing a simplified model where one structural unit is represented through a FEM model and the interaction effects due to the adjacent portions are simulated through a calibrated spring system. The final publication is available at Springer via http://dx.doi.org/10.1007/s10518-022-01397-w Peer Reviewed

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Recolector de Cienci...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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