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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • 2012-2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frontini, Francesca; Gamba, Federica; Monachini, Monica; Broeder, Daan;

    The SSHOC Multilingual Data Stewardship Terminology is a multilingual terminology that collects terms specific to the domain of Data Stewardship, as well as their definitions. A list of domain-specific terms was automatically extracted from a corpus pertaining to the domain of Data Stewardship and Curation, validated by domain experts, assigned a definition, and linked to other existing terminologies (Loterre Open Science Thesaurus, terms4FAIRskills, Linked Open Vocabularies, ISO terms and definitions). Each term-definition pair was then automatically translated into multiple languages (Dutch, French, German, Greek, Italian, Slovenian) by employing Deep-L. The Multilingual Data Stewardship Terminology thus consists of 210 concepts available in Dutch, French, German, Greek, Italian, Slovenian. This resource was created within the frame of the SSHOC (Social Sciences and Humanities Open Cloud) project (H2020-INFRAEOSC-2018-2-823782). It is the result of the work of Task 3.1.2 "extraction of terminology from technical documentation about standards and interoperability", as described in D3.9, carried out jointly by ILC-CNR and CLARIN ERIC.

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    Authors: Morales, Laura; Saji, Ami; Méndez, Mónica; Bergh, Johannes; +1 Authors

    The EMM Survey Registry is a database of quantitative surveys that have been undertaken with EMM (sub)samples across Europe and beyond since January 2000. Survey-level metadata is available for each of the surveys included in the EMM Survey Registry. The EMM Survey Registry is one of the main outputs generated by COST Action 16111 Ethmigsurveydata jointly with the Sciences Po team of the SSHOC (Social Sciences and Humanities Open Cloud) project. It is also a result of the collective efforts by the national delegations of the participating countries in the COST Action who have contributed to an initial comprehensive compilation of all the surveys targeting EMM respondents since January 2000 and until 2020 in their respective country. The EMM Survey Registry work has been coordinated by Laura Morales, Mónica Méndez, Anikó Bernat and Johannes Bergh as the leaders of Work Groups (WG) 1 and 2 of the COST Action, and by Ami Saji at Sciences Po as the researcher in the SSHOC project. Nevertheless, numerous researchers in the COST Action and the SSHOC project have contributed at various stages of the process, providing feedback on various iterations of the methodological guidelines and data collection templates as well as offering advice on the technical aspects of implementation, and participating in the quality control process. Unfortunately, they are too numerous to be listed here, but we wish to publicly acknowledge their contributions. The technical design and implementation of the registry was undertaken by Youngminds. The EMM Survey Registry is currently in version 1.0. This means that it is fully functional and displays all the metadata compiled and contributed by the national delegations of Ethmigsurveydata. Access to the dataset here: https://registry.ethmigsurveydatahub.eu/

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    ZENODO
    Other ORP type . 2021
    License: CC BY NC SA
    Data sources: Datacite
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    https://doi.org/10.5281/zenodo...
    Other ORP type . 2020
    License: CC BY NC SA
    Data sources: Sygma
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      ZENODO
      Other ORP type . 2021
      License: CC BY NC SA
      Data sources: Datacite
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      https://doi.org/10.5281/zenodo...
      Other ORP type . 2020
      License: CC BY NC SA
      Data sources: Sygma
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    Authors: Nedoluzhko, Anna; Novák, Michal; Popel, Martin; Žabokrtský, Zdeněk; +1 Authors

    CorefUD is a collection of previously existing datasets annotated with coreference, which we converted into a common annotation scheme. In total, CorefUD in its current version 0.2 consists of 17 datasets for 11 languages. The datasets are enriched with automatic morphological and syntactic annotations that are fully compliant with the standards of the Universal Dependencies project. All the datasets are stored in the CoNLL-U format, with coreference- and bridging-specific information captured by attribute-value pairs located in the MISC column. The collection is divided into a public edition and a non-public (ÚFAL-internal) edition. The publicly available edition is distributed via LINDAT-CLARIAH-CZ and contains 13 datasets for 10 languages (1 dataset for Catalan, 2 for Czech, 2 for English, 1 for French, 2 for German, 1 for Hungarian, 1 for Lithuanian, 1 for Polish, 1 for Russian, and 1 for Spanish), excluding the test data. The non-public edition is available internally to ÚFAL members and contains additional 4 datasets for 2 languages (1 dataset for Dutch, and 3 for English), which we are not allowed to distribute due to their original license limitations. It also contains the test data portions for all datasets. When using any of the harmonized datasets, please get acquainted with its license (placed in the same directory as the data) and cite the original data resource too. Version 0.2 consists of exactly the same datasets as the version 0.1. All automatically parsed datasets were re-parsed for v0.2 using UDPipe 2 with models trained on UD 2.6. Catalan-AnCora, Spanish-AnCora and English-GUM have been updated to match the their UD 2.9 versions.

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    Authors: Katherine Butler;

    UNREFERENCED LECTURE TRANSCRIPT; DO NOT CITE WITHOUT PERMISSION --- One of Dr Ashok Ranade's major contributions to the field of Indian musicology was his seminal book, On Music and Musicians of Hindoostan. While Dr Ranade was a champion of the intellectual depth and virtuosity of the sina-ba-sina mode of transmission of the guru-shishya-parampara, he also made the fundamentally important point that oral and literate traditions in Indian music have not historically been in opposition to each other, nor have they ever been mutually exclusive. As if to prove his point, shortly after the death of the protagonist of one of Dr Ranade’s chapters, the great Hindustani singer Ustad Faiyaz Hussain Khan-sahib, the late Professor R C Mehta received a Persian manuscript that had been in the Ustad's possession. It turned out to be one of several versions of a music treatise written in the first decade of the nineteenth century, in Persian and Brajbhasha, by a hereditary ustad, Khushhal Khan ‘Anup’, whose father Karim Khan had been the special disciple of Firoz Khan Adarang. What role did this manuscript play in Ustad Faiyaz Khan-sahib’s understanding of his tradition of Hindustani music and musicianship? Did reading it inform his performances? COULD he even read it? Didn’t Bhatkhande tell us the Muslim ustads of Hindustani music were illiterate—ignorant of authoritative theoretical writings on music and therefore susceptible to passively transmitting changes to the tradition they were entrusted with embodying? In her wonderful work on The Intelligence of Tradition in Rajput Court Painting, Molly Aitken has daringly slain some of the mythical beasts of the art-historical jungle: notably that Mewar paintings were mechanical and conventional, conservative and passive products of artists who were unconscious of what they were doing. Scholars’ understanding of the nature of tradition and its relationship with innovation in North Indian classical music has customarily been slightly different; it is recognised, for example, that “tradition” can often simply be a rhetorical device used to mask or to justify individual creativity and virtuosity. But when it comes to Hindustani music’s hereditary Muslim masters, or ustads, a very similar legend to the tale about Rajput traditional painters has long been in operation: that the ustads were illiterate; ignorant of authoritative theoretical writings on music and therefore susceptible to passively transmitting incremental changes to the tradition they were entrusted with embodying. In this paper I will demonstrate that far from being illiterate, several hereditary ustads in the families of Tansen and Sadarang right down to the twentieth century were literate in the written discourses of Indian music and highly conscious of the need to assert their authority over their traditions through writing. Even those family members who were not formally literate were steeped in literacy and deeply familiar with the written as well as embodied knowledges of their families. The literate ustad changes the way we understand the battle for Hindustani music’s modern soul in the early twentieth century. Spoken Lecture: https://www.youtube.com/watch?v=VYxTjOZNYpY

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    ZENODO
    Other ORP type . 2021
    License: CC BY NC ND
    Data sources: ZENODO
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    ZENODO
    Other ORP type . 2021
    License: CC BY NC ND
    Data sources: Datacite
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      ZENODO
      Other ORP type . 2021
      License: CC BY NC ND
      Data sources: ZENODO
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      ZENODO
      Other ORP type . 2021
      License: CC BY NC ND
      Data sources: Datacite
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    Authors: Seifert, Vanessa A;

    [No abstract]

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    Explore Bristol Research
    Other ORP type . 2021
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      Explore Bristol Research
      Other ORP type . 2021
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    Authors: Kabwere Musa; Fahari Safari Mazerah; Mwende Janine; Nyadida Tom, O.; +2 Authors

    The MekaZine presents the work of a group of students from the Pwani University in Kilifi, Kenya accomplished during the 2nd DUOS Festival "Women Power" (August-September 2021) dedicated to Mekatilili wa Menza, Kenyan freedom fighter and heroine. The publication was created within the TPAAE project focused on the research in transcultural perspectives on art and art education on the basis of theoretical and practical dialogue, recognizing mutual artistic and cultural influences between Europe and East Africa since times of Great Avant-garde until contemporary globalization; at the same time valuing cultural heritage and opening it for modern transformations for the sake of community and social development.

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    https://doi.org/10.5281/zenodo...
    Other ORP type . 2021
    License: CC BY
    Data sources: Sygma
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    ZENODO
    Other ORP type . 2021
    License: CC BY
    Data sources: Datacite
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      https://doi.org/10.5281/zenodo...
      Other ORP type . 2021
      License: CC BY
      Data sources: Sygma
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      ZENODO
      Other ORP type . 2021
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      Data sources: Datacite
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    Authors: Perles, Ángel; Zarzo, Manuel; Mercado, Ricardo; García-Diego, Fernando-Juan;

    This dataset contains temperature measurements in Celsius degrees collected at the church of Saint Thomas and Saint Philip Neri in Valencia (Spain) by multiple wireless sensors. The data were collected from August 2017 to March 2019 and aligned at the same time point using linear interpolation.

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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO; Sygma
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2021
      License: CC BY
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      ZENODO
      Dataset . 2021
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    Authors: Nicolas Larrousse; Edward Gray; Daan Broeder; Cesare Concordia; +2 Authors

    This documentation is a supplement of D3.5 Report on citation enabled SSH catalogues and SSH citation exploitation

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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2021
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      ZENODO
      Dataset . 2021
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    Authors: Gamba, Federica; Passarotti, Marco; Ruffolo, Paolo;

    This paper investigates the recent advances in parsing the Index Thomisticus Treebank, which encompasses Medieval Latin texts by Thomas Aquinas. The research focuses on two types of variables. On the one hand, it examines the impact that a larger dataset has on the results of parsing; on the other hand, performances of new parsers are analysed with respect to less recent tools. Term of comparison to determine the effective parsing advances are the results in parsing the Index Thomisticus Treebank described in a previous work. First, the best performing parser among those concerned in that study is tested on a larger dataset than the one originally used. Then, some parser combinations that were developed in the same study are evaluated as well, assessing that more training data result in more accurate performances. Finally, to examine the impact that newly available tools have on parsing results, we train, test, and evaluate two neural parsers chosen among those best performing in the CoNLL 2018 Shared Task. Our experiments reach the highest accuracy rates achieved so far in automatic syntactic parsing of the Index Thomisticus Treebank and of Latin overall.

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    https://doi.org/10.5281/zenodo...
    Other ORP type . 2021
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      https://doi.org/10.5281/zenodo...
      Other ORP type . 2021
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    Authors: krukowski, Artur; Vogiatzaki, Emmanouela;

    The Cultural Heritage plays an important role in defining the identity of Europe as compared to the rest of the World, influencing the feeling of attractiveness for its citizens as a place of work, living and visiting. It increases also the feeling of togetherness among European citizens. Therefore, the need for protecting and preserving European Cultural Heritage is of extreme importance for combined European cultural wealth. The European cultural heritage is enormous, with a vast and rich variety of cultural items, ranging from buildings to museum artefacts. These items consist of materials of diverse types, the condition of which deteriorates with time, mainly due to environmental conditions and human actions. This strengthens the need for the effective documentation of the cultural items, so that information about them is easily accessible to researchers and the public. The preservation of objects against the effects of time to be passed unaltered to next generations, are also matters of uttermost importance and have attracted significant focus. Factors responsible for the deterioration of the state of cultural items, in case of indoor environments, include but are not limited to, humidity, temperature, exposure to light, as well as the effects of human activities, such as the transportation of the items. These factors are eliminated by keeping the cultural items in specifically designed facilities, such as museums and galleries, where environmental conditions are controlled by following specifications established after extensive research. However, there is a lack of research concerning the effect of the environment and the means to eliminate it, in cases of uncontrolled indoor environments. Such cases include objects and artworks hosted in historical buildings and monuments of public access, where people activities are not restricted, as in museums. The increased human activity, in combination with the uncontrolled environmental conditions of such facilities affects the objects of interest in a significantly higher degree, than the controlled environment of a museum. In this respect, several monitoring and simulation technologies can be effectively used in order to assist in the documentation of cultural objects, as well as the evaluation of the effects of the environment on them and the development of procedures to handle those effects, to achieve preventive conservation. This article presents an ongoing work in the research project s ARCH, funded by the European Commission under Horizon 2020 program. It concerns means of better preservation of areas of cultural heritage from hazards and risks resulting from Climate Change. It develops tools that will help modern cities to preserve and protect their cultural heritage and historical areas from multiple negative effects of Climate Change. Tools and methodologies are designed for local authorities and practitioners, urban population, as well as national and international expert communities, aiding authorities in knowledge-aware decision making. We will focus attention in our presentation on a variety of sensors and sensing technologies for offering necessary data and beneficial information for being able to produce knowledge-aware decision support tools. Presented approaches range from satellite observations from Copernicus and respective climate and atmospheric monitoring services, through high/low altitude aerial observations to in-situ and mobile sensing at (near) ground levels using novel sensing technologies, some of which have been developed in collaboration with industry leaders such as Analog Devices (Ireland) or Turta (Turkey). Subsequently, application of acquired sensor data in a variety of tools built by other project partners shall be also presented.

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    https://doi.org/10.5281/zenodo...
    Other ORP type . 2021
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      Other ORP type . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frontini, Francesca; Gamba, Federica; Monachini, Monica; Broeder, Daan;

    The SSHOC Multilingual Data Stewardship Terminology is a multilingual terminology that collects terms specific to the domain of Data Stewardship, as well as their definitions. A list of domain-specific terms was automatically extracted from a corpus pertaining to the domain of Data Stewardship and Curation, validated by domain experts, assigned a definition, and linked to other existing terminologies (Loterre Open Science Thesaurus, terms4FAIRskills, Linked Open Vocabularies, ISO terms and definitions). Each term-definition pair was then automatically translated into multiple languages (Dutch, French, German, Greek, Italian, Slovenian) by employing Deep-L. The Multilingual Data Stewardship Terminology thus consists of 210 concepts available in Dutch, French, German, Greek, Italian, Slovenian. This resource was created within the frame of the SSHOC (Social Sciences and Humanities Open Cloud) project (H2020-INFRAEOSC-2018-2-823782). It is the result of the work of Task 3.1.2 "extraction of terminology from technical documentation about standards and interoperability", as described in D3.9, carried out jointly by ILC-CNR and CLARIN ERIC.

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    Authors: Morales, Laura; Saji, Ami; Méndez, Mónica; Bergh, Johannes; +1 Authors

    The EMM Survey Registry is a database of quantitative surveys that have been undertaken with EMM (sub)samples across Europe and beyond since January 2000. Survey-level metadata is available for each of the surveys included in the EMM Survey Registry. The EMM Survey Registry is one of the main outputs generated by COST Action 16111 Ethmigsurveydata jointly with the Sciences Po team of the SSHOC (Social Sciences and Humanities Open Cloud) project. It is also a result of the collective efforts by the national delegations of the participating countries in the COST Action who have contributed to an initial comprehensive compilation of all the surveys targeting EMM respondents since January 2000 and until 2020 in their respective country. The EMM Survey Registry work has been coordinated by Laura Morales, Mónica Méndez, Anikó Bernat and Johannes Bergh as the leaders of Work Groups (WG) 1 and 2 of the COST Action, and by Ami Saji at Sciences Po as the researcher in the SSHOC project. Nevertheless, numerous researchers in the COST Action and the SSHOC project have contributed at various stages of the process, providing feedback on various iterations of the methodological guidelines and data collection templates as well as offering advice on the technical aspects of implementation, and participating in the quality control process. Unfortunately, they are too numerous to be listed here, but we wish to publicly acknowledge their contributions. The technical design and implementation of the registry was undertaken by Youngminds. The EMM Survey Registry is currently in version 1.0. This means that it is fully functional and displays all the metadata compiled and contributed by the national delegations of Ethmigsurveydata. Access to the dataset here: https://registry.ethmigsurveydatahub.eu/

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    ZENODO
    Other ORP type . 2021
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    Other ORP type . 2020
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    Authors: Nedoluzhko, Anna; Novák, Michal; Popel, Martin; Žabokrtský, Zdeněk; +1 Authors

    CorefUD is a collection of previously existing datasets annotated with coreference, which we converted into a common annotation scheme. In total, CorefUD in its current version 0.2 consists of 17 datasets for 11 languages. The datasets are enriched with automatic morphological and syntactic annotations that are fully compliant with the standards of the Universal Dependencies project. All the datasets are stored in the CoNLL-U format, with coreference- and bridging-specific information captured by attribute-value pairs located in the MISC column. The collection is divided into a public edition and a non-public (ÚFAL-internal) edition. The publicly available edition is distributed via LINDAT-CLARIAH-CZ and contains 13 datasets for 10 languages (1 dataset for Catalan, 2 for Czech, 2 for English, 1 for French, 2 for German, 1 for Hungarian, 1 for Lithuanian, 1 for Polish, 1 for Russian, and 1 for Spanish), excluding the test data. The non-public edition is available internally to ÚFAL members and contains additional 4 datasets for 2 languages (1 dataset for Dutch, and 3 for English), which we are not allowed to distribute due to their original license limitations. It also contains the test data portions for all datasets. When using any of the harmonized datasets, please get acquainted with its license (placed in the same directory as the data) and cite the original data resource too. Version 0.2 consists of exactly the same datasets as the version 0.1. All automatically parsed datasets were re-parsed for v0.2 using UDPipe 2 with models trained on UD 2.6. Catalan-AnCora, Spanish-AnCora and English-GUM have been updated to match the their UD 2.9 versions.

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    Authors: Katherine Butler;

    UNREFERENCED LECTURE TRANSCRIPT; DO NOT CITE WITHOUT PERMISSION --- One of Dr Ashok Ranade's major contributions to the field of Indian musicology was his seminal book, On Music and Musicians of Hindoostan. While Dr Ranade was a champion of the intellectual depth and virtuosity of the sina-ba-sina mode of transmission of the guru-shishya-parampara, he also made the fundamentally important point that oral and literate traditions in Indian music have not historically been in opposition to each other, nor have they ever been mutually exclusive. As if to prove his point, shortly after the death of the protagonist of one of Dr Ranade’s chapters, the great Hindustani singer Ustad Faiyaz Hussain Khan-sahib, the late Professor R C Mehta received a Persian manuscript that had been in the Ustad's possession. It turned out to be one of several versions of a music treatise written in the first decade of the nineteenth century, in Persian and Brajbhasha, by a hereditary ustad, Khushhal Khan ‘Anup’, whose father Karim Khan had been the special disciple of Firoz Khan Adarang. What role did this manuscript play in Ustad Faiyaz Khan-sahib’s understanding of his tradition of Hindustani music and musicianship? Did reading it inform his performances? COULD he even read it? Didn’t Bhatkhande tell us the Muslim ustads of Hindustani music were illiterate—ignorant of authoritative theoretical writings on music and therefore susceptible to passively transmitting changes to the tradition they were entrusted with embodying? In her wonderful work on The Intelligence of Tradition in Rajput Court Painting, Molly Aitken has daringly slain some of the mythical beasts of the art-historical jungle: notably that Mewar paintings were mechanical and conventional, conservative and passive products of artists who were unconscious of what they were doing. Scholars’ understanding of the nature of tradition and its relationship with innovation in North Indian classical music has customarily been slightly different; it is recognised, for example, that “tradition” can often simply be a rhetorical device used to mask or to justify individual creativity and virtuosity. But when it comes to Hindustani music’s hereditary Muslim masters, or ustads, a very similar legend to the tale about Rajput traditional painters has long been in operation: that the ustads were illiterate; ignorant of authoritative theoretical writings on music and therefore susceptible to passively transmitting incremental changes to the tradition they were entrusted with embodying. In this paper I will demonstrate that far from being illiterate, several hereditary ustads in the families of Tansen and Sadarang right down to the twentieth century were literate in the written discourses of Indian music and highly conscious of the need to assert their authority over their traditions through writing. Even those family members who were not formally literate were steeped in literacy and deeply familiar with the written as well as embodied knowledges of their families. The literate ustad changes the way we understand the battle for Hindustani music’s modern soul in the early twentieth century. Spoken Lecture: https://www.youtube.com/watch?v=VYxTjOZNYpY

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    ZENODO
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    Authors: Seifert, Vanessa A;

    [No abstract]

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    Explore Bristol Research
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      Explore Bristol Research
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    Authors: Kabwere Musa; Fahari Safari Mazerah; Mwende Janine; Nyadida Tom, O.; +2 Authors

    The MekaZine presents the work of a group of students from the Pwani University in Kilifi, Kenya accomplished during the 2nd DUOS Festival "Women Power" (August-September 2021) dedicated to Mekatilili wa Menza, Kenyan freedom fighter and heroine. The publication was created within the TPAAE project focused on the research in transcultural perspectives on art and art education on the basis of theoretical and practical dialogue, recognizing mutual artistic and cultural influences between Europe and East Africa since times of Great Avant-garde until contemporary globalization; at the same time valuing cultural heritage and opening it for modern transformations for the sake of community and social development.

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    https://doi.org/10.5281/zenodo...
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      https://doi.org/10.5281/zenodo...
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    Authors: Perles, Ángel; Zarzo, Manuel; Mercado, Ricardo; García-Diego, Fernando-Juan;

    This dataset contains temperature measurements in Celsius degrees collected at the church of Saint Thomas and Saint Philip Neri in Valencia (Spain) by multiple wireless sensors. The data were collected from August 2017 to March 2019 and aligned at the same time point using linear interpolation.

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    ZENODO
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    ZENODO
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    Authors: Nicolas Larrousse; Edward Gray; Daan Broeder; Cesare Concordia; +2 Authors

    This documentation is a supplement of D3.5 Report on citation enabled SSH catalogues and SSH citation exploitation

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    Authors: Gamba, Federica; Passarotti, Marco; Ruffolo, Paolo;

    This paper investigates the recent advances in parsing the Index Thomisticus Treebank, which encompasses Medieval Latin texts by Thomas Aquinas. The research focuses on two types of variables. On the one hand, it examines the impact that a larger dataset has on the results of parsing; on the other hand, performances of new parsers are analysed with respect to less recent tools. Term of comparison to determine the effective parsing advances are the results in parsing the Index Thomisticus Treebank described in a previous work. First, the best performing parser among those concerned in that study is tested on a larger dataset than the one originally used. Then, some parser combinations that were developed in the same study are evaluated as well, assessing that more training data result in more accurate performances. Finally, to examine the impact that newly available tools have on parsing results, we train, test, and evaluate two neural parsers chosen among those best performing in the CoNLL 2018 Shared Task. Our experiments reach the highest accuracy rates achieved so far in automatic syntactic parsing of the Index Thomisticus Treebank and of Latin overall.

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    https://doi.org/10.5281/zenodo...
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    Authors: krukowski, Artur; Vogiatzaki, Emmanouela;

    The Cultural Heritage plays an important role in defining the identity of Europe as compared to the rest of the World, influencing the feeling of attractiveness for its citizens as a place of work, living and visiting. It increases also the feeling of togetherness among European citizens. Therefore, the need for protecting and preserving European Cultural Heritage is of extreme importance for combined European cultural wealth. The European cultural heritage is enormous, with a vast and rich variety of cultural items, ranging from buildings to museum artefacts. These items consist of materials of diverse types, the condition of which deteriorates with time, mainly due to environmental conditions and human actions. This strengthens the need for the effective documentation of the cultural items, so that information about them is easily accessible to researchers and the public. The preservation of objects against the effects of time to be passed unaltered to next generations, are also matters of uttermost importance and have attracted significant focus. Factors responsible for the deterioration of the state of cultural items, in case of indoor environments, include but are not limited to, humidity, temperature, exposure to light, as well as the effects of human activities, such as the transportation of the items. These factors are eliminated by keeping the cultural items in specifically designed facilities, such as museums and galleries, where environmental conditions are controlled by following specifications established after extensive research. However, there is a lack of research concerning the effect of the environment and the means to eliminate it, in cases of uncontrolled indoor environments. Such cases include objects and artworks hosted in historical buildings and monuments of public access, where people activities are not restricted, as in museums. The increased human activity, in combination with the uncontrolled environmental conditions of such facilities affects the objects of interest in a significantly higher degree, than the controlled environment of a museum. In this respect, several monitoring and simulation technologies can be effectively used in order to assist in the documentation of cultural objects, as well as the evaluation of the effects of the environment on them and the development of procedures to handle those effects, to achieve preventive conservation. This article presents an ongoing work in the research project s ARCH, funded by the European Commission under Horizon 2020 program. It concerns means of better preservation of areas of cultural heritage from hazards and risks resulting from Climate Change. It develops tools that will help modern cities to preserve and protect their cultural heritage and historical areas from multiple negative effects of Climate Change. Tools and methodologies are designed for local authorities and practitioners, urban population, as well as national and international expert communities, aiding authorities in knowledge-aware decision making. We will focus attention in our presentation on a variety of sensors and sensing technologies for offering necessary data and beneficial information for being able to produce knowledge-aware decision support tools. Presented approaches range from satellite observations from Copernicus and respective climate and atmospheric monitoring services, through high/low altitude aerial observations to in-situ and mobile sensing at (near) ground levels using novel sensing technologies, some of which have been developed in collaboration with industry leaders such as Analog Devices (Ireland) or Turta (Turkey). Subsequently, application of acquired sensor data in a variety of tools built by other project partners shall be also presented.

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    https://doi.org/10.5281/zenodo...
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.5281/zenodo...
      Other ORP type . 2021
      License: CC BY
      Data sources: Sygma