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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Source: El primer loco : edición ELTeC : ELTeC Edition

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Armando Palacio Valdés;

    Source: Tristán o el pesimismo: CoNSSA Edition

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    Source: La mujer de todo el mundo: CoNSSA Edition

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    Authors: Vicente Blasco Ibáñez;

    Source: Arroz y Tartana: CoNSSA Edition

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    Authors: Solano Chaves, Flora J.; Alfaro Martínez, Eric J.; Díaz Bolaños, Ronald Eduardo;

    Este trabajo forma parte de una seria de investigaciones en perspectiva histórica-científica el impacto de los ciclones tropicales que han afectado a América Central, el Golfo de México y las Islas del Caribe. El interés de incursionar en el desarrollo de su actividad, de su contexto global y su repercusión para el periodo 1870-2007, obedece a que la documentación y análisis respectivo no es de fácil acceso en su defecto escaso e incluso, inexistente. En este trabajo de investigación se analizan estudios de casos de varios huracanes correspondientes a diversas temporadas entre 1870 y 2007, que tuvieron la capacidad potencial de producir impactos sobre la sociedad. This work belongs to a research series on historical-scientific perspective about the Tropical Cyclones impacts on Central America, Gulf of Mexico and the Caribbean Islands. The main goal is to study their development, global context and effects during the period 1870-2007, because usually the documentation and its analysis have associated a scare and difficult access, sometimes even null. This research studies several Tropical Cyclones study cases from 1870 and 2007, based on their potential capacity to produce impacts in society Universidad de Costa Rica/[805-A7-002]/UCR/Costa Rica Universidad de Costa Rica/[805-A4-906]/UCR/Costa Rica UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Básicas::Centro de Investigaciones Geofísicas (CIGEFI) UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Básicas::Centro de Investigación en Ciencias del Mar y Limnología (CIMAR) UCR::Vicerrectoría de Docencia::Ciencias Básicas::Facultad de Ciencias::Escuela de Física

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Source: El humo dormido: CoNSSA Edition

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    Authors: Ramirez, Jorge Omar;

    This dissertation, examines how rhizomatic cultural production in late twentieth-century Tijuana-San Diego responded to processes of deterritorialization from the two nations that struggled to consolidate their shared border. It investigates how the region’s Mexican, Mexican-American and Chicano writers and artists from the 1950s to the 1990s constructed their aesthetic projects and social subjectivities by engaging multidirectional nationalistic forces from both sides of the border. Specifically, this community spread aesthetic and discursive rhizomes in a line of flight from a post-revolutionary centralist Mexico and across a settler-colonialist United States that had increasingly criminalized immigration. In the process, these artists and writers engaged countercultural movements; so doing, I conclude, they nurtured the artistic and political ties required to resist state violence at and across the U.S.-Mexico border. My chapters focus on art and literature produced by these artists, but also concerns the politics that shaped the region’s culture-producing landscapes and institutions. The first chapter traces a move away from early twentieth century perception of the borderlands as dominated by cultural emptiness. As the chapter shows, Fernando Jordán’s El otro México; biografía de la Baja California (1951) counters this belief as he shapes an early approach of Baja California as an alter-nation. The second chapter probes the region’s emergency poetics from the first know poetic text produced in and about California in 1740s to the early 1980s. The third chapter analyzes visual art production from the 1950s to the 90s as a fronterhizomatic art practice particular to the border shaped by institutional processes of modernization. The forth chapter restages the vertiginous theoretical shift in the 1990’s from postmodernism to necropolitics. Ultimately, this project represents an alternative history of the Tijuana-San Diego border region. It attends to nationalist arborescent politics at both sides of the border but digs deeper to confirm the artistic rhizomes that continue to flourish across the divided land.

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    Authors: Murillo Herrera, Mauricio;

    Se discute que el uso del término teoría ha sido históricamente problemático en la disciplina arqueológica. Se argumenta que los arqueólogos comúnmente no se percatan de que un concepto es teórico solamente si es el objeto del investigador que ejecuta la función representacional doxástica. It is argued that the use of the term theory has been historically problematic in archaeology. It is also argued that archaeologists commonly do not realize that a concept is theoretical only if it is the object of the researcher who executes the doxastic representational function UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Sociales::Centro de Investigaciones Antropológicas (CIAN)

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    Source: La rendición de Santiago: CoNSSA Edition

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    Source: Santiago Arabal: historia de un pobre niño : Edición ELTeC : ELTeC Edition

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Source: El primer loco : edición ELTeC : ELTeC Edition

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Armando Palacio Valdés;

    Source: Tristán o el pesimismo: CoNSSA Edition

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Source: La mujer de todo el mundo: CoNSSA Edition

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vicente Blasco Ibáñez;

    Source: Arroz y Tartana: CoNSSA Edition

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Solano Chaves, Flora J.; Alfaro Martínez, Eric J.; Díaz Bolaños, Ronald Eduardo;

    Este trabajo forma parte de una seria de investigaciones en perspectiva histórica-científica el impacto de los ciclones tropicales que han afectado a América Central, el Golfo de México y las Islas del Caribe. El interés de incursionar en el desarrollo de su actividad, de su contexto global y su repercusión para el periodo 1870-2007, obedece a que la documentación y análisis respectivo no es de fácil acceso en su defecto escaso e incluso, inexistente. En este trabajo de investigación se analizan estudios de casos de varios huracanes correspondientes a diversas temporadas entre 1870 y 2007, que tuvieron la capacidad potencial de producir impactos sobre la sociedad. This work belongs to a research series on historical-scientific perspective about the Tropical Cyclones impacts on Central America, Gulf of Mexico and the Caribbean Islands. The main goal is to study their development, global context and effects during the period 1870-2007, because usually the documentation and its analysis have associated a scare and difficult access, sometimes even null. This research studies several Tropical Cyclones study cases from 1870 and 2007, based on their potential capacity to produce impacts in society Universidad de Costa Rica/[805-A7-002]/UCR/Costa Rica Universidad de Costa Rica/[805-A4-906]/UCR/Costa Rica UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Básicas::Centro de Investigaciones Geofísicas (CIGEFI) UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Básicas::Centro de Investigación en Ciencias del Mar y Limnología (CIMAR) UCR::Vicerrectoría de Docencia::Ciencias Básicas::Facultad de Ciencias::Escuela de Física

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositorio Instituc...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Source: El humo dormido: CoNSSA Edition

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ramirez, Jorge Omar;

    This dissertation, examines how rhizomatic cultural production in late twentieth-century Tijuana-San Diego responded to processes of deterritorialization from the two nations that struggled to consolidate their shared border. It investigates how the region’s Mexican, Mexican-American and Chicano writers and artists from the 1950s to the 1990s constructed their aesthetic projects and social subjectivities by engaging multidirectional nationalistic forces from both sides of the border. Specifically, this community spread aesthetic and discursive rhizomes in a line of flight from a post-revolutionary centralist Mexico and across a settler-colonialist United States that had increasingly criminalized immigration. In the process, these artists and writers engaged countercultural movements; so doing, I conclude, they nurtured the artistic and political ties required to resist state violence at and across the U.S.-Mexico border. My chapters focus on art and literature produced by these artists, but also concerns the politics that shaped the region’s culture-producing landscapes and institutions. The first chapter traces a move away from early twentieth century perception of the borderlands as dominated by cultural emptiness. As the chapter shows, Fernando Jordán’s El otro México; biografía de la Baja California (1951) counters this belief as he shapes an early approach of Baja California as an alter-nation. The second chapter probes the region’s emergency poetics from the first know poetic text produced in and about California in 1740s to the early 1980s. The third chapter analyzes visual art production from the 1950s to the 90s as a fronterhizomatic art practice particular to the border shaped by institutional processes of modernization. The forth chapter restages the vertiginous theoretical shift in the 1990’s from postmodernism to necropolitics. Ultimately, this project represents an alternative history of the Tijuana-San Diego border region. It attends to nationalist arborescent politics at both sides of the border but digs deeper to confirm the artistic rhizomes that continue to flourish across the divided land.

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    Authors: Murillo Herrera, Mauricio;