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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.
48 Research products

  • Digital Humanities and Cultural Heritage
  • 2013-2022
  • Other research products
  • NEANIAS Space Research Community

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  • Authors: Roumana, Antigoni - Marina;
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    Authors: Nieminen, Topi;

    Uudet teknologiat otetaan vastaan usein tunneperäisesti, toiset ovat kiinnostuneita, toiset epäilevät. Uudet keksinnöt ja teknologiat oikein käytettyinä avaavat meille uuden maailman, tehostavat toimintoja, lisäävät luovuutta ja mahdollistavat asioita. Tämän työn tilaajat olivat sovelluskehitysyhteisö Viastar ja kulttuurialan toimija Carnivale. Tilaajia kiinnostavat uudet teknologiat kulttuuriperinnön sovelluksissa ja hankkeissa. Tämä kehittämistyö tutki ja tarkasteli, miten voimme paremmin hyödyntää uusia teknologioita sukututkimuksen apuna. Työssä tutkittiin, miten voimme yhdistää perinteisen ja DNA-analyysiin pohjautuvan sukututkimuksen. Tässä työssä käytiin myös läpi muita uusia teknologioita, joita voidaan hyödyntää sukuhistorian ja kulttuuriperinnön tallennuksessa, tutkimuksessa sekä myös yleisemmin kulttuurituotantojen tukena. Kehittämistyötä tehtiin tutkimalla ja kokeilemalla uusia teknologioita sekä käymällä läpi laajasti opinnäytetyön tekijän sukuun liittyviä sukututkimuksia ja niiden kautta esiin tullutta kulttuuriperintöä, vanhoja kuvia, karttoja ja paikkoja. Geneettisen sukututkimuksen avulla tutkittiin isä- ja äitilinjoja eri tekniikoilla ja jäljitettiin eri sukujen kulkureittejä menneiden vuosisatojen aikoina. Tässä opinnäytetyössä analysoitiin tekijän omasta suvusta teetettyjen DNA-testien tuloksia ja osoitettiin, miten ne toimivat käytännössä sukututkimuksen välineinä. Tässä työssä käsiteltyjä muita kulttuurituotannon tekniikoita olivat drone-kuvaus, lidar-kuvaus, virtuaali- ja lisätty todellisuus. Tutkimusmenetelminä käytettiin aineistotutkimusta, DNA-testejä, havainnointia, haastattelua ja kenttätyötä kokeilemalla käytännössä erilaisissä ympäristöissä uusia teknisiä välineitä. Työn tuloksina todettiin, että uudet tekniikat toimivat sukututkimuksessa ja kulttuuriperinnön tallentamisessa erittäin hyvin. Uudet tekniikat avaavat uusia sisältöjä ja osallistavat kulttuurin tuottajan sekä kuluttajan tuotantoihin syvällisesti. Toimenpide-ehdotuksena esitettiin, että sukututkimuksessa ja kulttuurituotannoissa otettaisiin rohkeasti uusia tekniikoita laajasti käyttöön toiminnan parantamiseksi ja tehostamiseksi. New technologies are often embraced emotionally: others show interest and others doubt. It is a fact that new inventions and technologies, when used properly, open up new worlds for us, streamline operations, increase creativity and enable things. This thesis was commissioned by the application development company Viastar and the cultural sector enterprise Carnivale. Both commissioners are interested in new technologies on cultural heritage applications and projects. The objective of this study was to explore and examine how new technologies can better be utilized in genealogy. The study explored how to combine traditional and genetic genealogy research. It also reviewed some other new innovative technologies that can be used on cultural heritage research and in cultural productions. The study was carried out by exploring and experimenting new technologies and going through extensive genealogy and cultural heritage materials, old images, maps, and places that have emerged through genealogy research. In terms of genetic genealogy, lineages have been studied using different DNA techniques and the pathways of different genera have been traced over the past centuries. The study analyzed the DNA research results from the author's own lineage and show how they work in practice as a tool for genealogy. Other cultural production techniques covered in this study include drone imaging, lidar imaging, as well as virtual and augmented reality. The research methods used were document analysis, observation, interview and fieldwork by experimenting new technical tools in different environments. The results indicate that the new technologies work very well in genealogy and in saving cultural heritage. New technologies open up new content and deeply involve producers, researchers and cultural consumers in productions. The thesis proposes that genealogists and cultural sector make widespread use of new technologies to improve and increase their efficiency.

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    Theseus
    2022
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      Theseus
      2022
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    Authors: Muller, Julien;

    Ce jeu de données contient des données enrichies sur les membres du Bureau des longitudes, de la création de cette institution scientifique en 1795, jusqu'à 1970 (pour la dernière date d'entrée).

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    Authors: Rosson, Lois Ruby;

    This dissertation examines how the practice of astronomical illustration changed and expanded over the course of the twentieth century Space Age. In the United States, the post-war period transformed outer space into a geopolitically significant environment, reorienting the authoritative picturing of space from a practice housed primarily within European astronomical observatories to one with commercial viability in American science and popular culture. In the absence of cameras capable of rendering the space environment, individual illustrators filled in pictorial gaps by hand. Between the years of 1944 and 1987, illustrators developed an aesthetic of neutrality that visually signaled the scientific accuracy of their work. This aesthetic privileged a style of representation that mirrored the technical impartiality of cameras, collapsing distinctions between “most realistic” looking with “most photographic.” The visual clarity of photographic resolution became the standard for the most successful illustrations, even though most subjects depicted required a degree of artistic license to be made visible at all. This dissertation examines the visual techniques developed to reproduce photographic-looking illustrations of unphotographable places. The status of these images as utilitarian was negotiated via a complex web of group consensus and proximity to places like NASA, educational programming at planetariums, and public television. Examining midcentury astronomical illustration as a cultural product instead of neutral technical output offers a new entry point into the visual culture of the Space Age in the United States. This study underscores the way in which socially constructed expectations about the space environment were coded into objective-looking images.

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    Authors: Sánchez Riera, Alberto; Pàmies Sauret, Carles; Navarro Delgado, Isidro;

    Partiendo del caso de la sillería del coro de la catedral de Oviedo, desmantelada y reconstruida parcialmente en la sala Capitular del mismo edificio, este artículo describe el proceso de reconstrucción virtual y posterior visualización interactiva del conjunto original en su contexto. Para ello se integran geométricamente imágenes equirectangulares del edificio actual con el modelo virtual de la sillería reconstruida en su totalidad a partir del levantamiento fotogramétrico de parte de ella, todavía existente. La técnica permite combinar de forma hiperrealista imágenes reales y virtuales, ofreciendo al espectador, de forma interactiva e inmersiva, un recorrido virtual “mixto” de la nave central de la catedral que incorpora el modelo virtual reconstruido en la ubicación para el que fue originalmente diseñado. La metodología propuesta supone una nueva estrategia de visualización que, de forma económica, interactiva, ubicua y universal, ha de permitir un avance en la difusión del patrimonio descontextualizado. Peer Reviewed

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    Authors: Soulu, Frédéric;

    L'ensemble des mentions d' instruments scientifiques relevées dans les procès-verbaux du Bureau des longitudes (jusqu'à l'année 1895)

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    Authors: CSIC - Departamento de Comunicación;

    Head of Communication: Abel Grau; Editorial board: Esther M. García Pastor, Alejandro Parrilla García; Writers: Lucía Casas Piñeiro, Isidoro García Cano, Esther M. García Pastor, Carmen Fernández, Ana Iglesias, Mónica Lara del Vigo, Silbia López de Lacalle, Víctor Lloret Blackburn, Alejandro Parrilla García, Belén Remacha; Photography: César Hernández, Álvaro Muñoz Guzmán, Joan Costa, Artur Martínez y Pau Franch; Translation: Fabiola Barraclough. This special issue of ‘CSIC Investiga. Journal of Science’ shows the performance of the Spanish National Research Council (CSIC) within the EU R&D framewok programme Horizon 2020. It presents reportages on research projects about Qur’an heritage in Europe, the exploration of Mars, the new robots that assist people, more efficient parasites controls in fishery, new sustainable packaging, methods to trace asymptomatic tuberculosis transmisión, and the historic legacy of the Senegal’s region of Pathiana, among others. Peer reviewed

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    Authors: Ugliotti, Francesca Maria; Osello, Anna;
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    Authors: Tryfonos, George; Ioannides, Marinos; Anastasi, A. G.; Apostolou, V. A.; +3 Authors

    The paper presents a novel adaptive parametric documentation, modelling and sharing methodology, which aims to achieve a continuous holistic documentation, data processing and sharing process for cultural heritage community, such as architects, engineers, archaeologists, conservators, programmers, fabricators, contest creators, game developers, scholars and common citizens. Thus, the use of advance parametric and building information modelling software allows the processing and specification of all data by creating the 3D models needed for the multidisciplinary experts. Two Cypriot case studies from the medieval time period have been chosen for the development, and evaluation of our proposed methodology in order to investigate the process of modelling and sharing all the given metadata and 3D data. The first one is the Asinou Church, a UNESCO Heritage stone monument in the Troodos Mountains with a unique interior and the Kolossi Castle, a former Crusader stronghold on the west of the city of Limassol on the island of Cyprus.

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    Authors: Álvarez López, Jessica Dixiana; Obando Reyes, Fernando;

    Este artículo presenta una contextualización de la historia de la música ska en Costa Rica, la cual se encuentra estrechamente ligada con “la tercera ola de ska” a nivel mundial y el desarrollo de los otros géneros musicales en la década de los 90 en el país. Durante este período se destaca la participación de agrupaciones jóvenes de los “barrios del sur” de San José y otras partes de la Gran Área Metropolitana. A modo de discusión, las personas investigadoras muestran una serie de anotaciones que buscan brindar guía al estudio de la música ska en el país, desde su contexto histórico hasta su importancia a nivel social. This paper presents a contextualization of the history of ska music in Costa Rica, which has a narrow link with the “third wave of ska” at a worldwide level and the development of other music genres in the decade of the 90’s in the country. During this period the participation of groups with young people from the neighborhoods from the south of San José Downtown and other parts from the Great Metropolitan Area it’s a big highlight. In a sense of discussion, the researchers show a series of annotations that try to find guidance to study of ska music in the country, from its historical context to its importance at a social level. UCR::Vicerrectoría de Docencia::Ciencias Sociales::Facultad de Ciencias Sociales::Escuela de Antropología

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48 Research products
  • Authors: Roumana, Antigoni - Marina;
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    Authors: Nieminen, Topi;

    Uudet teknologiat otetaan vastaan usein tunneperäisesti, toiset ovat kiinnostuneita, toiset epäilevät. Uudet keksinnöt ja teknologiat oikein käytettyinä avaavat meille uuden maailman, tehostavat toimintoja, lisäävät luovuutta ja mahdollistavat asioita. Tämän työn tilaajat olivat sovelluskehitysyhteisö Viastar ja kulttuurialan toimija Carnivale. Tilaajia kiinnostavat uudet teknologiat kulttuuriperinnön sovelluksissa ja hankkeissa. Tämä kehittämistyö tutki ja tarkasteli, miten voimme paremmin hyödyntää uusia teknologioita sukututkimuksen apuna. Työssä tutkittiin, miten voimme yhdistää perinteisen ja DNA-analyysiin pohjautuvan sukututkimuksen. Tässä työssä käytiin myös läpi muita uusia teknologioita, joita voidaan hyödyntää sukuhistorian ja kulttuuriperinnön tallennuksessa, tutkimuksessa sekä myös yleisemmin kulttuurituotantojen tukena. Kehittämistyötä tehtiin tutkimalla ja kokeilemalla uusia teknologioita sekä käymällä läpi laajasti opinnäytetyön tekijän sukuun liittyviä sukututkimuksia ja niiden kautta esiin tullutta kulttuuriperintöä, vanhoja kuvia, karttoja ja paikkoja. Geneettisen sukututkimuksen avulla tutkittiin isä- ja äitilinjoja eri tekniikoilla ja jäljitettiin eri sukujen kulkureittejä menneiden vuosisatojen aikoina. Tässä opinnäytetyössä analysoitiin tekijän omasta suvusta teetettyjen DNA-testien tuloksia ja osoitettiin, miten ne toimivat käytännössä sukututkimuksen välineinä. Tässä työssä käsiteltyjä muita kulttuurituotannon tekniikoita olivat drone-kuvaus, lidar-kuvaus, virtuaali- ja lisätty todellisuus. Tutkimusmenetelminä käytettiin aineistotutkimusta, DNA-testejä, havainnointia, haastattelua ja kenttätyötä kokeilemalla käytännössä erilaisissä ympäristöissä uusia teknisiä välineitä. Työn tuloksina todettiin, että uudet tekniikat toimivat sukututkimuksessa ja kulttuuriperinnön tallentamisessa erittäin hyvin. Uudet tekniikat avaavat uusia sisältöjä ja osallistavat kulttuurin tuottajan sekä kuluttajan tuotantoihin syvällisesti. Toimenpide-ehdotuksena esitettiin, että sukututkimuksessa ja kulttuurituotannoissa otettaisiin rohkeasti uusia tekniikoita laajasti käyttöön toiminnan parantamiseksi ja tehostamiseksi. New technologies are often embraced emotionally: others show interest and others doubt. It is a fact that new inventions and technologies, when used properly, open up new worlds for us, streamline operations, increase creativity and enable things. This thesis was commissioned by the application development company Viastar and the cultural sector enterprise Carnivale. Both commissioners are interested in new technologies on cultural heritage applications and projects. The objective of this study was to explore and examine how new technologies can better be utilized in genealogy. The study explored how to combine traditional and genetic genealogy research. It also reviewed some other new innovative technologies that can be used on cultural heritage research and in cultural productions. The study was carried out by exploring and experimenting new technologies and going through extensive genealogy and cultural heritage materials, old images, maps, and places that have emerged through genealogy research. In terms of genetic genealogy, lineages have been studied using different DNA techniques and the pathways of different genera have been traced over the past centuries. The study analyzed the DNA research results from the author's own lineage and show how they work in practice as a tool for genealogy. Other cultural production techniques covered in this study include drone imaging, lidar imaging, as well as virtual and augmented reality. The research methods used were document analysis, observation, interview and fieldwork by experimenting new technical tools in different environments. The results indicate that the new technologies work very well in genealogy and in saving cultural heritage. New technologies open up new content and deeply involve producers, researchers and cultural consumers in productions. The thesis proposes that genealogists and cultural sector make widespread use of new technologies to improve and increase their efficiency.

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    Theseus
    2022
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      Theseus
      2022
      Data sources: Theseus
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Muller, Julien;

    Ce jeu de données contient des données enrichies sur les membres du Bureau des longitudes, de la création de cette institution scientifique en 1795, jusqu'à 1970 (pour la dernière date d'entrée).

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    Authors: Rosson, Lois Ruby;

    This dissertation examines how the practice of astronomical illustration changed and expanded over the course of the twentieth century Space Age. In the United States, the post-war period transformed outer space into a geopolitically significant environment, reorienting the authoritative picturing of space from a practice housed primarily within European astronomical observatories to one with commercial viability in American science and popular culture. In the absence of cameras capable of rendering the space environment, individual illustrators filled in pictorial gaps by hand. Between the years of 1944 and 1987, illustrators developed an aesthetic of neutrality that visually signaled the scientific accuracy of their work. This aesthetic privileged a style of representation that mirrored the technical impartiality of cameras, collapsing distinctions between “most realistic” looking with “most photographic.” The visual clarity of photographic resolution became the standard for the most successful illustrations, even though most subjects depicted required a degree of artistic license to be made visible at all. This dissertation examines the visual techniques developed to reproduce photographic-looking illustrations of unphotographable places. The status of these images as utilitarian was negotiated via a complex web of group consensus and proximity to places like NASA, educational programming at planetariums, and public television. Examining midcentury astronomical illustration as a cultural product instead of neutral technical output offers a new entry point into the visual culture of the Space Age in the United States. This study underscores the way in which socially constructed expectations about the space environment were coded into objective-looking images.

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    Authors: Sánchez Riera, Alberto; Pàmies Sauret, Carles; Navarro Delgado, Isidro;

    Partiendo del caso de la sillería del coro de la catedral de Oviedo, desmantelada y reconstruida parcialmente en la sala Capitular del mismo edificio, este artículo describe el proceso de reconstrucción virtual y posterior visualización interactiva del conjunto original en su contexto. Para ello se integran geométricamente imágenes equirectangulares del edificio actual con el modelo virtual de la sillería reconstruida en su totalidad a partir del levantamiento fotogramétrico de parte de ella, todavía existente. La técnica permite combinar de forma hiperrealista imágenes reales y virtuales, ofreciendo al espectador, de forma interactiva e inmersiva, un recorrido virtual “mixto” de la nave central de la catedral que incorpora el modelo virtual reconstruido en la ubicación para el que fue originalmente diseñado. La metodología propuesta supone una nueva estrategia de visualización que, de forma económica, interactiva, ubicua y universal, ha de permitir un avance en la difusión del patrimonio descontextualizado. Peer Reviewed

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    Authors: Soulu, Frédéric;

    L'ensemble des mentions d' instruments scientifiques relevées dans les procès-verbaux du Bureau des longitudes (jusqu'à l'année 1895)

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    Authors: CSIC - Departamento de Comunicación;

    Head of Communication: Abel Grau; Editorial board: Esther M. García Pastor, Alejandro Parrilla García; Writers: Lucía Casas Piñeiro, Isidoro García Cano, Esther M. García Pastor, Carmen Fernández, Ana Iglesias, Mónica Lara del Vigo, Silbia López de Lacalle, Víctor Lloret Blackburn, Alejandro Parrilla García, Belén Remacha; Photography: César Hernández, Álvaro Muñoz Guzmán, Joan Costa, Artur Martínez y Pau Franch; Translation: Fabiola Barraclough. This special issue of ‘CSIC Investiga. Journal of Science’ shows the performance of the Spanish National Research Council (CSIC) within the EU R&D framewok programme Horizon 2020. It presents reportages on research projects about Qur’an heritage in Europe, the exploration of Mars, the new robots that assist people, more efficient parasites controls in fishery, new sustainable packaging, methods to trace asymptomatic tuberculosis transmisión, and the historic legacy of the Senegal’s region of Pathiana, among others. Peer reviewed

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    Authors: Ugliotti, Francesca Maria; Osello, Anna;
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    Authors: Tryfonos, George; Ioannides, Marinos; Anastasi, A. G.; Apostolou, V. A.; +3 Authors

    The paper presents a novel adaptive parametric documentation, modelling and sharing methodology, which aims to achieve a continuous holistic documentation, data processing and sharing process for cultural heritage community, such as architects, engineers, archaeologists, conservators, programmers, fabricators, contest creators, game developers, scholars and common citizens. Thus, the use of advance parametric and building information modelling software allows the processing and specification of all data by creating the 3D models needed for the multidisciplinary experts. Two Cypriot case studies from the medieval time period have been chosen for the development, and evaluation of our proposed methodology in order to investigate the process of modelling and sharing all the given metadata and 3D data. The first one is the Asinou Church, a UNESCO Heritage stone monument in the Troodos Mountains with a unique interior and the Kolossi Castle, a former Crusader stronghold on the west of the city of Limassol on the island of Cyprus.

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      Other ORP type . 2021
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    Authors: Álvarez López, Jessica Dixiana; Obando Reyes, Fernando;

    Este artículo presenta una contextualización de la historia de la música ska en Costa Rica, la cual se encuentra estrechamente ligada con “la tercera ola de ska” a nivel mundial y el desarrollo de los otros géneros musicales en la década de los 90 en el país. Durante este período se destaca la participación de agrupaciones jóvenes de los “barrios del sur” de San José y otras partes de la Gran Área Metropolitana. A modo de discusión, las personas investigadoras muestran una serie de anotaciones que buscan brindar guía al estudio de la música ska en el país, desde su contexto histórico hasta su importancia a nivel social. This paper presents a contextualization of the history of ska music in Costa Rica, which has a narrow link with the “third wave of ska” at a worldwide level and the development of other music genres in the decade of the 90’s in the country. During this period the participation of groups with young people from the neighborhoods from the south of San José Downtown and other parts from the Great Metropolitan Area it’s a big highlight. In a sense of discussion, the researchers show a series of annotations that try to find guidance to study of ska music in the country, from its historical context to its importance at a social level. UCR::Vicerrectoría de Docencia::Ciencias Sociales::Facultad de Ciencias Sociales::Escuela de Antropología

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