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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ferreira, João Pedro Rosa;

    UIDB/04666/2020 UIDP/04666/2020 Contribution to the Scrapbook for the 10th anniversary of the European Journal of Humour Research publishersversion published

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    Authors: Valentines-Álvarez, Jaume;

    Publisher Copyright: © 2022 The Author(s), under exclusive licence to Springer Nature Switzerland AG. The article was first published with the Main-title “Tilting at ‘Nuclearmills’?” and the Subtitle “Wind Energy, Grassroots Networks and Technologies of Protest in Spain, 1976–1984”. The author informed us after the publication that both part do belong to the Main-title, that should read “Tilting at ‘Nuclearmills’? Wind Energy, Grassroots Networks and Technologies of Protest in Spain, 1976–1984”. The original publication has been corrected. publishersversion published

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    Authors: Lustosa, Isabel; Schultz, Kirsten;

    UIDB/04666/2020 UIDP/04666/2020 publishersversion published

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    Authors: Lousada, Isabel; Alves, Francisco Das Neves;

    publishersversion published

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    Authors: Dutra e Silva, Sandro; Miraglia, Marina; Arruda, Gilmar; Clare, Patricia; +1 Authors

    UIDB/04209/2020 UIDP/04209/2020 publishersversion published

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lustosa, Isabel; Vargues, Isabel;

    UIDB/04666/2020 UIDP/04666/2020 publishersversion published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodríguez, Arturo Zoffmann;

    UIDB/04209/2020 UIDP/04209/2020 The honeymoon between the anarcho-syndicalists of the CNT and the Russian Revolution in its early years is well known. However, mystery still envelops its sudden rupture with the Communist International in June of 1922. Within much of the historical literature, the split with the Comintern was an epiphany, brought about by the in-flow of worrisome reports about the authoritarianism of the Soviet regime. Using new sources, this article revisits this interpretation. It thoroughly analyses the pitched political battle that shook the Confed-eration between October 1921 and June 1922, and grounds it in the political context of the moment. publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Moniz, António; Moniz, Maria Celeste;

    UIDB/04666/2020 UIDP/04666/2020 O pai de D. Pedro, D. João I, tinha deixado aos filhos e à filha uma forte herança, uma verdadeira utopia, baseada em ideias políticas claras do que considerava dever ser um rei/príncipe. De facto, Portugal tinha acabado de ultrapassar uma guerra muito dura e perigosa contra o seu tradicional e terrível inimigo, Castela, a qual tinha sido imposta à nação pela ambição permanente dos dois primeiros reis Trastâmaras: Enrique II e Juan I. Era o momento certo para estabelecer novas e fortes bases de uma nova era, um novo estilo de ser rei, uma nova dinastia, um novo governo, um novo país, muito mais rico, forte e muito mais desenvolvido. O Infante D. Pedro era o segundo filho sobrevivente. Era um jovem invulgarmente inteligente e erudito, quer nos autores clássicos, quer cristãos. A sua personalidade era igualmente muito rica: era um bravo soldado, que servira nos exércitos do imperador Sigismundo contra os temíveis e cruéis Otomanos durante dois anos; tinha viajado e visitado a maior parte das cortes europeias durante três anos; em todas tinha sido acolhido com grande respeito e recebido honras invulgares por parte dos reis e dos príncipes estrangeiros, incluindo o papa Martinho V; era sábio e generoso, amado pelo seu povo. No regresso à pátria, passou pelo reino de Aragão (que também integrava a Catalunha e Valência) e por Castela, onde se apercebeu da contínua ação subversiva dos Infantes de Aragão (filhos de Fernando I de Aragão) contra o rei castelhano Juan II. D. Pedro ficou chocado, ao perceber que esta família, castelhana por nascimento, certamente se tornaria, no futuro, nos mais fortes e perigosos inimigos de Portugal. [Esta ameaça aumentara consideravelmente com o casamento do príncipe D. Duarte, futuro rei, com D. Leonor de Aragão, a mais jovem das irmãs dos muito ambiciosos Infantes de Aragão. No espírito do Infante tornou-se claro que a sociedade portuguesa necessitava urgentemente de incrementar grandes reformas, quer nas suas forças militares, quer na justiça e na administração, quer na economia, quer no ritmo da sua expansão ultramarina, quer no seu nível de educação, sendo cada um destes aspetos considerado como essencial num novo sistema, de acordo com o ideal complexo do que deveria ser um bom governo: era, de facto, o reforço da utopia política que ele, os irmãos e a irmã tinham herdado dos pais (D. João I e a sua rainha inglesa, D. Filipa de Lencastre).] Nesta comunicação, estudaremos a atividade do príncipe em dois campos: como pedagogo e como político, especialmente durante a sua regência. Dom Pedro’s father, king D. João I, had left to his sons and to his daughter a very strong heritage, a true utopia, based on clear ideas of what he thought a good king/prince should be. Actually, Portugal had just overcome a very hard and dangerous war against its traditional and fierce enemy, Castilla, which had been imposed to the nation by the permanent greed of the two first Trastámara kings, Enrique II and Juan I. It was the right time to establish new and strong bases of a new era, a new king style, a new dynasty, a new government, a new and much richer, stronger, and more developed country. The Infante D. Pedro was the king’s second born surviving son. He was an uncommonly intelligent and learned young man, both in classical and Christian authors. His personality was also uncommonly rich: he was a brave soldier, who had served in emperor Sigismund’s armies against the feared and fierce Ottomans for two years; he had travelled and visited most of the European courts for long three years; everywhere he had raised a great respect and received outstanding honours from foreign kings and princes, including pope Martin V; he was wise and generous, and he was loved by his people. In his return voyage to his homeland he passed in Aragon (including Cataluña and Valencia), and Castilla, where he realized the permanent subversive activity of the Infantes of Aragon (Ferdinand I’s children) against king Juan II of Castilla. Dom Pedro was shocked and he realized that this family, Castellans by birth, would surely be the strongest and the most dangerous enemies of Portugal in the future; this menace had greatly been increased by the marriage of prince Edward (the future king) to lady Leonor of Aragon, the youngest sister of the too ambitious Infantes of Aragon. In Dom Pedro’s mind it became clear that the Portuguese society urgently needed to implement great reforms, both in its military forces, in its justice and administration, in economy, in the rhythm of its overseas expansion, in its educational level, every of these features being considered as essential in a new system, according to a complex ideal of what a good government should be. Actually, it was the reinforcement of the political utopia he and his brothers and sister had inherited from their parents (king João I and his English queen, Philippa of Lancaster). In this talk we will study the prince´s activity in two different fields: as a pedagogue and as a politician, mainly in his regency. authorsversion authorsversion published

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    Authors: Lobo, Carlos; Catrica, Paulo;

    UIDB/04209/2020 UIDP/04209/2020 Devoted to contemporary photography artistic practices, under the motto “Post­-Photographic Truths: Poetics vs Politics”, this text aims to question and discuss the drifts of contemporary photographic practices in our post-truth era. Rooted in the historiography of the medium, the poetics and the political are hypothetical boundaries that prevail in current photographic artistic practices. If the reoccurrence of the poetics beautiful image could be understood as a counter-reaction to the vulnerability of the myth of representation. Hence, the exhaustion of the mechanisms of representation and the political stance could be correlated with the photographic endeavour to represent the complexity of the outer world. The invited authors’ essays, reviewed papers and visual essays published on this issue aim to contribute to the critical discussion of this hypothetical quarrel, merging the notions of poetics and politics, while reaffirming the polysemy of photographs. publishersversion published

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    Authors: Cardoso, Adelino;

    UIDB/04666/2020 UIDP/04666/2020 A constatação de que parte significativa de uma população é simultaneamente afetada pela doença é antiga. No entanto, a caracterização desse fenómeno variou ao longo do tempo,nomeadamente no quadro médico. Hipócrates,cuja influência na medicina europeia foi marcante até finais do século XVIII, descreveu, sob a designação de epidemias, situações diversas de endemia, que atribuiu à “constituição” peculiar do lugar afetado num dado momento. Mas não abordou especificamente o fenómeno da transmissão de uma doença através do contacto de pessoas saudáveis com pessoas infetadaspor uma doença. Daí que a primeira descrição de uma epidemia, da autoria do historiador Tucídides, não encontre paralelo na literatura médica do seu tempo, mas não deixou de suscitar o esforço retrospetivo de médicos relevantes, nomeadamente Galeno, para explicar o fenómeno da transmissão. A teoria do contágio é relativamente recente, devendo-se a GirolamoFracastoro, no século XVI. Este médico e humanista recebe a palavra contágio da tradição intelectual latina e dá-lhe o estatuto de um conceito central da ciência e da prática médicas. The observation that a relevant part of a pop-ulation is simultaneously sick is quite ancient. Nevertheless, the explanation and character-ization of such phenomenon, namely at the medical framework, had changed throughout the time. Hippocrates, the most influential doctor in European medicine until the end of the 18th century, described, under the name of epidemy, diverse endemic situations, and attributed them to the peculiar “constitution” of the place affected in a certain moment. But he did not approach specifically the phenomenon of the transmission of a disease by means of the contact of healthy persons with someone affected by a disease. So, the first description of an epidemy, by the historian Thucydides, has no parallel in the medical writings of his time. In any case, it motivated the retrospective effort of relevant doctors, as Galen, aiming to explain the phenomenon of disease’s transmission. The theory of contagion is relatively recent, being formulated by Girolamo Fracastoro in his De contagione (1546). This Physician and humanist received the word contagion from the intellec-tual Latin tradition and converted it into a cen-tral concept of medical science and practice. publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ferreira, João Pedro Rosa;

    UIDB/04666/2020 UIDP/04666/2020 Contribution to the Scrapbook for the 10th anniversary of the European Journal of Humour Research publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Valentines-Álvarez, Jaume;

    Publisher Copyright: © 2022 The Author(s), under exclusive licence to Springer Nature Switzerland AG. The article was first published with the Main-title “Tilting at ‘Nuclearmills’?” and the Subtitle “Wind Energy, Grassroots Networks and Technologies of Protest in Spain, 1976–1984”. The author informed us after the publication that both part do belong to the Main-title, that should read “Tilting at ‘Nuclearmills’? Wind Energy, Grassroots Networks and Technologies of Protest in Spain, 1976–1984”. The original publication has been corrected. publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lustosa, Isabel; Schultz, Kirsten;

    UIDB/04666/2020 UIDP/04666/2020 publishersversion published

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    Authors: Lousada, Isabel; Alves, Francisco Das Neves;

    publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dutra e Silva, Sandro; Miraglia, Marina; Arruda, Gilmar; Clare, Patricia; +1 Authors

    UIDB/04209/2020 UIDP/04209/2020 publishersversion published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lustosa, Isabel; Vargues, Isabel;

    UIDB/04666/2020 UIDP/04666/2020 publishersversion published

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    Authors: Rodríguez, Arturo Zoffmann;

    UIDB/04209/2020 UIDP/04209/2020 The honeymoon between the anarcho-syndicalists of the CNT and the Russian Revolution in its early years is well known. However, mystery still envelops its sudden rupture with the Communist International in June of 1922. Within much of the historical literature, the split with the Comintern was an epiphany, brought about by the in-flow of worrisome reports about the authoritarianism of the Soviet regime. Using new sources, this article revisits this interpretation. It thoroughly analyses the pitched political battle that shook the Confed-eration between October 1921 and June 1922, and grounds it in the political context of the moment. publishersversion published

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    Authors: Moniz, António; Moniz, Maria Celeste;

    UIDB/04666/2020 UIDP/04666/2020 O pai de D. Pedro, D. João I, tinha deixado aos filhos e à filha uma forte herança, uma verdadeira utopia, baseada em ideias políticas claras do que considerava dever ser um rei/príncipe. De facto, Portugal tinha acabado de ultrapassar uma guerra muito dura e perigosa contra o seu tradicional e terrível inimigo, Castela, a qual tinha sido imposta à nação pela ambição permanente dos dois primeiros reis Trastâmaras: Enrique II e Juan I. Era o momento certo para estabelecer novas e fortes bases de uma nova era, um novo estilo de ser rei, uma nova dinastia, um novo governo, um novo país, muito mais rico, forte e muito mais desenvolvido. O Infante D. Pedro era o segundo filho sobrevivente. Era um jovem invulgarmente inteligente e erudito, quer nos autores clássicos, quer cristãos. A sua personalidade era igualmente muito rica: era um bravo soldado, que servira nos exércitos do imperador Sigismundo contra os temíveis e cruéis Otomanos durante dois anos; tinha viajado e visitado a maior parte das cortes europeias durante três anos; em todas tinha sido acolhido com grande respeito e recebido honras invulgares por parte dos reis e dos príncipes estrangeiros, incluindo o papa Martinho V; era sábio e generoso, amado pelo seu povo. No regresso à pátria, passou pelo reino de Aragão (que também integrava a Catalunha e Valência) e por Castela, onde se apercebeu da contínua ação subversiva dos Infantes de Aragão (filhos de Fernando I de Aragão) contra o rei castelhano Juan II. D. Pedro ficou chocado, ao perceber que esta família, castelhana por nascimento, certamente se tornaria, no futuro, nos mais fortes e perigosos inimigos de Portugal. [Esta ameaça aumentara consideravelmente com o casamento do príncipe D. Duarte, futuro rei, com D. Leonor de Aragão, a mais jovem das irmãs dos muito ambiciosos Infantes de Aragão. No espírito do Infante tornou-se claro que a sociedade portuguesa necessitava urgentemente de incrementar grandes reformas, quer nas suas forças militares, quer na justiça e na administração, quer na economia, quer no ritmo da sua expansão ultramarina, quer no seu nível de educação, sendo cada um destes aspetos considerado como essencial num novo sistema, de acordo com o ideal complexo do que deveria ser um bom governo: era, de facto, o reforço da utopia política que ele, os irmãos e a irmã tinham herdado dos pais (D. João I e a sua rainha inglesa, D. Filipa de Lencastre).] Nesta comunicação, estudaremos a atividade do príncipe em dois campos: como pedagogo e como político, especialmente durante a sua regência. Dom Pedro’s father, king D. João I, had left to his sons and to his daughter a very strong heritage, a true utopia, based on clear ideas of what he thought a good king/prince should be. Actually, Portugal had just overcome a very hard and dangerous war against its traditional and fierce enemy, Castilla, which had been imposed to the nation by the permanent greed of the two first Trastámara kings, Enrique II and Juan I. It was the right time to establish new and strong bases of a new era, a new king style, a new dynasty, a new government, a new and much richer, stronger, and more developed country. The Infante D. Pedro was the king’s second born surviving son. He was an uncommonly intelligent and learned young man, both in classical and Christian authors. His personality was also uncommonly rich: he was a brave soldier, who had served in emperor Sigismund’s armies against the feared and fierce Ottomans for two years; he had travelled and visited most of the European courts for long three years; everywhere he had raised a great respect and received outstanding honours from foreign kings and princes, including pope Martin V; he was wise and generous, and he was loved by his people. In his return voyage to his homeland he passed in Aragon (including Cataluña and Valencia), and Castilla, where he realized the permanent subversive activity of the Infantes of Aragon (Ferdinand I’s children) against king Juan II of Castilla. Dom Pedro was shocked and he realized that this family, Castellans by birth, would surely be the strongest and the most dangerous enemies of Portugal in the future; this menace had greatly been increased by the marriage of prince Edward (the future king) to lady Leonor of Aragon, the youngest sister of the too ambitious Infantes of Aragon. In Dom Pedro’s mind it became clear that the Portuguese society urgently needed to implement great reforms, both in its military forces, in its justice and administration, in economy, in the rhythm of its overseas expansion, in its educational level, every of these features being considered as essential in a new system, according to a complex ideal of what a good government should be. Actually, it was the reinforcement of the political utopia he and his brothers and sister had inherited from their parents (king João I and his English queen, Philippa of Lancaster). In this talk we will study the prince´s activity in two different fields: as a pedagogue and as a politician, mainly in his regency. authorsversion authorsversion published

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    Authors: Lobo, Carlos; Catrica, Paulo;

    UIDB/04209/2020 UIDP/04209/2020 Devoted to contemporary photography artistic practices, under the motto “Post­-Photographic Truths: Poetics vs Politics”, this text aims to question and discuss the drifts of contemporary photographic practices in our post-truth era. Rooted in the historiography of the medium, the poetics and the political are hypothetical boundaries that prevail in current photographic artistic practices. If the reoccurrence of the poetics beautiful image could be understood as a counter-reaction to the vulnerability of the myth of representation. Hence, the exhaustion of the mechanisms of representation and the political stance could be correlated with the photographic endeavour to represent the complexity of the outer world. The invited authors’ essays, reviewed papers and visual essays published on this issue aim to contribute to the critical discussion of this hypothetical quarrel, merging the notions of poetics and politics, while reaffirming the polysemy of photographs. publishersversion published

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    Authors: Cardoso, Adelino;

    UIDB/04666/2020 UIDP/04666/2020 A constatação de que parte significativa de uma população é simultaneamente afetada pela doença é antiga. No entanto, a caracterização desse fenómeno variou ao longo do tempo,nomeadamente no quadro médico. Hipócrates,cuja influência na medicina europeia foi marcante até finais do século XVIII, descreveu, sob a designação de epidemias, situações diversas de endemia, que atribuiu à “constituição” peculiar do lugar afetado num dado momento. Mas não abordou especificamente o fenómeno da transmissão de uma doença através do contacto de pessoas saudáveis com pessoas infetadaspor uma doença. Daí que a primeira descrição de uma epidemia, da autoria do historiador Tucídides, não encontre paralelo na literatura médica do seu tempo, mas não deixou de suscitar o esforço retrospetivo de médicos relevantes, nomeadamente Galeno, para explicar o fenómeno da transmissão. A teoria do contágio é relativamente recente, devendo-se a GirolamoFracastoro, no século XVI. Este médico e humanista recebe a palavra contágio da tradição intelectual latina e dá-lhe o estatuto de um conceito central da ciência e da prática médicas. The observation that a relevant part of a pop-ulation is simultaneously sick is quite ancient. Nevertheless, the explanation and character-ization of such phenomenon, namely at the medical framework, had changed throughout the time. Hippocrates, the most influential doctor in European medicine until the end of the 18th century, described, under the name of epidemy, diverse endemic situations, and attributed them to the peculiar “constitution” of the place affected in a certain moment. But he did not approach specifically the phenomenon of the transmission of a disease by means of the contact of healthy persons with someone affected by a disease. So, the first description of an epidemy, by the historian Thucydides, has no parallel in the medical writings of his time. In any case, it motivated the retrospective effort of relevant doctors, as Galen, aiming to explain the phenomenon of disease’s transmission. The theory of contagion is relatively recent, being formulated by Girolamo Fracastoro in his De contagione (1546). This Physician and humanist received the word contagion from the intellec-tual Latin tradition and converted it into a cen-tral concept of medical science and practice. publishersversion published

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