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  • Digital Humanities and Cultural Heritage
  • 2017-2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ES Bruijn;

    Abstract: De eerste middeleeuwse ridderverhalen in de volkstaal werden in de twaalfde eeuw opgetekend in handschriften. Toen rond 1450 de boekdrukkunst haar intrede deed in Europa, werden sommige hiervan op de drukpers gelegd. Er verschenen ook nieuwe ridderverhalen. De avonturen van deze middeleeuwse Helden in harnas blijven tot op de dag van vandaag tot de verbeelding spreken: heldhaftige avonturen, zwaardgevechten, magiërs, draken en hoofse liefde. In de expo 'Helden in harnas' staan gedrukte ridderverhalen uit de vijftiende en zestiende eeuw centraal. Ridderromans uit binnen- en buitenland keren terug naar de plek waar ze oorspronkelijk gedrukt zijn: Antwerpen. De Scheldestad was in de zestiende eeuw hèt centrum van de boekdrukkunst in de Nederlanden en had een afzetmarkt over heel Europa. In recente jaren heeft de Erfgoedbibliotheek Hendrik Conscience vijf van deze bijzondere ridderromans aan haar collectie toegevoegd. We maken kennis met de verhaalstoffen uit deze bijzondere periode en met hun ‘Europese’ karakter. Halverwege bieden we een inkijkje in de verteltechnieken en -structuren van deze verhalen, om vervolgens stil te staan bij de verschillende vormen die ridderromans in de zestiende eeuw gingen aannemen. Tot slot vragen we ons af: hoe komt het dat we sommige ridderverhalen nog kennen, terwijl we andere zijn vergeten?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Authors: Beyen, Marnix; Schoups, Martin;

    Abstract: Naar aanleiding van de bestorming van het Capitool door Trump-aanhangers blikken we in deze blogtekst terug op de bestorming van de Belgische Kamer van Volksvertegenwoordigers op 29 juli 1920, en stellen we ons de vraag hoe beide gebeurtenissen zich tot elkaar verhouden.

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    Authors: Soens, Tim;
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    Authors: Vanden Daelen, Veerle; Styven, Dorien;

    Abstract: In this EHRI Document Blog, Veerle Vanden Daelen en Dorien Styven from Kazerne Dossin in Belgium tell the story of the innovative project Left Behind. This project started with Ms. Gaby Morris searching for answers on the fate of her family, deported from Belgium during the Holocaust. This endeavor led her to Kazerne Dossin as her family members were deported to Auschwitz-Birkenau from the SS-Sammellager Mecheln in 1942. Micro-historical research further revealed the obligatory slave labour in Organisation Todt labour camps in Northern France to which Ms. Morris’s grandfather had been forced, together with over 2,250 Jewish men from Belgium, including 1,624 fellow-Antwerpians. Without any direct documents from the family itself, it became clear that Ms. Morris’ grandmother was left behind in Antwerp with the youngest children in a most vulnerable situation. Hundreds of other Jewish families from Antwerp found themselves in the same position and little was known about their fate. With the Left Behind project Kazerne Dossin’s research team aims to advance knowledge on this little known aspect of Holocaust history in Belgium and seeks to explore the combination of micro, macro and spatial analysis, incorporating personal stories, analysis of large datasets and analysis of time and space elements on interactive maps into one research project. As such, Left Behind wishes to visualize its findings for both academics and a wide audience. The results of the project will be presented late 2021.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ES Bruijn;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Van Bavel, Marjolein;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Soens, Tim;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Institutional Reposi...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Institutional Reposi...arrow_drop_down
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    Authors: Coussement, Alexia;
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    Authors: ES Bruijn;

    Abstract: De Hendrik Conscience Bibliotheek in Antwerpen wordt de komende maanden een echt ridderwalhalla, met de avonturen van Koning Arthur, Karel ende Elegast en co. Want vandaag opent daar de nieuwe expo ‘Helden in harnas’. We praten erover met Elisabeth de Bruijn, gast-curator van de expo.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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    Authors: De Smet, Charris;

    Abstract: In this blogpost I want to reflect on the consequences of working with digital archives for heuristics and source criticism, delineating some possible pitfalls and pointing at unexpected opportunities.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ES Bruijn;

    Abstract: De eerste middeleeuwse ridderverhalen in de volkstaal werden in de twaalfde eeuw opgetekend in handschriften. Toen rond 1450 de boekdrukkunst haar intrede deed in Europa, werden sommige hiervan op de drukpers gelegd. Er verschenen ook nieuwe ridderverhalen. De avonturen van deze middeleeuwse Helden in harnas blijven tot op de dag van vandaag tot de verbeelding spreken: heldhaftige avonturen, zwaardgevechten, magiërs, draken en hoofse liefde. In de expo 'Helden in harnas' staan gedrukte ridderverhalen uit de vijftiende en zestiende eeuw centraal. Ridderromans uit binnen- en buitenland keren terug naar de plek waar ze oorspronkelijk gedrukt zijn: Antwerpen. De Scheldestad was in de zestiende eeuw hèt centrum van de boekdrukkunst in de Nederlanden en had een afzetmarkt over heel Europa. In recente jaren heeft de Erfgoedbibliotheek Hendrik Conscience vijf van deze bijzondere ridderromans aan haar collectie toegevoegd. We maken kennis met de verhaalstoffen uit deze bijzondere periode en met hun ‘Europese’ karakter. Halverwege bieden we een inkijkje in de verteltechnieken en -structuren van deze verhalen, om vervolgens stil te staan bij de verschillende vormen die ridderromans in de zestiende eeuw gingen aannemen. Tot slot vragen we ons af: hoe komt het dat we sommige ridderverhalen nog kennen, terwijl we andere zijn vergeten?

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Beyen, Marnix; Schoups, Martin;

    Abstract: Naar aanleiding van de bestorming van het Capitool door Trump-aanhangers blikken we in deze blogtekst terug op de bestorming van de Belgische Kamer van Volksvertegenwoordigers op 29 juli 1920, en stellen we ons de vraag hoe beide gebeurtenissen zich tot elkaar verhouden.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Soens, Tim;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vanden Daelen, Veerle; Styven, Dorien;

    Abstract: In this EHRI Document Blog, Veerle Vanden Daelen en Dorien Styven from Kazerne Dossin in Belgium tell the story of the innovative project Left Behind. This project started with Ms. Gaby Morris searching for answers on the fate of her family, deported from Belgium during the Holocaust. This endeavor led her to Kazerne Dossin as her family members were deported to Auschwitz-Birkenau from the SS-Sammellager Mecheln in 1942. Micro-historical research further revealed the obligatory slave labour in Organisation Todt labour camps in Northern France to which Ms. Morris’s grandfather had been forced, together with over 2,250 Jewish men from Belgium, including 1,624 fellow-Antwerpians. Without any direct documents from the family itself, it became clear that Ms. Morris’ grandmother was left behind in Antwerp with the youngest children in a most vulnerable situation. Hundreds of other Jewish families from Antwerp found themselves in the same position and little was known about their fate. With the Left Behind project Kazerne Dossin’s research team aims to advance knowledge on this little known aspect of Holocaust history in Belgium and seeks to explore the combination of micro, macro and spatial analysis, incorporating personal stories, analysis of large datasets and analysis of time and space elements on interactive maps into one research project. As such, Left Behind wishes to visualize its findings for both academics and a wide audience. The results of the project will be presented late 2021.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ES Bruijn;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Van Bavel, Marjolein;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Soens, Tim;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Institutional Reposi...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Institutional Reposi...arrow_drop_down
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    Authors: Coussement, Alexia;
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    Authors: ES Bruijn;

    Abstract: De Hendrik Conscience Bibliotheek in Antwerpen wordt de komende maanden een echt ridderwalhalla, met de avonturen van Koning Arthur, Karel ende Elegast en co. Want vandaag opent daar de nieuwe expo ‘Helden in harnas’. We praten erover met Elisabeth de Bruijn, gast-curator van de expo.

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    Authors: De Smet, Charris;

    Abstract: In this blogpost I want to reflect on the consequences of working with digital archives for heuristics and source criticism, delineating some possible pitfalls and pointing at unexpected opportunities.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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      This Research product is the result of merged Research products in OpenAIRE.

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