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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • 2014-2023
  • Open Access
  • Other research products
  • Other ORP type
  • Jyväskylä University Digital Archiv...
  • FORTHEM Alliance

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Čeginskas, Viktorija; Lähdesmäki, Tuuli; Havila, Jaakko;

    The HERIDI project (EU Heritage Diplomacy and the Dynamics of Inter-Heritage Dialogue) opens new horizons in the research of new diplomacy by investigating a gap in current research: the uses of heritage in EU foreign policy and international cultural relations. The project explores these uses as EU heritage diplomacy. HERIDI scrutinizes EU heritage diplomacy simultaneously as it is being developed and implemented by various actors in EU member states and external countries. This data set focuses on the project's Work Package 2 (concept analysis of policy documentation). The data set includes documents authored by EU institutions: the European External Action Service, the European Commission, the European Parliament, the Council of the European Union, the European Economic and Social Committee, and the European Committee of Regions. The documents were found from the European Union's database EUR-Lex and ordered into thematic files based on their author and/or search terms: “cultur*”, “heritage”, “diplomat*”, “diplomacy”, "intercultural dialogue", "cultural institute", and "EUNIC". The data collection was conducted between 27 October and 16 November 2020. The data include 224 documents.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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    Authors: Haaparinne, Zachris;

    The database contains information on 464 publicised British petitions (including petitions to parliament, instructions to members of parliament, and addresses to the Throne) and 65 replies, submitted in 1721 - 1776. Appendix 1 contains following information per petition: Year, location, subject, petitioners, receiver, replies, verbs defining petitioners' expectations, volume of published copies and sources. Appendix 2 contains following information per reply: Year, location, replier, position of the replier, recipient, position of the recipient, number of copies and sources.

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    Jyväskylä University Digital Archive
    Other ORP type . 2021
    License: CC BY NC SA
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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      Jyväskylä University Digital Archive
      Other ORP type . 2021
      License: CC BY NC SA
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    Authors: Wirilander, Heidi;

    This study deals with the protection, disaster response, and heritage recovery of immovable and movable cultural heritage in accident and disaster situations. The study examines 19 incidents that required the protection, rescue, and aftercare of cultural heritage. The research provides basic information on how and with what type of mechanisms cultural heritage deteriorates in disaster and post-disaster situations. The methods chosen in the disaster response and heritage recovery work can either prevent or increase heritage damage. Existing operational models and available material and personnel resources enable the carrying out of successful heritage recovery work that minimizes the damage to cultural heritage. The researched incidents occurred in Finland between 1990 and 2010. The research data consists of four independent information sources: 1) themed interviews with the disaster sites’ owners (18 interviews, 19 cases), 2) themed interviews with subject matter specialists (nine interviews), 3) Finnish crime statistics between 1990 and 2010, and 4) six disaster case trial conviction documents. Qualitative content analysis was used with the help of Atlas.ti 6.1 software to analyze the research data. The study shows that cultural values as a background factor had an impact on the funding of heritage recovery. This influenced the success rate of disaster response and heritage recovery processes. A lack of emergency planning and economic resources caused ineffectiveness in both disaster response and heritage recovery work. This sometimes leads to significant secondary heritage damage, especially in the case of water damage. Based on the research data, the deliberate destruction of heritage through vandalism or arson poses a significant threat to Finnish cultural heritage. This should be considered in cultural heritage site emergency planning. Keywords: cultural heritage, cultural property, heritage studies, risk management, disaster management, heritage recovery, preservation, preventive conservation

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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    Authors: Stutz, Christian;

    The “historic turn” in management and organizational studies (MOS) called organizational theorists and historians to engage in discussions on how to best combine organizational theorizing and historical reasoning, methods, and evidence. Arguably, the collective effort of the emergent academic movement has recently resulted in interdisciplinary integration, which foregrounds a new methodological paradigm within MOS. However, history remains a marginal epistemic lens and mode of inquiry in the various research fields of MOS. An example of this trend is the field of corporate social responsibility (CSR), which focuses on the responsibilities of business to pursue its goals in a socially and environmentally acceptable manner. Despite the recognized importance of the past in shaping the present relationships between business and society, CSR scholars have largely sidestepped serious engagement with history. Motivated by this observation, this dissertation explores the CSR field to advance the interdisciplinary project. The dissertation comprises four individual articles, which engage in methodological, conceptual, and practical boundary-spanning work. First, Article I contributes through methodological boundary-spanning work to the overarching objectives of the interdisciplinary project. In particular, the article develops a historical research strategy in the context of CSR research. Starting from the epistemological challenge that historical research interprets the past from the present, the article recognizes the problems of theorizing from history (i.e., presentism). Instead of trying to avoid any presentism that precludes organizational theorizing from history, the article draws from historical hermeneutics and recent insights into abductive reasoning to reconsider the epistemological implications for theory-history relations. As a result, the article outlines the philosophical foundations necessary to embrace history as a reflexive space for interacting with organizational theory (i.e., history-as-elaborating). Second, Article II engages in conceptual boundary-spanning work by integrating history and CSR scholarship conceptually. While previous literature specified the challenge of overcoming discrepant disciplinary traditions, this article argues that another source of mutual misunderstanding arises at the field level where the progress of knowledge occurs. To facilitate a research agenda useful for an interdisciplinary community, the article exemplifies the recognition and reconciliation of conceptual assumptions and research traditions at both the disciplinary and field level. Third, Articles III and IV contribute to the practical objectives of the interdisciplinary project, that is, conducting archival-based historical research that aims to contribute to organizational theorizing. Empirically, both articles explore CSR topics at the intersection of business and society in the Swiss context (i.e., immigration, political turmoil). Methodologically, these two articles apply empirical-analytical approaches. Due to the lack of practical knowledge, the introduction of the dissertation includes a section in which I unpack the micro-processes of historical source analysis in the context of a theory-elaboration strategy. Together, these findings advance the collective goals of academic movement beyond the CSR context. In addition to elaborating on these insights, the critical commentary (i.e., introduction) surveys and assesses the accomplishments and the state of the art of the interdisciplinary project. It concludes by discussing potential pitfalls that could hamper the further prosperity of history within MOS.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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    Authors: Yang, Jing;

    The Chinese artist Zhan Wang has been widely noted for his conceptual sculptural works. Through simulating rocks and rock-formation processes by using modern technology and materials, he interrogates the dichotomies between humanity and nature, humanity and technology, modernity and tradition, and development and preservation. In this conversation, Zhan reviewed the conception and making of his works that particularly dealing with rocks. He also explained his views on a series of issues such as ecological awareness, the environmental crisis, the social engagement of art and the blurring of boundaries between art and other fields.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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    Authors: Yang, Jing;

    The Chinese artist Liang Shaoji has been working intensively with silkworms for almost 30 years. His abundant art practices under the Nature Series have become a unique phenomenon in Chinese contemporary art. Liang was awarded the Chinese Contemporary Art Award (CCAA) in 2002 and the Prince Claus Award in 2009. In this conversation, he discusses how he has transformed the life process of the silkworm into an artistic language to explore the relationship between human beings and non-human life. He also articulated the association between the Nature Series and philosophy, history and culture, highlighting the integrity of ecology and culture, an idea which has traditionally been highly valued in Chinese culture and art.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Jyväskylä University...arrow_drop_down
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    Authors: Lähdesmäki, Tuuli; Turunen, Johanna; Kaasik-Krogerus, Sigrid; Mäkinen, Katja; +1 Authors

    The European Heritage Label (EHL) is the EU’s flagship heritage action. It focuses on promoting the European significance of the cultural heritage and a sense of belonging among the European citizenry. The nature of the action and its proclaimed aims in identity politics necessitate wide public engagement, openness, and transparency. Compared to the European Capital of Culture (ECOC) action and the UNESCO Heritage Lists, the EHL application process has poor transparency, as the applications of the labeled sites are not made public or accessible to other heritage professionals, managers, policymakers, researchers, or public audiences. To increase the transparency of the EU heritage policy in the EHL action and to enhance the benefits this action has for various actors, we recommend changing its policy by making successful applications fully or partly public.

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    Authors: Čeginskas, Viktorija; Lähdesmäki, Tuuli; Turunen, Johanna; Kaasik-Krogerus, Sigrid; +1 Authors

    Efficient communication is important for the sustainability of cultural heritage schemes. Being a rather new action, the European Heritage Label (EHL) struggles with issues of visibility and wider recognition among European citizens, in part resulting from modest communication of the diverse actors within the action. To both increase the visibility of the EHL and promote efficient audience engagement, with an emphasis on multilingual representation of Europe’s diverse cultural heritage, we recommend concrete measures to improve coordinated communication among the EHL actors. Our recommendations consist of three thematic areas: communication, multilingualism, and networking.

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    Authors: Yang, Jing;

    Hong Kong based Chinese artist Zheng Bo is committed to socially and ecologically engaged art. He investigates the past and imagines the future from the perspectives of marginalized communities and marginalized plants. He has worked with a number of museums and art spaces in Asia and Europe, most recently TheCube Project Space (Taipei), the Power Station of Art (Shanghai), the Sifang Art Museum (Nanjing), the Times Museum (Guangzhou), the Cass Sculpture Foundation (Chichester, UK), and Villa Vassilieff (Paris).

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    Authors: Yang, Jing;

    Wang Jiuliang is a Chinese photographer and video artist based in Beijing. Since 2008, he has been focusing on the issue of waste. From 2008 to 2013 he investigated more than 460 landfills around Beijing and made a 76-minute documentary film, Beijing Besieged by Waste, which attracted extensive media attention in China and abroad. Wang Jiulaing won a Gold Award as Outstanding Artist of the Year at the 2009 Lianzhou International Photography Festival. Since 2014, Wang Jiuliang launched an investigation on imported plastic wastes in China. In November 2016, Plastic China was awarded the 2016 IDFA Special Jury Award for First Appearance. He is regarded not only as an artist, but also as a social and environmental activist.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Čeginskas, Viktorija; Lähdesmäki, Tuuli; Havila, Jaakko;

    The HERIDI project (EU Heritage Diplomacy and the Dynamics of Inter-Heritage Dialogue) opens new horizons in the research of new diplomacy by investigating a gap in current research: the uses of heritage in EU foreign policy and international cultural relations. The project explores these uses as EU heritage diplomacy. HERIDI scrutinizes EU heritage diplomacy simultaneously as it is being developed and implemented by various actors in EU member states and external countries. This data set focuses on the project's Work Package 2 (concept analysis of policy documentation). The data set includes documents authored by EU institutions: the European External Action Service, the European Commission, the European Parliament, the Council of the European Union, the European Economic and Social Committee, and the European Committee of Regions. The documents were found from the European Union's database EUR-Lex and ordered into thematic files based on their author and/or search terms: “cultur*”, “heritage”, “diplomat*”, “diplomacy”, "intercultural dialogue", "cultural institute", and "EUNIC". The data collection was conducted between 27 October and 16 November 2020. The data include 224 documents.

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    Authors: Haaparinne, Zachris;

    The database contains information on 464 publicised British petitions (including petitions to parliament, instructions to members of parliament, and addresses to the Throne) and 65 replies, submitted in 1721 - 1776. Appendix 1 contains following information per petition: Year, location, subject, petitioners, receiver, replies, verbs defining petitioners' expectations, volume of published copies and sources. Appendix 2 contains following information per reply: Year, location, replier, position of the replier, recipient, position of the recipient, number of copies and sources.

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    Jyväskylä University Digital Archive
    Other ORP type . 2021
    License: CC BY NC SA
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      Jyväskylä University Digital Archive
      Other ORP type . 2021
      License: CC BY NC SA
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    Authors: Wirilander, Heidi;

    This study deals with the protection, disaster response, and heritage recovery of immovable and movable cultural heritage in accident and disaster situations. The study examines 19 incidents that required the protection, rescue, and aftercare of cultural heritage. The research provides basic information on how and with what type of mechanisms cultural heritage deteriorates in disaster and post-disaster situations. The methods chosen in the disaster response and heritage recovery work can either prevent or increase heritage damage. Existing operational models and available material and personnel resources enable the carrying out of successful heritage recovery work that minimizes the damage to cultural heritage. The researched incidents occurred in Finland between 1990 and 2010. The research data consists of four independent information sources: 1) themed interviews with the disaster sites’ owners (18 interviews, 19 cases), 2) themed interviews with subject matter specialists (nine interviews), 3) Finnish crime statistics between 1990 and 2010, and 4) six disaster case trial conviction documents. Qualitative content analysis was used with the help of Atlas.ti 6.1 software to analyze the research data. The study shows that cultural values as a background factor had an impact on the funding of heritage recovery. This influenced the success rate of disaster response and heritage recovery processes. A lack of emergency planning and economic resources caused ineffectiveness in both disaster response and heritage recovery work. This sometimes leads to significant secondary heritage damage, especially in the case of water damage. Based on the research data, the deliberate destruction of heritage through vandalism or arson poses a significant threat to Finnish cultural heritage. This should be considered in cultural heritage site emergency planning. Keywords: cultural heritage, cultural property, heritage studies, risk management, disaster management, heritage recovery, preservation, preventive conservation

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    Authors: Stutz, Christian;

    The “historic turn” in management and organizational studies (MOS) called organizational theorists and historians to engage in discussions on how to best combine organizational theorizing and historical reasoning, methods, and evidence. Arguably, the collective effort of the emergent academic movement has recently resulted in interdisciplinary integration, which foregrounds a new methodological paradigm within MOS. However, history remains a marginal epistemic lens and mode of inquiry in the various research fields of MOS. An example of this trend is the field of corporate social responsibility (CSR), which focuses on the responsibilities of business to pursue its goals in a socially and environmentally acceptable manner. Despite the recognized importance of the past in shaping the present relationships between business and society, CSR scholars have largely sidestepped serious engagement with history. Motivated by this observation, this dissertation explores the CSR field to advance the interdisciplinary project. The dissertation comprises four individual articles, which engage in methodological, conceptual, and practical boundary-spanning work. First, Article I contributes through methodological boundary-spanning work to the overarching objectives of the interdisciplinary project. In particular, the article develops a historical research strategy in the context of CSR research. Starting from the epistemological challenge that historical research interprets the past from the present, the article recognizes the problems of theorizing from history (i.e., presentism). Instead of trying to avoid any presentism that precludes organizational theorizing from history, the article draws from historical hermeneutics and recent insights into abductive reasoning to reconsider the epistemological implications for theory-history relations. As a result, the article outlines the philosophical foundations necessary to embrace history as a reflexive space for interacting with organizational theory (i.e., history-as-elaborating). Second, Article II engages in conceptual boundary-spanning work by integrating history and CSR scholarship conceptually. While previous literature specified the challenge of overcoming discrepant disciplinary traditions, this article argues that another source of mutual misunderstanding arises at the field level where the progress of knowledge occurs. To facilitate a research agenda useful for an interdisciplinary community, the article exemplifies the recognition and reconciliation of conceptual assumptions and research traditions at both the disciplinary and field level. Third, Articles III and IV contribute to the practical objectives of the interdisciplinary project, that is, conducting archival-based historical research that aims to contribute to organizational theorizing. Empirically, both articles explore CSR topics at the intersection of business and society in the Swiss context (i.e., immigration, political turmoil). Methodologically, these two articles apply empirical-analytical approaches. Due to the lack of practical knowledge, the introduction of the dissertation includes a section in which I unpack the micro-processes of historical source analysis in the context of a theory-elaboration strategy. Together, these findings advance the collective goals of academic movement beyond the CSR context. In addition to elaborating on these insights, the critical commentary (i.e., introduction) surveys and assesses the accomplishments and the state of the art of the interdisciplinary project. It concludes by discussing potential pitfalls that could hamper the further prosperity of history within MOS.

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    Authors: Yang, Jing;

    The Chinese artist Zhan Wang has been widely noted for his conceptual sculptural works. Through simulating rocks and rock-formation processes by using modern technology and materials, he interrogates the dichotomies between humanity and nature, humanity and technology, modernity and tradition, and development and preservation. In this conversation, Zhan reviewed the conception and making of his works that particularly dealing with rocks. He also explained his views on a series of issues such as ecological awareness, the environmental crisis, the social engagement of art and the blurring of boundaries between art and other fields.

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    Authors: Yang, Jing;

    The Chinese artist Liang Shaoji has been working intensively with silkworms for almost 30 years. His abundant art practices under the Nature Series have become a unique phenomenon in Chinese contemporary art. Liang was awarded the Chinese Contemporary Art Award (CCAA) in 2002 and the Prince Claus Award in 2009. In this conversation, he discusses how he has transformed the life process of the silkworm into an artistic language to explore the relationship between human beings and non-human life. He also articulated the association between the Nature Series and philosophy, history and culture, highlighting the integrity of ecology and culture, an idea which has traditionally been highly valued in Chinese culture and art.

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    Authors: Lähdesmäki, Tuuli; Turunen, Johanna; Kaasik-Krogerus, Sigrid; Mäkinen, Katja; +1 Authors

    The European Heritage Label (EHL) is the EU’s flagship heritage action. It focuses on promoting the European significance of the cultural heritage and a sense of belonging among the European citizenry. The nature of the action and its proclaimed aims in identity politics necessitate wide public engagement, openness, and transparency. Compared to the European Capital of Culture (ECOC) action and the UNESCO Heritage Lists, the EHL application process has poor transparency, as the applications of the labeled sites are not made public or accessible to other heritage professionals, managers, policymakers, researchers, or public audiences. To increase the transparency of the EU heritage policy in the EHL action and to enhance the benefits this action has for various actors, we recommend changing its policy by making successful applications fully or partly public.

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    Authors: Čeginskas, Viktorija; Lähdesmäki, Tuuli; Turunen, Johanna; Kaasik-Krogerus, Sigrid; +1 Authors

    Efficient communication is important for the sustainability of cultural heritage schemes. Being a rather new action, the European Heritage Label (EHL) struggles with issues of visibility and wider recognition among European citizens, in part resulting from modest communication of the diverse actors within the action. To both increase the visibility of the EHL and promote efficient audience engagement, with an emphasis on multilingual representation of Europe’s diverse cultural heritage, we recommend concrete measures to improve coordinated communication among the EHL actors. Our recommendations consist of three thematic areas: communication, multilingualism, and networking.

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    Authors: Yang, Jing;

    Hong Kong based Chinese artist Zheng Bo is committed to socially and ecologically engaged art. He investigates the past and imagines the future from the perspectives of marginalized communities and marginalized plants. He has worked with a number of museums and art spaces in Asia and Europe, most recently TheCube Project Space (Taipei), the Power Station of Art (Shanghai), the Sifang Art Museum (Nanjing), the Times Museum (Guangzhou), the Cass Sculpture Foundation (Chichester, UK), and Villa Vassilieff (Paris).

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    Authors: Yang, Jing;

    Wang Jiuliang is a Chinese photographer and video artist based in Beijing. Since 2008, he has been focusing on the issue of waste. From 2008 to 2013 he investigated more than 460 landfills around Beijing and made a 76-minute documentary film, Beijing Besieged by Waste, which attracted extensive media attention in China and abroad. Wang Jiulaing won a Gold Award as Outstanding Artist of the Year at the 2009 Lianzhou International Photography Festival. Since 2014, Wang Jiuliang launched an investigation on imported plastic wastes in China. In November 2016, Plastic China was awarded the 2016 IDFA Special Jury Award for First Appearance. He is regarded not only as an artist, but also as a social and environmental activist.

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