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The following results are related to Digital Humanities and Cultural Heritage. Are you interested to view more results? Visit OpenAIRE - Explore.

  • Digital Humanities and Cultural Heritage
  • 2012-2021
  • Open Access
  • Other research products
  • Other ORP type
  • Digital library of University of Ma...
  • Digital Humanities and Cultural Her...

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Petek, Vita;

    Slovenia is rich in diverse cultural heritage, which is an important part of our country's tourist offer. It is necessary to be aware of the protection of cultural heritage and its preservation for future generations. We can also do this successfully with its digitization, which enables its preservation and makes it accessible beyond the borders of Slovenia. Students of the Faculty of Tourism, University of Maribor, prepared a scientific monography within the course Slovenian Cultural Heritage, on the basis of the project Castles of Posavje. Innovative tourist products for this castles were designed. After analyzing good practices, the students upgraded the current tourist offer of the castles. Slovenija je bogata z raznoliko kulturno dediščino, ki je pomemben del turistične ponudbe naše države. Zavedati se je potrebno varstva kulturne dediščine in njenega ohranjanja za naslednje generacije. To lahko uspešno storimo tudi z njeno digitalizacijo, ki omogoči ohranjanje le te ter, da postane dostopna tudi izven meja Slovenije. Študenti Fakultete za turizem, Univerze v Mariboru, so v okviru predmeta Slovenska kulturna dediščina pripravili znanstveno monografijo. Na podlagi projekta Gradovi Posavja so snovali inovativne turistične produkte teh gradov s pomočjo digitalizacije. Študentje so po analizi dobrih praks nadgradili trenutno turistično ponudbo obravnavanih gradov.

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    Authors: Irman Kolar, Sara;

    The handbook consists of a theoretical part and twenty practical activities. The theoretical part includes the definition of the SEL model, instructions for use of the manual and guidelines for the promotion of social and emotional learning in children. The starting points for the activities are works of art from the collection of the Maribor Art Gallery. By looking at works of art, talking about them and practical art activities, children learn to express their emotions and feelings. The handbook is the result of the Students Innovative Projects for the Benefit of Society 2016–2020 entitled Social and Emotional Learning through Fine Arts - SELUM. Priročnik je sestavljen iz teoretičnega dela in dvajsetih praktičnih aktivnostih. Teoretični del zajema opredelitev modela SEL, navodila za uporabo priročnika in smernice za spodbujanje socialnega in čustvenega učenja pri otrocih. Izhodišča za aktivnosti predstavljajo likovna dela iz zbirke Umetnostne galerije Maribor. Ob ogledovanju likovnih del, pogovoru ob njih in praktičnih likovnih dejavnostih se otroci učijo izražati svoja čustva in občutke. Priročnik je rezultat Študentskega inovativnega projekta za družbeno korist 2016–2020 z naslovom Socialno in čustveno učenje s pomočjo likovne umetnosti – SELUM.

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    Authors: Kocutar, Stane;
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    Authors: Pulko, Borut;
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    Authors: Schmutz, Carl;
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    Authors: Blaznik, Pavle;
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    Authors: Zorman, Milan; Pohorec, Sandi; Butolen, Bojan; Žlahtič, Bojan;
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    Authors: Haramija, Dragica; Batič, Janja;

    The article features three high quality original picture books that share the common theme of Slovene cultural heritage. Through the story and the imagery in the folk tale How lake Bled was made the reader learns of the natural gem of the region. In Gal in the gallery by Svetlana Makarovič, the reader is guided through the National Gallery which is a building that belongs to the Slovene architectural heritage while the pictures within it are part of the movable heritage. The Boy with the red hat by Andreja Peklar, however, is linked with the Vače Situla which is part of the Slovene archaeological heritage. V prispevku so predstavljene tri izbrane kakovostne izvirne slikanice, katerih skupna tema je prikaz slovenske kulturne dediščine. V ljudski pripovedki Kako je nastalo Blejsko jezero skozi zgodbo in podobe spoznamo krajinski naravni kulturni biser. Gal v galeriji Svetlane Makarovič popelje bralca po Narodni galeriji stavba sodi med arhitekturno dediščino, slike v njej pa med premično dediščino. Fant z rdečo kapico Andreje Peklar pa je povezan s situlo iz Vač, ki sodi v arheološko dediščino Slovencev.

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    Authors: Cajzek, Rok; Klanšek, Uroš;

    This paper presents the reconstruction and completion of an annex of more than a century-old parish outbuilding in Šmarje pri Jelšah for the purpose of its rearrangement into the Centre of Baroque Art. Therefore, the municipality of Šmarje pri Jelšah applied for the public tender Regional Development Program , which was put out in order to strengthen regional development potential for the period from 2007 to 2013, and obtained granted co-financing for the investment. A significant part of financial resources was also contributed from the municipality budget. In this way, an important building was gained, intended for preserving rich material cultural heritage of Šmarska Kalvarija, which is said to be one of the largest passion baroque art complexes in Slovenia. Construction works started in the beginning of August 2011, while the building was finished in the second half of May 2012. Today, the Centre of Baroque Art in Šmarje pri Jelšah holds a status of a museum in the nascent stages, since its collection has not been completed yet. V članku sta predstavljeni rekonstrukcija in dograditev več kot stoletje starega župnijskega gospodarskega poslopja v Šmarju pri Jelšah z namenom njegove preureditve v Center baročne umetnosti. V ta namen se je občina Šmarje pri Jelšah leta 2008 prijavila na razpis Regionalni razvojni programi za krepitev regionalnih razvoj-nih potencialov za obdobje 2007-2013 in pridobila nepovratna sredstva za investicijo. Pomemben del finančnih sredstev je občina prispevala tudi sama iz svojega proračuna. S tem je bila pridobljenapomembna zgradba za hrambo bogate kulturne dediščine iz šmarske Kalvarije, ki velja za enega izmed najobsežnejših baročnih umetnostnih kompleksov v Sloveniji. Gradbena dela so se pričela v začetku avgusta 2011, objekt pa je bil dokončan v drugi polovici maja 2012. Center baročne umetnosti v Šmarju pri Jelšah ima trenutno status muzeja v nastajanju, saj zbirka še ni v celoti dokončana.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Duh, Matjaž; Črčinovič Rozman, Janja;

    The article addresses the sensory perception and experiential dimension in the connection of pupils in the lower grades of primary school experiencing musical and fine art artistic messages. The survey pays special attention to active acceptance of the expression of selected artistic works from fine arts and music around the world, and a relived creative reaction to them. In the fine arts, sensory perception and the emotions connected with it that music triggers in listeners experiencing musical elements and structures are connected with the re-experiencing of expressiveness based on the co-dependence of elements of a fine art work. In an empirical survey aiming to determine children's ability as regards the internalised experiencing and connecting of fine arts and music, the authors primarily studied the experiencing and response to presented musical and fine art works. This practical examination of the theoretical assumptions was performed on a sample of children from the lower grades of primary school, aged six to eleven. In the connecting of the simultaneous experiencing of musical and fine art works, a statistically significant difference in experiencing between the categories of younger and older pupils was found in half of the selected cases. Avtorja v članku obravnavata čutne zaznave in doživljajsko dimenzijo pri povezovanju doživljanja glasbenih in likovnih umetniških sporočil pri učencih na razredni stopnji osnovnošolskega izobraževanja. V opisani raziskavi namenjata posebno pozornost aktivnemu sprejemanju ekspresije izbranih umetniških del iz likovne in glasbene svetovne zakladnice ter podoživetemu ustvarjalnemu reagiranju nanje. Čutne zaznave in z njimi povezana čustva, ki jih glasba sproža v poslušalcih z doživljanjem glasbenih elementov in struktur, so na področju likovne umetnosti povezani s podoživljanjem izraznosti, ki temelji na soodvisnosti likovnih elementov. V empirični raziskavi, katere cilj je bil ugotavljanje sposobnosti otrok v ponotranjenem doživljanju in povezovanju likovnega in glasbenega področja, proučujeta avtorja predvsem doživljanje in odzivanje na predstavljena glasbena in likovna dela. Praktično preverjanje teoretičnih predpostavk je bilo izpeljano na vzorcu otrok razredne stopnje osnovne šole, starih šest in enajst let. Pri povezovanju sočasnega doživljanja glasbenih in likovnih del je bila v polovici izbranih primerov ugotovljena statistično pomembna razlika v doživljanju med kategorijama mlajših in starejših učencev.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Petek, Vita;

    Slovenia is rich in diverse cultural heritage, which is an important part of our country's tourist offer. It is necessary to be aware of the protection of cultural heritage and its preservation for future generations. We can also do this successfully with its digitization, which enables its preservation and makes it accessible beyond the borders of Slovenia. Students of the Faculty of Tourism, University of Maribor, prepared a scientific monography within the course Slovenian Cultural Heritage, on the basis of the project Castles of Posavje. Innovative tourist products for this castles were designed. After analyzing good practices, the students upgraded the current tourist offer of the castles. Slovenija je bogata z raznoliko kulturno dediščino, ki je pomemben del turistične ponudbe naše države. Zavedati se je potrebno varstva kulturne dediščine in njenega ohranjanja za naslednje generacije. To lahko uspešno storimo tudi z njeno digitalizacijo, ki omogoči ohranjanje le te ter, da postane dostopna tudi izven meja Slovenije. Študenti Fakultete za turizem, Univerze v Mariboru, so v okviru predmeta Slovenska kulturna dediščina pripravili znanstveno monografijo. Na podlagi projekta Gradovi Posavja so snovali inovativne turistične produkte teh gradov s pomočjo digitalizacije. Študentje so po analizi dobrih praks nadgradili trenutno turistično ponudbo obravnavanih gradov.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Irman Kolar, Sara;

    The handbook consists of a theoretical part and twenty practical activities. The theoretical part includes the definition of the SEL model, instructions for use of the manual and guidelines for the promotion of social and emotional learning in children. The starting points for the activities are works of art from the collection of the Maribor Art Gallery. By looking at works of art, talking about them and practical art activities, children learn to express their emotions and feelings. The handbook is the result of the Students Innovative Projects for the Benefit of Society 2016–2020 entitled Social and Emotional Learning through Fine Arts - SELUM. Priročnik je sestavljen iz teoretičnega dela in dvajsetih praktičnih aktivnostih. Teoretični del zajema opredelitev modela SEL, navodila za uporabo priročnika in smernice za spodbujanje socialnega in čustvenega učenja pri otrocih. Izhodišča za aktivnosti predstavljajo likovna dela iz zbirke Umetnostne galerije Maribor. Ob ogledovanju likovnih del, pogovoru ob njih in praktičnih likovnih dejavnostih se otroci učijo izražati svoja čustva in občutke. Priročnik je rezultat Študentskega inovativnega projekta za družbeno korist 2016–2020 z naslovom Socialno in čustveno učenje s pomočjo likovne umetnosti – SELUM.

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    Authors: Kocutar, Stane;
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    Authors: Pulko, Borut;
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    Authors: Schmutz, Carl;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Blaznik, Pavle;
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    Authors: Zorman, Milan; Pohorec, Sandi; Butolen, Bojan; Žlahtič, Bojan;
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    Authors: Haramija, Dragica; Batič, Janja;

    The article features three high quality original picture books that share the common theme of Slovene cultural heritage. Through the story and the imagery in the folk tale How lake Bled was made the reader learns of the natural gem of the region. In Gal in the gallery by Svetlana Makarovič, the reader is guided through the National Gallery which is a building that belongs to the Slovene architectural heritage while the pictures within it are part of the movable heritage. The Boy with the red hat by Andreja Peklar, however, is linked with the Vače Situla which is part of the Slovene archaeological heritage. V prispevku so predstavljene tri izbrane kakovostne izvirne slikanice, katerih skupna tema je prikaz slovenske kulturne dediščine. V ljudski pripovedki Kako je nastalo Blejsko jezero skozi zgodbo in podobe spoznamo krajinski naravni kulturni biser. Gal v galeriji Svetlane Makarovič popelje bralca po Narodni galeriji stavba sodi med arhitekturno dediščino, slike v njej pa med premično dediščino. Fant z rdečo kapico Andreje Peklar pa je povezan s situlo iz Vač, ki sodi v arheološko dediščino Slovencev.

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    Authors: Cajzek, Rok; Klanšek, Uroš;

    This paper presents the reconstruction and completion of an annex of more than a century-old parish outbuilding in Šmarje pri Jelšah for the purpose of its rearrangement into the Centre of Baroque Art. Therefore, the municipality of Šmarje pri Jelšah applied for the public tender Regional Development Program , which was put out in order to strengthen regional development potential for the period from 2007 to 2013, and obtained granted co-financing for the investment. A significant part of financial resources was also contributed from the municipality budget. In this way, an important building was gained, intended for preserving rich material cultural heritage of Šmarska Kalvarija, which is said to be one of the largest passion baroque art complexes in Slovenia. Construction works started in the beginning of August 2011, while the building was finished in the second half of May 2012. Today, the Centre of Baroque Art in Šmarje pri Jelšah holds a status of a museum in the nascent stages, since its collection has not been completed yet. V članku sta predstavljeni rekonstrukcija in dograditev več kot stoletje starega župnijskega gospodarskega poslopja v Šmarju pri Jelšah z namenom njegove preureditve v Center baročne umetnosti. V ta namen se je občina Šmarje pri Jelšah leta 2008 prijavila na razpis Regionalni razvojni programi za krepitev regionalnih razvoj-nih potencialov za obdobje 2007-2013 in pridobila nepovratna sredstva za investicijo. Pomemben del finančnih sredstev je občina prispevala tudi sama iz svojega proračuna. S tem je bila pridobljenapomembna zgradba za hrambo bogate kulturne dediščine iz šmarske Kalvarije, ki velja za enega izmed najobsežnejših baročnih umetnostnih kompleksov v Sloveniji. Gradbena dela so se pričela v začetku avgusta 2011, objekt pa je bil dokončan v drugi polovici maja 2012. Center baročne umetnosti v Šmarju pri Jelšah ima trenutno status muzeja v nastajanju, saj zbirka še ni v celoti dokončana.

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    Authors: Duh, Matjaž; Črčinovič Rozman, Janja;

    The article addresses the sensory perception and experiential dimension in the connection of pupils in the lower grades of primary school experiencing musical and fine art artistic messages. The survey pays special attention to active acceptance of the expression of selected artistic works from fine arts and music around the world, and a relived creative reaction to them. In the fine arts, sensory perception and the emotions connected with it that music triggers in listeners experiencing musical elements and structures are connected with the re-experiencing of expressiveness based on the co-dependence of elements of a fine art work. In an empirical survey aiming to determine children's ability as regards the internalised experiencing and connecting of fine arts and music, the authors primarily studied the experiencing and response to presented musical and fine art works. This practical examination of the theoretical assumptions was performed on a sample of children from the lower grades of primary school, aged six to eleven. In the connecting of the simultaneous experiencing of musical and fine art works, a statistically significant difference in experiencing between the categories of younger and older pupils was found in half of the selected cases. Avtorja v članku obravnavata čutne zaznave in doživljajsko dimenzijo pri povezovanju doživljanja glasbenih in likovnih umetniških sporočil pri učencih na razredni stopnji osnovnošolskega izobraževanja. V opisani raziskavi namenjata posebno pozornost aktivnemu sprejemanju ekspresije izbranih umetniških del iz likovne in glasbene svetovne zakladnice ter podoživetemu ustvarjalnemu reagiranju nanje. Čutne zaznave in z njimi povezana čustva, ki jih glasba sproža v poslušalcih z doživljanjem glasbenih elementov in struktur, so na področju likovne umetnosti povezani s podoživljanjem izraznosti, ki temelji na soodvisnosti likovnih elementov. V empirični raziskavi, katere cilj je bil ugotavljanje sposobnosti otrok v ponotranjenem doživljanju in povezovanju likovnega in glasbenega področja, proučujeta avtorja predvsem doživljanje in odzivanje na predstavljena glasbena in likovna dela. Praktično preverjanje teoretičnih predpostavk je bilo izpeljano na vzorcu otrok razredne stopnje osnovne šole, starih šest in enajst let. Pri povezovanju sočasnega doživljanja glasbenih in likovnih del je bila v polovici izbranih primerov ugotovljena statistično pomembna razlika v doživljanju med kategorijama mlajših in starejših učencev.

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