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Specification Writing Guide; This document follows up the release of the recommendation of the Consortium 3D for the Humanities available in open access on the HAL platform in 2018. These first recommendations were mostly included into the guide “Guide pour la rédaction d’un cahier des charges de numérisation en 3D” published by the French Ministry of Culture in the context of the National program to digitize and to valorize cultural content.

LE STUDIUM Multidisciplinary Journal. This is the final version of the article, which has been published in final form at http://www.lestudium-ias.com/content/citations-renaissance-imitation-mass-crim; Building upon recent developments in digital music scholarship, Citations: The Renaissance Imitation Mass investigates similarity and borrowing in music on a massive but detailed scale, using digital tools that only a few years ago were beyond our grasp. Our work focuses on the craft of musical counterpoint, and how musicians of the sixteenth century transformed pre-existing pieces to make intricate cyclic compositions from familiar sounds. The CRIM team, an accomplished group of scholars and data scientists active in Europe, North America, and Australia, will assemble a diverse collaborative network of music scholars and students at colleges, music schools and university graduate programs, extending the reach of digital scholarship to new users, and building new communities.

Review of four comic art exhibits held in France in summer 2019:- Sempé en liberté, itinéraire d’un dessinateur d’humour (Sempé at large: a humor cartoonist’s itinerary). Bordeaux: Musée Mer Marine. May 29-October 6, 2019.- Jack Kirby : la galaxie des super-héros (Jack Kirby: the galaxy of superheroes). Louise Hallet and Bernard Mahé. Cherbourg-en-Cotentin, Normandy: Musée Thomas Henry. May 25-September 1, 2019.- Scientifiction - Blake et Mortimer au musée des arts et métiers. Thierry Bellefroid and Eric Dubois. Paris: Musée des Arts et Métiers. June 26, 2019-January 20, 2020.- Histoire de l’art cherche personnages… (Art history looking for characters…). Bordeaux: CAPC. June 20, 2019 thru February 2, 2020.

Si discute dell’incendio che devastò Torino nel 69 d.C. Nella città erano stati acquartierati i Batavi e la Legione XIV. Dopo una lite sorta tra i soldati, Vitellio ordinò alla legione di lasciare la città. La notte che la legione partì, i fuochi dei bivacchi lasciati accesi provocarono l’incendio. In questo articolo vi mostro come la vicenda è stata riportata in letteratura, travisando il testo di Tacito che narra l’accaduto, per dar la colpa ai Batavi.

LE STUDIUM Multidisciplinary Journal. This is the final version of the article, which has been published in final form at : http://www.lestudium-ias.com/content/art-and-city-urban-space-art-and-social-movements-0; The proliferation of visual practices, engagements, and tactics on the streets and plazas of the cities connect art to the political constitution of local struggles on the one hand, and the global grassroots politics of the social movements, on the other. This project investigates the ideologies, relationships, meanings and practices that arise from the diverse interactions among the three social spheres: urban space, art, and social movements. In an innovative and multidisciplinary fashion, it addresses the pressing question in humanities and social sciences : How does art, as a cultural form, partake in contemporary urban transformations and social struggle ?

Most humanists would agree that sharing knowledge with other researchers is a cornerstone of academic life. Many will also fear that sharing too much, too early can be professionally damaging, however. And many also would not find much resonance between how they see their work and the discourses of Open Data, with its emphasis on particular approaches to Data Management Planning that have been adapted from other, more data intensive, disciplines. What we recommend here proposes a different approach to data management, viewing it as a reflective process that exposes and tweaks existing behaviours, rather than one that introduces specific tools. It is intended to encourage awareness of one’s own processes and mindfulness about how they could be more open.; Most humanists would agree that sharing knowledge with other researchers is a cornerstone of academic life. Many will also fear that sharing too much, too early can be professionally damaging, however. And many also would not find much resonance between how they see their work and the discourses of Open Data, with its emphasis on particular approaches to Data Management Planning that have been adapted from other, more data intensive, disciplines. What we recommend here proposes a different approach to data management, viewing it as a reflective process that exposes and tweaks existing behaviours, rather than one that introduces specific tools. It is intended to encourage awareness of one’s own processes and mindfulness about how they could be more open.

This article is a review (in French) of: Janet Marstine, Critical Practice: Artists, Museums, Ethics, New York: Routledge, 2017, 212 pp.; Cet document est une recension en français de l'ouvrage suivant : Janet Marstine, Critical Practice: Artists, Museums, Ethics, New York, Routledge, 2017, 212 p.

This is the final version of the following article, which has been published in final form at http://www.lestudium-ias.com/content/coins-dies-silver-new-approach-making-feudal-period-0; The transition in the 10th century from the centralised Carolingian state to the decentralised feudal principalities is a subject of debate among historians: was it a violent breakdown or a continuous evolution? The major problem facing historians is the scarcity of written sources. But coins are numerous and constitute a relevant source material. Indeed, Coinage is an official institution, and studying it informs us about the state of society and the organisation of the administration. The study of Norman coinage in the 10th century shows a large and well-managed production and a firm control of the circulation. Exchange fees provided income for the duke. This reflects a well-organised stable administration and an ability of controlling society, far from the chaotic, violent and anarchistic picture of early feudalism that is sometimes purported.

Europeum, Prague; Foreword by Christian Kvorning Lassen The overcoming of adversity and hope prevailing forms the core of great narratives, be they personal, national or international. The end of World War II and later the Cold War led to the proclamation of "the end of history", reinforcing the utopian notion that hope had prevailed for good after seemingly endless struggles.