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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vásquez Hernández, Hagui Alberto;

    El presente working paper engloba los conceptos estudiados en la materia Justicia Social Educativa: Estrategia Transformadora, espacio académico que tuve la oportunidad de cursar en virtud del intercambio gestionado por la Universidad de Santo Tomás y la Benemérita Universidad Autónoma de Puebla. Dicho intercambio permitió establecer una mirada transnacional y transdisciplinar al momento de abordar los procesos de educación en cuestiones de violencia y vulnerabilidad social. Se sustenta en este escrito que la justicia social educativa se puede impulsar con la fuerza que ofrece la comprensión de la historia y la sistematización de los relatos históricos de la mano con las herramientas propias de la pedagogía, la filosofía y la escuela en ambientes de diálogo, lo cual ayuda en la superación de los traumas generados por la violencia y en la reconciliación del ser humano con sus congéneres, con su entorno y con su pasado. The present working paper encompasses the concepts studied in the course "Educational Social Justice: Transformative Strategy," an academic space that I had the opportunity to take as part of an exchange program managed by the University of Santo Tomás and the Benemérita Universidad Autónoma de Puebla. This exchange allowed for a transnational and transdisciplinary perspective when addressing education processes related to violence and social vulnerability. This paper argues that educational social justice can be promoted through the strength provided by understanding history and systematizing historical narratives, coupled with the tools of pedagogy, philosophy, and schooling in dialogical environments. This approach aids in overcoming traumas generated by violence and in reconciling individuals with their peers, environment, and past. http://www.ustavillavicencio.edu.co/home/index.php/unidades/extension-y-proyeccion/investigacion

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    Authors: Oyuela, Germán; Pineda, Mónica; Sánchez, Camila; Segovia, Manuela;

    El proyecto "MIKHUNA" aborda la intersección de la gastronomía y la memoria histórica en la región Andina Colombiana. Su propósito es promover la cultura gastronómica, recuperar la memoria histórica y educar a través de la cocina. "MIKHUNA" se presenta como un puente entre la tradición y el futuro, explorando platos auténticos y sabores ancestrales. Se prevé que "MIKHUNA" transforme la región andina colombiana en un destino turístico reconocido, fomentando el emprendimiento local y generando desarrollo económico sostenible por medio de un alimento tan emblemático como lo es el plátano. Este proyecto busca tejer relaciones sólidas entre la comunidad local y los visitantes, celebrando la identidad, la historia y el sabor únicos de la región. The "MIKHUNA" project addresses the intersection of gastronomy and historical memory in the Colombian Andean region. Its purpose is to promote gastronomic culture, recover historical memory, and educate through the culinary arts. "MIKHUNA" presents itself as a bridge between tradition and the future, exploring authentic dishes and ancestral flavors. It is anticipated that "MIKHUNA" will transform the Colombian Andean region into a recognized tourist destination, fostering local entrepreneurship and generating sustainable economic development through the emblematic food of green bananas. This project aims to establish strong relationships between the local community and visitors, celebrating the unique identity, history, and flavors of the region. http://unidadinvestigacion.usta.edu.co

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laura Ocampo Campo;

    Instalación interactiva virtual La tesis "Origami y Medios Digitales: Nuevas Formas de Expresión Abstracta en el Arte Contemporáneo" aborda la pregunta de cómo las técnicas de origami y la exploración de medios digitales pueden generar nuevas formas de expresión abstracta en el arte contemporáneo y cómo se pueden traducir estas formas digitales en piezas tangibles que incorporen elementos de la tradición del origami y la experimentación digital. A través de la realización de tres obras de arte con enfoques y metodologías diferentes, la tesis ha demostrado que la combinación de la tradición del origami y la tecnología digital pueden dar lugar a obras de arte interesantes y novedosas que pueden tener un impacto significativo en el arte contemporáneo. La primera obra, "Ausencia de Significado", utiliza una combinación de técnicas digitales y manuales para representar visualmente la complejidad de la experiencia humana y la búsqueda de propósito y transformación personal en el vacío existencial. La segunda obra consistió en la creación de nuevas mariposas a partir de un tema recurrente en las obras de Gabriel García Márquez, demostrando cómo el origami puede ser utilizado para crear obras de arte que hacen referencia a temas específicos. La tercera obra, centrada en la creación de una pieza en 2D y otra en 3D utilizando el octaedro como figura principal, demuestra la fusión de la tradición del origami y la tecnología digital en formas abstractas y geométricas interesantes. En general, la tesis ha ampliado la comprensión de las posibilidades creativas que ofrecen estas técnicas y ha demostrado que la combinación de origami y tecnología digital pueden dar lugar a obras de arte valiosas en el arte contemporáneo. The thesis "Origami and Digital Media: New Forms of Abstract Expression in Contemporary Art" addresses the question of how origami techniques and exploration of digital media can generate new forms of abstract expression in contemporary art and how these digital forms can be translated into tangible pieces that incorporate elements of the origami tradition and digital experimentation. Through the creation of two different artworks with different approaches and methodologies, the thesis has shown that the combination of origami tradition and digital technology can result in interesting and innovative artworks that can have a significant impact on contemporary art. The first artwork, "Absence of Meaning," uses a combination of digital and manual techniques to visually represent the complexity of human experience and the search for purpose and personal transformation in existential emptiness. The second artwork consisted of creating new butterflies based on a recurring theme in the works of Gabriel Garcia Marquez, demonstrating how origami can be used to create artworks that reference specific themes. The third artwork, focused on creating a 2D and 3D piece using the octahedron as the main figure, shows the fusion of the origami tradition and digital technology into interesting abstract and geometric forms. Overall, the thesis has expanded the understanding of the creative possibilities offered by these techniques and has shown that the combination of origami and digital technology can result in valuable artworks in contemporary art.

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    Authors: Guarnizo Marin, Jose Guillermo; Bautista Díaz, Daniela; Sierra Torres, Juan Sebastián;

    La robótica móvil ha mantenido un constante avance en el último siglo, obteniendo importantes resultados que van desde simples autómatas bioinspirados, hasta el desarrollo cada vez más creciente en el campo de los vehículos autónomos, pasando por exploración espacial, así como una clara tendencia en el aumento de aplicaciones industriales, gracias a la mejora en el desarrollo de procesadores, sensores tales como cámaras y el aumento en la eficiencia de las baterías aplicadas en los robots. En el presente documento se va a realizar una revisión sobre la evolución que ha tenido la robótica móvil desde una perspectiva histórica, partiendo desde sus orígenes hasta aplicaciones recientes en el campo de la industria y la salud, presentando una perspectiva de cómo los robos móviles se hacen cada vez más presentes en distintas aplicaciones http://unidadinvestigacion.usta.edu.co

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Castillejo Tamayo, José Gilberto;

    El proyecto planteado es una reflexión sobre el oficio del escenógrafo para televisión. Intento fusionar el oficio que he ejercido con mis pensamientos, emociones y recuerdos de mi infancia y juventud en la costa atlántica, escarbando en mi memoria, en las imágenes recolectadas, en la memoria de mi madre; así como en las manifestaciones de la cultura de mi región de origen y la de Bogotá, donde me radiqué desde los 24 años, con todo esto exploro un lenguaje de colores y formas. Pero este proyecto es también un esfuerzo por trascender la memoria más allá de la mía propia y buscar conjugarla con la del entorno, sumándola, explorando a través de un símbolo que las junte en una representación que narre esta búsqueda. The proposed project is a reflection on the profession of the television set designer. to merge the job that I have exercised with my thoughts, emotions and memories of my childhood and youth on the Colombian Atlantic coast, digging in my memory, in the collected images, in the memory of my mother; as well as in the manifestations of the culture of my region of origin and that of Bogotá, where I settled since I was 24 years old, with all this I explore a language of colors and shapes. But this project is also an effort to transcend memory beyond my own and seek to combine it with that of the environment, adding it, exploring through a symbol that brings them together in a representation that narrates this search. Desde el Objeto Creación Maestría

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Universidad Nacional...arrow_drop_down
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    Authors: Pinzón Osorio, Robinson Javier;

    The Santa Bárbara`s Church in Bogotá is one of the oldest and most important churches in the city, being one of the vestiges of religious architecture in the colony, as well as being a witness to several of the most important historical events in the country. At present, this building, declared an asset of national cultural interest, is in the forgetfulness of Bogota and with several problems that threaten its conservation as a city heritage. That said, this work seeks to assess and evaluate the building that exists today, taking into account its history, in order to propose certain guidelines that fight for the conservation of the property, in addition to the recovery of the comprehensive reading of its intrinsic values, this being a contribution to the study of colonial buildings in the country as well as contributing to the historical memory of the city. La iglesia de Santa Bárbara en Bogotá es una de las iglesias más antiguas y más importante de la ciudad siendo uno de los vestigios de la arquitectura religiosa en la colonia, además de ser testigo de varios de los hechos históricos más importantes en el país. En la actualidad, este edificio declarado bien de interés cultural de carácter nacional, se encuentra en el olvido de la memoria bogotana y con varias problemáticas que amenazan su conservación como patrimonio de la ciudad. Dicho esto, el presente trabajo busca valorar y evaluar la edificación que existe en la actualidad, teniendo en cuenta su historia, para poder proponer ciertos lineamientos que pugnen por la conservación del bien, además de la recuperación de la lectura integral de sus valores intrínsecos, siendo este un aporte para el estudio de los edificios coloniales en el país además de contribuir a la memoria histórica de la ciudad. Maestría

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    Authors: Buelvas Díaz, Jaili Ivinai;

    This work aims to show, based on fieldwork carried out between 2016 and 2019 and the review of press sources, the contradictions of the visions about peace in Montes de María in the context of the peace negotiation between the FARC and the Colombian government. The departments of Bolívar and Sucre have promoted tourism initiatives in the region that establish the monumentalization of memory as a strategy for the region's economic reactivation. However, it has neglected the demands of the population regarding access to land and resources. Based on three of the elements encompassed by the government strategy (the route of peace, monuments, and festivals), the text aims to reveal the tensions and daily violence that persist in the population. The text consists of three chapters. Each of them presents an ethnographic vignette that serves as a narrative nucleus around which practices and discourses on peace, memory, local politics, and reparation are questioned. El objetivo de este trabajo es mostrar, a partir del trabajo de campo adelantado entre 2016 y 2019 y la revisión de fuentes de prensa, las contradicciones de las visiones encontradas sobre la paz en los Montes de María, en el contexto de la negociación los acuerdos entre las FARC y el gobierno colombiano. Los departamentos de Bolívar y Sucre han promovido iniciativas de turismo en la región que establecen la monumentalización de la memoria como una estrategia de reactivación económica de la región, sin embargo, ha desatendido las demandas de la población sobre el acceso a tierra y recursos. A partir de tres de los elementos que son englobados por la estrategia gubernamental (la ruta de la paz, los monumentos y los festivales), el texto pretende revelar las tensiones y las violencias cotidianas que perviven en la población. El texto consta de tres capítulos. Cada uno de ellos presenta una viñeta etnográfica que sirve como núcleo narrativo alrededor del cual se cuestionan las prácticas y discursos sobre la paz, la memoria, la política local y la reparación. Vicerrectoría Académica Línea de Investigación: Antropología Social Maestría

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    Authors: Reyes Gómez, Lina María;

    The aim of this research is give value and make known the role of National’s Astronomical Observatory has had in urban life of Bogotá city. Its current state requires a restoration proposal, that allows to enhance its use as a teaching center and as a museum, in order to improve cultural appropriation between tourists and local people. This document has an academic work carried out as final work for Master´s Degree in Conservation of Cultural Heritage from National University of Colombia, which aims is contribute to the preservation of this important building as a source of history and science in Colombia. El presente documento tiene como objetivo poner en valor y dar a conocer el papel que ha tenido el Observatorio Astronómico Nacional en la vida urbana de la ciudad, su estado actual y una propuesta que permita potencializar su uso como centro de enseñanza y como museo, con el fin de generar una mayor apropiación a esta importante edificación de la ciudad. Este escrito es de carácter académico realizado como trabajo final de la Maestría en Conservación del Patrimonio Cultural Inmueble de la Universidad Nacional de Colombia, el cual pretende ser una contribución para la conservación del Observatorio como fuente de historia y ciencia, valiosa para el país. Maestría

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Salamanca Martínez, Ángela Viviana;

    "Los Once" is a graphic novel published in 2014, created by José Luis Jiménez, Miguel Jiménez, and Andrés Cruz. It develops its plot from the Palace of Justice siege that took place in Bogotá, Colombia in 1985. Throughout this research, the idea that this graphic novel problematizes the established historical discourses and the construction of memory regarding this event is developed, based on image handling. In the first chapter, an approach to the idea of ​​graphic sequentiality is made, and the particularities of the graphic novel are recognized at a global and local level. Similarly, a structural review of the graphic novel "Los Once" is formulated. In the second chapter, a study of the image is proposed based on some visual research methodologies in which press photographs of the Palace of Justice siege are discussed, with some vignettes from the graphic novel "Los Once", recognizing the difference between discourses that occurs in both sources. In the third chapter, a study of both, Memory and the graphic novel "Los Once" is developed based on their relationships with history, conflict, and art. Keywords: Graphic novel, Image, Photography, Palace of Justice, Memory, History, Art. Los Once es una novela gráfica creada por José Luis Jiménez, Miguel Jiménez y Andrés Cruz, publicada en el año 2014. Desarrolla su trama a partir de la toma del Palacio de Justicia que tuvo lugar en Bogotá, Colombia en el año de 1985. A lo largo de la presente investigación se desarrolla la idea de que esta novela gráfica problematiza los discursos históricos establecidos y la construcción de memoria con respecto a este evento, a partir del tratamiento de la imagen. En el primer capítulo se realiza un acercamiento a la idea de secuencialidad gráfica, y se reconocen las particularidades de la novela gráfica a nivel global y local. De igual modo, se formula una revisión estructural de la novela gráfica Los Once. En el segundo capítulo se plantea un estudio de la imagen a partir de algunas metodologías de investigación visual en las que se ponen en diálogo imágenes de prensa de la toma del Palacio de Justicia, con algunas viñetas de la novela gráfica Los Once, reconociendo la diferencia discursiva que se da en ambos soportes. En el tercer capítulo se desarrolla un estudio de la Memoria y la novela gráfica Los Once a partir de sus relaciones con la historia, el conflicto y el arte. Palabras clave: Novela gráfica, Imagen, Fotografía, Palacio de Justicia, Memoria, Historia, Arte. Maestría

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    Authors: Pedraza Quiñones, Sergio Daniel;

    El documento presenta un índice de incertidumbre de política económica (o índice EPU) para Colombia construido mediante técnicas de Procesamiento de Lenguaje Natural (NLP). La hipótesis es que existe una relación significativa entre el índice EPU y variables como el crecimiento y la inflación y que choques de incertidumbre de política económica tienen un efecto adverso en el desempeño económico del país. Así mismo, se presume que un índice construido con técnicas de NLP recoge de mejor forma la información sobre incertidumbre que un índice construido simplemente con la búsqueda de palabras clave. El uso de herramientas de NLP, así como de modelos de aprendizaje supervisado y no supervisado constituye, tan lejos como sé, la primera aplicación de este tipo de modelos para Colombia en relación con la medición de incertidumbre de política económica. Se obtiene que el índice EPU, construido con un modelo de aprendizaje supervisado, exhibe la mejor capacidad explicativa con respecto a diversos indicadores macroeconómicos. Esta investigación se desarrolla con base en los artículos del archivo del periódico El Tiempo, el único en Colombia que cuenta con una hemeroteca digital desde el año 2000 hasta 2018, periodo comprendido por el estudio. This document introduces an economic policy uncertainty index (or EPU index) for Colombia built on Natural Language Processing (NLP) techniques. The hypothesis is that there exists a significant relationship between the EPU index and indicators like economic growth and inflation, and that economic policy uncertainty shocks have a prejudicial effect over the country’s economic performance. Likewise, it is supposed that an index built on NLP techniques captures more appropriately information about uncertainty than an index built just through search for keywords. The use of NLP tools, as well as of supervised and unsupervised learning models constitutes, as far as I know, the first application of this kind of models for Colombia, within the scope of the measuring economic policy uncertainty. It is obtained that EPU index, when built with a supervised learning model, exhibits the best explaining capability with respect to diverse macroeconomic indicators. This research is done by the means of extracting articles from El Tiempo newspaper, the only one in Colombia that holds a digital newspaper library from 2000 until 2018, which is the period covered by the study. Línea de Investigación: Ciencia de Datos Maestría

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vásquez Hernández, Hagui Alberto;

    El presente working paper engloba los conceptos estudiados en la materia Justicia Social Educativa: Estrategia Transformadora, espacio académico que tuve la oportunidad de cursar en virtud del intercambio gestionado por la Universidad de Santo Tomás y la Benemérita Universidad Autónoma de Puebla. Dicho intercambio permitió establecer una mirada transnacional y transdisciplinar al momento de abordar los procesos de educación en cuestiones de violencia y vulnerabilidad social. Se sustenta en este escrito que la justicia social educativa se puede impulsar con la fuerza que ofrece la comprensión de la historia y la sistematización de los relatos históricos de la mano con las herramientas propias de la pedagogía, la filosofía y la escuela en ambientes de diálogo, lo cual ayuda en la superación de los traumas generados por la violencia y en la reconciliación del ser humano con sus congéneres, con su entorno y con su pasado. The present working paper encompasses the concepts studied in the course "Educational Social Justice: Transformative Strategy," an academic space that I had the opportunity to take as part of an exchange program managed by the University of Santo Tomás and the Benemérita Universidad Autónoma de Puebla. This exchange allowed for a transnational and transdisciplinary perspective when addressing education processes related to violence and social vulnerability. This paper argues that educational social justice can be promoted through the strength provided by understanding history and systematizing historical narratives, coupled with the tools of pedagogy, philosophy, and schooling in dialogical environments. This approach aids in overcoming traumas generated by violence and in reconciling individuals with their peers, environment, and past. http://www.ustavillavicencio.edu.co/home/index.php/unidades/extension-y-proyeccion/investigacion

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Oyuela, Germán; Pineda, Mónica; Sánchez, Camila; Segovia, Manuela;

    El proyecto "MIKHUNA" aborda la intersección de la gastronomía y la memoria histórica en la región Andina Colombiana. Su propósito es promover la cultura gastronómica, recuperar la memoria histórica y educar a través de la cocina. "MIKHUNA" se presenta como un puente entre la tradición y el futuro, explorando platos auténticos y sabores ancestrales. Se prevé que "MIKHUNA" transforme la región andina colombiana en un destino turístico reconocido, fomentando el emprendimiento local y generando desarrollo económico sostenible por medio de un alimento tan emblemático como lo es el plátano. Este proyecto busca tejer relaciones sólidas entre la comunidad local y los visitantes, celebrando la identidad, la historia y el sabor únicos de la región. The "MIKHUNA" project addresses the intersection of gastronomy and historical memory in the Colombian Andean region. Its purpose is to promote gastronomic culture, recover historical memory, and educate through the culinary arts. "MIKHUNA" presents itself as a bridge between tradition and the future, exploring authentic dishes and ancestral flavors. It is anticipated that "MIKHUNA" will transform the Colombian Andean region into a recognized tourist destination, fostering local entrepreneurship and generating sustainable economic development through the emblematic food of green bananas. This project aims to establish strong relationships between the local community and visitors, celebrating the unique identity, history, and flavors of the region. http://unidadinvestigacion.usta.edu.co

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laura Ocampo Campo;

    Instalación interactiva virtual La tesis "Origami y Medios Digitales: Nuevas Formas de Expresión Abstracta en el Arte Contemporáneo" aborda la pregunta de cómo las técnicas de origami y la exploración de medios digitales pueden generar nuevas formas de expresión abstracta en el arte contemporáneo y cómo se pueden traducir estas formas digitales en piezas tangibles que incorporen elementos de la tradición del origami y la experimentación digital. A través de la realización de tres obras de arte con enfoques y metodologías diferentes, la tesis ha demostrado que la combinación de la tradición del origami y la tecnología digital pueden dar lugar a obras de arte interesantes y novedosas que pueden tener un impacto significativo en el arte contemporáneo. La primera obra, "Ausencia de Significado", utiliza una combinación de técnicas digitales y manuales para representar visualmente la complejidad de la experiencia humana y la búsqueda de propósito y transformación personal en el vacío existencial. La segunda obra consistió en la creación de nuevas mariposas a partir de un tema recurrente en las obras de Gabriel García Márquez, demostrando cómo el origami puede ser utilizado para crear obras de arte que hacen referencia a temas específicos. La tercera obra, centrada en la creación de una pieza en 2D y otra en 3D utilizando el octaedro como figura principal, demuestra la fusión de la tradición del origami y la tecnología digital en formas abstractas y geométricas interesantes. En general, la tesis ha ampliado la comprensión de las posibilidades creativas que ofrecen estas técnicas y ha demostrado que la combinación de origami y tecnología digital pueden dar lugar a obras de arte valiosas en el arte contemporáneo. The thesis "Origami and Digital Media: New Forms of Abstract Expression in Contemporary Art" addresses the question of how origami techniques and exploration of digital media can generate new forms of abstract expression in contemporary art and how these digital forms can be translated into tangible pieces that incorporate elements of the origami tradition and digital experimentation. Through the creation of two different artworks with different approaches and methodologies, the thesis has shown that the combination of origami tradition and digital technology can result in interesting and innovative artworks that can have a significant impact on contemporary art. The first artwork, "Absence of Meaning," uses a combination of digital and manual techniques to visually represent the complexity of human experience and the search for purpose and personal transformation in existential emptiness. The second artwork consisted of creating new butterflies based on a recurring theme in the works of Gabriel Garcia Marquez, demonstrating how origami can be used to create artworks that reference specific themes. The third artwork, focused on creating a 2D and 3D piece using the octahedron as the main figure, shows the fusion of the origami tradition and digital technology into interesting abstract and geometric forms. Overall, the thesis has expanded the understanding of the creative possibilities offered by these techniques and has shown that the combination of origami and digital technology can result in valuable artworks in contemporary art.

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    Authors: Guarnizo Marin, Jose Guillermo; Bautista Díaz, Daniela; Sierra Torres, Juan Sebastián;

    La robótica móvil ha mantenido un constante avance en el último siglo, obteniendo importantes resultados que van desde simples autómatas bioinspirados, hasta el desarrollo cada vez más creciente en el campo de los vehículos autónomos, pasando por exploración espacial, así como una clara tendencia en el aumento de aplicaciones industriales, gracias a la mejora en el desarrollo de procesadores, sensores tales como cámaras y el aumento en la eficiencia de las baterías aplicadas en los robots. En el presente documento se va a realizar una revisión sobre la evolución que ha tenido la robótica móvil desde una perspectiva histórica, partiendo desde sus orígenes hasta aplicaciones recientes en el campo de la industria y la salud, presentando una perspectiva de cómo los robos móviles se hacen cada vez más presentes en distintas aplicaciones http://unidadinvestigacion.usta.edu.co

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    Authors: Castillejo Tamayo, José Gilberto;

    El proyecto planteado es una reflexión sobre el oficio del escenógrafo para televisión. Intento fusionar el oficio que he ejercido con mis pensamientos, emociones y recuerdos de mi infancia y juventud en la costa atlántica, escarbando en mi memoria, en las imágenes recolectadas, en la memoria de mi madre; así como en las manifestaciones de la cultura de mi región de origen y la de Bogotá, donde me radiqué desde los 24 años, con todo esto exploro un lenguaje de colores y formas. Pero este proyecto es también un esfuerzo por trascender la memoria más allá de la mía propia y buscar conjugarla con la del entorno, sumándola, explorando a través de un símbolo que las junte en una representación que narre esta búsqueda. The proposed project is a reflection on the profession of the television set designer. to merge the job that I have exercised with my thoughts, emotions and memories of my childhood and youth on the Colombian Atlantic coast, digging in my memory, in the collected images, in the memory of my mother; as well as in the manifestations of the culture of my region of origin and that of Bogotá, where I settled since I was 24 years old, with all this I explore a language of colors and shapes. But this project is also an effort to transcend memory beyond my own and seek to combine it with that of the environment, adding it, exploring through a symbol that brings them together in a representation that narrates this search. Desde el Objeto Creación Maestría

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    Authors: Pinzón Osorio, Robinson Javier;

    The Santa Bárbara`s Church in Bogotá is one of the oldest and most important churches in the city, being one of the vestiges of religious architecture in the colony, as well as being a witness to several of the most important historical events in the country. At present, this building, declared an asset of national cultural interest, is in the forgetfulness of Bogota and with several problems that threaten its conservation as a city heritage. That said, this work seeks to assess and evaluate the building that exists today, taking into account its history, in order to propose certain guidelines that fight for the conservation of the property, in addition to the recovery of the comprehensive reading of its intrinsic values, this being a contribution to the study of colonial buildings in the country as well as contributing to the historical memory of the city. La iglesia de Santa Bárbara en Bogotá es una de las iglesias más antiguas y más importante de la ciudad siendo uno de los vestigios de la arquitectura religiosa en la colonia, además de ser testigo de varios de los hechos históricos más importantes en el país. En la actualidad, este edificio declarado bien de interés cultural de carácter nacional, se encuentra en el olvido de la memoria bogotana y con varias problemáticas que amenazan su conservación como patrimonio de la ciudad. Dicho esto, el presente trabajo busca valorar y evaluar la edificación que existe en la actualidad, teniendo en cuenta su historia, para poder proponer ciertos lineamientos que pugnen por la conservación del bien, además de la recuperación de la lectura integral de sus valores intrínsecos, siendo este un aporte para el estudio de los edificios coloniales en el país además de contribuir a la memoria histórica de la ciudad. Maestría

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    Authors: Buelvas Díaz, Jaili Ivinai;

    This work aims to show, based on fieldwork carried out between 2016 and 2019 and the review of press sources, the contradictions of the visions about peace in Montes de María in the context of the peace negotiation between the FARC and the Colombian government. The departments of Bolívar and Sucre have promoted tourism initiatives in the region that establish the monumentalization of memory as a strategy for the region's economic reactivation. However, it has neglected the demands of the population regarding access to land and resources. Based on three of the elements encompassed by the government strategy (the route of peace, monuments, and festivals), the text aims to reveal the tensions and daily violence that persist in the population. The text consists of three chapters. Each of them presents an ethnographic vignette that serves as a narrative nucleus around which practices and discourses on peace, memory, local politics, and reparation are questioned. El objetivo de este trabajo es mostrar, a partir del trabajo de campo adelantado entre 2016 y 2019 y la revisión de fuentes de prensa, las contradicciones de las visiones encontradas sobre la paz en los Montes de María, en el contexto de la negociación los acuerdos entre las FARC y el gobierno colombiano. Los departamentos de Bolívar y Sucre han promovido iniciativas de turismo en la región que establecen la monumentalización de la memoria como una estrategia de reactivación económica de la región, sin embargo, ha desatendido las demandas de la población sobre el acceso a tierra y recursos. A partir de tres de los elementos que son englobados por la estrategia gubernamental (la ruta de la paz, los monumentos y los festivales), el texto pretende revelar las tensiones y las violencias cotidianas que perviven en la población. El texto consta de tres capítulos. Cada uno de ellos presenta una viñeta etnográfica que sirve como núcleo narrativo alrededor del cual se cuestionan las prácticas y discursos sobre la paz, la memoria, la política local y la reparación. Vicerrectoría Académica Línea de Investigación: Antropología Social Maestría

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    Authors: Reyes Gómez, Lina María;

    The aim of this research is give value and make known the role of National’s Astronomical Observatory has had in urban life of Bogotá city. Its current state requires a restoration proposal, that allows to enhance its use as a teaching center and as a museum, in order to improve cultural appropriation between tourists and local people. This document has an academic work carried out as final work for Master´s Degree in Conservation of Cultural Heritage from National University of Colombia, which aims is contribute to the preservation of this important building as a source of history and science in Colombia. El presente documento tiene como objetivo poner en valor y dar a conocer el papel que ha tenido el Observatorio Astronómico Nacional en la vida urbana de la ciudad, su estado actual y una propuesta que permita potencializar su uso como centro de enseñanza y como museo, con el fin de generar una mayor apropiación a esta importante edificación de la ciudad. Este escrito es de carácter académico realizado como trabajo final de la Maestría en Conservación del Patrimonio Cultural Inmueble de la Universidad Nacional de Colombia, el cual pretende ser una contribución para la conservación del Observatorio como fuente de historia y ciencia, valiosa para el país. Maestría

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    Authors: Salamanca Martínez, Ángela Viviana;

    "Los Once" is a graphic novel published in 2014, created by José Luis Jiménez, Miguel Jiménez, and Andrés Cruz. It develops its plot from the Palace of Justice siege that took place in Bogotá, Colombia in 1985. Throughout this research, the idea that this graphic novel problematizes the established historical discourses and the construction of memory regarding this event is developed, based on image handling. In the first chapter, an approach to the idea of ​​graphic sequentiality is made, and the particularities of the graphic novel are recognized at a global and local level. Similarly, a structural review of the graphic novel "Los Once" is formulated. In the second chapter, a study of the image is proposed based on some visual research methodologies in which press photographs of the Palace of Justice siege are discussed, with some vignettes from the graphic novel "Los Once", recognizing the difference between discourses that occurs in both sources. In the third chapter, a study of both, Memory and the graphic novel "Los Once" is developed based on their relationships with history, conflict, and art. Keywords: Graphic novel, Image, Photography, Palace of Justice, Memory, History, Art. Los Once es una novela gráfica creada por José Luis Jiménez, Miguel Jiménez y Andrés Cruz, publicada en el año 2014. Desarrolla su trama a partir de la toma del Palacio de Justicia que tuvo lugar en Bogotá, Colombia en el año de 1985. A lo largo de la presente investigación se desarrolla la idea de que esta novela gráfica problematiza los discursos históricos establecidos y la construcción de memoria con respecto a este evento, a partir del tratamiento de la imagen. En el primer capítulo se realiza un acercamiento a la idea de secuencialidad gráfica, y se reconocen las particularidades de la novela gráfica a nivel global y local. De igual modo, se formula una revisión estructural de la novela gráfica Los Once. En el segundo capítulo se plantea un estudio de la imagen a partir de algunas metodologías de investigación visual en las que se ponen en diálogo imágenes de prensa de la toma del Palacio de Justicia, con algunas viñetas de la novela gráfica Los Once, reconociendo la diferencia discursiva que se da en ambos soportes. En el tercer capítulo se desarrolla un estudio de la Memoria y la novela gráfica Los Once a partir de sus relaciones con la historia, el conflicto y el arte. Palabras clave: Novela gráfica, Imagen, Fotografía, Palacio de Justicia, Memoria, Historia, Arte. Maestría

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