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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Calenda;

    Les « chroniques assassines » de l’écrivain Williams Sassine (1944-1997), parues à Conakry dans le journal satirique Le Lynx entre 1992 et 1997, constituent un corpus accessible en ligne depuis l’automne 2020 sur la plateforme EMAN (Édition de Manuscrits et d'Archives Numériques) liée à l’Institut des textes et manuscrits modernes (ITEM). Cette journée d’étude vise à croiser les approches historiennes, littéraires, linguistiques et sociologiques autour de ce corpus, dans la lignée de travaux ayant contribué à (re)découvrir la trajectoire et l’œuvre décisive de Williams Sassine, dont ils ont montré que ces textes journalistiques étaient partie prenante. Elle s'achèvera par une mise en voix d'extraits de ces chroniques.

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    https://doi.org/10.58079/vziz...
    Event . 2024
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.58079/vziz...
      Event . 2024
      License: CC 0
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Dobrecky, Leticia;

    Diccionario de Datos que corresponde al dataset "censo-1914-bibliotecas". En este material se documenta el proceso de preparación de los datos sobre las bibliotecas extraídos del Tercer Censo Nacional de la Argentina levantado el 1º de junio de 1914.

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      ZENODO
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      ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cauchin, Quentin; Guégan, Marie-Anaïs; Julienne-Ista, Heiata; Mézard, Fanny;

    Transmise sur les réseaux sociaux, présente sur les forums d’écriture, discutée dans des podcasts et dans des vidéos, la poésie sur Internet est en plein essor. Cette journée d’étude interroge l’apparition de ce nouvel écosystème poétique, qui reste relativement en marge des études universitaires, bien qu’il fasse de plus en plus d’adeptes. Cet événement a pour ambition de favoriser une meilleure compréhension des enjeux esthétiques, économiques, politiques et sociaux de la poésie en ligne. Afin d’offrir un panorama aussi large et vivant que possible, les communications scientifiques alternent avec des lectures, des performances et une table ronde. Les intervenant·es, auteur·ices, chercheur·euses et artistes participent toutes et tous au dynamisme de la poésie en ligne aujourd’hui.

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    https://doi.org/10.58079/vzj2...
    Event . 2024
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.58079/vzj2...
      Event . 2024
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Calenda;

    This second Art in the Age of Artificial Intelligence (3AI) observes that an increasing number of artworks are now inspired by or produced with advanced technologies mainly influenced by generative AI, deeply infused at the very heart of the artworks. Such development interrogates the notion of Art, including the artist and the definition of artistic approach. It also questions how artworks are discovered, exchanged, collected, and preserved. The advent of increasingly advanced digital technologies provokes profound philosophical and ethical inquiries. These ongoing transformations across artistic, cultural, economic, political, and professional realms seem to be long-lasting, with implications that have started to resonate within society.

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    https://doi.org/10.58079/vz37...
    Event . 2024
    License: CC 0
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.5...arrow_drop_down
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      https://doi.org/10.58079/vz37...
      Event . 2024
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Carta, Constance; Brero, Thalia; Bermúdez, Luana; Palacios, Belinda; +1 Authors

    Du 8 au 9 mai 2025 se tiendra à Genève le deuxième congrès international « La longue vie des imprimés éphémères ». Genève, ville importante pour l’histoire de l’imprimerie européenne, est également le lieu de conservation de plusieurs collections de feuillets francophones et anglophones, de pliegos de cordel espagnols et d’imprimés brésiliens. Ce congrès se propose de faire connaître la richesse de ces fonds, de faire le point sur la recherche actuellement menée en Europe occidentale et d’aborder cette production sous un angle transnational avec un spectre chronologique large. From May 8 to 9 2025, the second international conference “The Long Life of Ephemeral Literature” will take place in Geneva. Geneva, an important city for the history of European printing, holds several collections of French and English printed sheets, Spanish pliegos de cordel and Brazilian prints. The aim of this conference is to make known the richness of these collections, to discuss the research currently being carried out in Western Europe and to consider this production from a transnational perspective with a broad chronological scale.

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    https://doi.org/10.58079/vz30...
    Event . 2024
    License: CC BY
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      https://doi.org/10.58079/vz30...
      Event . 2024
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marjanović, Saša;

    La première édition du colloque international francophone intitulé « Journées serbes des dictionnaires », explorant le thème La lexicographie est-elle en panne aujourd'hui ? Évolution des pratiques lexicographiques et usagères actuelles, se tiendra à la Faculté de philologie de l’université de Belgrade (Serbie) du 24 au 26 mai 2024. Le colloque s'adresse aux lexicographes, métalexicographes et autres chercheurs (notamment les linguistes, didacticiens, traductologues, spécialistes du traitement automatique des langues naturelles, informaticiens et typographes) — enseignants-chercheurs, doctorants ou professionnels — intéressés par les questions (méta)lexicographiques, qu'elles concernent des dictionnaires monolingues, bilingues ou multilingues.

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    https://doi.org/10.58079/vyjr...
    Event . 2024
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      https://doi.org/10.58079/vyjr...
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    Authors: Calenda;

    Forty years after Foucault's death and sixty after the publication of An Archaeology of the Human Sciences, we would like to invite you to interrogate the posthuman as an open problem and process on the historical and epistemic level. In particular, we would like to discuss whether and how historiographical and methodological issues pertaining to the archeological project have been transformed, scaled down, transposed or partially resolved today.

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    https://doi.org/10.58079/vyjo...
    Event . 2024
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      https://doi.org/10.58079/vyjo...
      Event . 2024
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    OpenEdition
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    Authors: Julian, Laabs; Brozio, Jan Piet; Kneisel, Jutta; Schaefer-Di Maida, Stefanie; +3 Authors

    This is the supplementary material of the paper “Perspectives on Socio-environmental Transformations in Ancient Europe” (DOI: https://doi.org/10.1007/978-3-031-53314-3_5). Please consult the publication for in depth description of the data, its context and for the method applied on the data, as well as references to primary sources. Requirements to be installed to run the scripts: Python 3 (https://www.python.org/) with the packages numpy (https://numpy.org/), pandas (https://pandas.pydata.org/), matplotlib (https://matplotlib.org/), seaborn (https://seaborn.pydata.org/), sklearn (https://scikit-learn.org/stable/) and scipy (https://scipy.org/); all included in Ancaonda (Python-Distribution, https://www.anaconda.com/). R (https://cran.r-project.org/) with the packages here (https://cran.r-project.org/web/packages/here/index.html) and rcarbon (https://cran.r-project.org/web/packages/rcarbon/index.html). 

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    Authors: Calenda;

    The cfp, edited by Pietro Montani and Andrea Pinotti, is titled “Liberty on parole? Challenges in interactivity” and it's dedicated to the evolving forms of interactivity in the contemporary mediascapes, the issues it raises, as well as its limitations. To what extent does interactivity emancipate the user and redefines the roles both of producer and consumer? To what extent is interactivity outlined as yet another articulation of that inevitable observance of rules (Crary 1990) that marks by definition every relationship of the observer with the media with which he interacts? To what extent does the gained freedom remain a form of freedom conditioned by structural constraints, a liberty on parole?

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    https://doi.org/10.58079/vwur...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Calenda;

    Les « chroniques assassines » de l’écrivain Williams Sassine (1944-1997), parues à Conakry dans le journal satirique Le Lynx entre 1992 et 1997, constituent un corpus accessible en ligne depuis l’automne 2020 sur la plateforme EMAN (Édition de Manuscrits et d'Archives Numériques) liée à l’Institut des textes et manuscrits modernes (ITEM). Cette journée d’étude vise à croiser les approches historiennes, littéraires, linguistiques et sociologiques autour de ce corpus, dans la lignée de travaux ayant contribué à (re)découvrir la trajectoire et l’œuvre décisive de Williams Sassine, dont ils ont montré que ces textes journalistiques étaient partie prenante. Elle s'achèvera par une mise en voix d'extraits de ces chroniques.

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    https://doi.org/10.58079/vziz...
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      https://doi.org/10.58079/vziz...
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    Authors: Dobrecky, Leticia;

    Diccionario de Datos que corresponde al dataset "censo-1914-bibliotecas". En este material se documenta el proceso de preparación de los datos sobre las bibliotecas extraídos del Tercer Censo Nacional de la Argentina levantado el 1º de junio de 1914.

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    Authors: Cauchin, Quentin; Guégan, Marie-Anaïs; Julienne-Ista, Heiata; Mézard, Fanny;

    Transmise sur les réseaux sociaux, présente sur les forums d’écriture, discutée dans des podcasts et dans des vidéos, la poésie sur Internet est en plein essor. Cette journée d’étude interroge l’apparition de ce nouvel écosystème poétique, qui reste relativement en marge des études universitaires, bien qu’il fasse de plus en plus d’adeptes. Cet événement a pour ambition de favoriser une meilleure compréhension des enjeux esthétiques, économiques, politiques et sociaux de la poésie en ligne. Afin d’offrir un panorama aussi large et vivant que possible, les communications scientifiques alternent avec des lectures, des performances et une table ronde. Les intervenant·es, auteur·ices, chercheur·euses et artistes participent toutes et tous au dynamisme de la poésie en ligne aujourd’hui.

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    https://doi.org/10.58079/vzj2...
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      https://doi.org/10.58079/vzj2...
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    Authors: Calenda;

    This second Art in the Age of Artificial Intelligence (3AI) observes that an increasing number of artworks are now inspired by or produced with advanced technologies mainly influenced by generative AI, deeply infused at the very heart of the artworks. Such development interrogates the notion of Art, including the artist and the definition of artistic approach. It also questions how artworks are discovered, exchanged, collected, and preserved. The advent of increasingly advanced digital technologies provokes profound philosophical and ethical inquiries. These ongoing transformations across artistic, cultural, economic, political, and professional realms seem to be long-lasting, with implications that have started to resonate within society.

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    https://doi.org/10.58079/vz37...
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      https://doi.org/10.58079/vz37...
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    Authors: Carta, Constance; Brero, Thalia; Bermúdez, Luana; Palacios, Belinda; +1 Authors

    Du 8 au 9 mai 2025 se tiendra à Genève le deuxième congrès international « La longue vie des imprimés éphémères ». Genève, ville importante pour l’histoire de l’imprimerie européenne, est également le lieu de conservation de plusieurs collections de feuillets francophones et anglophones, de pliegos de cordel espagnols et d’imprimés brésiliens. Ce congrès se propose de faire connaître la richesse de ces fonds, de faire le point sur la recherche actuellement menée en Europe occidentale et d’aborder cette production sous un angle transnational avec un spectre chronologique large. From May 8 to 9 2025, the second international conference “The Long Life of Ephemeral Literature” will take place in Geneva. Geneva, an important city for the history of European printing, holds several collections of French and English printed sheets, Spanish pliegos de cordel and Brazilian prints. The aim of this conference is to make known the richness of these collections, to discuss the research currently being carried out in Western Europe and to consider this production from a transnational perspective with a broad chronological scale.

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    https://doi.org/10.58079/vz30...
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      https://doi.org/10.58079/vz30...
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    Authors: Marjanović, Saša;

    La première édition du colloque international francophone intitulé « Journées serbes des dictionnaires », explorant le thème La lexicographie est-elle en panne aujourd'hui ? Évolution des pratiques lexicographiques et usagères actuelles, se tiendra à la Faculté de philologie de l’université de Belgrade (Serbie) du 24 au 26 mai 2024. Le colloque s'adresse aux lexicographes, métalexicographes et autres chercheurs (notamment les linguistes, didacticiens, traductologues, spécialistes du traitement automatique des langues naturelles, informaticiens et typographes) — enseignants-chercheurs, doctorants ou professionnels — intéressés par les questions (méta)lexicographiques, qu'elles concernent des dictionnaires monolingues, bilingues ou multilingues.

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    https://doi.org/10.58079/vyjr...
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