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This video clip was filmed by Dex Goodman on 3 October 2019. It shows a sample of the doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This video accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.” It is titled according to an accompanying box of text found in the dissertation, describing the intersection of performance and theory.

This audio clip was created by Bronwen Clacherty. It is a performance from the interlude section of Clacherty's doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This sample accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.”

This video clip was filmed by Dex Goodman on 3 October 2019. It shows a sample of the doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This video accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.” It is titled according to an accompanying box of text found in the dissertation, describing the intersection of performance and theory.

This video clip was filmed by Dex Goodman on 3 October 2019. It shows a sample of the doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This video accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.” It is titled according to an accompanying box of text found in the dissertation, describing the intersection of performance and theory.

This video clip was filmed by Dex Goodman on 3 October 2019. It shows a sample of the doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This video accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.” It is titled according to an accompanying box of text found in the dissertation, describing the intersection of performance and theory.

This video clip was filmed by Dex Goodman on 3 October 2019. It shows a sample of the doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This video accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.” It is titled according to an accompanying box of text found in the dissertation, describing the intersection of performance and theory.

This audio clip was created by Bronwen Clacherty in February 2020, Cape Town, South Africa. It is an example of the vibraphone bowing sounds (played by Frank Mallows) that sonically represent the presence of women in Clacherty's doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This audio sample accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.”

This video clip was filmed by Dex Goodman on 3 October 2019. It shows a sample of the doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. This video accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.” It is titled according to an accompanying box of text found in the dissertation, describing the intersection of performance and theory.

This audio clip was created by Bronwen Clacherty. It is a soundscape that accompanies the first movement of Clacherty’s doctoral performance, Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. In the audio clip you can hear the sound of Babu Bindu speaking, the sound of the sea, women speaking, and the sound of drinking water being collected from a cave. This sample accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women’s Lives in Zanzibar Through Song and Story: A Gendered Perspective.”

This audio clip was created by Bronwen Clacherty. It is a soundscape that accompanies the second movement of Clacherty’s doctoral performance of Tia Maji, which was performed on 2–4 October 2019 at the Theatre Arts Admin Collective, Observatory, Cape Town, South Africa. In the audio clip you can hear the sounds of Zanzibar Town and a piano piece performed by Bronwen Clacherty. This sample accompanies Bronwen Clacherty’s (2021) PhD dissertation entitled “Understanding the History of Women's Lives in Zanzibar Through Song and Story: A Gendered Perspective.”