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  • Digital Humanities and Cultural Heritage
  • 2012-2021
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  • Digital Humanities and Cultural Her...

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  • Authors: Nakamura, Lisa; Barnett, Alex; Chun, Wendy Hui Kyong;

    In Discriminating Data, Wendy Hui Kyong Chun reveals how polarization is a goal—not an error—within big data and machine learning. These methods, she argues, encode segregation, eugenics, and identity politics through their default assumptions and conditions. Correlation, which grounds big data's predictive potential, stems from twentieth-century eugenic attempts to “breed” a better future. Recommender systems foster angry clusters of sameness through homophily. Users are “trained” to become authentically predictable via a politics and technology of recognition. Machine learning and data analytics thus seek to disrupt the future by making disruption impossible.

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  • Authors: Brock, André; Dinkins, Stephanie; Fouché, Rayvon; Knight Steele, Catherine; +2 Authors

    Digital IDEAS 2021 explored the ways that the digital perpetuates existing inequalities and envisions a new anti-racist, anti-ableist, intersectionally inclusive digital future through a nuanced speculative, experimental, and critical lens. This one-week online summer institute provided critical digital studies training and support collaborative, intersectional projects that center anti-racist, feminist, LGBTQ-affirming, and anti-ableist practices. Our goal was to create a close cohort of participants committed to participating in a week of community-building, skill-sharing, and rigorous theoretical discussion. Alongside keynotes and panels, Digital IDEAS methods workshops situated tools and technologies, linking critical theory about race, gender, and disability with critical practice related to digital environments.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rosin, Jordan; Luna, Jorge; Yokko; Sheridan, Keelie; +3 Authors

    On May 6, 2021, The Ume Group Playback Ensemble, a branch of the New York City-based physical theatre company, The Ume Group (theumegroup.org), gave a commissioned performance for alumni of Virginia Tech’s College of Liberal Arts & Human Sciences as part of the lead-up to the university’s 150 year anniversary celebrations. The performance was sponsored by the Virginia Tech History Council with support from the School of Performing Arts. The performance begins with a soundscape overture featuring a new version of “Tech Triumph” (the Virginia Tech Fight Song composed in 1919 by Wilfred Pete Maddux and Mattie Eppes) adapted for this event by The Ume Group’s Kate Douglas, along with excerpts from the VT Stories Oral History Project (vtstories.org) and other found texts voiced live by the Ume Group actors. Production Credits: Conductor|Jordan Rosin Musician|Kate Douglas Actors|Jorge Luna, Keelie Sheridan, Karina Sindicich, Kaitlyn Samuel Rosin, Yokko Producer / Director|Jordan Rosin Community Partners|Robert H. Leonard, VT History Council & the School of Performing Arts; Christina Miller, College of Liberal Arts & Human Sciences; Ren Harman, VT Stories Duration: 1 hr, 18 min Forms Used: Fluid Sculpture|Perspectives| 3-Part Story|If This Were A Dream|3-Minute Poem This performance in featured in "Storytelling on Screen: An Online Playback Theatre Archive and Guidebook" by Jordan Rosin and Heidi Winters Vogel, which is available at http://hdl.handle.net/10919/104420. College of Liberal Arts & Human Sciences School of Performing Arts University Libraries VT History Council VT Stories

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    VTechWorks
    Film . 2021
    License: CC BY NC SA
    Data sources: VTechWorks
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    VTechWorks
    Film . 2021
    Data sources: VTechWorks
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      VTechWorks
      Film . 2021
      License: CC BY NC SA
      Data sources: VTechWorks
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      VTechWorks
      Film . 2021
      Data sources: VTechWorks
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  • Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    Películas de la crónica de los trabajos de campo del proyecto de la UE "Marine resources at the Beagle Channel prior to the industrial explotation: an archaeological evaluation" y las conclusiones sobre el cambio global en el litoral del Canal Beagle. Agencias financiadoras: UE, CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). Peer reviewed

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    DIGITAL.CSIC
    Film . 2021 . Peer-reviewed
    Data sources: DIGITAL.CSIC
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      Film . 2021 . Peer-reviewed
      Data sources: DIGITAL.CSIC
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  • Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    [ES] Películas que resumen las campañas realizadas en el marco de los proyectos hispano-argetinos de investigación etnoarqueológica en Tierra del Fuego. Agencias financiadoras: CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). [EN] Videos about the field campaings in Tierra del Fuego Peer reviewed

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    DIGITAL.CSIC
    Film . 2021 . Peer-reviewed
    Data sources: DIGITAL.CSIC
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      Film . 2021 . Peer-reviewed
      Data sources: DIGITAL.CSIC
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  • Authors: Ketchley, Sarah;

    The video recording of the presentation is available here: https://youtu.be/mtkFR5fVtkM The end of the 19th and early 20th centuries saw great archaeological activity in Egypt, a period that came to be known as the ‘Golden Age’ of Egyptology. Our digital project began in 2010 with the unpublished diaries of Mrs. Emma B. Andrews, who traveled the Nile for over two decades between 1889 and 1914, and whose work is an important yet underutilized resource for the history of this time. Her writing provides a detailed record of excavation often lacking in contemporary publications, while also giving an overview of the social, geographical and political history of Egypt at the time within the broader context of history of archaeology and Egyptology, gender studies and the social, cultural and political history of the Victorian era. The objective of our project work is to transcribe, encode and publish open digital editions of this primary source material for scholarly and public audiences. Since the beginning, undergraduate and graduate student interns have contributed to the project output. This past year has been challenging with the pivot to online learning, but we have successfully reinvented the internship as a fully virtual experience, and this Winter Quarter 2021 we have 15 students in the team. This digital demonstration will showcase our virtual project workflow, including our project’s Historical Markup Tool which automates the process of TEI encoding and named entity recognition in our primary source texts. The output forms the basis of digital editions of the diaries created in TEI Publisher, which the demo will also showcase.

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    Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    [ES] Películas que resumen las campañas realizadas en el marco de los proyectos hispano-argetinos de investigación etnoarqueológica en Tierra del Fuego. Agencias financiadoras: CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). [EN] Videos about the field campaings in Tierra del Fuego Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    Películas de la crónica de los trabajos de campo del proyecto de la UE "Marine resources at the Beagle Channel prior to the industrial explotation: an archaeological evaluation" y las conclusiones sobre el cambio global en el litoral del Canal Beagle. Agencias financiadoras: UE, CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Terbish, Baasanjav;

    Sponsored by Arcadia Fund, a charitable fund of Lisbet Rausing and Peter Baldwin

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Apolloarrow_drop_down
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    Apollo
    Film . 2017
    License: CC BY NC ND
    Data sources: Apollo
    Apollo
    Film . 2020
    License: CC BY NC ND
    Data sources: Datacite
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      Apollo
      Film . 2017
      License: CC BY NC ND
      Data sources: Apollo
      Apollo
      Film . 2020
      License: CC BY NC ND
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Terbish, Baasanjav;

    Sponsored by Arcadia Fund, a charitable fund of Lisbet Rausing and Peter Baldwin

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Apolloarrow_drop_down
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    Apollo
    Film . 2017
    License: CC BY NC ND
    Data sources: Apollo
    Apollo
    Film . 2020
    License: CC BY NC ND
    Data sources: Datacite
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      Apollo
      Film . 2017
      License: CC BY NC ND
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      Film . 2020
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      Data sources: Datacite
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  • Authors: Nakamura, Lisa; Barnett, Alex; Chun, Wendy Hui Kyong;

    In Discriminating Data, Wendy Hui Kyong Chun reveals how polarization is a goal—not an error—within big data and machine learning. These methods, she argues, encode segregation, eugenics, and identity politics through their default assumptions and conditions. Correlation, which grounds big data's predictive potential, stems from twentieth-century eugenic attempts to “breed” a better future. Recommender systems foster angry clusters of sameness through homophily. Users are “trained” to become authentically predictable via a politics and technology of recognition. Machine learning and data analytics thus seek to disrupt the future by making disruption impossible.

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  • Authors: Brock, André; Dinkins, Stephanie; Fouché, Rayvon; Knight Steele, Catherine; +2 Authors

    Digital IDEAS 2021 explored the ways that the digital perpetuates existing inequalities and envisions a new anti-racist, anti-ableist, intersectionally inclusive digital future through a nuanced speculative, experimental, and critical lens. This one-week online summer institute provided critical digital studies training and support collaborative, intersectional projects that center anti-racist, feminist, LGBTQ-affirming, and anti-ableist practices. Our goal was to create a close cohort of participants committed to participating in a week of community-building, skill-sharing, and rigorous theoretical discussion. Alongside keynotes and panels, Digital IDEAS methods workshops situated tools and technologies, linking critical theory about race, gender, and disability with critical practice related to digital environments.

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    Authors: Rosin, Jordan; Luna, Jorge; Yokko; Sheridan, Keelie; +3 Authors

    On May 6, 2021, The Ume Group Playback Ensemble, a branch of the New York City-based physical theatre company, The Ume Group (theumegroup.org), gave a commissioned performance for alumni of Virginia Tech’s College of Liberal Arts & Human Sciences as part of the lead-up to the university’s 150 year anniversary celebrations. The performance was sponsored by the Virginia Tech History Council with support from the School of Performing Arts. The performance begins with a soundscape overture featuring a new version of “Tech Triumph” (the Virginia Tech Fight Song composed in 1919 by Wilfred Pete Maddux and Mattie Eppes) adapted for this event by The Ume Group’s Kate Douglas, along with excerpts from the VT Stories Oral History Project (vtstories.org) and other found texts voiced live by the Ume Group actors. Production Credits: Conductor|Jordan Rosin Musician|Kate Douglas Actors|Jorge Luna, Keelie Sheridan, Karina Sindicich, Kaitlyn Samuel Rosin, Yokko Producer / Director|Jordan Rosin Community Partners|Robert H. Leonard, VT History Council & the School of Performing Arts; Christina Miller, College of Liberal Arts & Human Sciences; Ren Harman, VT Stories Duration: 1 hr, 18 min Forms Used: Fluid Sculpture|Perspectives| 3-Part Story|If This Were A Dream|3-Minute Poem This performance in featured in "Storytelling on Screen: An Online Playback Theatre Archive and Guidebook" by Jordan Rosin and Heidi Winters Vogel, which is available at http://hdl.handle.net/10919/104420. College of Liberal Arts & Human Sciences School of Performing Arts University Libraries VT History Council VT Stories

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    VTechWorks
    Film . 2021
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    VTechWorks
    Film . 2021
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      Film . 2021
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  • Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    Películas de la crónica de los trabajos de campo del proyecto de la UE "Marine resources at the Beagle Channel prior to the industrial explotation: an archaeological evaluation" y las conclusiones sobre el cambio global en el litoral del Canal Beagle. Agencias financiadoras: UE, CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). Peer reviewed

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  • Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    [ES] Películas que resumen las campañas realizadas en el marco de los proyectos hispano-argetinos de investigación etnoarqueológica en Tierra del Fuego. Agencias financiadoras: CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). [EN] Videos about the field campaings in Tierra del Fuego Peer reviewed

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  • Authors: Ketchley, Sarah;

    The video recording of the presentation is available here: https://youtu.be/mtkFR5fVtkM The end of the 19th and early 20th centuries saw great archaeological activity in Egypt, a period that came to be known as the ‘Golden Age’ of Egyptology. Our digital project began in 2010 with the unpublished diaries of Mrs. Emma B. Andrews, who traveled the Nile for over two decades between 1889 and 1914, and whose work is an important yet underutilized resource for the history of this time. Her writing provides a detailed record of excavation often lacking in contemporary publications, while also giving an overview of the social, geographical and political history of Egypt at the time within the broader context of history of archaeology and Egyptology, gender studies and the social, cultural and political history of the Victorian era. The objective of our project work is to transcribe, encode and publish open digital editions of this primary source material for scholarly and public audiences. Since the beginning, undergraduate and graduate student interns have contributed to the project output. This past year has been challenging with the pivot to online learning, but we have successfully reinvented the internship as a fully virtual experience, and this Winter Quarter 2021 we have 15 students in the team. This digital demonstration will showcase our virtual project workflow, including our project’s Historical Markup Tool which automates the process of TEI encoding and named entity recognition in our primary source texts. The output forms the basis of digital editions of the diaries created in TEI Publisher, which the demo will also showcase.

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    Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    [ES] Películas que resumen las campañas realizadas en el marco de los proyectos hispano-argetinos de investigación etnoarqueológica en Tierra del Fuego. Agencias financiadoras: CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). [EN] Videos about the field campaings in Tierra del Fuego Peer reviewed

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    Authors: Vila-Mitjà, Assumpció; Estévez Escalera, Jordi;

    Películas de la crónica de los trabajos de campo del proyecto de la UE "Marine resources at the Beagle Channel prior to the industrial explotation: an archaeological evaluation" y las conclusiones sobre el cambio global en el litoral del Canal Beagle. Agencias financiadoras: UE, CSIC, CONICET, Ministerio de Educación y Ciencia (España) y Ministerio de Cultura (España). Peer reviewed

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    Authors: Terbish, Baasanjav;

    Sponsored by Arcadia Fund, a charitable fund of Lisbet Rausing and Peter Baldwin

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    Apollo
    Film . 2017
    License: CC BY NC ND
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    Apollo
    Film . 2020
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      Apollo
      Film . 2017
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      Film . 2020
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    Authors: Terbish, Baasanjav;

    Sponsored by Arcadia Fund, a charitable fund of Lisbet Rausing and Peter Baldwin

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    Apollo
    Film . 2017
    License: CC BY NC ND
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    Film . 2020
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      Film . 2017
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