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  • Digital Humanities and Cultural Heritage
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Schiavone, Ludovica;

    Ipotesi ricostruttiva per un altare monumentale indivduato nel santuario federale degli Etruschi - Fanum Voltumnae, presso il sito archeologico di Campo della Fiera, Orvieto (TN), durante le campagne di scavo archeologico tra il 2021 e il 2023. L'ipotesi è stata presentata come introduzione durante il XXVIII Convegno Internazionale di Studi sulla Storia e l’Archeologia dell’Etruria - Etruria e Magna Grecia svoltosi tra il 15-16 Dicembre 2023. Questo dataset contiene: modelli 3D realizzati tramite fotogrammetria di componenti lapidei recuperati in fase di scavo; ipotesi ricostruttiva per un altare monumentale, realizzata tramite Blender. All'interno del dataset le cartelle sono suddivise in: Altare: una cartella contenente ulteriori cartelle con gli elementi lapidei acquisiti e i relativi .obj texturizzati, con report generato da Agisoft Metashape; Il modello dell'ipotesi ricostruttiva in formato .obj Una immagine della ricostruzione renderizzata tramite Blender La ricostruzione presenta, in rosso, la parte ricostruita sulla base di confronti mentre gli elementi lapidei effettivamente esistenti persentano la loro texture ricavata dal processo fotogrammetrico.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: ZENODO
      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Stefan Wellsandt; Mina Foosherian; Samuel Kernan Freire; Evangelos Niforatos; +1 Authors

    This dataset contains audio files and transcripts in Italian and related to manufacturing. We collected the scripts during the Horizon Europe RIA COALA (GA 957296, project reference website) from industrial use cases and hired a service provider to generate the related audio files (BIBA - Bremer Institut für Produktion und Logistik GmbH ordered the service). The service provider checked the audio files for quality. The service provider recruited crowd workers, and gathered their audio records, informed consent (privacy) and agreement that their records become public domain (Creative Commons 0; https://creativecommons.org/share-your-work/public-domain/cc0/). The service provider declared to follow a Crowd Code of Ethics and a Fair Pay policy. The metadata file contains the following information: file_name: name of the audio file script: script the speaker had to speak scriptId: the numeric identifier of the script participantId: the numeric identifier of the participant (speaker) gender: the gender as indicated by the participant (MALE or FEMALE) age: the age in years as indicated by the participant age_range: the age range in years (18-30, 31-45, 46+) country: the birth country indicated by the participant current_country: the country of residence indicated by the participant primary_language: the language indicated as primary by the participant ever_worked_factory: answer to the question: "Have you ever worked in a factory, manufacturing setting?" (Yes/No) years_worked_factory: answer to the question: "If yes, for how many years?" (1-10, 10+) background_noise_type: background noise in the audio as indicated by the participant (mild, humming/technical, no noise) gdpr_and_ipr_consent: answer to the privacy notice and the ipr transfer to CC-0 (Yes) date_signed: date when the participant signed the consent form (US format, MM.DD.YYYY) Feedback should be directed to info@coala-h2020.eu.

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    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: Datacite; Sygma
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: ZENODO
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      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: Datacite; Sygma
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: ZENODO
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  • Authors: Canobbio, Giacomo;

    The aim of this essay is to identify criteria for affirming God's provident action. It follows two steps: in the first, with examples taken from history, is shown the most common way of recognizing God's Providence; this coincides with the advantages that a subject, single or collective, derives from an event; in the second, I try to show the limit of this way of proceeding and I indicate the fundamental criterion that we find in the New Testament: it is providential what leads to salvation, that is, to the configuration of people to Jesus Christ. The article has a theological character, although – one could imagine – it could also be of some use for philosophers.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Shibingfeng, Zhang; Francesco, Fernicola; Federico, Garcea; Alberto, Barrón-Cedeño; +2 Authors

    The corpus AriEmozione 2.0 contains a selection of operas composed between 1655 and 1765, with each verse annotated with an emotion. The annotation of AriEmozione 2.0 is conducted in a self-learning manner leveraging on the AriEmozione 1.0 corpus. Six emotion labels are used, namely Amore (Love) Gioia (Joy) Ammirazione (Admiration) Rabbia (Anger) Tristezza (Sadness) Paura (Fear) This corpus contains about 89k verses. Each line in the tsv file is composed of: Verse ID : unique aria and verse ID. Each ID is composed of an aria ID and a verse ID. For example, ZAP1590034_00 means the first verse of aria ZAP1590034 Verse text: the text of the verse in the aria Emotion: one of the six emotions AriEmozione 2.0 is a subset of the materials collected by project CORAGO. How to cite: @article{zhang2022ariemozione, title={AriEmozione 2.0: Identifying Emotions in Opera Verses and Arias}, author={ Zhang, Shibingfeng and Fernicola, Francesco and Garcea, Federico and Bonora, Paolo and Barr{\'o}n-Cede\~no, Alberto}, journal={Italian Journal of Computational Linguistics},volume={},issue_date = {} year={in press} } {"references": ["Zhang, S., Fernicola, F., Garcea, F., Bonora, P., Barr\u00f3n-Cede\u00f1o, A., (in press). AriEmozione 2.0: Identifying Emotions in Opera Verses and Arias. Italian Journal of Computational Linguistics"]}

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Servizio Geologico D'Italia;

    Foglio geologico alla scala 1:50.000 basato su rilevamenti alla scala 1:10.000 (eseguiti tra il 2002 e il 2008) comprensivo di legenda, schemi a cornice, sezioni geologiche.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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    https://doi.org/10.15161/oar.i...
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.15161/oar.i...
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.1...arrow_drop_down
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      https://doi.org/10.15161/oar.i...
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.15161/oar.i...
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This is the dataset upon which the slides of my talk "Le Digital Humanities nei corsi di studio e di dottorato: questioni formative, disciplinari, istituzionali" was based. Singoli insegnamenti di informatica umanistica in Italia (responses).csv is a CSV file including the 'raw' replies of the survey mentioned in the slides. The column "User display name" represents the user filling the survey. It is always "Anonymous user", except when I replyied myself: in this case it is "ilbuonme" insegnamenti.ods is an ODS spreadsheet including data and graphs on individual Digital Humanities classes in Italian universities. This spreadsheet derives from the CSV file, but includes additional information deriving from my personal research. cds.ods is an ODS spreadsheet including data and graphs on BA and MA programs in the Digital Humanities in Italy. It is not related to the CSV file. I presented an analysis of the data of this dataset in a talk entitled "Le Digital Humanities nei corsi di studio e di dottorato: questioni formative, disciplinari, istituzionali". The slides of this talk are also published on Zotero, with DOI https://doi.org/10.5281/zenodo.7153419

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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
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  • Authors: Bellatti, Ilaria; Barrig-Ubed, Elvira; Sáez-Rosenkranz, Isidora; Sabido-Codina, Judit;

    Il contributo riassume quattro esperienze formative in didattica delle scienze sociali indirizzate a 427 studentesse dell'educazione infantile e primaria presso la Facoltà di Educazione dell'Università di Barcellona (Spagna). Per queste esperienze abbiamo mobilizzato dieci ricercatori, quattordici gruppi-classe di due scuole elementari, due università, due carceri e una fondazione che si occupa dell'assistenza delle persone senza casa, tra il 2019-2020 e il 2020-2021. La nostra pratica docente aspira a una formazione iniziale basata sull'esercizio della democrazia in contesti pedagogici e didattici concreti. The contribution summarizes four educational experiences in social science teaching addressed to 427 students of infant and primary education at the Faculty of Education of the University of Barcelona (Spain). For these experiences we have mobilized ten researchers, fourteen class-groups of two elementary schools, two universities, two prisons and a foundation that deals with the assistance of homeless people, between 2019-2020 and 2020-2021. Our teaching practice aspires to initial training based on the exercise of democracy in concrete pedagogical and didactic contexts.

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  • Authors: Fedriga, Riccardo; Mattioni, Margherita;

    In order to manage the unprecedented epistemological and cultural changes resulting from the ever-growing expansion of World Wide Web's global knowledge repository, an overall theoretical framework is needed. This contribution aims to interpret the digital cultural ecosystem in terms of an encyclopaedic project, with the belief that the exploitation of the great hermeneutic power of this image can provide an analysis of knowledge representation, classification and selection in the personalized Web. The idea behind this work is that we have to start from the social images that we create to represent reality and rationalise it. Among these, faced with the theme of a web that can no longer be traversed due to an excess of information, we would like here to take up the image of the encyclopaedia-memory - at once an instrument of registration, interpretation and filtering - developed by Umberto Eco in both semantic and metaphorical terms. In so doing, we can redefine an idea of normative freedom, i.e. one that is not limited to the level of choices, but also concerns ways of removing the obstacles that separate us from the realisation of motives.

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  • Authors: Ricchiuto, Ornella;

    This paper stems from some questions regarding the 'digital boom' that involved Culture since the COVID-19 pandemic. What scenarios will open up for cultural institutions once the pandemic crisis is over? While on the one hand now days the ancient art now better know the importance of storytelling, on the other hand it is increasingly crucial to involve users in the co-creation of the digital cultural heritage. Among the strategies of public engagement, I experimented a participatory storytelling process at the "Museo etnografico della vita popolare di Tricase", which contributes to enlivening the reality of the Ethnographic Museum of Popular Life in a peripheral area of Southern Italy, Tricase. The aim is to implement the guidelines of the UNESCO Convention for the Safeguarding of Intangible Cultural Property and the Council of Europe's Faro Convention.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pierpaolo Basile; Lucia Siciliani; Pierluigi Cassotti; Marco de Gemmis; +1 Authors

    This dataset contains relations extracted from the Italian Wikipedia by the WikiOIE framework. WikiOIE is based on UDPipe and the Universal Dependencies project for text processing. It easily allows customizing the information extraction (IE) approach to automatically extract triples (subject, predicate, object). This dataset contains relations extracted by two unsupervised IE methods. The former (simple) is based only on PoS-tag patterns; the latter (simpledep) also uses syntactic dependencies. The extraction process is provided in JSON format. More information and the Java code are available here https://github.com/pippokill/WikiOIE Pierluigi Cassotti, Lucia Siciliani, Pierpaolo Basile,Marco de Gemmis, and Pasquale Lops. 2021. Extracting relations from Italian Wikipedia using unsupervised information extraction. In Proceedings of the 11th Italian Information Retrieval Workshop 2021 (IIR 2021). CEUR-WS.

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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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      Dataset . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Schiavone, Ludovica;

    Ipotesi ricostruttiva per un altare monumentale indivduato nel santuario federale degli Etruschi - Fanum Voltumnae, presso il sito archeologico di Campo della Fiera, Orvieto (TN), durante le campagne di scavo archeologico tra il 2021 e il 2023. L'ipotesi è stata presentata come introduzione durante il XXVIII Convegno Internazionale di Studi sulla Storia e l’Archeologia dell’Etruria - Etruria e Magna Grecia svoltosi tra il 15-16 Dicembre 2023. Questo dataset contiene: modelli 3D realizzati tramite fotogrammetria di componenti lapidei recuperati in fase di scavo; ipotesi ricostruttiva per un altare monumentale, realizzata tramite Blender. All'interno del dataset le cartelle sono suddivise in: Altare: una cartella contenente ulteriori cartelle con gli elementi lapidei acquisiti e i relativi .obj texturizzati, con report generato da Agisoft Metashape; Il modello dell'ipotesi ricostruttiva in formato .obj Una immagine della ricostruzione renderizzata tramite Blender La ricostruzione presenta, in rosso, la parte ricostruita sulla base di confronti mentre gli elementi lapidei effettivamente esistenti persentano la loro texture ricavata dal processo fotogrammetrico.

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    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: ZENODO
      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Stefan Wellsandt; Mina Foosherian; Samuel Kernan Freire; Evangelos Niforatos; +1 Authors

    This dataset contains audio files and transcripts in Italian and related to manufacturing. We collected the scripts during the Horizon Europe RIA COALA (GA 957296, project reference website) from industrial use cases and hired a service provider to generate the related audio files (BIBA - Bremer Institut für Produktion und Logistik GmbH ordered the service). The service provider checked the audio files for quality. The service provider recruited crowd workers, and gathered their audio records, informed consent (privacy) and agreement that their records become public domain (Creative Commons 0; https://creativecommons.org/share-your-work/public-domain/cc0/). The service provider declared to follow a Crowd Code of Ethics and a Fair Pay policy. The metadata file contains the following information: file_name: name of the audio file script: script the speaker had to speak scriptId: the numeric identifier of the script participantId: the numeric identifier of the participant (speaker) gender: the gender as indicated by the participant (MALE or FEMALE) age: the age in years as indicated by the participant age_range: the age range in years (18-30, 31-45, 46+) country: the birth country indicated by the participant current_country: the country of residence indicated by the participant primary_language: the language indicated as primary by the participant ever_worked_factory: answer to the question: "Have you ever worked in a factory, manufacturing setting?" (Yes/No) years_worked_factory: answer to the question: "If yes, for how many years?" (1-10, 10+) background_noise_type: background noise in the audio as indicated by the participant (mild, humming/technical, no noise) gdpr_and_ipr_consent: answer to the privacy notice and the ipr transfer to CC-0 (Yes) date_signed: date when the participant signed the consent form (US format, MM.DD.YYYY) Feedback should be directed to info@coala-h2020.eu.

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    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: Datacite; Sygma
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    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: ZENODO
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      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: Datacite; Sygma
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      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: ZENODO
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  • Authors: Canobbio, Giacomo;

    The aim of this essay is to identify criteria for affirming God's provident action. It follows two steps: in the first, with examples taken from history, is shown the most common way of recognizing God's Providence; this coincides with the advantages that a subject, single or collective, derives from an event; in the second, I try to show the limit of this way of proceeding and I indicate the fundamental criterion that we find in the New Testament: it is providential what leads to salvation, that is, to the configuration of people to Jesus Christ. The article has a theological character, although – one could imagine – it could also be of some use for philosophers.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Shibingfeng, Zhang; Francesco, Fernicola; Federico, Garcea; Alberto, Barrón-Cedeño; +2 Authors

    The corpus AriEmozione 2.0 contains a selection of operas composed between 1655 and 1765, with each verse annotated with an emotion. The annotation of AriEmozione 2.0 is conducted in a self-learning manner leveraging on the AriEmozione 1.0 corpus. Six emotion labels are used, namely Amore (Love) Gioia (Joy) Ammirazione (Admiration) Rabbia (Anger) Tristezza (Sadness) Paura (Fear) This corpus contains about 89k verses. Each line in the tsv file is composed of: Verse ID : unique aria and verse ID. Each ID is composed of an aria ID and a verse ID. For example, ZAP1590034_00 means the first verse of aria ZAP1590034 Verse text: the text of the verse in the aria Emotion: one of the six emotions AriEmozione 2.0 is a subset of the materials collected by project CORAGO. How to cite: @article{zhang2022ariemozione, title={AriEmozione 2.0: Identifying Emotions in Opera Verses and Arias}, author={ Zhang, Shibingfeng and Fernicola, Francesco and Garcea, Federico and Bonora, Paolo and Barr{\'o}n-Cede\~no, Alberto}, journal={Italian Journal of Computational Linguistics},volume={},issue_date = {} year={in press} } {"references": ["Zhang, S., Fernicola, F., Garcea, F., Bonora, P., Barr\u00f3n-Cede\u00f1o, A., (in press). AriEmozione 2.0: Identifying Emotions in Opera Verses and Arias. Italian Journal of Computational Linguistics"]}

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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      Dataset . 2022
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      Dataset . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Servizio Geologico D'Italia;

    Foglio geologico alla scala 1:50.000 basato su rilevamenti alla scala 1:10.000 (eseguiti tra il 2002 e il 2008) comprensivo di legenda, schemi a cornice, sezioni geologiche.

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    https://doi.org/10.15161/oar.i...
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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    https://doi.org/10.15161/oar.i...
    Dataset . 2022
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    Data sources: Datacite
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      https://doi.org/10.15161/oar.i...
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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      https://doi.org/10.15161/oar.i...
      Dataset . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This is the dataset upon which the slides of my talk "Le Digital Humanities nei corsi di studio e di dottorato: questioni formative, disciplinari, istituzionali" was based. Singoli insegnamenti di informatica umanistica in Italia (responses).csv is a CSV file including the 'raw' replies of the survey mentioned in the slides. The column "User display name" represents the user filling the survey. It is always "Anonymous user", except when I replyied myself: in this case it is "ilbuonme" insegnamenti.ods is an ODS spreadsheet including data and graphs on individual Digital Humanities classes in Italian universities. This spreadsheet derives from the CSV file, but includes additional information deriving from my personal research. cds.ods is an ODS spreadsheet including data and graphs on BA and MA programs in the Digital Humanities in Italy. It is not related to the CSV file. I presented an analysis of the data of this dataset in a talk entitled "Le Digital Humanities nei corsi di studio e di dottorato: questioni formative, disciplinari, istituzionali". The slides of this talk are also published on Zotero, with DOI https://doi.org/10.5281/zenodo.7153419

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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
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    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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      ZENODO
      Dataset . 2022
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      ZENODO
      Dataset . 2022
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      Data sources: Datacite
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      ZENODO
      Dataset . 2022
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      ZENODO
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  • Authors: Bellatti, Ilaria; Barrig-Ubed, Elvira; Sáez-Rosenkranz, Isidora; Sabido-Codina, Judit;

    Il contributo riassume quattro esperienze formative in didattica delle scienze sociali indirizzate a 427 studentesse dell'educazione infantile e primaria presso la Facoltà di Educazione dell'Università di Barcellona (Spagna). Per queste esperienze abbiamo mobilizzato dieci ricercatori, quattordici gruppi-classe di due scuole elementari, due università, due carceri e una fondazione che si occupa dell'assistenza delle persone senza casa, tra il 2019-2020 e il 2020-2021. La nostra pratica docente aspira a una formazione iniziale basata sull'esercizio della democrazia in contesti pedagogici e didattici concreti. The contribution summarizes four educational experiences in social science teaching addressed to 427 students of infant and primary education at the Faculty of Education of the University of Barcelona (Spain). For these experiences we have mobilized ten researchers, fourteen class-groups of two elementary schools, two universities, two prisons and a foundation that deals with the assistance of homeless people, between 2019-2020 and 2020-2021. Our teaching practice aspires to initial training based on the exercise of democracy in concrete pedagogical and didactic contexts.

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  • Authors: Fedriga, Riccardo; Mattioni, Margherita;

    In order to manage the unprecedented epistemological and cultural changes resulting from the ever-growing expansion of World Wide Web's global knowledge repository, an overall theoretical framework is needed. This contribution aims to interpret the digital cultural ecosystem in terms of an encyclopaedic project, with the belief that the exploitation of the great hermeneutic power of this image can provide an analysis of knowledge representation, classification and selection in the personalized Web. The idea behind this work is that we have to start from the social images that we create to represent reality and rationalise it. Among these, faced with the theme of a web that can no longer be traversed due to an excess of information, we would like here to take up the image of the encyclopaedia-memory - at once an instrument of registration, interpretation and filtering - developed by Umberto Eco in both semantic and metaphorical terms. In so doing, we can redefine an idea of normative freedom, i.e. one that is not limited to the level of choices, but also concerns ways of removing the obstacles that separate us from the realisation of motives.

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  • Authors: Ricchiuto, Ornella;

    This paper stems from some questions regarding the 'digital boom' that involved Culture since the COVID-19 pandemic. What scenarios will open up for cultural institutions once the pandemic crisis is over? While on the one hand now days the ancient art now better know the importance of storytelling, on the other hand it is increasingly crucial to involve users in the co-creation of the digital cultural heritage. Among the strategies of public engagement, I experimented a participatory storytelling process at the "Museo etnografico della vita popolare di Tricase", which contributes to enlivening the reality of the Ethnographic Museum of Popular Life in a peripheral area of Southern Italy, Tricase. The aim is to implement the guidelines of the UNESCO Convention for the Safeguarding of Intangible Cultural Property and the Council of Europe's Faro Convention.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pierpaolo Basile; Lucia Siciliani; Pierluigi Cassotti; Marco de Gemmis; +1 Authors

    This dataset contains relations extracted from the Italian Wikipedia by the WikiOIE framework. WikiOIE is based on UDPipe and the Universal Dependencies project for text processing. It easily allows customizing the information extraction (IE) approach to automatically extract triples (subject, predicate, object). This dataset contains relations extracted by two unsupervised IE methods. The former (simple) is based only on PoS-tag patterns; the latter (simpledep) also uses syntactic dependencies. The extraction process is provided in JSON format. More information and the Java code are available here https://github.com/pippokill/WikiOIE Pierluigi Cassotti, Lucia Siciliani, Pierpaolo Basile,Marco de Gemmis, and Pasquale Lops. 2021. Extracting relations from Italian Wikipedia using unsupervised information extraction. In Proceedings of the 11th Italian Information Retrieval Workshop 2021 (IIR 2021). CEUR-WS.

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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
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    Data sources: Datacite
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      ZENODO
      Dataset . 2021
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      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
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      Data sources: Datacite
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