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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Carson Bay; Jan Willem van Henten;

    Abstract The study of exempla and exemplarity in Mediterranean antiquity touches the methodological borderlines and interest areas of several distinct academic disciplines. Earlier studies focused on semantics and the development from the Greek παράδειγμα to the Roman exemplum. More recently, the field of Classics has tended to examine exemplarity as a phenomenon with a distinctively Roman edge. At the same time, scholars in adjacent disciplines like ancient Judaism and early Christianity have engaged Classics scholarship on this topic in their own work. This paper extends this arena by clarifying aspects of exemplarity within two paradigmatic texts of Hellenistic- and Roman-era Judaism. We examine 1 Maccabees 2:49–68 and Josephus’ Jewish War 6.99–110, both speeches set within “contemporary” histories written by Jewish authors. By examining these ancient Jewish passages, written within the Greco-Roman world, we help add clarity and meaning to what could be “Jewish” about exemplarity in ancient Mediterranean contexts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal for the Stud...arrow_drop_down
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    Journal for the Study of Judaism
    Article . 2023 . Peer-reviewed
    License: CC BY
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      Journal for the Study of Judaism
      Article . 2023 . Peer-reviewed
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  • Authors: Naomi Nkealah;
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  • Authors: Stephen Temitope David;

    Abstract The Lekki Tollgate massacre, which was part of the brutal tactics used to put down the #EndSARS protests, underscored the incorrigibly violent nature of the Nigerian state. It also ruptured the sense of linear progressive time which governs the hegemonic conception of history and memory in Nigeria—for instance, time as post-civil war, post-dictatorship, etc. The boundary of this idea of a nation on a progressive march, made up of people healed of all traumas, and cured of their historical scars is fiercely and violently policed. A case in point is the fervour with which Biafra as a form of collective memory is being resisted and silenced. However, the murderous incident at the tollgate brought to the fore the fact that each violent moment in Nigeria’s turbulent history has created a fractured sense of history for many victims, and consequently hampered the possibility of forging a settled sense of belonging and national unity. One site where this sense of history as violently fractured has been adequately imagined is the creative arts, especially poetry. Poems have archived, mediated, and remediated memories of violence that are mostly excised from official history. Thus, in this article I read selected poems from Soro Soke, a poetry collection curated by Brittle Paper in collaboration with James Yeku and Jumoke Verissimo. My aim is to examine how the poetic responses to the Lekki massacre generate alternative, unvarnished historiographies that call attention to the haunting and brooding presence of Nigeria’s brutal past in the present. I am also interested in the ways in which the selected works act as archives of violent memories and how they seek to recover the humanity of those killed by naming them and grieving their loss.

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    Matatu
    Article . 2023 . Peer-reviewed
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      Matatu
      Article . 2023 . Peer-reviewed
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  • Authors: Peter Kallaway;
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    Authors: Lechtenfeld, Olaf; Znojil, Miloslav;

    In the conventional Schr\"{o}dinger's formulation of quantum mechanics the unitary evolution of a state $\psi$ is controlled, in Hilbert space ${\cal L}$, by a Hamiltonian $\mathfrak{h}$ which must be self-adjoint. In the recent, ``quasi-Hermitian'' reformulation of the theory one replaces $\mathfrak{h}$ by its isospectral but non-Hermitian avatar $H = \Omega^{-1}\mathfrak{h}\Omega$ with $\Omega^\dagger\Omega = \Theta \neq I$. Although acting in another, manifestly unphysical Hilbert space ${\cal H}$, the amended Hamiltonian $H \neq H^\dagger$ can be perceived as self-adjoint with respect to the amended inner-product metric $\Theta$. In our paper motivated by a generic technical ``user-unfriendliness'' of the non-Hermiticity of $H$ we introduce and describe a specific new family of Hamiltonians $H$ for which the metrics $\Theta$ become available in closed form. Comment: 12 pp

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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    arXiv.org e-Print Archive
    Other literature type . Preprint . 2023
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    Journal of Physics : Conference Series
    Article . 2023 . Peer-reviewed
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    https://doi.org/10.48550/arxiv...
    Article . 2023
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
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      Journal of Physics : Conference Series
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ivan Vladislavić;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Thesis Elevenarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Thesis Eleven
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Thesis Elevenarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Thesis Eleven
      Article . 2023 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Peter Vale;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Thesis Elevenarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Thesis Eleven
    Article . 2023 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Thesis Elevenarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Thesis Eleven
      Article . 2023 . Peer-reviewed
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    Authors: Carson Bay; Jan Willem van Henten;

    Abstract The study of exempla and exemplarity in Mediterranean antiquity touches the methodological borderlines and interest areas of several distinct academic disciplines. Earlier studies focused on semantics and the development from the Greek παράδειγμα to the Roman exemplum. More recently, the field of Classics has tended to examine exemplarity as a phenomenon with a distinctively Roman edge. At the same time, scholars in adjacent disciplines like ancient Judaism and early Christianity have engaged Classics scholarship on this topic in their own work. This paper extends this arena by clarifying aspects of exemplarity within two paradigmatic texts of Hellenistic- and Roman-era Judaism. We examine 1 Maccabees 2:49–68 and Josephus’ Jewish War 6.99–110, both speeches set within “contemporary” histories written by Jewish authors. By examining these ancient Jewish passages, written within the Greco-Roman world, we help add clarity and meaning to what could be “Jewish” about exemplarity in ancient Mediterranean contexts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Journal for the Stud...arrow_drop_down
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    Journal for the Study of Judaism
    Article . 2023 . Peer-reviewed
    License: CC BY
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      Journal for the Study of Judaism
      Article . 2023 . Peer-reviewed
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  • Authors: Naomi Nkealah;
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  • Authors: Stephen Temitope David;

    Abstract The Lekki Tollgate massacre, which was part of the brutal tactics used to put down the #EndSARS protests, underscored the incorrigibly violent nature of the Nigerian state. It also ruptured the sense of linear progressive time which governs the hegemonic conception of history and memory in Nigeria—for instance, time as post-civil war, post-dictatorship, etc. The boundary of this idea of a nation on a progressive march, made up of people healed of all traumas, and cured of their historical scars is fiercely and violently policed. A case in point is the fervour with which Biafra as a form of collective memory is being resisted and silenced. However, the murderous incident at the tollgate brought to the fore the fact that each violent moment in Nigeria’s turbulent history has created a fractured sense of history for many victims, and consequently hampered the possibility of forging a settled sense of belonging and national unity. One site where this sense of history as violently fractured has been adequately imagined is the creative arts, especially poetry. Poems have archived, mediated, and remediated memories of violence that are mostly excised from official history. Thus, in this article I read selected poems from Soro Soke, a poetry collection curated by Brittle Paper in collaboration with James Yeku and Jumoke Verissimo. My aim is to examine how the poetic responses to the Lekki massacre generate alternative, unvarnished historiographies that call attention to the haunting and brooding presence of Nigeria’s brutal past in the present. I am also interested in the ways in which the selected works act as archives of violent memories and how they seek to recover the humanity of those killed by naming them and grieving their loss.

    Matatuarrow_drop_down
    Matatu
    Article . 2023 . Peer-reviewed
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      Article . 2023 . Peer-reviewed
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  • Authors: Peter Kallaway;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lechtenfeld, Olaf; Znojil, Miloslav;

    In the conventional Schr\"{o}dinger's formulation of quantum mechanics the unitary evolution of a state $\psi$ is controlled, in Hilbert space ${\cal L}$, by a Hamiltonian $\mathfrak{h}$ which must be self-adjoint. In the recent, ``quasi-Hermitian'' reformulation of the theory one replaces $\mathfrak{h}$ by its isospectral but non-Hermitian avatar $H = \Omega^{-1}\mathfrak{h}\Omega$ with $\Omega^\dagger\Omega = \Theta \neq I$. Although acting in another, manifestly unphysical Hilbert space ${\cal H}$, the amended Hamiltonian $H \neq H^\dagger$ can be perceived as self-adjoint with respect to the amended inner-product metric $\Theta$. In our paper motivated by a generic technical ``user-unfriendliness'' of the non-Hermiticity of $H$ we introduce and describe a specific new family of Hamiltonians $H$ for which the metrics $\Theta$ become available in closed form. Comment: 12 pp

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ arXiv.org e-Print Ar...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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