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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    The beautiful focus of this film is a quilt made in c.1890 in Swaledale and its journey through the generations of a family and on to the Quilters’ Guild collection in the early twenty-first century. It conveys how textiles hold powerful emotions for their makers and the relatives who have inherited them, and communicates the pleasures of hand quilting in the past and today. It also shows how inherited objects offer insights into our history, reflecting on the way inherited quilts provide insights into changing regional patterns of women’s work and lives. With Deborah McGuire and Joanne Begiato.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford Brookes Unive...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford Brookes Unive...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vuelta-Santín, Rubén; Criado-Boado, Felipe; Armada, Xosé-Lois; Ferro Vázquez, María Cruz;

    Vídeo del Laboratorio de Arqueometría del Patrimonio (LAPa) del INCIPIT-CSIC. Plataforma científico-técnica para Paleoambiente, Arqueometría y Conservación del Patrimonio Cultural. La construcción del LAPa del INCIPIT-CSIC se realizó entre 2021 y 2023. Los agentes implicados en su proyecto de diseño y construcción fueron: Financiación: SGAOI (Secretaría General Adjunta de Obras e Infraestructuras del CSIC); Dirección facultativa: OTO (Oficina Técnica de Obras) de la SGAOI; Plan funcional y coordinación: Felipe Criado-Boado, Anxo Rodríguez-Paz, Lois Armada, Cruz Ferro, Joeri Kaal; Diseño general y mobiliario: ILD (Integrated Lab Design); Diseño instalaciones: MARAGAL Ingeniería S.L.; Mobiliario: ROMERO Muebles de Laboratorio; Extracción y Clima: GARABAL Instalaciones; Electricidad y electrónica: MAREI S.L.; Suministros electrónicos: ASIMOV; Iluminación: INSATEL; Obra civil: POLI COUSELO Construcción y Reforma; Vitrinas de gases y usos generales: WALDNER; Equipo de purificación de agua: METROHM; Agradecimiento personal a: Mari Carmen González Peñalver, Javier Arguedas, Manuel García, Juan Luis Castro, Carlin de Marei, Hipólito Couselo, Ricardo Herreruela, Cristina García Diego, Alberto Álvarez. Imagen y edición de vídeo: Rubén Vuelta-Santín; Revisión de textos: Felipe Criado-Boado, Xosé-Lois Armada, María Cruz Ferro Vázquez; Música: Icelandic Arpeggios - DivKid (YouTube Audio Library). Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vuelta-Santín, Rubén; Incio del Río, Cristina; González Álvarez, David;

    Un grupo de investigadoras del INCIPIT-CSIC inició en agosto de 2023, en el municipio de Forcarei en Pontevedra, una segunda campaña arqueológica en la aldea perdida de Silvaescura, situada en los lindes entre el monte de Soutelo y el de Trasdomonte. Los trabajos de campo se desarrollaron con la arqueóloga e investigadora Cristina Incio del Río, del Instituto de Ciencias del Patrimonio (Incipit-CSIC), como directora de intervención. Las labores previstas incluyeron trabajos de fotointerpretación, vuelo con dron, prospección intensiva, prospección geofísica y sondeos valorativos manuales. El equipo científico inició un primer proyecto en la aldea de Silvaescura en agosto del 2022. La intervención llevada a cabo mostró el potencial arqueológico de esta aldea abandonada. Se realizaron excavaciones en los restos de dos edificaciones en las que se encontraron testimonios de la vida cotidiana de las familias campesinas que habitaron la aldea, fragmentos cerámicos de diferentes recipientes y vajilla, tejas, pesas de techo de colmo y fragmentos de potes metálicos de tres pies. Todo esto apunta a que se trata de antiguas viviendas ocupadas entre los siglos XVII o XIX, posible período de vida de la propia aldea. La nueva campaña tiene como objetivo determinar la extensión de la aldea y definir las viviendas que la compondrían. Para ello se utilizarán métodos no invasivos, como el uso de un gradiómetro en el entorno de las estructuras conocidas. Este aparato permite detectar muros enterrados donde luego se realizarán excavaciones arqueológicas. Todo ello permitirá saber más sobre la evolución, proceso constructivo y ocupación tanto de las viviendas conocidas hasta el momento como de otras que compondrían en su día la aldea de Silvaescura. La intervención está enmarcada en un programa de actuaciones más amplio centrado en el conocimiento sobre el poblamiento en la zona rural gallega en época moderna y contemporánea. Uno de los principales ejes de la investigación es el análisis del abandono y desaparición de estos pequeños núcleos de población, aldeas de las que solo se mantienen pequeños indicios y una memoria remota. Equipo científico: Directora de la intervención: Cristina-Incio-del-Río; Equipo arqueológico: Álvaro Falquina-Aparicio, Álvaro Moreno-Jiménez, Ángela Orosa-Queijo, David González-Álvarez, Fátima Rodríguez-Porto, Rafael Millán-Pascual, Rodrigo González-Camino, Vega Arribas-Greciano; Realización y edición de vídeo: Rubén Vuelta-Santín; Colabora: Concello de Forcarei; Música: Highway One - Steve Adams (YouTube Audio Library). Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vuelta-Santín, Rubén; Criado-Boado, Felipe;

    The XSCAPE Team in Santiago de Compostela and its home institution INCIPIT-CSIC, have organised a Winter School, comprised of a series of four field sessions. XSCAPE and INCIPIT crew shared discussions and ideas about landscape, materiality and perceptual behavior. ERC-2020-SyG 951631 – XSCAPE Project 'Material Minds: Exploring the Interactions between Predictive Brains, Cultural Artefacts, and Embodied Visual Search'. Material Minds (acronym XSCAPE) is an ERC Synergy Grant project, as announced by the European Research Council on Nov 5, 2020. Material Minds Lab is the experimental facility of the XSCAPE Project based in INCIPIT-CSIC in Santiago de Compostela. The Material Minds research problem is, in short: How do the worlds we build alter our own minds and the ways we process information? Do the material structures of our settlements, buildings, roads, and artefacts actively change patterns of thought and attention, so that understanding change in these ‘material codes’ becomes part and parcel of understanding the emergence of the modern mind? The PIs of XSCAPE are Felipe Criado-Boado (corresponding PI) of the INCIPIT-CSIC, Luis M. Martínez-Otero of the Institute of Neurosciences (joint centre of CSIC and UMH), Andy Clark, of the Departments of Informatics and Philosophy of the University of Sussex, and Johannes Müller, of the Institute of Prehistoric and Protohistoric Archaeology of Kiel University. VIDEO PRODUCERS: Rubén Vuelta-Santín, Felipe Criado-Boado; PRODUCTION: INCIPIT-CSIC; PHOTOGRAPHS: Carlos Fernández-Piñar; ENGLISH REVIEW: Jadranka Verdonkschot; ACKNOWLEDGEMENTS: Jaime Almansa-Sánchez, Technical Staff of Parque Arqueológico del Arte Rupestre de Campo Lameiro, Technical Staff of Parque Arqueológico de la Cultura Castrexa Lansbrica, Members of INCIPIT-CSIC that actively participated in the activity. MUSIC: My Train's A Comin' - Unicorn Heads (YouTube Audio Library). Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: González Álvarez, David; Vuelta-Santín, Rubén;

    2º Encontro de pesquisa, educação e socialização do Património dos Arcos de Valdevez. Braga/Extremo, Arcos de Valdevez. 27-28 de Outubro de 2023. No marco das investigações que nos últimos sete anos se estão a desenvolver no lugar do Extremo (Arcos de Valdevez) pela Unidade de Arqueologia e o Lab2PT da UMinho, foi possível estabelecer fortes redes de cooperação com a comunidade local que se traduziram em uma série de atividades de tipo científico, patrimonial e educacional coordenadas entre os cientistas e os agentes locais. Em 2023 obtivemos o projeto exploratório IN2PAST Da terra à Terra. Conexões para Territórios Sustentáveis (Land-CST) (EXPL/In2Past/2023/09) cujos objetivos incluem o desenvolvimento de ferramentas metodológicas para o estudo da paisagem, em colaboração com a comunidade local, com a intenção de reverter o conhecimento gerado na sustentabilidade patrimonial deste território afetado pela emigração, o despovoamento ou o envelhecimento da população. Em 2023, com o objetivo de transcender o olhar localizado neste território, convergiremos com as investigações desenvolvidas por outras equipas arqueológicas que centram o seu olhar nas paisagens rurais da época moderna e contemporânea. Em colaboração com o projeto Lectura arqueológica de tiempos largos sobre la formación de los paisajes rurales en el Noroeste ibérico (LEIRA) desenvolvido pelo Instituto de Ciencias do Patrimonio (INCIPIT-CSIC), iremos realizar um workshop para discutir metodologias de leitura arqueológica da paisagem e a reversão dos resultados em projetos co-construídos com as comunidades locais. Esta segunda parte, no sábado dia 28, será dedicada a desenvolver em Extremo várias atividades partilhadas entre os cientistas e os habitantes da aldeia. Video production: Rubén Vuelta-Santín (INCIPIT-CSIC), David González-Álvarez (INCIPIT-CSIC); Music: The Nexus Riddim - Konrad OldMoney (YouTube Audio Library). Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    We talk to people who have inherited boxes and suitcases crammed full of photographs, albums, diaries, letters, passports, and paperwork to find out what it means to be the keeper of a family archive and make meaning from its contents. The film not only shows how these objects can help us see the world through our ancestors’ eyes, and share their feelings and worries, they provide powerful and sometimes troubling insights into a nation’s history and who it includes in its notions of citizenship. With Katie Barclay, Fiona Rew, Sheila Williams, and Kathryn Beatham.

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    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    This film examines a less conventional inherited family object: hair and the range of emotions and memories that it can evoke. We show how people in the eighteenth and nineteenth centuries preserved their loved one’s hair, weaving it into jewellery as mementoes or keeping locks as material memories. Today, even if we feel more ambivalent about hair, it still elicits strong feelings and so the film explores what we do with an object that only has meaning for a close loved one and around which it is more difficult to weave family stories and histories. With Katie Barclay, Leanne Calvert, Joanne Begiato, Laura Baldock, and Thalia Allington-Wood.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Oxford Brookes Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vuelta-Santín, Rubén; Almansa Sánchez, Jaime;

    [ES] #pubarchMED, Arqueología pública en el contexto mediterráneo, es un proyecto financiado por la Axencia GAIN que busca conocer mejor cómo funciona la gestión del patrimonio arqueológico en los diferentes estados del entorno mediterráneo. Además de aspectos generales de la gestión diaria de sitios arqueológicos, explora cuestiones como el conflicto cotidiano y también bélico, el uso de espacios patrimoniales, su impacto en la cultura popular, incluyendo las pseudoarqueologías, o su divulgación. A lo largo del proyecto se llevaron a cabo varias actividades, incluyendo una exposición itinerante que sigue activa en Grecia. [EN] #pubarchMED, Public Archeology in the Mediterranean Context, is a project funded by Axencia GAIN that seeks to better understand how the management of archaeological heritage works in the different states around the Mediterranean. In addition to general aspects of the daily management of archaeological sites, it explores issues such as daily conflict and also war, the use of heritage spaces, its impact on popular culture, including pseudoarchaeology, or its dissemination. Various activities were carried out throughout the project, including an itinerant exhibition that is still active in Greece. Edición de vídeo: Rubén Vuelta-Santín; Imágenes y textos: Jaime Almansa-Sánchez; Música: Swinging With The Sultan - Doug Maxwell (YouTube Audio Library). Peer reviewed

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    Authors: Muñoz Encinar, Laura; Aragüete-Toribio, Zahira; Vuelta-Santín, Rubén;

    From 26 to 28 September 2023, Institute of Heritage Sciences of the Spanish National Research Council (INCIPIT-CSIC) hosted this training school in Santiago de Compostela. “Unearthing Traces of European Conflicts: Materiality, Memory & Technology” is part of the European COST Action network TRACTS “Trace as a research agenda for climate change, technology studies, and social justice”. For three days, four trainers and 21 students coming from diverse countries around the world gathered to analyse the material traces of conflict and their impact in the present through the conceptual lens of different disciplines: Archaeology, Forensic Sciences, Social Anthropology and Memory Studies. Workshop Leaders: Laura Muñoz-Encinar (INCIPIT-CSIC), César Parcero-Oubiña (INCIPIT-CSIC), Iñigo Sánchez-Fuarros (INCIPIT-CSIC), Zahira Aragüete-Toribio (University of Neuchâtel); Workshop Collaborators: Jesús García Sánchez (IAM-CSIC), Jesús Jiménez Chaparro (University of Cantabria); Host Institution: Institute of Heritage Sciences of the Spanish National Research Council (INCIPIT-CSIC); Video production: Rubén Vuelta-Santín (INCIPIT-CSIC); Music: Crimson Fly - Huma-Huma (YouTube Audio Library). Peer reviewed

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    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    Here we focus on more mundane household objects that we inherit from our relatives. Lots of us have wooden spoons, recipes, and kitchen utensils handed down across the generations. This film prompts us to think more closely about these things and what they can tell us about our families and their histories. By continuing to use them when we cook and prepare food, they bring us closer to relatives who used them. But they also tell wider stories of family lives shaped by migration, women’s work in the home, and the way one generation passes on expertise and traditions to the next through the memories and emotions they prompt. With Katie Barclay, Signe Ravn, Debbie Money, and Gloria Ford.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    The beautiful focus of this film is a quilt made in c.1890 in Swaledale and its journey through the generations of a family and on to the Quilters’ Guild collection in the early twenty-first century. It conveys how textiles hold powerful emotions for their makers and the relatives who have inherited them, and communicates the pleasures of hand quilting in the past and today. It also shows how inherited objects offer insights into our history, reflecting on the way inherited quilts provide insights into changing regional patterns of women’s work and lives. With Deborah McGuire and Joanne Begiato.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vuelta-Santín, Rubén; Criado-Boado, Felipe; Armada, Xosé-Lois; Ferro Vázquez, María Cruz;

    Vídeo del Laboratorio de Arqueometría del Patrimonio (LAPa) del INCIPIT-CSIC. Plataforma científico-técnica para Paleoambiente, Arqueometría y Conservación del Patrimonio Cultural. La construcción del LAPa del INCIPIT-CSIC se realizó entre 2021 y 2023. Los agentes implicados en su proyecto de diseño y construcción fueron: Financiación: SGAOI (Secretaría General Adjunta de Obras e Infraestructuras del CSIC); Dirección facultativa: OTO (Oficina Técnica de Obras) de la SGAOI; Plan funcional y coordinación: Felipe Criado-Boado, Anxo Rodríguez-Paz, Lois Armada, Cruz Ferro, Joeri Kaal; Diseño general y mobiliario: ILD (Integrated Lab Design); Diseño instalaciones: MARAGAL Ingeniería S.L.; Mobiliario: ROMERO Muebles de Laboratorio; Extracción y Clima: GARABAL Instalaciones; Electricidad y electrónica: MAREI S.L.; Suministros electrónicos: ASIMOV; Iluminación: INSATEL; Obra civil: POLI COUSELO Construcción y Reforma; Vitrinas de gases y usos generales: WALDNER; Equipo de purificación de agua: METROHM; Agradecimiento personal a: Mari Carmen González Peñalver, Javier Arguedas, Manuel García, Juan Luis Castro, Carlin de Marei, Hipólito Couselo, Ricardo Herreruela, Cristina García Diego, Alberto Álvarez. Imagen y edición de vídeo: Rubén Vuelta-Santín; Revisión de textos: Felipe Criado-Boado, Xosé-Lois Armada, María Cruz Ferro Vázquez; Música: Icelandic Arpeggios - DivKid (YouTube Audio Library). Peer reviewed

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    Authors: Vuelta-Santín, Rubén; Incio del Río, Cristina; González Álvarez, David;

    Un grupo de investigadoras del INCIPIT-CSIC inició en agosto de 2023, en el municipio de Forcarei en Pontevedra, una segunda campaña arqueológica en la aldea perdida de Silvaescura, situada en los lindes entre el monte de Soutelo y el de Trasdomonte. Los trabajos de campo se desarrollaron con la arqueóloga e investigadora Cristina Incio del Río, del Instituto de Ciencias del Patrimonio (Incipit-CSIC), como directora de intervención. Las labores previstas incluyeron trabajos de fotointerpretación, vuelo con dron, prospección intensiva, prospección geofísica y sondeos valorativos manuales. El equipo científico inició un primer proyecto en la aldea de Silvaescura en agosto del 2022. La intervención llevada a cabo mostró el potencial arqueológico de esta aldea abandonada. Se realizaron excavaciones en los restos de dos edificaciones en las que se encontraron testimonios de la vida cotidiana de las familias campesinas que habitaron la aldea, fragmentos cerámicos de diferentes recipientes y vajilla, tejas, pesas de techo de colmo y fragmentos de potes metálicos de tres pies. Todo esto apunta a que se trata de antiguas viviendas ocupadas entre los siglos XVII o XIX, posible período de vida de la propia aldea. La nueva campaña tiene como objetivo determinar la extensión de la aldea y definir las viviendas que la compondrían. Para ello se utilizarán métodos no invasivos, como el uso de un gradiómetro en el entorno de las estructuras conocidas. Este aparato permite detectar muros enterrados donde luego se realizarán excavaciones arqueológicas. Todo ello permitirá saber más sobre la evolución, proceso constructivo y ocupación tanto de las viviendas conocidas hasta el momento como de otras que compondrían en su día la aldea de Silvaescura. La intervención está enmarcada en un programa de actuaciones más amplio centrado en el conocimiento sobre el poblamiento en la zona rural gallega en época moderna y contemporánea. Uno de los principales ejes de la investigación es el análisis del abandono y desaparición de estos pequeños núcleos de población, aldeas de las que solo se mantienen pequeños indicios y una memoria remota. Equipo científico: Directora de la intervención: Cristina-Incio-del-Río; Equipo arqueológico: Álvaro Falquina-Aparicio, Álvaro Moreno-Jiménez, Ángela Orosa-Queijo, David González-Álvarez, Fátima Rodríguez-Porto, Rafael Millán-Pascual, Rodrigo González-Camino, Vega Arribas-Greciano; Realización y edición de vídeo: Rubén Vuelta-Santín; Colabora: Concello de Forcarei; Música: Highway One - Steve Adams (YouTube Audio Library). Peer reviewed

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    Authors: Vuelta-Santín, Rubén; Criado-Boado, Felipe;

    The XSCAPE Team in Santiago de Compostela and its home institution INCIPIT-CSIC, have organised a Winter School, comprised of a series of four field sessions. XSCAPE and INCIPIT crew shared discussions and ideas about landscape, materiality and perceptual behavior. ERC-2020-SyG 951631 – XSCAPE Project 'Material Minds: Exploring the Interactions between Predictive Brains, Cultural Artefacts, and Embodied Visual Search'. Material Minds (acronym XSCAPE) is an ERC Synergy Grant project, as announced by the European Research Council on Nov 5, 2020. Material Minds Lab is the experimental facility of the XSCAPE Project based in INCIPIT-CSIC in Santiago de Compostela. The Material Minds research problem is, in short: How do the worlds we build alter our own minds and the ways we process information? Do the material structures of our settlements, buildings, roads, and artefacts actively change patterns of thought and attention, so that understanding change in these ‘material codes’ becomes part and parcel of understanding the emergence of the modern mind? The PIs of XSCAPE are Felipe Criado-Boado (corresponding PI) of the INCIPIT-CSIC, Luis M. Martínez-Otero of the Institute of Neurosciences (joint centre of CSIC and UMH), Andy Clark, of the Departments of Informatics and Philosophy of the University of Sussex, and Johannes Müller, of the Institute of Prehistoric and Protohistoric Archaeology of Kiel University. VIDEO PRODUCERS: Rubén Vuelta-Santín, Felipe Criado-Boado; PRODUCTION: INCIPIT-CSIC; PHOTOGRAPHS: Carlos Fernández-Piñar; ENGLISH REVIEW: Jadranka Verdonkschot; ACKNOWLEDGEMENTS: Jaime Almansa-Sánchez, Technical Staff of Parque Arqueológico del Arte Rupestre de Campo Lameiro, Technical Staff of Parque Arqueológico de la Cultura Castrexa Lansbrica, Members of INCIPIT-CSIC that actively participated in the activity. MUSIC: My Train's A Comin' - Unicorn Heads (YouTube Audio Library). Peer reviewed

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    Authors: González Álvarez, David; Vuelta-Santín, Rubén;

    2º Encontro de pesquisa, educação e socialização do Património dos Arcos de Valdevez. Braga/Extremo, Arcos de Valdevez. 27-28 de Outubro de 2023. No marco das investigações que nos últimos sete anos se estão a desenvolver no lugar do Extremo (Arcos de Valdevez) pela Unidade de Arqueologia e o Lab2PT da UMinho, foi possível estabelecer fortes redes de cooperação com a comunidade local que se traduziram em uma série de atividades de tipo científico, patrimonial e educacional coordenadas entre os cientistas e os agentes locais. Em 2023 obtivemos o projeto exploratório IN2PAST Da terra à Terra. Conexões para Territórios Sustentáveis (Land-CST) (EXPL/In2Past/2023/09) cujos objetivos incluem o desenvolvimento de ferramentas metodológicas para o estudo da paisagem, em colaboração com a comunidade local, com a intenção de reverter o conhecimento gerado na sustentabilidade patrimonial deste território afetado pela emigração, o despovoamento ou o envelhecimento da população. Em 2023, com o objetivo de transcender o olhar localizado neste território, convergiremos com as investigações desenvolvidas por outras equipas arqueológicas que centram o seu olhar nas paisagens rurais da época moderna e contemporânea. Em colaboração com o projeto Lectura arqueológica de tiempos largos sobre la formación de los paisajes rurales en el Noroeste ibérico (LEIRA) desenvolvido pelo Instituto de Ciencias do Patrimonio (INCIPIT-CSIC), iremos realizar um workshop para discutir metodologias de leitura arqueológica da paisagem e a reversão dos resultados em projetos co-construídos com as comunidades locais. Esta segunda parte, no sábado dia 28, será dedicada a desenvolver em Extremo várias atividades partilhadas entre os cientistas e os habitantes da aldeia. Video production: Rubén Vuelta-Santín (INCIPIT-CSIC), David González-Álvarez (INCIPIT-CSIC); Music: The Nexus Riddim - Konrad OldMoney (YouTube Audio Library). Peer reviewed

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    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    We talk to people who have inherited boxes and suitcases crammed full of photographs, albums, diaries, letters, passports, and paperwork to find out what it means to be the keeper of a family archive and make meaning from its contents. The film not only shows how these objects can help us see the world through our ancestors’ eyes, and share their feelings and worries, they provide powerful and sometimes troubling insights into a nation’s history and who it includes in its notions of citizenship. With Katie Barclay, Fiona Rew, Sheila Williams, and Kathryn Beatham.

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    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    This film examines a less conventional inherited family object: hair and the range of emotions and memories that it can evoke. We show how people in the eighteenth and nineteenth centuries preserved their loved one’s hair, weaving it into jewellery as mementoes or keeping locks as material memories. Today, even if we feel more ambivalent about hair, it still elicits strong feelings and so the film explores what we do with an object that only has meaning for a close loved one and around which it is more difficult to weave family stories and histories. With Katie Barclay, Leanne Calvert, Joanne Begiato, Laura Baldock, and Thalia Allington-Wood.

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    Authors: Vuelta-Santín, Rubén; Almansa Sánchez, Jaime;

    [ES] #pubarchMED, Arqueología pública en el contexto mediterráneo, es un proyecto financiado por la Axencia GAIN que busca conocer mejor cómo funciona la gestión del patrimonio arqueológico en los diferentes estados del entorno mediterráneo. Además de aspectos generales de la gestión diaria de sitios arqueológicos, explora cuestiones como el conflicto cotidiano y también bélico, el uso de espacios patrimoniales, su impacto en la cultura popular, incluyendo las pseudoarqueologías, o su divulgación. A lo largo del proyecto se llevaron a cabo varias actividades, incluyendo una exposición itinerante que sigue activa en Grecia. [EN] #pubarchMED, Public Archeology in the Mediterranean Context, is a project funded by Axencia GAIN that seeks to better understand how the management of archaeological heritage works in the different states around the Mediterranean. In addition to general aspects of the daily management of archaeological sites, it explores issues such as daily conflict and also war, the use of heritage spaces, its impact on popular culture, including pseudoarchaeology, or its dissemination. Various activities were carried out throughout the project, including an itinerant exhibition that is still active in Greece. Edición de vídeo: Rubén Vuelta-Santín; Imágenes y textos: Jaime Almansa-Sánchez; Música: Swinging With The Sultan - Doug Maxwell (YouTube Audio Library). Peer reviewed

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    Authors: Muñoz Encinar, Laura; Aragüete-Toribio, Zahira; Vuelta-Santín, Rubén;

    From 26 to 28 September 2023, Institute of Heritage Sciences of the Spanish National Research Council (INCIPIT-CSIC) hosted this training school in Santiago de Compostela. “Unearthing Traces of European Conflicts: Materiality, Memory & Technology” is part of the European COST Action network TRACTS “Trace as a research agenda for climate change, technology studies, and social justice”. For three days, four trainers and 21 students coming from diverse countries around the world gathered to analyse the material traces of conflict and their impact in the present through the conceptual lens of different disciplines: Archaeology, Forensic Sciences, Social Anthropology and Memory Studies. Workshop Leaders: Laura Muñoz-Encinar (INCIPIT-CSIC), César Parcero-Oubiña (INCIPIT-CSIC), Iñigo Sánchez-Fuarros (INCIPIT-CSIC), Zahira Aragüete-Toribio (University of Neuchâtel); Workshop Collaborators: Jesús García Sánchez (IAM-CSIC), Jesús Jiménez Chaparro (University of Cantabria); Host Institution: Institute of Heritage Sciences of the Spanish National Research Council (INCIPIT-CSIC); Video production: Rubén Vuelta-Santín (INCIPIT-CSIC); Music: Crimson Fly - Huma-Huma (YouTube Audio Library). Peer reviewed

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    Authors: Joanne Begiato; Lily Ford; Katie Barclay;

    Here we focus on more mundane household objects that we inherit from our relatives. Lots of us have wooden spoons, recipes, and kitchen utensils handed down across the generations. This film prompts us to think more closely about these things and what they can tell us about our families and their histories. By continuing to use them when we cook and prepare food, they bring us closer to relatives who used them. But they also tell wider stories of family lives shaped by migration, women’s work in the home, and the way one generation passes on expertise and traditions to the next through the memories and emotions they prompt. With Katie Barclay, Signe Ravn, Debbie Money, and Gloria Ford.

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