• Digital Humanities and Cultural Heritage
• 2018-2022close
• Open Access close
• Publications close
• Research data close
• Research software close
• Other research products close
• 16. Peace & justice close

This paper examines the osteological evidence for decapitation from 30 skeletal assemblages dated to the medieval period (6th to 16th century) from Ireland. This is the first time that these data have been examined in a comparative manner and across the population of medieval Ireland. Decapitation is traditionally presented and interpreted in the literature on a case study basis with decapitations being attributed to an action that was carried out as a direct result of warfare or as judicial practice. This paper aims to use the osteological data to examine these interpretations in terms of the Irish data and to use these data along with historical and literary sources to try to gain a fuller understanding of decapitation in medieval Ireland.

This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst drawing attention to the hegemonic sexual politics and socio-economic systems which facilitate and endorse violence against women and girls. Yet while Monstras stands as a paradigmatic example of a socially conscious, ideologically driven artistic response to patriarchal violence, the feminist attributes of O sabor das margaridas are largely trumped by commercial concerns, shown for example through the eroticization of violence. Though Galician noir has made a breakthrough on international streaming media by foregrounding women’s resistance to gender-based violence, this tends to be manipulated by the bid for viewer ratings. Fundamentally, it continues to be in alternative media where some of the most revolutionary conversations about women’s rights are taking place in the Galician cultural sphere.

Historically, unmarried mothers have suffered greatly in Irish society. Advocacy for unmarried mothers began in the 1970s with the emergence of the women’s movement in Ireland. ‘Cherish’ became one of the first organisation in Ireland to push for rights for unmarried mothers. This article is the first comprehensive study into the organisation exploring its establishment and development throughout the late twentieth century. Against the backdrop of the larger women’s movement, this article focuses on the early years of the campaign incorporating the push for unmarried mothers allowance; accommodation assistance offered; advice on legal issues including maintenance; as well as lobbying politicians on legislative change. It incorporates the organisation’s connection with the Catholic Church whilst simultaneously and unapologetically challenging Archbishop Dermot Ryan on prejudices against unmarried mothers. In the 1980s, the group faced new challenges as more women with unplanned pregnancies sought information on abortion. The organisations link with the Catholic Church diminished throughout the 1980s as Cherish began to direct women to abortion information helplines and openly supported the Defend the Clinics Campaign, despite their receipt of state funding. The establishment of Cherish and its commitment to advocacy for women in crisis pregnancy has been somewhat overlooked in the historical analysis of the Irish women’s movement.

AbstractThe UN Convention on the Rights of Persons with Disabilities is a ground-breaking treaty that constitutes persons with disabilities as holders of rights and active members of society, and encompasses civil, political, economic, social and cultural rights. Article 30 of the Convention provides for the right of persons with disabilities to participate in cultural life. The importance of this provision lies in its detailed normative content, and also in that it sheds a light on the need for appropriate policies and practices that enhance cultural participation of persons with disabilities. By investigating the extent to which Article 30 of the Convention has been implemented across five European states (Austria, the Netherlands, Poland, Portugal, Sweden), this article identifies common narratives and counternarratives related to the realization of the right to participate in cultural life. It adopts a socio-legal approach and a blended methodology combining desk-based and empirical research. It contrasts official narratives, which highlight good practices and steps taken to improve access to culture, with counternarratives that reveal a fragmentary approach to cultural participation of persons with disabilities, persisting barriers, limited recognition of artists with disabilities, and the perpetuation of stigma and stereotypes.

Many ethical questions have been raised regarding the use of social media and the internet, mainly related to the protection of young people in the digital environment. In order to critically address the research question “who is responsible for ethically protecting minors in the digital environment?”, this paper will review the main literature available to understand the role of parents, the government, and companies in protecting young people within the digital environment. We employed a holistic process that covers a state-of-the-art review and desk research. The article is divided into four sessions; (1) Government Policies from the European Union (EU) Perspective; (2) Parental Control; (3) An Overview of Companies and the Private and Self-Regulation Sectors; and (4) the Ethical Dilemma. Throughout, we reviewed specific topics regarding the potentially harmful content for young people within the digital environment, questioned how ethical concerns shape content and interactions online and discussed how internet parenting styles impact risks and opportunities for young people in the digital world. Finally, we analysed the research question contrasting it with the main findings in this review and offered recommendations.

En este libro se analizan los usos de la música en el cine en Chile en términos de significado e interpretación considerando las circunstancias sociopo-políticas que han marcado al país durante el siglo XX. El marco temporal de esta pesquisa abarca desde 1939 cuando se establece la producción sostenida de películas con sonido óptico en el país y 1973, cuando el golpe de Estado cívico-militar destruyó todos los pilares del campo cultural en Chile y muchos cineastas y compositores partieron al exilio. Este trabajo se propone desafiar la historiografía y la investigación existente poniendo el acento en la dimensión sonora del cine chileno. Lejos de ser un aspecto secundario y decorativo, la música ha sido un elemento central en distintos momentos y prácticas del cine chileno tanto a nivel interno en sus propuestas formales y narrativas como en el nivel externo en su discursividad y vínculos con lo social y político.

This research is part of the project Creative Agency and Religious Minorities: Hidden Galleries in the Secret Police Archives in Central and Eastern Europe. The project has received funding from the European Research 2020 research and innovation programme No. 677355.

International audience; Recently, a series of historical reports portrayed the first women neurosurgeons in various countries. One such woman, a pioneer on many levels, remained unrecognized: Judith Balkányi-Lepintre. She was the first woman neurosurgeon in France, the first woman war neurosurgeon for the French Army, and the first woman pediatric neurosurgeon in France. Born in 1912 to a Hungarian Jewish family, she graduated with honors from medical school in Budapest in 1935, then moved to Paris where she started neurosurgical training in 1937 at L'Hôpital de la Pitié under the mentorship of Clovis Vincent, the founder of French neurosurgery. Shortly after marrying a French colleague in 1940, she had to escape the Geheime Staatspolizei (Gestapo) in Paris and ended up in Algeria, where she joined the French Army of De Gaulle. As a neurosurgeon, she participated in the campaigns of Italy and France between 1943 and 1945. After the war, she returned to work at La Pitié Hospital. In 1947, she defended her doctoral thesis, "Treatment of cranio-cerebral wounds by projectiles and their early complications." Soon thereafter, she joined Europe's first dedicated children's hospital, Hôpital Necker-Enfants Malades in Paris, and contributed to the establishment of pediatric neurosurgery in France. She remained clinically and academically active at Necker until her death in 1982 but was never promoted.