• Digital Humanities and Cultural Heritage
• Publicationsclose
• Research dataclose
• Research softwareclose
• Other research productsclose
• 2013-2022close
• 060303 religions & theology close
• 060101 anthropology close
• IL close
• Religions close
• Social Science and Humanities close

In discussing the arrival of Buddhism to China, Erik Zürcher describes the meeting of “a jungle of Buddhist metaphysics” with other local philosophies and practices. This period was a transformative encounter with wide-ranging ramifications, including for textual traditions. Non-complete Emptiness (Bu zhenkong lun 不真空論), written by Seng Zhao 僧肇, is one product of this encounter. While explaining the principle of emptiness, Non-complete Emptiness incorporates Daoist and Confucian terminologies and elements. Nevertheless, the text is considered formative for the development of Buddhist writing and practice during the critical period of Buddhism’s assimilation into China in the third to fifth centuries AD. This study of Non-complete Emptiness looks at the philosophical and cultural relevance of the text. It suggests a methodological solution to some of the tensions that have arisen from Seng Zhao’s notion of emptiness. The article begins by looking into the historical and hermeneutical tendencies in the scholarship of Non-complete Emptiness. The following section provides a textual and cultural analysis of the text and its author, viewing the sage as an “open entity”, to understand Seng Zhao’s idea of emptiness. This analysis suggests that a multiple dialectic approach should be followed to improve the understanding of the text’s Buddhist message and Seng Zhao’s position as a scholar-monk in medieval China.

This study is a comparative analysis of the appearances of the lower and upper Paradise, their divisions, and the journeys to and within them, which appear in mystical Jewish and Islamic sources in medieval Iberia. Ibn al-‘Arabī’s vast output on the Gardens of divine reward and their divisions generated a number of instructive comparisons to the eschatological and theosophical writing about the same subject in early Spanish Kabbalah. Although there is no direct historical evidence that kabbalists knew of such Arabic works from the region Catalonia or Andalusia, there are commonalities in fundamental imagery and in ontological and exegetical assumptions that resulted from an internalization of similar patterns of thought. It is quite reasonable to assume that these literary corpora, both products of the thirteenth century, were shaped by common sources from earlier visionary literature. The prevalence of translations of religious writing about ascents on high, produced in Castile in the later thirteenth century, can help explain the sudden appearance of visionary literature on Paradise and its divisions in the writings of Jewish esotericists of the same region. These findings therefore enrich our knowledge of the literary, intellectual, and creative background against which these kabbalists were working when they chose to depict Paradise in the way that they did, at the time that they did.

A proper name individualizes a person, the lack of it making him or her less noticeable. This insight is apt in regard to the nameless women in the Hebrew Bible, a resolutely androcentric work. As Judaism traditionally barred women from studying, many Jewish feminists have sought access to the Jewish canon. Much of American-Jewish women’s poetry can thus be viewed as belonging to the midrashic-poetry tradition, attempting to vivify the biblical women by “revisioning” the Bible. This article examines two nameless wives who, although barely noted in the biblical text, play a significant role in their husbands’ stories—Mrs. Noah and Mrs. Job. Although numerous exegetes have noted them across history, few have delved into their emotions and characters. Exploration of the way in which contemporary Jewish-American poets treat these women and connect them to their own world(s) is thus of great interest to both modern and biblical scholars. Herein I focus on five poets: Elaine Rose Glickman (“Parashat Noach”), Barbara D. Holender (“Noah’s Wife,” and “Job’s Wife”), Oriana Ivy (“Mrs. Noah,” and “Job’s Wife”), Shirley Kaufman (“Job’s Wife”), and Sherri Waas Shunfenthal (“Noah’s Wife Speaks,” “The Animals are our Friends,” “Time,” and “Arc of Peace”).

Drawing on auto-ethnographic descriptions from four decades of my own work as a Jewish guide for Christian Holy Land pilgrims, I examine how overlapping faiths are expressed in guide–group exchanges at Biblical sites on Evangelical pilgrimages. I outline several faith interactions: Between reading the Bible as an affirmation of Christian faith or as a legitimation of Israeli heritage, between commitments to missionary Evangelical Christianity and to Judaism, between Evangelical practice and those of other Christian groups at holy sites, and between faith-based certainties and scientific skepticism. These encounters are both limited and enabled by the frames of the pilgrimage: The environmental bubble of the guided tour, the Christian orientations and activities in the itinerary, and the power relations of hosts and guests. Yet, unplanned encounters with religious others in the charged Biblical landscape offer new opportunities for reflection on previously held truths and commitments. I conclude by suggesting that Holy Land guided pilgrimages may broaden religious horizons by offering an interreligious model of faith experience based on encounters with the other.

Israelite religion has always fascinated scholars [...]

This article considers the process of identity formation among soldiers in the Israel Defense Forces (IDF) who were born into the African Hebrew Israelites of Jerusalem (AHIJ), more commonly known as the Black Hebrews. The AHIJ are a sect of African Americans who began settling in Israel in 1969 and who identify as direct descendants of the Biblical Israelites. Due to the group’s insular nature, the IDF is the primary state institution in which they fully participate, and their mandatory service is a source of both pride and consternation for community members and leaders. Considering the personal experiences of 14 African Hebrew soldiers who enlisted between 2009 and 2010, the article argues that while the soldiers by and large maintain their distinctive identity during the course of their service, they also internalize some of the language, attitudes, and cultural touchstones of the majority Israeli Jewish population. As a result, they experience a kind of “double consciousness”, the feeling of dislocation first described by the African American scholar W. E. B. Du Bois at the turn of the twentieth century.

This article reviews the historical sources and archeological finds concerning the cult in Shiloh in the Roman-Byzantine period. The study examines the transition to the Byzantine period and attempts to follow the conversion to Christianity in the region, with regard to both the holy site and the populace. Furthermore, the study explores the reasons for Shiloh’s sacred status as perceived by the Christians, who brought about the establishment of four churches on the site. An interesting development is the shift from identifying Shiloh’s location at Shiloh with Nabi Samwil in the Crusader period. A main point that emerges is the formation of a holy place. In the Early Roman period, Shiloh appears to have been recognized by the Jews, albeit with no evidence of any religious rituals, while in the Byzantine period, the place was recognized as a sacred place of worship with clear official backing, perhaps versus the Samaritans. Moreover, Shiloh was part of an overall process whereby Christian sites located in Samaria and mentioned mainly in the Old Testament were sanctified in order to influence the Christian image of this area.

This article provides a historiographical analysis of the principal works on Andalusi mysticism and philosophy in Spain at the turn of the twentieth century. It portrays the intellectual background in which the Arabist scholars Julián Ribera (1858−1934) and Miguel Asín Palacios (1871−1944) developed their studies, and their particular “presentist” concerns, highlighting how their works and publications on this field cannot be detached from contemporary national debates on religious issues. The contribution of these Orientalist scholars was especially relevant to the transnational movement in defense of a Catholic science. The adherents of this movement sought ways of stressing the compatibility of dogma with the findings of unbiased scientific works, against the perceived attack to religious doctrine they sensed coming from positivist science. The Spanish Orientalists would bring to light the importance of Eastern Christian thought in the development of medieval Muslim theology, therefore vindicating the Christian origins of Andalusi philosophical and theological production and rendering it easier for the Catholic Spanish public to come to terms with Orientalist queries.

The biblical story of the Flood, which portrays a humanity worthy of annihilation, is the fundamental myth used by generations of interpreters as they radically criticized the society and culture in which they lived. Accordingly, the Deluge myth’s various versions and interpretations over the years mirror ever-changing cultural dilemmas and values. Our comparative−historic study observes this mirror and how changes in modern Western culture are reflected in it through the analysis of selected films. It exemplifies the representation and evolution of the Deluge myth in cinema from its inception to the present day, and demonstrates that the myth’s cinematic adaptation and its infusion with current interpretations turn it into an imminent apocalyptic threat. Apparently, the Flood becomes a relevant concern involving a wide scope of cultural, theological, and ethical issues, e.g., the problem of evil, ecology, the treatment of animals, family values, feminism, the Other, and deification of science and technology.