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Although lexical borrowing is an important aspect of language evolution, there have been few attempts to automate the identification of borrowings in lexical datasets. Moreover, none of the solutions which have been proposed so far identify borrowings across multiple languages. This study proposes a new method for the task and tests it on a newly compiled large comparative dataset of 48 South-East Asian languages from Southern China. The method yields very promising results, while it is conceptually straightforward and easy to apply. This makes the approach a perfect candidate for computer-assisted exploratory studies on lexical borrowing in contact areas.

AbstractTonality is one of the most central theoretical concepts for the analysis of Western classical music. This study presents a novel approach for the study of its historical development, exploring in particular the concept of mode. Based on a large dataset of approximately 13,000 musical pieces in MIDI format, we present two models to infer both the number and characteristics of modes of different historical periods from first principles: a geometric model of modes as clusters of musical pieces in a non-Euclidean space, and a cognitively plausible Bayesian model of modes as Dirichlet distributions. We use the geometric model to determine the optimal number of modes for five historical epochs via unsupervised learning and apply the probabilistic model to infer the characteristics of the modes. Our results show that the inference of four modes is most plausible in the Renaissance, that two modes–corresponding to major and minor–are most appropriate in the Baroque and Classical eras, whereas no clear separation into distinct modes is found for the 19th century.

AbstractScientific writings, as one essential part of human culture, have evolved over centuries into their current form. Knowing how scientific writings evolved is particularly helpful in understanding how trends in scientific culture developed. It also allows us to better understand how scientific culture was interwoven with human culture generally. The availability of massive digitized texts and the progress in computational technologies today provide us with a convenient and credible way to discern the evolutionary patterns in scientific writings by examining the diachronic linguistic changes. The linguistic changes in scientific writings reflect the genre shifts that took place with historical changes in science and scientific writings. This study investigates a general evolutionary linguistic pattern in scientific writings. It does so by merging two credible computational methods: relative entropy; word-embedding concreteness and imageability. It thus creates a novel quantitative methodology and applies this to the examination of diachronic changes in the Philosophical Transactions of Royal Society (PTRS, 1665–1869). The data from two computational approaches can be well mapped to support the argument that this journal followed the evolutionary trend of increasing professionalization and specialization. But it also shows that language use in this journal was greatly influenced by historical events and other socio-cultural factors. This study, as a “culturomic” approach, demonstrates that the linguistic evolutionary patterns in scientific discourse have been interrupted by external factors even though this scientific discourse would likely have cumulatively developed into a professional and specialized genre. The approaches proposed by this study can make a great contribution to full-text analysis in scientometrics.

Pitch-class distributions are of central relevance in music information retrieval, computational musicology and various other fields, such as music perception and cognition. However, despite their structure being closely related to the cognitively and musically relevant properties of a piece, many existing approaches treat pitch-class distributions as fixed templates. In this paper, we introduce the Tonal Diffusion Model, which provides a more structured and interpretable statistical model of pitch-class distributions by incorporating geometric and algebraic structures known from music theory as well as insights from music cognition. Our model explains the pitch-class distributions of musical pieces by assuming tones to be generated through a latent cognitive process on the Tonnetz, a well-established representation for harmonic relations. Specifically, we assume that all tones in a piece are generated by taking a sequence of interval steps on the Tonnetz starting from a unique tonal origin. We provide a description in terms of a Bayesian generative model and show how the latent variables and parameters can be efficiently inferred. The model is quantitatively evaluated on a corpus of 248 pieces from the Baroque, Classical, and Romantic era and describes the empirical pitch-class distributions more accurately than conventional template-based models. On three concrete musical examples, we demonstrate that our model captures relevant harmonic characteristics of the pieces in a compact and interpretable way, also reflecting stylistic aspects of the respective epoch. Paper with appendix

Abstract Hyphenated compounds have largely been neglected in the studies of compounding, which have seldom analysed compounds in context. In this study, we argue that the hyphen use in compounds is strongly motivated. Hyphenation is used when words form a unit, which reduces the possibility of parsing them into separate units or other forms. The current study adopts a new perspective on contextual factors, namely, which part of speech (PoS) the compound as a whole belongs to and how people correctly parse a compound into a unit. This process can be observed and analysed by considering examples. This study therefore holds that hyphenation might have gradually become a compounding technique that differs from general compounding principles. To better understand hyphenated compounds and the motivation for using hyphenation, we conduct a quantitative investigation into their distribution frequency to explore how English hyphenated compounds have been used in over the last 200 years. Diachronic change in the frequency of the distribution for compounds has seldom been considered. This question is explored by using frequency data obtained from the three databases that contain hyphenated compounds. Diachronic analysis shows that the frequencies of tokens and types in hyphenated compounds have been increasing, and changes in both frequencies follow the S-curve model. Historical evidence shows that hyphenation in compounds, as an orthographic form, does not seem to disappear easily. Familiarity and economy, as suggested in the cognitive studies of compounding, cannot adequately explain this phenomenon. The three databases that we used provide cross-verification that suggests that hyphenation has evolved into a compounding technique. Language users probably unconsciously take advantage of the discriminative learning model to remind themselves that these combinations should be parsed differently. Thus the hyphenation compounding technique facilitates communication efficiency. Overall, this study significantly enhances our understanding of the nature of compounding, the motivations for using hyphenation, and its cognitive processing.

Pseudowords have long served as key tools in psycholinguistic investigations of the lexicon. A common assumption underlying the use of pseudowords is that they are devoid of meaning: Comparing words and pseudowords may then shed light on how meaningful linguistic elements are processed differently from meaningless sound strings. However, pseudowords may in fact carry meaning. On the basis of a computational model of lexical processing, linear discriminative learning (LDL Baayen et al., Complexity, 2019, 1–39, 2019), we compute numeric vectors representing the semantics of pseudowords. We demonstrate that quantitative measures gauging the semantic neighborhoods of pseudowords predict reaction times in the Massive Auditory Lexical Decision (MALD) database (Tucker et al., 2018). We also show that the model successfully predicts the acoustic durations of pseudowords. Importantly, model predictions hinge on the hypothesis that the mechanisms underlying speech production and comprehension interact. Thus, pseudowords emerge as an outstanding tool for gauging the resonance between production and comprehension. Many pseudowords in the MALD database contain inflectional suffixes. Unlike many contemporary models, LDL captures the semantic commonalities of forms sharing inflectional exponents without using the linguistic construct of morphemes. We discuss methodological and theoretical implications for models of lexical processing and morphological theory. The results of this study, complementing those on real words reported in Baayen et al., (Complexity, 2019, 1–39, 2019), thus provide further evidence for the usefulness of LDL both as a cognitive model of the mental lexicon, and as a tool for generating new quantitative measures that are predictive for human lexical processing.

This paper describes a preliminary expansion and assessment of the Latin WordNet for the purposes of the LiLa: Linking Latin project. The objective of this study is to better understand the implications of expanding and evaluating the sense coverage of the Latin WordNet, with a view to identifying the most effective method for its refinement and inclusion in the LiLa Knowledge Base of Latin resources. Our test empirically demonstrates the inadequacy for Latin of a common semi-automated approach of expansion and informs potential lines of improvement for the resource.

In recent years, pre-modern beds have generated extensive scholarly interest. Their social, religious, and economic importance has been rightfully highlighted in the study of domestic piety. Yet, concern has primarily focused on beds in late medieval English homes. This essay uses Hebrew texts from thirteenth-century Southern Germany, primarily Sefer Hasidim, to further this analysis of the role of the bed in shaping medieval domestic devotion. Jewish notions about the social, moral, and sexual significance of the bed reflect those identified in late medieval Christian culture. These ideas inspired numerous rituals practiced in Jewish homes. Yet, the bed and the remnants of sex assumed to be found in it also frustrated Jewish attempts to perform domestic devotion. These findings highlight the complicated nature of the home and how medieval people had to navigate both its opportunities and challenges in order to foster a rich culture of domestic devotion.