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7,439 Research products

  • Digital Humanities and Cultural Heritage
  • 2017-2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frontini, Francesca; Gamba, Federica; Monachini, Monica; Broeder, Daan;

    The SSHOC Multilingual Data Stewardship Terminology is a multilingual terminology that collects terms specific to the domain of Data Stewardship, as well as their definitions. A list of domain-specific terms was automatically extracted from a corpus pertaining to the domain of Data Stewardship and Curation, validated by domain experts, assigned a definition, and linked to other existing terminologies (Loterre Open Science Thesaurus, terms4FAIRskills, Linked Open Vocabularies, ISO terms and definitions). Each term-definition pair was then automatically translated into multiple languages (Dutch, French, German, Greek, Italian, Slovenian) by employing Deep-L. The Multilingual Data Stewardship Terminology thus consists of 210 concepts available in Dutch, French, German, Greek, Italian, Slovenian. This resource was created within the frame of the SSHOC (Social Sciences and Humanities Open Cloud) project (H2020-INFRAEOSC-2018-2-823782). It is the result of the work of Task 3.1.2 "extraction of terminology from technical documentation about standards and interoperability", as described in D3.9, carried out jointly by ILC-CNR and CLARIN ERIC.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ILC4CLARIN repositor...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ILC4CLARIN repositor...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Trupiano, Luca; Concordia, Cesare;

    A Jupyter Notebook implementing a simple parser used to transform the Multilingual Data Stewardship terminology and Metadata, created in the Task 3.1 of the SSHOC project, into SKOS resources. The parser transforms the content in SKOS data following a set of mapping rules, the result is stored in two Turtle files.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ILC4CLARIN repositor...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ILC4CLARIN repositor...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bonča, Pavle; Marinković, Ana;

    Crtež dvojnog ljetnikovca Kaboga-Zec iz serije Diversa Cancellariae Državnog arhiva u Dubrovniku iz 1508. godine najraniji je sačuvani vizualni prikaz dubrovačke ladanjske arhitekture te donosi niz likovnih i tekstualnih podataka značajnih za razumijevanje njezina razvoja na prijelazu 15. i 16. stoljeća. Osim udvostručenog pročelja s gotičkom triforom i bočnim biforama, to se posebice odnosi na element ugaone lođe, poput lođa kakve se u simetričnom paru pojavljuju na pročeljima dvaju dubrovačkih ljetnikovaca kasnog 16. stoljeća (Sorgo-Natali i Mleci), dok je znatno ranija lođa ljetnikovca Kaboga-Zec oblikovno i funkcionalno donekle usporediva s bočnim “prohodnim” lođama ranoga 16. stoljeća. Srodnosti s objema vrstama lođa ukazuju na prijelazni oblik, odnosno na moguće najraniji primjer ugaone lođe u korpusu dubrovačke ladanjske arhitekture, a time i na lokalno podrijetlo ovoga arhitektonskog motiva.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Radovi Instituta za Povijest Umjetnosti
    Article
    License: CC BY NC ND
    Data sources: UnpayWall
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    Radovi Instituta za Povijest Umjetnosti
    Article . 2021 . Peer-reviewed
    Data sources: Sygma; Crossref
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Radovi Instituta za ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Radovi Instituta za Povijest Umjetnosti
      Article
      License: CC BY NC ND
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Radovi Instituta za Povijest Umjetnosti
      Article . 2021 . Peer-reviewed
      Data sources: Sygma; Crossref
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pettinicchi, Yuri;

    This report documents the availability of the Automatic Verification Tool (AVT) that is used in the translation research activities of Task 4.3 of the SSHOC project. The task team describes the role of the milestone and the means of verification.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Other literature type . Article . 2021
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Project milestone . 2021
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Other literature type . Article . 2021
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Project milestone . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Saji, Ami;

    Quantitative surveys play an important and imperative role in studying and learning about the integration and inclusion experiences of ethnic and migrant minorities (EMM). Unfortunately, such data have not always been easy to locate or access for both research and policymaking purposes. The EMM (Ethnic and Migrant Minority) Survey Registry is, hence, a direct response to this challenge, as its main objective is to make quantitative surveys undertaken with EMM populations ‘FAIR’ (Findable, Accessible, Interoperable, Re-usable). The EMM Survey Registry is a free online discovery tool that displays detailed information (i.e. metadata) about existing quantitative sample-based surveys conducted with EMM populations in Europe. Jointly developed by SSHOC, the COST Action 16111 – ETHMIGSURVEYDATA (a network of 200 plus EMM researchers across Europe), and the French Agence Nationale de la Recherche (ANR)-funded project FAIRETHMIGQUANT, the EMM Survey Registry promotes the FAIR principles and provides a concrete example of how an interdisciplinary data community can drive the creation of a FAIR-friendly tool for the social sciences using a bottom up, collaborative approach for the benefit of a wide range of stakeholders. The EMM Survey Registry is intended for use by researchers, policymakers, and other practitioners in their own research and/or policy-related activities. As a model of co-creation, it will also be of interest to data communities committed to making their data FAIR, to data curation actors looking to partner or connect with data producers or users for whom they can tailor their current data curation services, and to policy-makers working on open research and open data initiatives.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Report . 2021
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Report . 2021
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      Report . 2021
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      Report . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Neuts, Bart; Matteucci, Xavier; Von Zumbusch, Jennifer; Calvi, Licia; +1 Authors

    This report serves as deliverable D1.2 of the SmartCulTour Horizon 2020 project (grant agreement number 870708) which is aimed at supporting regional development in all European regions with important tangible and intangible cultural assets, including those located in rural peripheries and the urban fringe, through sustainable cultural tourism. This report aims to provide an overview of the specific policy recommendations that originate from two particular tasks in the SmartCulTour project: re-conceptualization of (sustainable) cultural tourism and expectations concerning future trends and developments (WP2), and identification of state-of-the-art interventions in cultural tourism towards sustainable development (WP3). The report starts by recognizing the potential of cultural tourism in Europe and specifically its framing as a driver for sustainable development and smart regional growth. However, due to an ongoing lack of comprehensive evidence on the benefits of cultural heritage and the observation that, in many countries, cultural tourism is not yet adequately measured, the policy report pays attention to two particular issues: 1. The conceptual fluidity of cultural heritage and, by extension, cultural tourism; 2. The lack of structural evidence on the holistic benefits of cultural heritage for a destination. In this report we first focus on the question of conceptualization, and through analysis of existing definitional frameworks, propose contemporary definitions to frame cultural tourism in all its aspects as: “a form of tourism in which visitors engage with heritage, local cultural and creative activities and the everyday cultural practices of host communities for the purpose of gaining mutual experiences of an educational, aesthetic, creative, emotional and/or entertaining nature” (Matteucci & Von Zumbusch, 2020, p.19). Secondly, the policy report presents both workflow and results of an extensive case-study analysis on cultural tourism interventions throughout Europe, both in terms of resources used and in terms of generated (or expected) outcomes in order to provide more robust findings on the multiple benefits of cultural tourism. The five main purposes for cultural tourism interventions that were recognized were: (1) to protect, restore, safeguard and promote, (2) to develop and innovate, (3) to interpret, understand and disseminate, (4) to involve and connect, (5) to manage and influence. While the list does not necessarily need to be considered as exhaustive, and can depend on the non-random case study selection, the typology helps in describing situations and challenges that are typical of each intervention category and can therefore inform policy makers on selecting appropriate cultural tourism projects. At the end of the report, a number of policy recommendations are given, both on conceptualization and operationalization, and on methodological recommendations that can be followed by Destination Management Organizations and policy makers to collect additional primary research data.

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    Project deliverable . 2021
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Other literature type . 2021
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      Project deliverable . 2021
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      Other literature type . 2021
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      Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Giusfredi, Federico; Pisaniello, Valerio;
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    https://doi.org/10.2307/j.ctv2...
    Part of book or chapter of book . 2021 . Peer-reviewed
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      https://doi.org/10.2307/j.ctv2...
      Part of book or chapter of book . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Erica von Essen; Jonathon Turnbull; Adam Searle; Finn Arne Jørgensen; +2 Authors

    Digital surveillance technologies enable a range of publics to observe the private lives of wild animals. Publics can now encounter wildlife from their smartphones, home computers, and other digital devices. These technologies generate public-wildlife relations that produce digital intimacy, but also summon wildlife into relations of care, commodification, and control. Via three case studies, this paper examines the biopolitical implications of such technologically mediated human-animal relations, which are becoming increasingly common and complex in the Digital Anthropocene. Each of our case studies involves a different biopolitical rationale deployed by a scientific-managerial regime: (1) clampdown (wild boar); (2) care (golden eagle); and (3) control (moose). Each of these modalities of biopower, however, is entangled with the other, inaugurating complex relations between publics, scientists, and wildlife. We show how digital technologies can predetermine certain representations of wildlife by encouraging particular gazes, which can have negative repercussions for public-wildlife relations in both digital and offline spaces. However, there remains work to be done to understand the positive public-wildlife relations inaugurated by digital mediation. Here, departing from much extant literature on digital human-animal relations, we highlight some of these positive potentials, notably: voice, immediacy, and agency.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Epsilon Open Archivearrow_drop_down
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    Brage INN
    Article . 2022
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    Oxford University Research Archive; Environment and Planning E Nature and Space
    Other literature type . Article . 2021 . 2023 . Peer-reviewed
    License: CC BY
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      Article . 2022
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      Oxford University Research Archive; Environment and Planning E Nature and Space
      Other literature type . Article . 2021 . 2023 . Peer-reviewed
      License: CC BY
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    Authors: Stella, Federico;

    El artículo versa sobre una versión latina desconocida del miʿrāǧ que el autor ha descubierto en el Archivo de la Pontificia Universidad Gregoriana dentro de un opúsculo escrito por Baldassarre Loyola Mandes S.J. (1631-1667), un príncipe musulmán marroquí convertido al cristianismo que luego entró en la Compañía de Jesús. El objetivo del artículo será demostrar cómo este miʿrāǧ latino se basó en una fuente árabe relacionada con la literatura de ḥadīṯ. Como método para alcanzar nuestro objetivo, haremos un estudio comparativo de las fuentes de las que Baldassare pudo tener conocimiento. Además, mostraremos el modo en que Baldassarre intentó no solo polemizar con la tradición islámica, sino también las estrategias que utilizó para cristianizarla.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Al-Qanṭaraarrow_drop_down
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    Al-Qanṭara
    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY
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    Al-Qanṭara
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    Al-Qanṭara
    Article . 2021
    Data sources: DOAJ-Articles
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      Al-Qanṭara
      Other literature type . Article . 2021 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Al-Qanṭara
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      Al-Qanṭara
      Article . 2021
      Data sources: DOAJ-Articles
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Blazquez, Adéle; Le Cour Grandmaison, Romain;

    How can we account for levels of violence, numbers of internally displaced people and territorial fragmentation in Mexico that are higher than most civil wars? In contrast with the literature, which isolates violence and crime from other social processes, we build on a comparison with civil wars to account for the specificities of the regional configurations of violence in Mexico. We argue that armed actors, far from contesting the existing political institutions and system, conform to the social order to whose reproduction they thus contribute. In this introductory article of the ERLACS special collection Violent configurations of power in Mexico we look into the modes of accumulation, social-control mechanisms, and forms of representation to consider together lawful and unlawful activities, private and public actors, and legal and violent instruments. Thus, we build on the contributions of this special issue to analyze how the violent actors fit into regional political configurations.Resumen: Configuraciones regionales de violencia en México: Acumulación, control y representación¿Cómo podemos dar cuenta de los niveles de violencia, el número de desplazados internos y la fragmentación territorial en México que son más altos que la mayoría de las guerras civiles? En contraste con la literatura, que aísla la violencia y el crimen de otros procesos sociales, construimos una comparación con las guerras civiles para dar cuenta de las especificidades de las configuraciones regionales de violencia en México. Sostenemos que los actores armados, lejos de oponerse al sistema y las instituciones políticas existentes, se ajustan al orden social a cuya reproducción contribuyen. En este artículo introductorio del número especial de ERLACS Configuraciones violentas de poder en México analizamos los modos de acumulación, los mecanismos de control social y las formas de representación para considerar en conjunto actividades lícitas e ilícitas, actores públicos y privados e instrumentos legales y violentos. Así, nos basamos en los aportes de este número especial para analizar cómo los actores violentos encajan en las configuraciones políticas regionales.

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    European Review of Latin American and Caribbean Studies
    Article . 2021 . Peer-reviewed
    License: CC BY
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      European Review of Latin American and Caribbean Studies
      Article . 2021 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frontini, Francesca; Gamba, Federica; Monachini, Monica; Broeder, Daan;

    The SSHOC Multilingual Data Stewardship Terminology is a multilingual terminology that collects terms specific to the domain of Data Stewardship, as well as their definitions. A list of domain-specific terms was automatically extracted from a corpus pertaining to the domain of Data Stewardship and Curation, validated by domain experts, assigned a definition, and linked to other existing terminologies (Loterre Open Science Thesaurus, terms4FAIRskills, Linked Open Vocabularies, ISO terms and definitions). Each term-definition pair was then automatically translated into multiple languages (Dutch, French, German, Greek, Italian, Slovenian) by employing Deep-L. The Multilingual Data Stewardship Terminology thus consists of 210 concepts available in Dutch, French, German, Greek, Italian, Slovenian. This resource was created within the frame of the SSHOC (Social Sciences and Humanities Open Cloud) project (H2020-INFRAEOSC-2018-2-823782). It is the result of the work of Task 3.1.2 "extraction of terminology from technical documentation about standards and interoperability", as described in D3.9, carried out jointly by ILC-CNR and CLARIN ERIC.

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    Authors: Trupiano, Luca; Concordia, Cesare;

    A Jupyter Notebook implementing a simple parser used to transform the Multilingual Data Stewardship terminology and Metadata, created in the Task 3.1 of the SSHOC project, into SKOS resources. The parser transforms the content in SKOS data following a set of mapping rules, the result is stored in two Turtle files.

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    Authors: Bonča, Pavle; Marinković, Ana;

    Crtež dvojnog ljetnikovca Kaboga-Zec iz serije Diversa Cancellariae Državnog arhiva u Dubrovniku iz 1508. godine najraniji je sačuvani vizualni prikaz dubrovačke ladanjske arhitekture te donosi niz likovnih i tekstualnih podataka značajnih za razumijevanje njezina razvoja na prijelazu 15. i 16. stoljeća. Osim udvostručenog pročelja s gotičkom triforom i bočnim biforama, to se posebice odnosi na element ugaone lođe, poput lođa kakve se u simetričnom paru pojavljuju na pročeljima dvaju dubrovačkih ljetnikovaca kasnog 16. stoljeća (Sorgo-Natali i Mleci), dok je znatno ranija lođa ljetnikovca Kaboga-Zec oblikovno i funkcionalno donekle usporediva s bočnim “prohodnim” lođama ranoga 16. stoljeća. Srodnosti s objema vrstama lođa ukazuju na prijelazni oblik, odnosno na moguće najraniji primjer ugaone lođe u korpusu dubrovačke ladanjske arhitekture, a time i na lokalno podrijetlo ovoga arhitektonskog motiva.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Radovi Instituta za ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Radovi Instituta za Povijest Umjetnosti
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    License: CC BY NC ND
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Radovi Instituta za Povijest Umjetnosti
    Article . 2021 . Peer-reviewed
    Data sources: Sygma; Crossref
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Radovi Instituta za ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Radovi Instituta za Povijest Umjetnosti
      Article
      License: CC BY NC ND
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Radovi Instituta za Povijest Umjetnosti
      Article . 2021 . Peer-reviewed
      Data sources: Sygma; Crossref
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao