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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Depuis les années quatre vingt, la recherche historique a su distinguer les deux types d’habitat seigneurial caractéristiques du Moyen Âge mais généralement confondus dans le vocabulaire des époques postérieures, le château et la maison forte. L’ouvrage de Gérard Giuliato et de ses collaborateurs offre une des seules monographies exhaustives de maison forte, type habituel de résidence de la petite et moyenne aristocratie à partir du XIIIe siècle. Il se signale par l’étude croisée des sources écrites et des apports de la fouille archéologique prolongés par les recherches en laboratoire. Cette approche pluridisciplinaire permet de restituer avec précision les conditions de vie d’une famille seigneuriale lorraine à la fin du Moyen Âge et au cours de la Renaissance jusqu’à la destruction de l’édifice en 1611. Blottie dans un méandre encaissé de la Moselle à Richardménil (Meurthe-et-Moselle), cette petite résidence rurale présente une série d’adaptations liées à l’évolution des techniques militaires tandis que les unités stratigraphiques parfaitement conservées témoignent des étapes de son histoire. Le mobilier archéologique, par son abondance et sa diversité, constitue un témoignage exceptionnel de la culture matérielle de l’époque et, à ce titre, il est destiné à être présenté au public au Musée lorrain.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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      OpenEdition
      Book . 2024
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    Authors: Vandenbussche, Robert;

    Les historiens de la première Guerre mondiale, ont forgé le concept de « culture de guerre » pour désigner les phénomènes culturels que fait naître le premier conflit mondial : essor de la propagande, d’idéologies marquées par l’intensité et la violence, mise en valeur du « héros ». En choisissant ce thème « Culture, occupation, résistance » nous souhaitons, en référence à 1914-1918 poser cette interrogation : la Seconde Guerre mondiale engendre-t-elle également une « culture de guerre » ? Cette question peut surprendre car les conjonctures ne se ressemblent pas. La « culture de guerre » naît et se développe à partir de sociétés en guerre dont le territoire est libre d’invasion ou d’occupation et d’États qui n’ont conclu aucun armistice et qui exploitent la culture pour justifier leur combat. L’État français, en 1940, en choisissant la collaboration avec l’Allemagne nazie, ne se met pas en situation d’aider à la diffusion d’une culture de guerre analogue à celle de 1914-1918 et encourage plutôt la soumission de la société française aux exigences de l’occupant. Néanmoins, dans sa volonté de conduire la « révolution nationale », il se propose de combattre une démocratie républicaine méprisée et de mener, en quelque sorte, une offensive intérieure après avoir suspendu la guerre extérieure. Il n’hésite pas à utiliser l’art et la culture sous toutes leurs formes pour y parvenir. C’est cette perspective que le colloque de Bondues s’est efforcé d’appréhender...

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    OpenEdition
    Book . 2024
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      OpenEdition
      Book . 2024
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    Authors: Kuiying, Zhao;

    Conceptual art plays a crucial and continuous role in the generation and development of contemporary art, and thus is also the reference point of contemporary art. Conceptual art is an art centered on ideas, and it is dominated by the use of language. These two characteristics have induced three important tendencies of de-materialization, anti-formalism, and anti-visual aesthetics in contemporary art. It is these three tendencies that have led to a new understanding and evaluation of the value of work or labor in contemporary art. Put briefly, contemporary artists pay more attention to the concept value, process value, and Complex Polysensoriality value of art work, rather than the physical object value, commodity value, and visual aesthetic value in the past. These changes are not only caused by art itself, but also have root and basis in techonology, philosophy, society, and the existing condition of human beings, which raises further questions.

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      OpenEdition
      Article . 2024
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    Authors: Georges, Raphaël;

    « Ils ont des droits sur nous ! » Comme le rappelle cette formule célèbre de Georges Clemenceau, les anciens combattants français jouissent après la Première Guerre mondiale d’une supériorité morale fondée sur une victoire obtenue au prix de lourds sacrifices. Une catégorie de vétérans ne partage cependant pas ce prestige. Les Alsaciens-Lorrains, en effet, ne sont devenus français qu’au terme du traité de Versailles, à la faveur du retour de l’Alsace-Lorraine à la France. Avant cela, ils ont vécu la guerre dans les rangs de l’armée allemande. Après l’armistice, leur retour dans une province désormais française s’apparente à un nouveau « parcours du combattant ». Aux difficultés du passage de la vie militaire à la vie civile s’ajoute la nécessité d’apprendre à vivre avec le poids de ce passé encombrant, voire stigmatisant. Ils n’éprouvent pas moins la volonté de faire valoir leur propre droit à reconnaissance car, s’ils n’ont pas combattu du côté des vainqueurs, ils ont en commun avec eux d’avoir partagé les mêmes souffrances. Ce qui se joue en toile de fond n’est rien de moins que leur intégration à la nation française, et celle-ci passe par l’élaboration de nouvelles normes sociales. 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Book . 2024
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      OpenEdition
      Book . 2024
      Data sources: OpenEdition
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kowalska-Leder, Justyna;

    Książka Justyny Kowalskiej-Leder jest książką ważną, odważną, a i nowatorską. Widać to na tle wielu znaczących przecież publikacji dotyczących Zagłady wydanych w Polsce w ostatnich latach, a może właśnie dopiero na tle tychże prac. Stanowi świetną i niezwykle sumienną rekapitulację, ale i rewizję ustaleń dotychczasowych. Autorka wskazując na złożoność relacji pomocowych proponuje perspektywę badań do tej pory na gruncie polskim nie podejmowaną. Zwraca uwagę na nieoczywistość kategorii epistemologicznych i kwalifikacji etycznych zazwyczaj używanych w opisie doświadczeń granicznych. Wydobywa chętnie pomijaną moralną ambiwalencję widoczną w postawach i w relacjach ofiar, świadków i ratujących. Również konsekwencje po - mijania splotu ambiwalencji czynnych w konstruowaniu krytycznego namysłu nad pamięcią indywidualną, namysłu nad uwikłaną w historyczne zaszłości pamięcią zbiorową, a wreszcie nad debatą publiczną na temat polskiego doświadczenia wojny i Zagłady. Te zabiegi prowadzą do krytycznej refleksji nad pojęciami używanymi do konceptualizacji stosunku Żydów i Polaków (i odwrotnie) i nad emocjonalną intensywnością debaty – zarówno tej publicystycznej, jak i naukowej. Nie bez znaczenia jest też i to, że autorka podnosi rolę zaniedbywanych do tej pory czynników różnicujących doświadczenia związane z Zagładą, takich jak płeć, wiek, stan cywilny, poziom edukacji, pochodzenie klasowe oraz czynniki osobowościowe i psychologiczne – słowem, podkreśla wagę miejsca, z którego mówi i działa podmiot świadczący/świadkujący. (Prof. Marek Zaleski) The book by Justyna Kowalska-Leder is an important, daring and novel work. This is evident against the backdrop of the many significant publications relating to the Holocaust published in Poland in recent years, or maybe it is precisely because of the context of these works. It constitutes a fantastic and unusually diligent recapitulation, as well as revision, of what had been settled to date. In pointing to the complexity of the aid relationships, the author proposes a research perspective which has previously not been used in Poland. She highlights the ambiguity of epistemological categories and ethical qualifications usually used to describe limit situations. The author unearths the, keenly evaded, moral ambivalence seen in the attitudes and testimonies of victims, witnesses, and rescuers. She also considers the consequences of omitting the tangle of ambivalence which is active in constructing a critical reflection on individual memories, on collective memory, embroiled in historical events, and, finally, on the political debate on the Polish experience of the war and the Holocaust. These devices lead to a critical study of the notions used to conceptualise the approach of the Jews to the Poles (and vice-versa), and of the emotional intensity of both the journalistic and academic debate. It is not without significance that the author flags the role of the (up to now) neglected factors differentiating the experiences relating to the Holocaust, such as gender, age, marital status, level of education, class, or the personal and psychological elements: that is, she emphasises the importance of the position, from which the testifying/witnessing subject speaks and acts. (Prof. Marek Zaleski) 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Book . 2024
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      OpenEdition
      Book . 2024
      Data sources: OpenEdition
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    Authors: Janicka, Elżbieta; Żukowski, Tomasz;

    Interesowały nas zjawiska komentowane w polskiej i zagranicznej debacie publicznej jako znak przemiany świadomości społecznej i „nowe otwarcie w stosunkach polsko-żydowskich” na przełomie pierwszego i drugiego dziesięciolecia XXI wieku. Pytaliśmy, czy istotnie mamy do czynienia z nową narracją o przeszłości. Czy i jak dalece przekształciły się warunki opowieści, a wraz z nimi zbiorowe imaginarium współtworzące społeczno-kulturową ramę porządkującą wiedzę rzeczową, której dostarczają badania nad Zagładą z ostatnich kilkunastu lat? Pytaliśmy też, czy i jak zmieniło się wyobrażenie dominującej większości o sobie samej oraz jej stosunek do własnej historii i tożsamości. Czy następuje i na jakich warunkach przebiega inkluzja wszystkich poddanych dawniej antysemickiemu wykluczeniu? Oglądowi poddaliśmy film Po-lin Jolanty Dylewskiej (2008), rekonstrukcję likwidacji getta w Będzinie (2010), akcje Tęsknię za tobą Żydzie i Płonie stodoła Rafała Betlejewskiego (2010), upamiętnienia gettowego mostu nad ulicą Chłodną w Warszawie (1996, 2007-2011) oraz warszawski Dom Kereta (2012). Analiza tych inicjatyw artystycznych i wydarzeń kulturalnych, powodowanych najlepszymi intencjami, skłoniła nas do wniosku, że głos mniejszości wprowadzony do głównego nurtu dyskursu podlega ograniczającym wymogom, naciskom i hierarchiom, które w dużym stopniu przypominają dawne formy dyskryminacji. Co więcej, opresja definicyjna w stosunku do mniejszości – przekształcająca podmiot w przedmiot – nie jest ani dekonstruowana, ani przezwyciężana. Przeciwnie: ma się dobrze. Polega zaś na przemocy filosemickiej. The authors were interested in the phenomena discussed in the Polish and foreign public debate as a sign of change in social awareness and a‘new openness in Polish-Jewish relations’ at the turn of the second decade of the twenty-first century. The authors pose a question as to whether we really face a new narrative about the past. The authors wanted to know whether, and to what extent, the conditions of the narrative have changed, together with the collective imaginarium contributing to the socio-cultural frame that organises the subject knowledge and is derived from research on the Holocaust, carried out in the last several years. The authors also asked whether, and how, the self-opinion of the dominant majority and its attitude to its own past and present have changed. Does the inclusion of all those who were formerly subjected to anti-Semitic violence happen? If yes, on what conditions? The authors examined Jolanta Dylewska’s film Po-lin (2008), the re-enactment of the liquidation of the Będzin ghetto (2010), RafałBetlejewski’s projects entitled Tęsknię za tobą, Żydzie[I miss you, Jew] and Płoniestodoła[The Burning Barn] (2010), commemorations of the ghetto footbridge over Chłodna Street in Warsaw (1996, 2007–2011), and Keret’s House in Warsaw (2012). The analysis of these artistic initiatives and cultural events, backed by the best of intentions, led the authors to the conclusion that the voice of the minority introduced into the mainstream of discourse is subject to restricting requirements, pressures and hierarchies, which very much resemble the old forms of discrimination. Furthermore, definitional oppression towards the minority, which transforms a subject into an object, is neither deconstructed nor subjugated. Quite the opposite: it is doing well. It consists in philo-Semitic violence.

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    OpenEdition
    Book . 2024
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    Book . 2024
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      OpenEdition
      Book . 2024
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      OpenEdition
      Book . 2024
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    Zestawienie Hiroszima–Nagasaki i Holokaust budzi odmienne reakcje w Japonii i na Zachodzie. (…) Artykuły zawarte w książce poruszają następujące zagadnienia: 1) pamięć i narracja o Zagładzie w Polsce, 2) recepcja Holokaustu i innych wydarzeń wojennych w Japonii, 3) dyskurs społeczno-polityczny na temat zrzucenia bomby atomowej na Hiroszimę i Nagasaki. Biorąc za punkt wyjścia te dwa wydarzenia: Zagładę oraz zrzucenie bomby atomowej, zamierzamy stworzyć platformę do poszukiwania podobieństw i różnic między pamięcią o II wojnie światowej, jaka funkcjonuje w przestrzeni krajów różniących się położeniem geograficznym, powojenną historią, geopolityką, jak Polska i Japonia. Juxtaposing Hiroshima-Nagasaki with the Holocaust provokes different reactions in Japan and in the West. The articles included in the book explore the following topics: 1. memory and the narrative of the Holocaust in Poland, 2. reception of the Holocaust and other wartime occurrences in Japan, 3. the socio-political discourse on the dropping of the atomic bomb on Hiroshima and Nagasaki. Taking these two events, the Holocaust and the dropping of the atomic bomb, as a starting point, the authors intend to create a platform for searching for the similarities and differences between the memory of World War II as it is in Poland and Japan: countries with different geographical locations, post-war histories and geopolitics.

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    Ce volume propose un bilan et une prospective sur l’histoire des relations qu’entretiennent, du XVIe au XIXe siècle, l’Inquisition romaine et la France. Si l’ouverture de l’Archivio della Congregazione per la Dottrina della Fede (1998) a permis des progrès considérables, tant de l’histoire de l’Inquisition elle-même que de l’histoire intellectuelle du monde catholique, l’historiographie s’est jusqu’à présent surtout focalisée sur les territoires où le Saint-Office exerçait une pleine juridiction, et donc peu sur la France. Il s’agit dans cet ouvrage de réévaluer le rôle de la Congrégation dans la vie du catholicisme français, et inversement la place de la France dans l’histoire de la plus puissante des administrations pontificales. Quels furent les acteurs de la mise en place et du maintien de ces rapports ? Quels étaient leurs différents terrains d’intervention ? Suivant quelles modalités cette autorité sans juridiction s’est-elle construite ? Toutes ces questions sont abordées dans un temps long, pensé par Paolo Prodi comme une « époque de l’histoire de l’Église », caractérisée par la permanence d’un paradigme fonctionnel. Cette enquête place donc l’époque moderne au centre de son questionnement, mais entend aussi interroger la genèse et le devenir des logiques modernes, en essayant de penser les ruptures et continuités liées à ce même paradigme.

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    Authors: Forecki, Piotr;

    Wraz z końcem debaty jedwabieńskiej zaczęła wzbierać fala odrzucenia i rewizjonizmu historycznego. Dały o sobie znać rozmaite operacje przeprowadzane na polskiej pamięci, dyktowane chęcią powrotu do Polski niewinnej i bohaterskiej, której granice naruszyli Sąsiedzi. Rozpoczęła się szarża w obronie dobrego imienia Polaków rzekomo pomawianych en masse o współudział w zagładzie Żydów. Innymi słowy, po Jedwabnem nastąpił backlash i o nim właśnie mówi ta książka. Jej głównym tematem jest bowiem reaktywna polityka historyczna, którą w odpowiedzi na Jedwabne od kilkunastu lat prowadzi się w Polsce, lecz jej adresatem jest również światowa opinia publiczna. Polityka ta nie jest własnością jakiejś jednej partii politycznej. Aplikowana jest niczym lekarstwo bez względu na to, która z nich akurat znajduje się u sterów władzy. With the end of the Jedwabne debate, a wave of rejection and historical revisionism started to swell. The various operations carried out on Polish memory started to surface, dictated by the wish to return to an innocent and heroic Poland, the boundaries of which had been disrupted by Sąsiedzi[Neighbours]. A chivalric charge started, in defence of the good name of the Poles, allegedly accused, en masse, of complicity in the genocide of the Jews. In other words, after Jedwabne, there was a backlash, and it is precisely this that the book is about. This is because its main topic is the reactive historical politics, conducted in Poland for over a dozen years in response to Jedwabne, but whose addressee is also the international public opinion. These politics are not the property of some single political party. Theyare applied like medication, regardless of which party is in power.

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    Authors: Baranowska, Małgorzata;

    Prywatna historia poezjiMałgorzaty Baranowskiej, której niektóre odcinki ukazywały się wcześniej m.in. na łamach „Twórczości” i „Tekstów Drugich”, opublikowana została przez Wydawnictwo Sic! w 1999 roku i znalazła się wkrótce na liście książek nominowanych do nagrody „Nike”. Przez środowisko naukowe, poetów i wielbicieli poezji przyjęta została bardzo dobrze jako nowa propozycja lektury twórczości wybranych przez autorkę twórców, wykreślająca nie tylko specyficzną perspektywę interpretacji, ale także przy nosząca scalające spojrzenie na dwudziestowieczne dzieje polskiej liryki (w tle z dziewiętnastym wiekiem i nie tylko). Przez ostatnie lata swojego życia, walcząc z ciężką chorobą, Baranowska przygotowywała drugą część książki, pt. Prywatna historia poezji i koniec wieku, którą zamknęła na krótko przed śmiercią. Jest to kontynuacja książki z roku 1999; ostatni znajdujący się tam zapis nosił datę 15 marca 1997, pierwszy zaś zapis w książce przygotowanej do druku – 16 sierpnia 1997. Swój specyficzny pamiętnik przygód z poezją autorka zamyka na dacie 4 lipca 2005, przedłużając tytułowy „koniec wieku” o wyraziste rozdanie nowego stulecia. (prof. dr hab. Ewa Paczoska) A Private History of Poetryby Małgorzata Baranowska, some episodes of which would previously appear in, among others, Twórczość [Creativity] and Teksty Drugie [Second Texts], was published by Wydawnictwo Sic! [Sic! Press] in 1999. It soon made it on to the list of books nominated for the Nike Literary Award. It was very well received by academics, poets and poetry enthusiasts, as a new suggestion of how to read the works by the selected authors, not only delineating a particular perspective of interpretation, but also introducing a consolidating view of the interwar history of Polish lyricism (with the nineteenth and other centuries in the background). In the final years of her life, battling serious illness, Baranowska would prepare the second part of the book, titled A Private History of Poetry and the End of the Century, which she completed shortly before her death. It is a continuation of the work from 1999; the last note within it was dated 15 march 1997, and the first note in the book being prepared for printing was from 16 August 1997. The author concludes her peculiar diary of her adventures with poetry with the date of 4 July 2005, extending the eponymous ‘end of the century’ with the bold commencement of the new century. (Prof. Dr hab. Ewa Paczoska) 

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    Depuis les années quatre vingt, la recherche historique a su distinguer les deux types d’habitat seigneurial caractéristiques du Moyen Âge mais généralement confondus dans le vocabulaire des époques postérieures, le château et la maison forte. L’ouvrage de Gérard Giuliato et de ses collaborateurs offre une des seules monographies exhaustives de maison forte, type habituel de résidence de la petite et moyenne aristocratie à partir du XIIIe siècle. Il se signale par l’étude croisée des sources écrites et des apports de la fouille archéologique prolongés par les recherches en laboratoire. Cette approche pluridisciplinaire permet de restituer avec précision les conditions de vie d’une famille seigneuriale lorraine à la fin du Moyen Âge et au cours de la Renaissance jusqu’à la destruction de l’édifice en 1611. Blottie dans un méandre encaissé de la Moselle à Richardménil (Meurthe-et-Moselle), cette petite résidence rurale présente une série d’adaptations liées à l’évolution des techniques militaires tandis que les unités stratigraphiques parfaitement conservées témoignent des étapes de son histoire. Le mobilier archéologique, par son abondance et sa diversité, constitue un témoignage exceptionnel de la culture matérielle de l’époque et, à ce titre, il est destiné à être présenté au public au Musée lorrain.

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    Authors: Vandenbussche, Robert;

    Les historiens de la première Guerre mondiale, ont forgé le concept de « culture de guerre » pour désigner les phénomènes culturels que fait naître le premier conflit mondial : essor de la propagande, d’idéologies marquées par l’intensité et la violence, mise en valeur du « héros ». En choisissant ce thème « Culture, occupation, résistance » nous souhaitons, en référence à 1914-1918 poser cette interrogation : la Seconde Guerre mondiale engendre-t-elle également une « culture de guerre » ? Cette question peut surprendre car les conjonctures ne se ressemblent pas. La « culture de guerre » naît et se développe à partir de sociétés en guerre dont le territoire est libre d’invasion ou d’occupation et d’États qui n’ont conclu aucun armistice et qui exploitent la culture pour justifier leur combat. L’État français, en 1940, en choisissant la collaboration avec l’Allemagne nazie, ne se met pas en situation d’aider à la diffusion d’une culture de guerre analogue à celle de 1914-1918 et encourage plutôt la soumission de la société française aux exigences de l’occupant. Néanmoins, dans sa volonté de conduire la « révolution nationale », il se propose de combattre une démocratie républicaine méprisée et de mener, en quelque sorte, une offensive intérieure après avoir suspendu la guerre extérieure. Il n’hésite pas à utiliser l’art et la culture sous toutes leurs formes pour y parvenir. C’est cette perspective que le colloque de Bondues s’est efforcé d’appréhender...

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    Authors: Kuiying, Zhao;

    Conceptual art plays a crucial and continuous role in the generation and development of contemporary art, and thus is also the reference point of contemporary art. Conceptual art is an art centered on ideas, and it is dominated by the use of language. These two characteristics have induced three important tendencies of de-materialization, anti-formalism, and anti-visual aesthetics in contemporary art. It is these three tendencies that have led to a new understanding and evaluation of the value of work or labor in contemporary art. Put briefly, contemporary artists pay more attention to the concept value, process value, and Complex Polysensoriality value of art work, rather than the physical object value, commodity value, and visual aesthetic value in the past. These changes are not only caused by art itself, but also have root and basis in techonology, philosophy, society, and the existing condition of human beings, which raises further questions.

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    Authors: Georges, Raphaël;

    « Ils ont des droits sur nous ! » Comme le rappelle cette formule célèbre de Georges Clemenceau, les anciens combattants français jouissent après la Première Guerre mondiale d’une supériorité morale fondée sur une victoire obtenue au prix de lourds sacrifices. Une catégorie de vétérans ne partage cependant pas ce prestige. Les Alsaciens-Lorrains, en effet, ne sont devenus français qu’au terme du traité de Versailles, à la faveur du retour de l’Alsace-Lorraine à la France. Avant cela, ils ont vécu la guerre dans les rangs de l’armée allemande. Après l’armistice, leur retour dans une province désormais française s’apparente à un nouveau « parcours du combattant ». Aux difficultés du passage de la vie militaire à la vie civile s’ajoute la nécessité d’apprendre à vivre avec le poids de ce passé encombrant, voire stigmatisant. Ils n’éprouvent pas moins la volonté de faire valoir leur propre droit à reconnaissance car, s’ils n’ont pas combattu du côté des vainqueurs, ils ont en commun avec eux d’avoir partagé les mêmes souffrances. Ce qui se joue en toile de fond n’est rien de moins que leur intégration à la nation française, et celle-ci passe par l’élaboration de nouvelles normes sociales. 

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    Authors: Kowalska-Leder, Justyna;

    Książka Justyny Kowalskiej-Leder jest książką ważną, odważną, a i nowatorską. Widać to na tle wielu znaczących przecież publikacji dotyczących Zagłady wydanych w Polsce w ostatnich latach, a może właśnie dopiero na tle tychże prac. Stanowi świetną i niezwykle sumienną rekapitulację, ale i rewizję ustaleń dotychczasowych. Autorka wskazując na złożoność relacji pomocowych proponuje perspektywę badań do tej pory na gruncie polskim nie podejmowaną. Zwraca uwagę na nieoczywistość kategorii epistemologicznych i kwalifikacji etycznych zazwyczaj używanych w opisie doświadczeń granicznych. Wydobywa chętnie pomijaną moralną ambiwalencję widoczną w postawach i w relacjach ofiar, świadków i ratujących. Również konsekwencje po - mijania splotu ambiwalencji czynnych w konstruowaniu krytycznego namysłu nad pamięcią indywidualną, namysłu nad uwikłaną w historyczne zaszłości pamięcią zbiorową, a wreszcie nad debatą publiczną na temat polskiego doświadczenia wojny i Zagłady. Te zabiegi prowadzą do krytycznej refleksji nad pojęciami używanymi do konceptualizacji stosunku Żydów i Polaków (i odwrotnie) i nad emocjonalną intensywnością debaty – zarówno tej publicystycznej, jak i naukowej. Nie bez znaczenia jest też i to, że autorka podnosi rolę zaniedbywanych do tej pory czynników różnicujących doświadczenia związane z Zagładą, takich jak płeć, wiek, stan cywilny, poziom edukacji, pochodzenie klasowe oraz czynniki osobowościowe i psychologiczne – słowem, podkreśla wagę miejsca, z którego mówi i działa podmiot świadczący/świadkujący. (Prof. Marek Zaleski) The book by Justyna Kowalska-Leder is an important, daring and novel work. This is evident against the backdrop of the many significant publications relating to the Holocaust published in Poland in recent years, or maybe it is precisely because of the context of these works. It constitutes a fantastic and unusually diligent recapitulation, as well as revision, of what had been settled to date. In pointing to the complexity of the aid relationships, the author proposes a research perspective which has previously not been used in Poland. She highlights the ambiguity of epistemological categories and ethical qualifications usually used to describe limit situations. The author unearths the, keenly evaded, moral ambivalence seen in the attitudes and testimonies of victims, witnesses, and rescuers. She also considers the consequences of omitting the tangle of ambivalence which is active in constructing a critical reflection on individual memories, on collective memory, embroiled in historical events, and, finally, on the political debate on the Polish experience of the war and the Holocaust. These devices lead to a critical study of the notions used to conceptualise the approach of the Jews to the Poles (and vice-versa), and of the emotional intensity of both the journalistic and academic debate. It is not without significance that the author flags the role of the (up to now) neglected factors differentiating the experiences relating to the Holocaust, such as gender, age, marital status, level of education, class, or the personal and psychological elements: that is, she emphasises the importance of the position, from which the testifying/witnessing subject speaks and acts. (Prof. Marek Zaleski) 

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    Authors: Janicka, Elżbieta; Żukowski, Tomasz;

    Interesowały nas zjawiska komentowane w polskiej i zagranicznej debacie publicznej jako znak przemiany świadomości społecznej i „nowe otwarcie w stosunkach polsko-żydowskich” na przełomie pierwszego i drugiego dziesięciolecia XXI wieku. Pytaliśmy, czy istotnie mamy do czynienia z nową narracją o przeszłości. Czy i jak dalece przekształciły się warunki opowieści, a wraz z nimi zbiorowe imaginarium współtworzące społeczno-kulturową ramę porządkującą wiedzę rzeczową, której dostarczają badania nad Zagładą z ostatnich kilkunastu lat? Pytaliśmy też, czy i jak zmieniło się wyobrażenie dominującej większości o sobie samej oraz jej stosunek do własnej historii i tożsamości. Czy następuje i na jakich warunkach przebiega inkluzja wszystkich poddanych dawniej antysemickiemu wykluczeniu? Oglądowi poddaliśmy film Po-lin Jolanty Dylewskiej (2008), rekonstrukcję likwidacji getta w Będzinie (2010), akcje Tęsknię za tobą Żydzie i Płonie stodoła Rafała Betlejewskiego (2010), upamiętnienia gettowego mostu nad ulicą Chłodną w Warszawie (1996, 2007-2011) oraz warszawski Dom Kereta (2012). Analiza tych inicjatyw artystycznych i wydarzeń kulturalnych, powodowanych najlepszymi intencjami, skłoniła nas do wniosku, że głos mniejszości wprowadzony do głównego nurtu dyskursu podlega ograniczającym wymogom, naciskom i hierarchiom, które w dużym stopniu przypominają dawne formy dyskryminacji. Co więcej, opresja definicyjna w stosunku do mniejszości – przekształcająca podmiot w przedmiot – nie jest ani dekonstruowana, ani przezwyciężana. Przeciwnie: ma się dobrze. Polega zaś na przemocy filosemickiej. The authors were interested in the phenomena discussed in the Polish and foreign public debate as a sign of change in social awareness and a‘new openness in Polish-Jewish relations’ at the turn of the second decade of the twenty-first century. The authors pose a question as to whether we really face a new narrative about the past. The authors wanted to know whether, and to what extent, the conditions of the narrative have changed, together with the collective imaginarium contributing to the socio-cultural frame that organises the subject knowledge and is derived from research on the Holocaust, carried out in the last several years. The authors also asked whether, and how, the self-opinion of the dominant majority and its attitude to its own past and present have changed. Does the inclusion of all those who were formerly subjected to anti-Semitic violence happen? If yes, on what conditions? The authors examined Jolanta Dylewska’s film Po-lin (2008), the re-enactment of the liquidation of the Będzin ghetto (2010), RafałBetlejewski’s projects entitled Tęsknię za tobą, Żydzie[I miss you, Jew] and Płoniestodoła[The Burning Barn] (2010), commemorations of the ghetto footbridge over Chłodna Street in Warsaw (1996, 2007–2011), and Keret’s House in Warsaw (2012). The analysis of these artistic initiatives and cultural events, backed by the best of intentions, led the authors to the conclusion that the voice of the minority introduced into the mainstream of discourse is subject to restricting requirements, pressures and hierarchies, which very much resemble the old forms of discrimination. Furthermore, definitional oppression towards the minority, which transforms a subject into an object, is neither deconstructed nor subjugated. Quite the opposite: it is doing well. It consists in philo-Semitic violence.

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    Zestawienie Hiroszima–Nagasaki i Holokaust budzi odmienne reakcje w Japonii i na Zachodzie. (…) Artykuły zawarte w książce poruszają następujące zagadnienia: 1) pamięć i narracja o Zagładzie w Polsce, 2) recepcja Holokaustu i innych wydarzeń wojennych w Japonii, 3) dyskurs społeczno-polityczny na temat zrzucenia bomby atomowej na Hiroszimę i Nagasaki. Biorąc za punkt wyjścia te dwa wydarzenia: Zagładę oraz zrzucenie bomby atomowej, zamierzamy stworzyć platformę do poszukiwania podobieństw i różnic między pamięcią o II wojnie światowej, jaka funkcjonuje w przestrzeni krajów różniących się położeniem geograficznym, powojenną historią, geopolityką, jak Polska i Japonia. Juxtaposing Hiroshima-Nagasaki with the Holocaust provokes different reactions in Japan and in the West. The articles included in the book explore the following topics: 1. memory and the narrative of the Holocaust in Poland, 2. reception of the Holocaust and other wartime occurrences in Japan, 3. the socio-political discourse on the dropping of the atomic bomb on Hiroshima and Nagasaki. Taking these two events, the Holocaust and the dropping of the atomic bomb, as a starting point, the authors intend to create a platform for searching for the similarities and differences between the memory of World War II as it is in Poland and Japan: countries with different geographical locations, post-war histories and geopolitics.

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    Ce volume propose un bilan et une prospective sur l’histoire des relations qu’entretiennent, du XVIe au XIXe siècle, l’Inquisition romaine et la France. Si l’ouverture de l’Archivio della Congregazione per la Dottrina della Fede (1998) a permis des progrès considérables, tant de l’histoire de l’Inquisition elle-même que de l’histoire intellectuelle du monde catholique, l’historiographie s’est jusqu’à présent surtout focalisée sur les territoires où le Saint-Office exerçait une pleine juridiction, et donc peu sur la France. Il s’agit dans cet ouvrage de réévaluer le rôle de la Congrégation dans la vie du catholicisme français, et inversement la place de la France dans l’histoire de la plus puissante des administrations pontificales. Quels furent les acteurs de la mise en place et du maintien de ces rapports ? Quels étaient leurs différents terrains d’intervention ? Suivant quelles modalités cette autorité sans juridiction s’est-elle construite ? Toutes ces questions sont abordées dans un temps long, pensé par Paolo Prodi comme une « époque de l’histoire de l’Église », caractérisée par la permanence d’un paradigme fonctionnel. Cette enquête place donc l’époque moderne au centre de son questionnement, mais entend aussi interroger la genèse et le devenir des logiques modernes, en essayant de penser les ruptures et continuités liées à ce même paradigme.

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    Authors: Forecki, Piotr;

    Wraz z końcem debaty jedwabieńskiej zaczęła wzbierać fala odrzucenia i rewizjonizmu historycznego. Dały o sobie znać rozmaite operacje przeprowadzane na polskiej pamięci, dyktowane chęcią powrotu do Polski niewinnej i bohaterskiej, której granice naruszyli Sąsiedzi. Rozpoczęła się szarża w obronie dobrego imienia Polaków rzekomo pomawianych en masse o współudział w zagładzie Żydów. Innymi słowy, po Jedwabnem nastąpił backlash i o nim właśnie mówi ta książka. Jej głównym tematem jest bowiem reaktywna polityka historyczna, którą w odpowiedzi na Jedwabne od kilkunastu lat prowadzi się w Polsce, lecz jej adresatem jest również światowa opinia publiczna. Polityka ta nie jest własnością jakiejś jednej partii politycznej. Aplikowana jest niczym lekarstwo bez względu na to, która z nich akurat znajduje się u sterów władzy. With the end of the Jedwabne debate, a wave of rejection and historical revisionism started to swell. The various operations carried out on Polish memory started to surface, dictated by the wish to return to an innocent and heroic Poland, the boundaries of which had been disrupted by Sąsiedzi[Neighbours]. A chivalric charge started, in defence of the good name of the Poles, allegedly accused, en masse, of complicity in the genocide of the Jews. In other words, after Jedwabne, there was a backlash, and it is precisely this that the book is about. This is because its main topic is the reactive historical politics, conducted in Poland for over a dozen years in response to Jedwabne, but whose addressee is also the international public opinion. These politics are not the property of some single political party. Theyare applied like medication, regardless of which party is in power.

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    Authors: Baranowska, Małgorzata;

    Prywatna historia poezjiMałgorzaty Baranowskiej, której niektóre odcinki ukazywały się wcześniej m.in. na łamach „Twórczości” i „Tekstów Drugich”, opublikowana została przez Wydawnictwo Sic! w 1999 roku i znalazła się wkrótce na liście książek nominowanych do nagrody „Nike”. Przez środowisko naukowe, poetów i wielbicieli poezji przyjęta została bardzo dobrze jako nowa propozycja lektury twórczości wybranych przez autorkę twórców, wykreślająca nie tylko specyficzną perspektywę interpretacji, ale także przy nosząca scalające spojrzenie na dwudziestowieczne dzieje polskiej liryki (w tle z dziewiętnastym wiekiem i nie tylko). Przez ostatnie lata swojego życia, walcząc z ciężką chorobą, Baranowska przygotowywała drugą część książki, pt. Prywatna historia poezji i koniec wieku, którą zamknęła na krótko przed śmiercią. Jest to kontynuacja książki z roku 1999; ostatni znajdujący się tam zapis nosił datę 15 marca 1997, pierwszy zaś zapis w książce przygotowanej do druku – 16 sierpnia 1997. Swój specyficzny pamiętnik przygód z poezją autorka zamyka na dacie 4 lipca 2005, przedłużając tytułowy „koniec wieku” o wyraziste rozdanie nowego stulecia. (prof. dr hab. Ewa Paczoska) A Private History of Poetryby Małgorzata Baranowska, some episodes of which would previously appear in, among others, Twórczość [Creativity] and Teksty Drugie [Second Texts], was published by Wydawnictwo Sic! [Sic! Press] in 1999. It soon made it on to the list of books nominated for the Nike Literary Award. It was very well received by academics, poets and poetry enthusiasts, as a new suggestion of how to read the works by the selected authors, not only delineating a particular perspective of interpretation, but also introducing a consolidating view of the interwar history of Polish lyricism (with the nineteenth and other centuries in the background). In the final years of her life, battling serious illness, Baranowska would prepare the second part of the book, titled A Private History of Poetry and the End of the Century, which she completed shortly before her death. It is a continuation of the work from 1999; the last note within it was dated 15 march 1997, and the first note in the book being prepared for printing was from 16 August 1997. The author concludes her peculiar diary of her adventures with poetry with the date of 4 July 2005, extending the eponymous ‘end of the century’ with the bold commencement of the new century. (Prof. Dr hab. Ewa Paczoska) 

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