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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tobias Blanke;

    Abstract This article analyses how digital humanities scholarship can make use of recent advances in deep learning to analyse the temporal relations in an online textual archive. We use transfer learning as well as data augmentation techniques to investigate changes in United Nations Security Council resolutions. Instead of pre-defined periods, as it is common, we target the years directly. Such a text regression task is novel in the digital humanities as far as we can see and has the advantage of speaking directly to historical relations. We present not only very good experimental results but also demonstrate how such text regressions can be interpreted directly and with surrogate topic models.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
    License: CC BY NC
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
      License: CC BY NC
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Péter Jeszenszky; Carina Steiner; Nina von Allmen; Adrian Leemann;

    Abstract In perceptual dialectology, mental mapping is a popular tool used for eliciting attitudes and the spatial imprint of linguistic cognition from non-linguists, through tasking them with drawing about linguistic variations on maps. Despite the popularity of this method, research on the geometrical parameters of the shapes drawn on these maps has been limited. In our study, we utilized 500 mental maps, both digital and hand-drawn, introducing a new digital implementation for mental mapping (source code available). Our contribution presents the first perceptual dialectological outcomes of the ‘Swiss German Dialects in Time and Space’ project, which recorded a socio-demographically balanced corpus containing a large amount of quantitative personal data about participants that represent the entire Swiss German dialect continuum. Our first research question explores how various sociolinguistic variables and other variables related to personal background influence the geometrical parameters of shapes drawn, such as the number of shapes, their coverage of the language area, and their compactness. Statistical modelling reveals that dialect identity plays the most important role, while educational background, urbanity, and regional differences also affect more parameters. The second research question investigates the comparability between hand-drawn and digital mental maps, showing that they are generally comparable in terms of geometrical aspects, with minor limitations due to specific technical considerations in our digital method.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
      License: CC BY
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Wenyi Shang; Ted Underwood;

    Abstract The distinction between genre and form is still contested in literary studies. While scholars associated with the New Formalism are criticized for perceiving everything as a form, digital humanists tend to argue that everything is a genre. In this research, we employed machine learning models to classify 36,635 English poems in the Chadwyck-Healey Literature Collections into twenty-seven categories, focusing on their semantic features (lexicons) and prosodic features (meters and rhymes) independently. Our findings reveal that different categories of poetry are distinguished by different groups of characteristics, without a clear-cut division between those driven predominantly by semantic features and those driven predominantly by prosodic features. Instead, poetry categories manifest a combination of semantic and prosodic elements, spanning a spectrum of different strengths in both domains. These findings suggest that the colloquial distinction between “genre” and “form” is based on real differences between poetic categories, although those differences may not be quite as crisply binary as the vocabulary implies.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
    License: OUP Standard Publication Reuse
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Monika Dabrowska; María Teresa Santa María Fernández;

    Abstract One of the many changes witnessed by Spanish society at the beginning of the 20th century was the early reshaping of the role of women, including in the realm of theatre. During the first three decades of the new century, Spanish theatre was thriving, favouring the emergence of new gender roles: there were new female playwrights, professional actresses, stage designers, costume designers, theatre company directors, etc. Against this background, i.e. the awakening of female consciousness, it is worth exploring whether the growing position of women in public life goes hand in hand with a greater presence of female characters in the plays composed at that time. With a view to assessing the position of women in playwriting in the Silver Age of Spanish literature, twenty-five stage plays by nine playwrights written between 1878 and 1936 have been analysed, taken from the Spanish Drama Corpus, which forms part of the DraCor project. The distribution of male and female protagonists on stage and the influence of female presence in dramatic conflict have been traced based on quantitative textual factors. The study thus tests the potential of quantitative methods and their scope for the structural analysis of plays and studies on dramatic corpora from a gender perspective.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Re-Unirarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Re-Unir
    Article . 2024
    Data sources: Re-Unir
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Re-Unirarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Re-Unir
      Article . 2024
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pim Huijnen;

    Abstract This article proposes a data-driven approach to memory culture by quantitatively studying the phrase ‘n years ago’ in a set of Dutch newspapers throughout the larger part of the 20th century. In a pipeline consisting of three parts, it looks at (1) the most frequently used time frame (in years and decades) that newspapers use to look back at ‘n years ago’, (2) trends in the use of the most common variants of this phrase through time, and (3) the actual years that are referred to by means of this phrase. By doing so, this article substantiates Aleida Assmann’s claim of an increasing entanglement of past and present after Second World War, while showing that this fundamentally looks like what is here called ‘everyday memory culture’. Rather than the establishment of a canon of landmark years that newspapers increasingly come back to (e.g. 1929, 1940, or 1945), the past that Dutch newspapers invoke on a daily basis is mostly informed by recent and recurrent events in culture, sports, and politics.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ijas, Mikko;

    This paper looks at some of the oldest examples of visual art that show evidence of experiences of altered states of consciousness reported by the last persistence hunters. Persistence hunters relied on endurance and stamina to pursue their prey until it collapsed and was easily killed. Persistence hunting has been studied from viewpoints of paleontology and ethnography, this article offers a psychological connection between persistence hunting hypothesis and origins of symbolic culture. The article outlines the persistence hunting hypothesis describing its significance for future studies of the prehistoric cultures and their achievements. It covers persistence hunting and tracking methodology, its possible origins and how it may explain bigger brains in our species. It also describes the connection between endurance running and altered states of consciousness, and its connections with some shamanic practices. The article presents visual evidence, or fragments, that can be interpreted through persistence hunting and tracking, covering recurring topics such as hoof prints, blood trails, vulva imagery, therianthropes and nasal bleeds. Archaeologist David Lewis-Williams has proposed a shamanic explanation for rock art interpretation. This approach was based on ethnographic studies of Southern African hunter-gatherers. He suggested that African rock art often depicts trance hallucinations experienced by the shamans. This article offers an alternative and additional naturalistic explanation of prehistoric imagery based on the hunting methods used by the prehistoric hunter-gatherers. Combining the main outlines (persistence hunting hypothesis and its visual evidence in prehistoric rock art) this article offers a novel approach to rock art research which involves the history and documented experience of persistence hunting and tracking among the early hunter-gatherer societies. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HELDA - Digital Repo...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HELDA - Digital Repo...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Silver, Minna; Uino, Pirjo;

    Ella Margareta Kivikoski (25 May 1901 in Tammela–27 July 1990 in Helsinki) was the first woman in Finland to defend her Doctoral thesis in Archaeology in 1939. Many duties in the State Archaeological Commission of Finland provided a good basis for her research career. In 1941 she received a docentship (an associate professorship) at the University of Helsinki in the Department of Archaeology of Finland and the Nordic Countries. In 1948 Kivikoski was appointed to the chair of the same department, becoming at the time the only female professor, the second in sequence, at the University of Helsinki and the first female professor in archaeology in the Nordic countries. After the appointment to a professorship, Kivikoski was called to the Finnish Academy of Sciences, becoming its first female member. She retired in 1969. The Finnish Iron Age was Kivikoski’s main speciality. Her published scientific production is wide, consisting of several monographs, articles and edited works. Her major publication is Die Eisenzeit Finnlands, the catalogue of Iron Age artefacts found in Finland, that is still used today. Kivikoski was well networked in the learned societies, internationally active and awarded many foreign distinctions of honour. Kivikoski was demanding, even abrupt, as a professor but many remember her warm interest in her students. She guided students to fieldwork, especially at Iron Age sites on the Åland Islands where she also initiated the study of Iron Age houses in Finland. Kivikoski kept to culture-historical approaches and comparative typological analyses of artefacts and solid remains. Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HELDA - Digital Repo...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HELDA - Digital Repo...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Yumeng Hou; Sarah Kenderdine;

    Abstract Traditional martial arts are treasures of humanity’s knowledge and critical carriers of sociocultural memories throughout history. However, such treasured practices have encountered various challenges in knowledge transmission and now feature many entries on the UNESCO list of intangible cultural heritage. In tackling the urgency of knowledge preservation through digital means, this project employs an ontology-based approach to model the conceptual realm of traditional martial arts. Accordingly, it creates the Martial Art Ontology (MAon), a comprehensive domain ontology with an annotated data resource incorporating entities and relations from embodied, epistemic, and sociocultural facets. MAon underlines the significance of embodied qualities and addresses relevant dimensions, such as kinesthetics, techniques, mnemonics, and tactics, along with stylistic, interpretative, and ideological components. It features scholarly terminology developed through literature analysis, interviews with masters, and expert validations. The instantiation of MAon is realized through annotating three archetypal Southern Chinese styles, offering exhaustive descriptions concerning techniques, forms, principles, and form sets, amongst others. In summary, the reported approach encodes the manifold of martial arts into a structured vocabulary and an interlinked data resource, accessible to both human-reading and machine-operating applications. By applying it to manifest a range of knowledge concepts, we demonstrate the potential of ontology-based datafication to create coherent representations for intangible cultural entities and to enable an interoperable data infrastructure across multimodal cultural archives.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
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    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
    License: CC BY NC
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      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Carlos Santana; Kathryn Petrozzo; T J Perkins;

    Abstract Although the idea of the Anthropocene originated in the earth sciences, there have been increasing calls for questions about the Anthropocene to be addressed by pan-disciplinary groups of researchers from across the natural sciences, social sciences, and humanities. We use data analysis techniques from corpus linguistics to examine academic texts about the Anthropocene from these disciplinary families. We read the data to suggest that barriers to a broadly interdisciplinary study of the Anthropocene are high, but we are also able to identify some areas of common ground that could serve as interdisciplinary bridges.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Mirella De Sisto; Laura Hernández-Lorenzo; Javier De la Rosa; Salvador Ros; +1 Authors

    Abstract Analyzing poetry with automatic tools has great potential for improving verse-related research. Over the last few decades, this field has expanded notably and a large number of tools aiming at analyzing various aspects of poetry have been developed. However, the concrete connection between these tools and traditional scholars investigating poetry and metrics is often missing. The purpose of this article is to bridge this gap by providing a comprehensive survey of the automatic poetry analysis tools available for European languages. The tools are described and classified according to the language for which they are primarily developed, and to their functionalities and purpose. Particular attention is given to those that have open-source code or provide an online version with the same functionality. Combining more traditional research with these tools has clear advantages: it provides the opportunity to address theoretical questions with the support of large amounts of data; also, it allows for the development of new and diversified approaches.

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    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      Digital Scholarship in the Humanities
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tobias Blanke;

    Abstract This article analyses how digital humanities scholarship can make use of recent advances in deep learning to analyse the temporal relations in an online textual archive. We use transfer learning as well as data augmentation techniques to investigate changes in United Nations Security Council resolutions. Instead of pre-defined periods, as it is common, we target the years directly. Such a text regression task is novel in the digital humanities as far as we can see and has the advantage of speaking directly to historical relations. We present not only very good experimental results but also demonstrate how such text regressions can be interpreted directly and with surrogate topic models.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Scholarship ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Péter Jeszenszky; Carina Steiner; Nina von Allmen; Adrian Leemann;

    Abstract In perceptual dialectology, mental mapping is a popular tool used for eliciting attitudes and the spatial imprint of linguistic cognition from non-linguists, through tasking them with drawing about linguistic variations on maps. Despite the popularity of this method, research on the geometrical parameters of the shapes drawn on these maps has been limited. In our study, we utilized 500 mental maps, both digital and hand-drawn, introducing a new digital implementation for mental mapping (source code available). Our contribution presents the first perceptual dialectological outcomes of the ‘Swiss German Dialects in Time and Space’ project, which recorded a socio-demographically balanced corpus containing a large amount of quantitative personal data about participants that represent the entire Swiss German dialect continuum. Our first research question explores how various sociolinguistic variables and other variables related to personal background influence the geometrical parameters of shapes drawn, such as the number of shapes, their coverage of the language area, and their compactness. Statistical modelling reveals that dialect identity plays the most important role, while educational background, urbanity, and regional differences also affect more parameters. The second research question investigates the comparability between hand-drawn and digital mental maps, showing that they are generally comparable in terms of geometrical aspects, with minor limitations due to specific technical considerations in our digital method.

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    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Wenyi Shang; Ted Underwood;

    Abstract The distinction between genre and form is still contested in literary studies. While scholars associated with the New Formalism are criticized for perceiving everything as a form, digital humanists tend to argue that everything is a genre. In this research, we employed machine learning models to classify 36,635 English poems in the Chadwyck-Healey Literature Collections into twenty-seven categories, focusing on their semantic features (lexicons) and prosodic features (meters and rhymes) independently. Our findings reveal that different categories of poetry are distinguished by different groups of characteristics, without a clear-cut division between those driven predominantly by semantic features and those driven predominantly by prosodic features. Instead, poetry categories manifest a combination of semantic and prosodic elements, spanning a spectrum of different strengths in both domains. These findings suggest that the colloquial distinction between “genre” and “form” is based on real differences between poetic categories, although those differences may not be quite as crisply binary as the vocabulary implies.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Monika Dabrowska; María Teresa Santa María Fernández;

    Abstract One of the many changes witnessed by Spanish society at the beginning of the 20th century was the early reshaping of the role of women, including in the realm of theatre. During the first three decades of the new century, Spanish theatre was thriving, favouring the emergence of new gender roles: there were new female playwrights, professional actresses, stage designers, costume designers, theatre company directors, etc. Against this background, i.e. the awakening of female consciousness, it is worth exploring whether the growing position of women in public life goes hand in hand with a greater presence of female characters in the plays composed at that time. With a view to assessing the position of women in playwriting in the Silver Age of Spanish literature, twenty-five stage plays by nine playwrights written between 1878 and 1936 have been analysed, taken from the Spanish Drama Corpus, which forms part of the DraCor project. The distribution of male and female protagonists on stage and the influence of female presence in dramatic conflict have been traced based on quantitative textual factors. The study thus tests the potential of quantitative methods and their scope for the structural analysis of plays and studies on dramatic corpora from a gender perspective.

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    Re-Unir
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Re-Unir
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pim Huijnen;

    Abstract This article proposes a data-driven approach to memory culture by quantitatively studying the phrase ‘n years ago’ in a set of Dutch newspapers throughout the larger part of the 20th century. In a pipeline consisting of three parts, it looks at (1) the most frequently used time frame (in years and decades) that newspapers use to look back at ‘n years ago’, (2) trends in the use of the most common variants of this phrase through time, and (3) the actual years that are referred to by means of this phrase. By doing so, this article substantiates Aleida Assmann’s claim of an increasing entanglement of past and present after Second World War, while showing that this fundamentally looks like what is here called ‘everyday memory culture’. Rather than the establishment of a canon of landmark years that newspapers increasingly come back to (e.g. 1929, 1940, or 1945), the past that Dutch newspapers invoke on a daily basis is mostly informed by recent and recurrent events in culture, sports, and politics.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Digital Scholarship in the Humanities
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digital Scholarship ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ijas, Mikko;

    This paper looks at some of the oldest examples of visual art that show evidence of experiences of altered states of consciousness reported by the last persistence hunters. Persistence hunters relied on endurance and stamina to pursue their prey until it collapsed and was easily killed. Persistence hunting has been studied from viewpoints of paleontology and ethnography, this article offers a psychological connection between persistence hunting hypothesis and origins of symbolic culture. The article outlines the persistence hunting hypothesis describing its significance for future studies of the prehistoric cultures and their achievements. It covers persistence hunting and tracking methodology, its possible origins and how it may explain bigger brains in our species. It also describes the connection between endurance running and altered states of consciousness, and its connections with some shamanic practices. The article presents visual evidence, or fragments, that can be interpreted through persistence hunting and tracking, covering recurring topics such as hoof prints, blood trails, vulva imagery, therianthropes and nasal bleeds. Archaeologist David Lewis-Williams has proposed a shamanic explanation for rock art interpretation. This approach was based on ethnographic studies of Southern African hunter-gatherers. He suggested that African rock art often depicts trance hallucinations experienced by the shamans. This article offers an alternative and additional naturalistic explanation of prehistoric imagery based on the hunting methods used by the prehistoric hunter-gatherers. Combining the main outlines (persistence hunting hypothesis and its visual evidence in prehistoric rock art) this article offers a novel approach to rock art research which involves the history and documented experience of persistence hunting and tracking among the early hunter-gatherer societies. Peer reviewed

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    Authors: Silver, Minna; Uino, Pirjo;

    Ella Margareta Kivikoski (25 May 1901 in Tammela–27 July 1990 in Helsinki) was the first woman in Finland to defend her Doctoral thesis in Archaeology in 1939. Many duties in the State Archaeological Commission of Finland provided a good basis for her research career. In 1941 she received a docentship (an associate professorship) at the University of Helsinki in the Department of Archaeology of Finland and the Nordic Countries. In 1948 Kivikoski was appointed to the chair of the same department, becoming at the time the only female professor, the second in sequence, at the University of Helsinki and the first female professor in archaeology in the Nordic countries. After the appointment to a professorship, Kivikoski was called to the Finnish Academy of Sciences, becoming its first female member. She retired in 1969. The Finnish Iron Age was Kivikoski’s main speciality. Her published scientific production is wide, consisting of several monographs, articles and edited works. Her major publication is Die Eisenzeit Finnlands, the catalogue of Iron Age artefacts found in Finland, that is still used today. Kivikoski was well networked in the learned societies, internationally active and awarded many foreign distinctions of honour. Kivikoski was demanding, even abrupt, as a professor but many remember her warm interest in her students. She guided students to fieldwork, especially at Iron Age sites on the Åland Islands where she also initiated the study of Iron Age houses in Finland. Kivikoski kept to culture-historical approaches and comparative typological analyses of artefacts and solid remains. Peer reviewed

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    Authors: Yumeng Hou; Sarah Kenderdine;

    Abstract Traditional martial arts are treasures of humanity’s knowledge and critical carriers of sociocultural memories throughout history. However, such treasured practices have encountered various challenges in knowledge transmission and now feature many entries on the UNESCO list of intangible cultural heritage. In tackling the urgency of knowledge preservation through digital means, this project employs an ontology-based approach to model the conceptual realm of traditional martial arts. Accordingly, it creates the Martial Art Ontology (MAon), a comprehensive domain ontology with an annotated data resource incorporating entities and relations from embodied, epistemic, and sociocultural facets. MAon underlines the significance of embodied qualities and addresses relevant dimensions, such as kinesthetics, techniques, mnemonics, and tactics, along with stylistic, interpretative, and ideological components. It features scholarly terminology developed through literature analysis, interviews with masters, and expert validations. The instantiation of MAon is realized through annotating three archetypal Southern Chinese styles, offering exhaustive descriptions concerning techniques, forms, principles, and form sets, amongst others. In summary, the reported approach encodes the manifold of martial arts into a structured vocabulary and an interlinked data resource, accessible to both human-reading and machine-operating applications. By applying it to manifest a range of knowledge concepts, we demonstrate the potential of ontology-based datafication to create coherent representations for intangible cultural entities and to enable an interoperable data infrastructure across multimodal cultural archives.

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    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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    Authors: Carlos Santana; Kathryn Petrozzo; T J Perkins;

    Abstract Although the idea of the Anthropocene originated in the earth sciences, there have been increasing calls for questions about the Anthropocene to be addressed by pan-disciplinary groups of researchers from across the natural sciences, social sciences, and humanities. We use data analysis techniques from corpus linguistics to examine academic texts about the Anthropocene from these disciplinary families. We read the data to suggest that barriers to a broadly interdisciplinary study of the Anthropocene are high, but we are also able to identify some areas of common ground that could serve as interdisciplinary bridges.

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    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      Digital Scholarship in the Humanities
      Article . 2024 . Peer-reviewed
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    Authors: Mirella De Sisto; Laura Hernández-Lorenzo; Javier De la Rosa; Salvador Ros; +1 Authors

    Abstract Analyzing poetry with automatic tools has great potential for improving verse-related research. Over the last few decades, this field has expanded notably and a large number of tools aiming at analyzing various aspects of poetry have been developed. However, the concrete connection between these tools and traditional scholars investigating poetry and metrics is often missing. The purpose of this article is to bridge this gap by providing a comprehensive survey of the automatic poetry analysis tools available for European languages. The tools are described and classified according to the language for which they are primarily developed, and to their functionalities and purpose. Particular attention is given to those that have open-source code or provide an online version with the same functionality. Combining more traditional research with these tools has clear advantages: it provides the opportunity to address theoretical questions with the support of large amounts of data; also, it allows for the development of new and diversified approaches.

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    Digital Scholarship in the Humanities
    Article . 2024 . Peer-reviewed
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      Digital Scholarship in the Humanities
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